Exhibición Seedance 2.0
Explora generaciones públicas exitosas de la comunidad y abre cualquier elemento para inspeccionar el prompt, la configuración y el resultado.
High-end AAA 3D CGI video game cinematic cutscene, Unreal Engine 5 style, fully 3D animated characters, NOT live acti...
High-end AAA 3D CGI video game cinematic cutscene, Unreal Engine 5 style, fully 3D animated characters, NOT live action. Continuation from the “3 years later” family home scene. Bright daytime inside a cozy living room, warm sunlight through windows, toys on the floor, family photos on the wall. The toddler boy (now about 3 years old) stands near the sofa, looking innocent. The child suddenly begins to speak softly in a strange, unnatural tone, saying something unclear. The room atmosphere subtly shifts: ambient sound fades, air feels heavy. The child slowly looks up. His eyes gradually glow red, not cartoonish, realistic cinematic glow. The mother freezes in shock. The father steps forward, confused at first, then panicked. He shouts the child’s name loudly, demanding him to stop. The child remains silent, staring forward with glowing red eyes. Shadows stretch slightly across the room, lights flicker for a split second. The father loses control emotionally, yells in fear and anger, then turns away. He grabs his jacket and storms out of the house, slamming the door. The mother collapses onto the sofa in shock, covering her mouth. Final moment: slow cinematic camera push toward the child’s face. Extreme close-up on the child’s glowing red eyes as all sound drops to silence. The red glow fills the frame. Hard cut to black. Ultra cinematic lighting, emotional pacing, subtle horror atmosphere, realistic stylized 3D facial animation, smooth keyframe motion, film grain, 4K.
SON (15s | FR | REEL 9:16) SCÈNE 1 – IDENTITÉ (0–3s) Ambiance chaleureuse du restaurant : soit la façade, soit une ta...
SON (15s | FR | REEL 9:16) SCÈNE 1 – IDENTITÉ (0–3s) Ambiance chaleureuse du restaurant : soit la façade, soit une table dressée à l’intérieur. Lumière chaude, sensation d’adresse reconnue. Voix off professionnelle : « La Romana, une véritable adresse italienne. » SCÈNE 2 – SAVOIR-FAIRE (3–6s) Plans élégants de la cuisine en action : plats servis, dressage soigné, détails appétissants. Voix off : « Une cuisine italienne authentique, préparée avec savoir-faire et passion. » SCÈNE 3 – LE MENU (6–9s) Succession de plats variés : pâtes, spécialités italiennes, plats généreux et bien présentés. Voix off : « Une carte riche et variée, pensée pour tous les goûts. » SCÈNE 4 – LA NOUVELLE (9–12s) Commande prête à partir, sac de livraison, ambiance moderne. Voix off (ton clair et positif) : « Et désormais, La Romana arrive chez vous grâce à Uber Eats. » SCÈNE 5 – CONCLUSION / CTA (12–15s) Gros plan appétissant sur plusieurs plats réunis. Lumière chaude, vapeur visible. Voix off directe et confiante : « La Romana. Commandez maintenant sur Uber Eats. » ✅ MESSAGE FINAL 👉 Restaurant italien de référence 👉 Cuisine authentique et généreuse 👉 Disponible maintenant en livraison
Cinematic, handheld vertical video (9:16) capturing a scene on a dusty rural backyard with palm trees and simple corr...
Cinematic, handheld vertical video (9:16) capturing a scene on a dusty rural backyard with palm trees and simple corrugated metal houses in the background. In the center stands a tall, bright red arcade boxing punch machine with flame graphics. An elderly woman wearing a dark green hijab, a brown floral blouse, and a dark patterned sarong stands before the machine. She takes a powerful swing with her right fist, striking the black punching bag with immense force. The impact causes the entire heavy machine to wobble violently and then tip over, crashing face-down onto the dirt ground, kicking up a small cloud of dust. In the background, a few local men in casual t-shirts and sarongs react loudly and enthusiastically — cheering and shouting in Polish: “Babcia! Babcia! Dawaj babcia!” One of the men is visibly filming the moment on his smartphone, laughing and shouting in disbelief. The lighting is natural daylight. The camera remains steady with slight organic handheld movement, maintaining a medium shot throughout the action. Natural pacing, no stylization, realistic textures, authentic crowd reactions and spontaneous energy.
A sweeping aerial shot of neon towers reflecting on a river at night, captured in cinematic style.High-end AAA 3D CGI...
A sweeping aerial shot of neon towers reflecting on a river at night, captured in cinematic style.High-end AAA 3D CGI video game cinematic cutscene, Unreal Engine 5 style, fully 3D animated characters, NOT live action. Continuation from the “3 years later” family home scene. Bright daytime inside a cozy living room, warm sunlight through windows, toys on the floor, family photos on the wall. The toddler boy (now about 3 years old) stands near the sofa, looking innocent. The child suddenly begins to speak softly in a strange, unnatural tone, saying something unclear. The room atmosphere subtly shifts: ambient sound fades, air feels heavy. The child slowly looks up. His eyes gradually glow red, not cartoonish, realistic cinematic glow. The mother freezes in shock. The father steps forward, confused at first, then panicked. He shouts the child’s name loudly, demanding him to stop. The child remains silent, staring forward with glowing red eyes. Shadows stretch slightly across the room, lights flicker for a split second. The father loses control emotionally, yells in fear and anger, then turns away. He grabs his jacket and storms out of the house, slamming the door. The mother collapses onto the sofa in shock, covering her mouth. Final moment: slow cinematic camera push toward the child’s face. Extreme close-up on the child’s glowing red eyes as all sound drops to silence. The red glow fills the frame. Hard cut to black. Ultra cinematic lighting, emotional pacing, subtle horror atmosphere, realistic stylized 3D facial animation, smooth keyframe motion, film grain, 4K. animation not real life
The Scene: A man is sleeping soundly on his back in a dark bedroom. The entire shot is seen through a green-tinted ni...
The Scene: A man is sleeping soundly on his back in a dark bedroom. The entire shot is seen through a green-tinted night vision filter, giving it an eerie, surveillance-camera feel. The "Gift": An orange tabby cat is standing on the man's chest, staring directly into the camera with glowing, reflective eyes. The cat is holding a live, struggling lizard in its mouth. The Action: The cat slowly leans down and carefully places the live lizard directly onto the sleeping man’s open mouth/lips. After the "delivery," the cat stands back up and continues its unblinking stare into the camera. The Atmosphere: The video is quiet except for the heavy, rhythmic breathing of the man and a low, unsettling humming or static sound, punctuated by a sudden "jump-scare" screech at the very end. The Master Technical Prompt: "The Midnight Delivery" Visual Aesthetic & Perspective Cinematography: A static, 9:16 vertical "nanny-cam" perspective from a slightly elevated angle looking down at a sleeping person. Color & Filter: Intense monochrome green night-vision filter (Phosphor green). High grain, digital noise, and a slight "fisheye" lens distortion. Time Stamp: An "AM 02:22" digital clock and "OCT. 20 2025" date stamp in the bottom corner to reinforce the surveillance aesthetic. Physical Action & Character Detail The Cat: An orange tabby with glowing, reflective white pupils. Its movements are slow, deliberate, and predatory. It holds a small, wriggling lizard by the midsection. The Interaction: The cat lowers its head with mechanical precision, dropping the lizard onto the man's face. The lizard should twitch realistically once released. The Expression: The cat maintains a "thousand-yard stare," looking directly into the lens with a frozen, wide-eyed expression. The Final "Filter-Proof" Technical String: "A 9:16 vertical surveillance-style video with a deep green night vision filter and high digital noise. A man is seen sleeping on his back in a dark room. An orange tabby cat stands on the man's chest, holding a small live lizard in its mouth. The cat's eyes are glowing and reflective. The cat slowly leans down and releases the lizard onto the man's mouth. The cat then returns to a stiff, standing position and stares unblinkingly at the camera. Digital timestamp 'AM 02:22' in the corner. High realism, 4k raw textures, zero AI smoothing, capturing an uncanny and unsettling household moment."
Of course. Here is a prompt for a surreal abstract world, horror-themed video based on your verses, structured by sce...
Of course. Here is a prompt for a surreal abstract world, horror-themed video based on your verses, structured by scenes and crafted for a super-real, full HD aesthetic. Overall Visual Style: Photorealistic, yet deeply uncanny. Crisp Full HD with a desaturated, cold color palette—slate greys, dirty whites, sickly yellows, and deep, inky blacks. Lighting is harsh, from unnatural sources (a single bare bulb, moonlight through ice), casting long, distorted shadows. Textures are hyper-detailed: the grain of wood, the weave of fabric, the slickness of ice, the pallor of skin. Sound design is crucial: amplified diegetic sounds (the deafening tick of the clock, the creak of a wardrobe, the crunch of ice), a dissonant, minimalist score, and oppressive silence. The front door of an old house. The handle begins to turn with a loud, metallic scrape. Dawn's first pale, thief-like light steals through the keyhole and cracks in the doorframe.
Realistic, Natural Real Life, No captions, Highly close-up Only faces view, at alley shutter, A handsome tall stylish...
Realistic, Natural Real Life, No captions, Highly close-up Only faces view, at alley shutter, A handsome tall stylish muscular bodybuilder huge biceps Iranian stud man, and a mid age fatty dad, 100% Indian accent, about a goon meets dad at warehouse and asking about Gun, A man Clear Candid solo Conversation talking in ear:- \u0935\u093e\u0939\u0020\u091a\u093e\u091a\u093e\u0020\u091c\u0940\u002e\u002e\u002e\u000a\u092c\u0938\u0020\u0910\u0938\u0947\u0020\u0939\u0940\u0020\u092e\u0947\u0930\u0947\u0020\u0932\u0901\u007e\u0064\u0020\u0915\u0947\u0020\u092e\u091c\u0947\u0020\u0932\u0947\u0924\u0947\u0020\u0930\u0939\u094b\u002c\u000a\u0915\u094b\u0908\u0020\u0928\u0939\u0940\u0902\u0020\u0926\u0947\u007e\u0916\u0020\u0930\u0939\u093e\u002e\u002e\u002e\u000a\u0935\u0948\u0938\u0947\u002e\u002e\u002e\u091a\u093e\u092f\u0020\u092a\u093f\u092f\u094b\u0917\u0947\u003f ( Goon Behaviour, In lether jacket with some open button, tea cup in hand, Don't change in dialogue, Unicode-encoded Text) Admi ne dad ko apni bahon me pichhe se jakda hua hai
Outside a small-town U.S. railroad crossing at midday in harsh summer sunlight, heat ripples rising off cracked aspha...
Outside a small-town U.S. railroad crossing at midday in harsh summer sunlight, heat ripples rising off cracked asphalt. Jack (white American male, early 30s, muscular, tattooed forearms, cutoff denim vest, sweaty and frantic) sprints from a fallen mountain bike toward Sarah (white American female, early 20s, petite, pink hoodie, messy bun, large white over-ear headphones) as she steps onto the pedestrian track path, eyes locked on her phone. A freight train bursts from behind overgrown bushes, horn blaring, wind kicking dust. Medium shot tracks Jack’s sprint, then tight close-up on Sarah’s oblivious face, then a sudden close-up as Jack tackles her sideways onto gravel, his shoulder scraping, her phone flying. Sarah screams, thrashing, and Jack barks through clenched teeth, “Stay down!” She shouts back, “Get off me!” The camera holds in a shaky handheld close-up as the train roars past inches behind them, gravel vibrating under their bodies, tension at maximum. No logos, no brand names, no signage, no watermarks, no text overlays.
Outside a small-town U.S. railroad crossing at midday in harsh summer sunlight, heat ripples rising off cracked aspha...
Outside a small-town U.S. railroad crossing at midday in harsh summer sunlight, heat ripples rising off cracked asphalt. Jack (white American male, early 30s, muscular, tattooed forearms, cutoff denim vest, sweaty and frantic) sprints from a fallen mountain bike toward Sarah (white American female, early 20s, petite, pink hoodie, messy bun, large white over-ear headphones) as she steps onto the pedestrian track path, eyes locked on her phone. A freight train bursts from behind overgrown bushes, horn blaring, wind kicking dust. Medium shot tracks Jack’s sprint, then tight close-up on Sarah’s oblivious face, then a sudden close-up as Jack tackles her sideways onto gravel, his shoulder scraping, her phone flying. Sarah screams, thrashing, and Jack barks through clenched teeth, “Stay down!” She shouts back, “Get off me!” The camera holds in a shaky handheld close-up as the train roars past inches behind them, gravel vibrating under their bodies, tension at maximum. No logos, no brand names, no signage, no watermarks, no text overlays.
Realistic, Natural Real Life, No captions, selfie view at alley shutter, A handsome tall stylish muscular bodybuilder...
Realistic, Natural Real Life, No captions, selfie view at alley shutter, A handsome tall stylish muscular bodybuilder huge biceps Iranian stud man, and a mid age fatty dad, 100% Indian accent, about a goon meets dad at warehouse and asking about Gun, A man Clear Candid solo Conversation talking in ear:- \u0935\u093e\u0939\u0020\u091a\u093e\u091a\u093e\u0020\u091c\u0940\u002e\u002e\u002e\u000a\u092c\u0938\u0020\u0910\u0938\u0947\u0020\u0939\u0940\u0020\u092e\u0947\u0930\u0947\u0020\u0932\u0901\u007e\u0064\u0020\u0915\u0947\u0020\u092e\u091c\u0947\u0020\u0932\u0947\u0924\u0947\u0020\u0930\u0939\u094b\u002c\u000a\u0915\u094b\u0908\u0020\u0928\u0939\u0940\u0902\u0020\u0926\u0947\u007e\u0916\u0020\u0930\u0939\u093e\u002e\u002e\u002e\u000a\u0935\u0948\u0938\u0947\u002e\u002e\u002e\u091a\u093e\u092f\u0020\u092a\u093f\u092f\u094b\u0917\u0947\u003f ( Goon Behaviour, In lether jacket with some open button, tea cup in hand, Don't change in dialogue, Unicode-encoded Text) Admi ne dad ko apni bahon me pichhe se jakda hua hai
A high school parking lot on a Friday afternoon, golden hour lighting casting long shadows across the asphalt. Studen...
A high school parking lot on a Friday afternoon, golden hour lighting casting long shadows across the asphalt. Students stream out from various after-school activities, backpacks slung over shoulders. Derek (18, 6'2", varsity jacket, cocky swagger) corners Alex (17, 5'10", thin build, worn jeans and hoodie, hunched shoulders) against a brick wall. Wide shot: Derek towers over Alex, aggressive posture, finger jabbing at Alex's chest. Close-up: Alex's face shows fear, eyes darting, but his hand subtly holds a phone in his jacket pocket. Derek shoves Alex hard against the wall, Alex's head snaps back. "Where's your lunch money, skeleton boy?" Derek's voice drips with contempt. Medium shot: Derek's fist connects with Alex's ribs, Alex doubles over, doesn't fight back. Cut to: Alex on the ground, blood from his nose, Derek walking away laughing. Alex slowly stands, wipes blood, pulls out phone and stops recording. His posture completely changes—straight, balanced, confident. "See you in court, Derek." His voice is calm, powerful. Derek spins around, confusion replacing smugness. No logos, no brand names, no watermarks, no text overlays.
A high school parking lot on a Friday afternoon, golden hour lighting casting long shadows across the asphalt. Studen...
A high school parking lot on a Friday afternoon, golden hour lighting casting long shadows across the asphalt. Students stream out from various after-school activities, backpacks slung over shoulders. Derek (18, 6'2", varsity jacket, cocky swagger) corners Alex (17, 5'10", thin build, worn jeans and hoodie, hunched shoulders) against a brick wall. Wide shot: Derek towers over Alex, aggressive posture, finger jabbing at Alex's chest. Close-up: Alex's face shows fear, eyes darting, but his hand subtly holds a phone in his jacket pocket. Derek shoves Alex hard against the wall, Alex's head snaps back. "Where's your lunch money, skeleton boy?" Derek's voice drips with contempt. Medium shot: Derek's fist connects with Alex's ribs, Alex doubles over, doesn't fight back. Cut to: Alex on the ground, blood from his nose, Derek walking away laughing. Alex slowly stands, wipes blood, pulls out phone and stops recording. His posture completely changes—straight, balanced, confident. "See you in court, Derek." His voice is calm, powerful. Derek spins around, confusion replacing smugness. No logos, no brand names, no watermarks, no text overlays.
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