الإبداعات العامة

عرض Seedance 2.0

تصفح التوليدات العامة الناجحة من المجتمع وافتح أي عنصر لفحص الموجه والإعدادات والمخرجات.

videoSora 2

um papagaio todo verde está no seu puleiro olhando para uma mulher na cozinha, o papagaio fala: "mamãe, tõ no saci, p...

um papagaio todo verde está no seu puleiro olhando para uma mulher na cozinha, o papagaio fala: "mamãe, tõ no saci, põe meu rango", a mulher olha pra ele estranhando, depois corta a cena para o papagaio já comendo, o papagaio diz: "mamãe, essa pimenta tá barril dobrado", a mulher novamente olha pra ele estranhando, a cena corta para o papagaio deitado descansando, o papagaio diz: "mamãe, seu marido te deu o migué e vai te dá um virote" a mulher rir estranhando.

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videoSora 2

A dimly lit tailoring shop at midnight. A stressed man in a torn luxury suit pleads, “Please… I need this fixed now.”...

A dimly lit tailoring shop at midnight. A stressed man in a torn luxury suit pleads, “Please… I need this fixed now.” Close-up of Beatatrice’s tired face as she pushes a stack of cash back toward him. “I don’t take money from desperate people.” Silence. The man freezes in shock. Slow zoom. Dramatic tension. Soft, emotional piano instrumental in the background.

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videoSora 2

Create a realistic, handheld-style TikTok video in German. STYLE: - Looks like filmed with a smartphone, not cinemati...

Create a realistic, handheld-style TikTok video in German. STYLE: - Looks like filmed with a smartphone, not cinematic - Slight camera shake, natural evening indoor light - Real office building environment after work - Long hallway, cleaning cart, quiet company atmosphere - No AI look, must feel authentic, raw, and unstaged - Must not look like an advertisement - Feels like a real private moment between coworkers CHARACTERS: - Two older cleaning women working in a large company building - Woman 1: German woman, around 50–60 years old - Woman 2: Turkish-German woman, around 45–55 years old - Both wear simple real cleaning work clothes / smocks - Natural faces, no glamour, no influencer look - Slightly tired after a long shift - Realistic skin texture, believable body language IMPORTANT: - Spoken language MUST be German only - No English voice - No subtitles generated by AI - No acting, no comedy, no exaggerated sales tone - Keep both women respectful, realistic, and natural SCENE STRUCTURE: 1. HOOK (0–2 sec) - The two women walk through a quiet office hallway with cleaning supplies - One woman suddenly slows down and walks carefully - The other woman notices immediately and says: „Du läufst schon wieder so vorsichtig…“ 2. REAL LIFE CONTEXT (2–6 sec) - The woman with discomfort keeps walking slowly, slightly tired - She lightly shifts her weight and answers: „Ja… nach der Schicht tun mir die Füße richtig weh.“ 3. PERSONAL STATEMENT (6–10 sec) - They stop briefly near the cleaning cart - The tired woman says: „Wenn du den ganzen Tag nur läufst und stehst, merkst du irgendwann jeden Schritt.“ 4. RELIEF MOMENT (10–13 sec) - She takes a few more steps, slightly smoother now - Face relaxes a bit, no miracle reaction - The other woman says softly: „Jetzt sieht’s besser aus.“ 5. END FRAME (13–15 sec) - Both continue walking down the hallway - Quiet, honest atmosphere - Leave room for external CTA overlay PRODUCT RULES: - Do NOT show the product incorrectly - Avoid shoe insert visuals completely - If product is shown at all, only very briefly and cleanly - Focus on the emotional coworker moment and the feeling TONE: - Honest - Slightly exhausted - Real workplace frustration - Warm but understated - Not like a commercial, not like a staged ad GOAL: - Strong relatability for people who stand and walk all day - Native TikTok realism - Feels like a real everyday moment someone captured at work

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videoSora 2

Create a realistic, handheld-style TikTok video in German. STYLE: - Looks like filmed with a smartphone, not cinemati...

Create a realistic, handheld-style TikTok video in German. STYLE: - Looks like filmed with a smartphone, not cinematic - Slight camera shake, natural evening indoor light - Real office building environment after work - Long hallway, cleaning cart, quiet company atmosphere - No AI look, must feel authentic, raw, and unstaged - Must not look like an advertisement - Feels like a real private moment between coworkers CHARACTERS: - Two older cleaning women working in a large company building - Woman 1: German woman, around 50–60 years old - Woman 2: Turkish-German woman, around 45–55 years old - Both wear simple real cleaning work clothes / smocks - Natural faces, no glamour, no influencer look - Slightly tired after a long shift - Realistic skin texture, believable body language IMPORTANT: - Spoken language MUST be German only - No English voice - No subtitles generated by AI - No acting, no comedy, no exaggerated sales tone - Keep both women respectful, realistic, and natural SCENE STRUCTURE: 1. HOOK (0–2 sec) - The two women walk through a quiet office hallway with cleaning supplies - One woman suddenly slows down and walks carefully - The other woman notices immediately and says: „Du läufst schon wieder so vorsichtig…“ 2. REAL LIFE CONTEXT (2–6 sec) - The woman with discomfort keeps walking slowly, slightly tired - She lightly shifts her weight and answers: „Ja… nach der Schicht tun mir die Füße richtig weh.“ 3. PERSONAL STATEMENT (6–10 sec) - They stop briefly near the cleaning cart - The tired woman says: „Wenn du den ganzen Tag nur läufst und stehst, merkst du irgendwann jeden Schritt.“ 4. RELIEF MOMENT (10–13 sec) - She takes a few more steps, slightly smoother now - Face relaxes a bit, no miracle reaction - The other woman says softly: „Jetzt sieht’s besser aus.“ 5. END FRAME (13–15 sec) - Both continue walking down the hallway - Quiet, honest atmosphere - Leave room for external CTA overlay PRODUCT RULES: - Do NOT show the product incorrectly - Avoid shoe insert visuals completely - If product is shown at all, only very briefly and cleanly - Focus on the emotional coworker moment and the feeling TONE: - Honest - Slightly exhausted - Real workplace frustration - Warm but understated - Not like a commercial, not like a staged ad GOAL: - Strong relatability for people who stand and walk all day - Native TikTok realism - Feels like a real everyday moment someone captured at work

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videoSora 2

A fixed outdoor camera mounted on a tree records a bright daytime scene in a natural environment. The footage looks l...

A fixed outdoor camera mounted on a tree records a bright daytime scene in a natural environment. The footage looks like real surveillance video: slight compression artifacts, natural lighting, soft wind movement in grass and trees, and subtle sensor noise. In the center of the frame is a patch of bare ground surrounded by grass. Across the ground lie hundreds of sealed plastic water bottles scattered randomly. Around them stand many advanced industrial robots. Their design is modern and functional: articulated arms, precise joints, realistic materials (metal, cables, matte surfaces). They remain mostly still at first. Suddenly, the video transitions into fast timelapse recording. In timelapse, the robots begin working at high speed. They pick up plastic bottles, precisely cut, compress, reshape, and assemble them using advanced but physically believable methods (heat, pressure, mechanical tools). Movements are extremely fast but accurate. Over time, the scattered bottles are gradually transformed into structured components. Piece by piece, the robots assemble a modern passenger car. The shape becomes increasingly recognizable: chassis, body panels, windows, wheels. The final result is a fully assembled car that visually matches a real modern vehicle in form and proportions, but its material origin (processed plastic bottles) remains subtly visible in texture. The timelapse ends and returns to normal speed. The robots continue working around the completed car. They begin unscrewing caps from remaining bottles on the ground. From inside the bottles, water starts flowing out quickly onto the soil, forming small streams and wet patches. The water movement is realistic: splashing, soaking into the ground, reflecting light. After a few moments, all robots stop simultaneously and turn their sensors or heads toward the camera, holding still. The camera remains fixed throughout. Slight natural movement from wind and minimal vibration. No cinematic effects, no slow motion — only raw, realistic footage with believable physics and mechanical behavior. Style: ultra-realistic, surveillance camera footage, timelapse + real-time, grounded physics, no cinematic look

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videoSora 2

Generate a semi-realistic video of a fictional young Brazilian woman sitting on a wooden bench in a sunny rural envir...

Generate a semi-realistic video of a fictional young Brazilian woman sitting on a wooden bench in a sunny rural environment. Character Young Brazilian woman with long straight redhair, lightly tanned skin, and a warm natural smile. She wears a simple floral summer dress with a casual countryside style. Setting Rustic rural environment. She is sitting on a wooden bench in front of a rustic brick wall of a countryside house. Background includes subtle rural elements such as plants and natural textures, softly out of focus. Lighting Bright morning sunlight, warm and natural. Soft shadows typical of a clear sunny rural day. Camera Static camera. Medium shot framing from knees up. Shallow depth of field, cinematic focus on the woman. Performance She looks directly at the camera and speaks naturally. Expression is friendly, playful and confident. Uses natural hand gestures while talking. Subtle facial expressions and light smiling while speaking. Audio / Voice Language: Portuguese (Brazil). Accent: light interior / countryside accent. Tone: spontaneous, relaxed and charismatic (not romantic). Pace: natural conversational rhythm with slight laughter in the voice. Spoken dialogue (lip-synced) "Oi meu Coroa, todo mundo passa por mim sem olhar. Mas você parou. Isso significa algo. Fica aqui comigo. Me segue clicando nessa cruz vermelha ao lado pra eu não te perder de vista." Restrictions No phone visible. No text on screen. No subtitles. No background music. Only natural voice and ambient rural sound. Recommended parameters realism_strength: 0.8 expression_variation: 0.4 eye_contact: 0.9 voice_emotion: friendly_warm lighting_style: sunny_rural_day camera_style: static_medium_shot seed: lock

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videoSora 2

Generate a photorealistic, high-fidelity video of a fictional young Brazilian woman sitting on a rustic wooden bench ...

Generate a photorealistic, high-fidelity video of a fictional young Brazilian woman sitting on a rustic wooden bench in a sunny countryside setting. Character & Silhouette Appearance: Young Brazilian woman with long, straight brown hair with natural frizz and flyaways. Lightly tanned skin with realistic texture, pores, and subtle freckles. Body & Pose: She has a noticeably slim waist. She is sitting slightly angled on the bench to naturally emphasize her feminine curves and silhouette in a candid, non-explicit way. Outfit: A light, floral-patterned summer dress. The fabric shows realistic wrinkles and folds, clinging naturally to her body as she breathes and moves. Setting & Lighting Environment: A rustic veranda with a textured, reddish-brown clay/brick wall behind her. Potted flowers (geraniums) are visible to the side. Lighting: Bright, warm "Golden Hour" sunlight coming from the side, creating soft shadows that define her features and waistline. Cinematics: Static medium shot from the knees up. Deep bokeh effect (background blur) to keep the focus entirely on her. Performance & Motion Actions: She looks directly into the camera lens with a captivating, soulful gaze. Gestures: While speaking, she gestures with her right hand toward the right side of the screen (pointing where the TikTok "plus" icon sits), making a subtle "follow" motion. Dynamics: Realistic lip-syncing with micro-expressions of hope and shyness. She gives a soft, inviting smile at the end. Audio / Voice (Lip-Synced) Language: Portuguese (Brazil). Tone: Soft, intimate, and slightly vulnerable (magnetic "damsel" tone). Dialogue: "Oi meu Coroa, todo mundo passa por mim sem olhar. Mas você parou. Isso significa algo. Fica aqui comigo. Me segue clicando nessa cruz vermelha ao lado pra eu não te perder de vista." Technical Constraints Realism: 1.0 (Maximum photorealism). Details: Focus on skin texture, fabric movement, and natural eye glint. Restrictions: No text on screen, no phone visible, no background music—only the sound of cicadas and her voice.

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videoSora 2

A slow-motion dolly shot of rain-soaked streets with neon reflections, cinematic and detailed.A young woman recording...

A slow-motion dolly shot of rain-soaked streets with neon reflections, cinematic and detailed.A young woman recording a selfie-style video outdoors in a rural farm setting during the daytime. She stands under a rustic wooden roof structure, with wooden fences, green trees, and reddish soil in the background. The lighting is natural daylight, soft and diffused, without harsh sun glare, creating even illumination across her face and skin. She has long straight dark brown hair, light-medium skin tone, expressive brown eyes, and natural makeup with nude lipstick. She wears a colorful tropical floral crop top with red, pink, yellow, and green flowers, and high-waisted light blue jeans. Her nails are painted red. She holds the phone with one hand while the other hand gently touches her hair. She looks directly into the camera with a vulnerable and shy expression, slightly insecure but hopeful. Her eyes glisten softly. She speaks in a very soft, calm, gentle, almost whispering voice, low volume, tender and meek northeastern Brazilian accent, slow and delicate delivery: "Todo mundo me acha feia só porque sou simples. Você acha também? Me segue pra me ajudar." She pauses briefly after the first sentence, looks down for a moment, then back at the camera with a timid hopeful smile at the end. Visual and technical details: Vertical 9:16 framing, photorealistic skin texture, cinematic realism, shallow depth of field, softly blurred background, HDR image quality, smooth natural motion, subtle handheld camera shake, realistic lip-sync, natural daylight color grading, high detail textures, no overexposed highlights, balanced exposure, countryside ambiance. Tags: realistic woman, selfie video, talking to camera, countryside farm, rustic wood structure, natural daylight, cinematic realism, soft lighting, photorealistic, smooth motion, natural expression, emotional expression, vertical video, social media style, shallow depth of field, HDR quality.

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videoSora 2

LOCATION U.S. airport arrivals hall. Afternoon. Warm terminal light from behind. Shallow depth of field. Soft crowd m...

LOCATION U.S. airport arrivals hall. Afternoon. Warm terminal light from behind. Shallow depth of field. Soft crowd movement in background. No legible signage, no logos, no text overlays. SECOND-BY-SECOND 0–1s Girl, 17, standing still. Hand-painted sign held at chest height — red and blue letters, small American flag taped to corner. Face calm, eyes forward. She's been waiting a while. 1–2s Boy enters frame from screen left, close. His arm swings. Hand connects with her cheek — not a shove, not a push. A deliberate, flat slap. Her head snaps right. The sign does not drop. 2–4s Hold. Her head stays turned right. Cheek visibly flushed. Eyes forward, not at him. The sign is still raised. One slow breath through her nose. Nothing else moves. 4–6s Boy is still in frame, arms crossed. He says one line — casual, as if correcting her. She doesn't look at him. Her knuckles tighten on the sign. The small flag bends at the corner where she's gripping harder. 6–8s Wide enough to show: bystanders nearby, none moving. The arrivals doors visible and blurred in the far background — still closed. She is standing completely alone in this. The boy hasn't moved. He's not checking if anyone saw. 8–10s Tight on her face — left third of frame. Arrivals doors still closed in the blurred right third. Her eyes drop once to the sign. Back up. The flag is still bent. Freeze. Fade to black. DIALOGUE BOY (flat, quiet — not a yell): "This is embarrassing." "You've been here two hours." GIRL (one beat before the slap — one word only): "Don't." "Stop." ACTING DIRECTION The slap itself: Not angry — bored. The motion is short, practiced. No wind-up. The sound matters more than the arc. Her reaction: No gasp. No tears. The stillness after is more unsettling than any reaction would be. She has absorbed this before. His posture after: Arms cross immediately. He doesn't look around. He's not checking for witnesses. That detail alone tells the viewer everything they need to feel the danger. HARD REQUIREMENTS Arrivals doors remain closed for all 10 seconds Sign stays in her hands — never drops Flag bent from grip must be visible by second 6 No authority figures in any frame No bystander intervention Boy must still be in frame and in control at freeze frame Zero resolution — doors closed, no one coming, no rescue implied

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videoSora 2

LOCATION U.S. airport arrivals hall. Afternoon. Warm terminal light from behind. Shallow depth of field. Soft crowd m...

LOCATION U.S. airport arrivals hall. Afternoon. Warm terminal light from behind. Shallow depth of field. Soft crowd movement in background. No legible signage, no logos, no text overlays. SECOND-BY-SECOND 0–1s Girl, 17, standing still. Hand-painted sign held at chest height — red and blue letters, small American flag taped to corner. Face calm, eyes forward. She's been waiting a while. 1–2s Boy enters frame from screen left, close. His arm swings. Hand connects with her cheek — not a shove, not a push. A deliberate, flat slap. Her head snaps right. The sign does not drop. 2–4s Hold. Her head stays turned right. Cheek visibly flushed. Eyes forward, not at him. The sign is still raised. One slow breath through her nose. Nothing else moves. 4–6s Boy is still in frame, arms crossed. He says one line — casual, as if correcting her. She doesn't look at him. Her knuckles tighten on the sign. The small flag bends at the corner where she's gripping harder. 6–8s Wide enough to show: bystanders nearby, none moving. The arrivals doors visible and blurred in the far background — still closed. She is standing completely alone in this. The boy hasn't moved. He's not checking if anyone saw. 8–10s Tight on her face — left third of frame. Arrivals doors still closed in the blurred right third. Her eyes drop once to the sign. Back up. The flag is still bent. Freeze. Fade to black. DIALOGUE BOY (flat, quiet — not a yell): "This is embarrassing." "You've been here two hours." GIRL (one beat before the slap — one word only): "Don't." "Stop." ACTING DIRECTION The slap itself: Not angry — bored. The motion is short, practiced. No wind-up. The sound matters more than the arc. Her reaction: No gasp. No tears. The stillness after is more unsettling than any reaction would be. She has absorbed this before. His posture after: Arms cross immediately. He doesn't look around. He's not checking for witnesses. That detail alone tells the viewer everything they need to feel the danger. HARD REQUIREMENTS Arrivals doors remain closed for all 10 seconds Sign stays in her hands — never drops Flag bent from grip must be visible by second 6 No authority figures in any frame No bystander intervention Boy must still be in frame and in control at freeze frame Zero resolution — doors closed, no one coming, no rescue implied

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videoSora 2

LOCATION U.S. airport arrivals hall. Afternoon. Warm terminal light from behind. Shallow depth of field. Soft crowd m...

LOCATION U.S. airport arrivals hall. Afternoon. Warm terminal light from behind. Shallow depth of field. Soft crowd movement in background. No legible signage, no logos, no text overlays. SECOND-BY-SECOND 0–1s Girl, 17, standing still. Hand-painted sign held at chest height — red and blue letters, small American flag taped to corner. Face calm, eyes forward. She's been waiting a while. 1–2s Boy enters frame from screen left, close. His arm swings. Hand connects with her cheek — not a shove, not a push. A deliberate, flat slap. Her head snaps right. The sign does not drop. 2–4s Hold. Her head stays turned right. Cheek visibly flushed. Eyes forward, not at him. The sign is still raised. One slow breath through her nose. Nothing else moves. 4–6s Boy is still in frame, arms crossed. He says one line — casual, as if correcting her. She doesn't look at him. Her knuckles tighten on the sign. The small flag bends at the corner where she's gripping harder. 6–8s Wide enough to show: bystanders nearby, none moving. The arrivals doors visible and blurred in the far background — still closed. She is standing completely alone in this. The boy hasn't moved. He's not checking if anyone saw. 8–10s Tight on her face — left third of frame. Arrivals doors still closed in the blurred right third. Her eyes drop once to the sign. Back up. The flag is still bent. Freeze. Fade to black. DIALOGUE BOY (flat, quiet — not a yell): "This is embarrassing." "You've been here two hours." GIRL (one beat before the slap — one word only): "Don't." "Stop." ACTING DIRECTION The slap itself: Not angry — bored. The motion is short, practiced. No wind-up. The sound matters more than the arc. Her reaction: No gasp. No tears. The stillness after is more unsettling than any reaction would be. She has absorbed this before. His posture after: Arms cross immediately. He doesn't look around. He's not checking for witnesses. That detail alone tells the viewer everything they need to feel the danger. HARD REQUIREMENTS Arrivals doors remain closed for all 10 seconds Sign stays in her hands — never drops Flag bent from grip must be visible by second 6 No authority figures in any frame No bystander intervention Boy must still be in frame and in control at freeze frame Zero resolution — doors closed, no one coming, no rescue implied

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videoSora 2

LOCATION U.S. airport arrivals hall. Afternoon. Warm terminal light from behind. Shallow depth of field. Soft crowd m...

LOCATION U.S. airport arrivals hall. Afternoon. Warm terminal light from behind. Shallow depth of field. Soft crowd movement in background. No legible signage, no logos, no text overlays. SECOND-BY-SECOND 0–1s Girl, 17, standing still. Hand-painted sign held at chest height — red and blue letters, small American flag taped to corner. Face calm, eyes forward. She's been waiting a while. 1–2s Boy enters frame from screen left, close. His arm swings. Hand connects with her cheek — not a shove, not a push. A deliberate, flat slap. Her head snaps right. The sign does not drop. 2–4s Hold. Her head stays turned right. Cheek visibly flushed. Eyes forward, not at him. The sign is still raised. One slow breath through her nose. Nothing else moves. 4–6s Boy is still in frame, arms crossed. He says one line — casual, as if correcting her. She doesn't look at him. Her knuckles tighten on the sign. The small flag bends at the corner where she's gripping harder. 6–8s Wide enough to show: bystanders nearby, none moving. The arrivals doors visible and blurred in the far background — still closed. She is standing completely alone in this. The boy hasn't moved. He's not checking if anyone saw. 8–10s Tight on her face — left third of frame. Arrivals doors still closed in the blurred right third. Her eyes drop once to the sign. Back up. The flag is still bent. Freeze. Fade to black. DIALOGUE BOY (flat, quiet — not a yell): "This is embarrassing." "You've been here two hours." GIRL (one beat before the slap — one word only): "Don't." "Stop." ACTING DIRECTION The slap itself: Not angry — bored. The motion is short, practiced. No wind-up. The sound matters more than the arc. Her reaction: No gasp. No tears. The stillness after is more unsettling than any reaction would be. She has absorbed this before. His posture after: Arms cross immediately. He doesn't look around. He's not checking for witnesses. That detail alone tells the viewer everything they need to feel the danger. HARD REQUIREMENTS Arrivals doors remain closed for all 10 seconds Sign stays in her hands — never drops Flag bent from grip must be visible by second 6 No authority figures in any frame No bystander intervention Boy must still be in frame and in control at freeze frame Zero resolution — doors closed, no one coming, no rescue implied

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