Exhibición Seedance 2.0
Explora generaciones públicas exitosas de la comunidad y abre cualquier elemento para inspeccionar el prompt, la configuración y el resultado.
Anime style, orang kurus makan bertahun tahun non stop akhirnya gemuk dan sakit
Anime style, orang kurus makan bertahun tahun non stop akhirnya gemuk dan sakit
A highly detailed cinematic anime scene inspired by Makoto Shinkai’s visual style. Inside a modest, dimly lit living ...
A highly detailed cinematic anime scene inspired by Makoto Shinkai’s visual style. Inside a modest, dimly lit living room in Indonesia at night. Heavy rain pours relentlessly against the window, raindrops sliding down the glass, creating a melancholic and somber atmosphere. Soft blue and orange lighting from street lamps mixes with the warm glow of an old television. A middle-aged male honorary teacher sits slumped on a worn-out sofa. He wears a faded batik shirt, slightly wrinkled, showing years of dedication and fatigue. His posture is tired, shoulders lowered. In his hands, he holds a thick stack of graded exam papers, some pages slightly bent. In front of him, an old television set flickers. The screen glows brightly, displaying a breaking news banner in bold Indonesian text: “PEGAWAI MBG DILANTIK PPPK” The camera slowly zooms in toward the teacher’s face. His eyes tremble, slowly filling with tears. The reflection of the TV light shimmers in his watery eyes. His expression shows deep sadness, quiet disappointment, and resignation—someone who has given everything but feels unseen. Soft rain ambience and distant thunder. The teacher speaks in a low, broken voice, almost whispering, filled with irony and pain: Dialog (Bahasa Indonesia, voice-over or lip-sync): "Harusnya dulu aku belajar memasak, bukan belajar mendidik… Karena di negeri ini, ‘kenyang’ sepertinya lebih dihargai daripada ‘pintar’." A single tear falls from his cheek onto the exam papers. The TV sound fades into static as the rain grows louder. Ultra-detailed anime rendering, emotional cinematic framing, shallow depth of field, dramatic close-up, realistic rain physics, moody lighting, subtle film grain, high contrast highlights, 4K resolution, emotionally powerful, quiet and reflective tone.
Vinheta do Ronda Nacional, com estilo de vinheta dos programas jornalísticos policiais com prestação de serviço, sem ...
Vinheta do Ronda Nacional, com estilo de vinheta dos programas jornalísticos policiais com prestação de serviço, sem cenas, só trecho | TV Jornal de Brasília
A dog rocket launching the house
A dog rocket launching the house
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.(00:00 – 00:05 секунд) ...
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.(00:00 – 00:05 секунд) Картинка: Ранок у селі. [КУМ] виглядає з-за паркану. У сусідньому городі, посеред капусти, димлять уламки двох дронів. [КУМА] спокійно розвішує білизну поруч. [ДІАЛОГ] [КУМ] (здивовано): '— Галю! А чого це у вас в городі щоночі дрони падають? Ви що, ППО в сараї ховаєте?' (00:06 – 00:10 секунд) Картинка: Крупний план на Кумі. Вона втомлена, мішки під очима, але горда. [ДІАЛОГ] [КУМА] (відмахується): '— Та яке там ППО... То мій Петро!' (00:11 – 00:12 секунд) Картинка: Кум чухає потилицю. [ДІАЛОГ] [КУМ]: '— З рушниці збиває, чи що?' (00:13 – 00:15 секунд) Картинка: Екстремальний крупний план на Кумі. Вона шепоче, озираючись. [ДІАЛОГ] [КУМА] (змовницьки): '— Та ні! Він як вип’є і засне, то видає такі частоти хропіння, що в них навігація збивається — думають, що вже вдома, і сідають!' (ЗВУК): (З хати лунає потужний, вібруючий звук хропіння, від якого у Кума з голови падає кашкет. Звук як у трансформатора: "ХРРРР-БЗЗЗЗЗ!")
A sweeping aerial shot of neon towers reflecting on a river at night, captured in cinematic style.
A sweeping aerial shot of neon towers reflecting on a river at night, captured in cinematic style.
In this scene the old man in the left was telling the girl in the right that she should get rid of her clone ( a pers...
In this scene the old man in the left was telling the girl in the right that she should get rid of her clone ( a person who looks like her ) , then the girl went running transforming her hands into a sword to attack her clone (can u make the audio in arabic)
ten mężczyzna ma chodzić i machać rękami. Tło jednolicie zielone
ten mężczyzna ma chodzić i machać rękami. Tło jednolicie zielone
make a cinematic shot of a mountain clipping the fir the screen turns black saying "THIS IS THE BEGINNING..." it cuts...
make a cinematic shot of a mountain clipping the fir the screen turns black saying "THIS IS THE BEGINNING..." it cuts to a dark cave. then pitch black. "OF THE END" shows on screen as it fades a dragon blue eye opens then its pupil narrows.
@srwilsoncca gordo e vesgo virando homem da caverna falando "UGAH UGAH AWESOME UGAH UGAH WILSON" repetinamente, ele p...
@srwilsoncca gordo e vesgo virando homem da caverna falando "UGAH UGAH AWESOME UGAH UGAH WILSON" repetinamente, ele pega um pedaço de madeira e começa a bater na mesa e pular
The car shown is an orange Lamborghini Revuelto, exactly as visible in the attached image. Use this car as the 1:1 or...
The car shown is an orange Lamborghini Revuelto, exactly as visible in the attached image. Use this car as the 1:1 original subject. Do not alter the vehicle in any way. This includes: • Original Lamborghini logos and branding • Original design, shape, and proportions • Original orange paint color • Original black wheels with authentic Lamborghini logos • Original text, badges, and markings No fake brands, no redesigns, no replacements — the car must remain 100% authentic and identical to the attached image. Scene – Earth’s Atmosphere: The Lamborghini Revuelto remains entirely within the Earth’s atmosphere throughout the scene and falls straight downward, as if it has just been released. The motion is realistic, with clear gravity and subtle air resistance. At the beginning, the falling speed is fast. While falling, the car rotates slightly and naturally, uncontrolled, like a real object in free fall. Deceleration & Transition: After a short time, the speed gradually decreases. The fall becomes heavier, calmer, and more controlled. Extreme Slow Motion: The movement smoothly transitions into very slow slow motion. All motion becomes soft, cinematic, and precise. Cinematic Camera Sequence (starts only after slow motion begins): The camera now moves slowly and smoothly around the Lamborghini Revuelto, showing it from different perspectives in the following exact order: 1. Front view 2. Side view 3. Headlights 4. Tires / black wheels with original Lamborghini logos 5. Rear view 6. Hood All transitions are fluid, controlled, and cinematic, matching the style of popular high-end car edits where vehicles dramatically fall through the atmosphere. The overall look is epic, realistic, and cinematic, with the orange Lamborghini Revuelto always as the clear focal point.
a video of a family eating in the living room while a cow is eating the food on the table
a video of a family eating in the living room while a cow is eating the food on the table
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