Exhibición Seedance 2.0
Explora generaciones públicas exitosas de la comunidad y abre cualquier elemento para inspeccionar el prompt, la configuración y el resultado.
Style: Photorealistic, Cinematic, Full HD. A fusion of Andrei Tarkovsky's haunting atmospherics, Zdzisław Beksiński's...
Style: Photorealistic, Cinematic, Full HD. A fusion of Andrei Tarkovsky's haunting atmospherics, Zdzisław Beksiński's surreal dystopian landscapes, and the visceral body horror of Clive Barker. Color palette is desaturated, dominated by deep blacks, ash-greys, the metallic sheen of steel, and the dull copper of dried blood. Light sources are sparse, sickly, and diegetic (candles, bioluminescence, dim lightning). Scene 3.1 Prompt: The protagonist is submerged in the "heavy water." He sinks slowly, his hair floating upwards. The water is so dense it's like liquid lead. Below him, there is no bottom, only an infinite, starless void pulling him down. Photorealistic underwater cinematography, terrifying emptiness. Scene 3.2 Prompt: Cut to a massive, cracked cathedral bell, half-buried in a pit of dry, compacted earth. It swings violently, but the sound is muffled, as if heard from deep underground. Each swing causes cracks to spiderweb across the earthen walls surrounding it. Scene 3.3 Prompt: The protagonist, now standing on a featureless grey plane, holds the entire weight of a black, non-reflective obelisk on his shoulders. The weight is visualized as reality warping around him. He staggers, his bones visibly straining against his skin. Scene 3.4 Prompt: His hands, impossibly strong, grip a massive slab of polished black granite. Friction creates heat, and the granite begins to glow a deep, molten orange-red where he touches it. In his other hand, he crushes a handful of golden sand, which turns to a fine, grey dust that drifts away into nothing. Scene 3.5 Prompt: The perspective pulls back to show the protagonist floating in the void before a colossal, ancient, weathered wooden door. It is the only object in existence. As he reaches for the handle, the door slowly swings open, revealing not a room, but an absolute, consuming nothingness. A blinding white light erupts from the void, consuming everything
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] video POV gaya konten harian, menggunakan sudut pandang mata wanita, kamera handphone diarahkan ke bagian tubuh dari LEHER KE BAWAH hingga PAHA, wajah tidak ditampilkan, framing tubuh terlihat dewasa dan elegan, wanita duduk di kursi penumpang depan di dalam mobil, mengenakan pakaian terbuka namun tetap sopan, bagian leher dan garis tubuh terlihat secara alami, tidak ada fokus berlebihan pada bagian tubuh sensitif, satu tangan memegang handphone, tangan lainnya memegang botol parfum secara santai, tanpa pose iklan, pencahayaan alami masuk dari kaca mobil, nuansa tenang, percaya diri, dan lifestyle dewasa, gerakan kamera halus seperti sedang iseng merekam, komposisi visual terasa intim namun berkelas, konten soft selling, tanpa adegan vulgar atau eksplisit [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT
{ "video_format": "vertical_9_16", "duration_seconds": 15, "style": "POV no espelho sem pessoa, produto no manequim",...
{ "video_format": "vertical_9_16", "duration_seconds": 15, "style": "POV no espelho sem pessoa, produto no manequim", "music": "none", "no_text_on_screen": true, "safety_constraints": [ "family-friendly", "product-only", "no nudity", "no sensual context", "NO mannequin skin look: crop waist-to-mid-thigh only", "do not show mannequin torso/bust" ], "voice": { "type": "female", "tone": "forte, vendedora, natural", "robotic": false }, "product": { "name": "Shorts Saia Alfaiataria Cintura Alta", "fabric": "malha de alfaiataria encorpada", "color": "bege claro", "details": [ "acompanha cinto preto", "caimento estruturado", "zero transparência" ], "reference_fidelity": "100% (igual à imagem de referência)" }, "scene": { "location": "quarto de casa brasileira com espelho (fundo neutro)", "lighting": "luz natural suave", "camera": "POV filmando no espelho, só mãos aparecem ajustando o produto" }, "shots": [ { "t_start": 0, "t_end": 4, "visual": "espelho mostrando o short saia no manequim (apenas cintura até metade da coxa)", "action": "mão alisa a frente e destaca a fenda" }, { "t_start": 4, "t_end": 9, "visual": "close médio no cinto e cós", "action": "mão ajusta o cinto e mostra o fecho" }, { "t_start": 9, "t_end": 12, "visual": "plano médio lateral mostrando caimento", "action": "mão puxa de leve o tecido pra mostrar firmeza" }, { "t_start": 12, "t_end": 15, "visual": "plano final centralizado no produto", "action": "mão faz gesto final de aprovação + CTA discreto" } ], "narration_text": [ "Eu juro: eu não esperava essa qualidade por esse preço.", "É alfaiataria encorpada, fica estruturado e não fica transparente.", "E o detalhe que eu amei: já vem com cinto.", "Clica no carrinho laranja e garante o teu." ] }
{ "video_format": "vertical_9_16", "duration_seconds": 15, "style": "POV no espelho sem pessoa, produto no manequim",...
{ "video_format": "vertical_9_16", "duration_seconds": 15, "style": "POV no espelho sem pessoa, produto no manequim", "music": "none", "no_text_on_screen": true, "safety_constraints": [ "family-friendly", "product-only", "no nudity", "no sensual context", "NO mannequin skin look: crop waist-to-mid-thigh only", "do not show mannequin torso/bust" ], "voice": { "type": "female", "tone": "forte, vendedora, natural", "robotic": false }, "product": { "name": "Shorts Saia Alfaiataria Cintura Alta", "fabric": "malha de alfaiataria encorpada", "color": "bege claro", "details": [ "acompanha cinto preto", "caimento estruturado", "zero transparência" ], "reference_fidelity": "100% (igual à imagem de referência)" }, "scene": { "location": "quarto de casa brasileira com espelho (fundo neutro)", "lighting": "luz natural suave", "camera": "POV filmando no espelho, só mãos aparecem ajustando o produto" }, "shots": [ { "t_start": 0, "t_end": 4, "visual": "espelho mostrando o short saia no manequim (apenas cintura até metade da coxa)", "action": "mão alisa a frente e destaca a fenda" }, { "t_start": 4, "t_end": 9, "visual": "close médio no cinto e cós", "action": "mão ajusta o cinto e mostra o fecho" }, { "t_start": 9, "t_end": 12, "visual": "plano médio lateral mostrando caimento", "action": "mão puxa de leve o tecido pra mostrar firmeza" }, { "t_start": 12, "t_end": 15, "visual": "plano final centralizado no produto", "action": "mão faz gesto final de aprovação + CTA discreto" } ], "narration_text": [ "Eu juro: eu não esperava essa qualidade por esse preço.", "É alfaiataria encorpada, fica estruturado e não fica transparente.", "E o detalhe que eu amei: já vem com cinto.", "Clica no carrinho laranja e garante o teu." ] }
A selfie video young cute japanese softie, small girl with round glasses, wearing purple aesthetic t-shirt, high pitc...
A selfie video young cute japanese softie, small girl with round glasses, wearing purple aesthetic t-shirt, high pitched voice, english, sits in the bench, then putting the selfie down to her pocket softly with her finger in the cam frame.
Style: Photorealistic, Cinematic, Full HD. A fusion of Andrei Tarkovsky's haunting atmospherics, Zdzisław Beksiński's...
Style: Photorealistic, Cinematic, Full HD. A fusion of Andrei Tarkovsky's haunting atmospherics, Zdzisław Beksiński's surreal dystopian landscapes, and the visceral body horror of Clive Barker. Color palette is desaturated, dominated by deep blacks, ash-greys, the metallic sheen of steel, and the dull copper of dried blood. Light sources are sparse, sickly, and diegetic (candles, bioluminescence, dim lightning). Scene 2.1 Prompt: A drone shot looking straight down at a vast, featureless peat bog and marshland. The surface is an unsettling, unnatural flatness. Slowly, just beneath the murky water, the outlines of dozens of perfectly preserved, ancient human bodies become visible, their faces calm. The shot slowly tilts up to reveal the protagonist standing at the water's edge. Scene 2.2 Prompt: A heavy, moss-covered stone slab is slowly lowered by unseen forces onto the ground in front of the protagonist. As it hits the earth with a deep, resonant thud, a name carved into it glows with a faint, dying ember light before fading to a completely smooth, unmarked surface
Style: Photorealistic, Cinematic, Full HD. A fusion of Andrei Tarkovsky's haunting atmospherics, Zdzisław Beksiński's...
Style: Photorealistic, Cinematic, Full HD. A fusion of Andrei Tarkovsky's haunting atmospherics, Zdzisław Beksiński's surreal dystopian landscapes, and the visceral body horror of Clive Barker. Color palette is desaturated, dominated by deep blacks, ash-greys, the metallic sheen of steel, and the dull copper of dried blood. Light sources are sparse, sickly, and diegetic (candles, bioluminescence, dim lightning). Scene 1.5 Prompt: The protagonist, a lone man in tattered, ash-covered clothes, stumbles through a ruined, post-apocalyptic cityscape. Dust motes dance in the only light source: a single, impossibly distant and dim star. The buildings are skeletal, made of blackened, twisted rebar. Scene 1.6 Prompt: Close-up on a thurible (censer) swinging on a chain, but instead of smoke, it emits thick, black, living tendrils of smog that crawl up the protagonist's face and into his nostrils and ears. His eyes roll back in a trance-like state. Body horror, surreal. Scene 1.7 Prompt: A rapid montage of the protagonist's past dreams, shown as decaying, melting photographs. Images of a wooden house, a smiling face, a green field, all rotting and crumbling into black soil in real-time.
In a bustling American shopping mall during midday, bright fluorescent lighting illuminates the main concourse with n...
In a bustling American shopping mall during midday, bright fluorescent lighting illuminates the main concourse with natural light streaming through skylights. Jennifer (40s, janitor uniform, brown hair in ponytail, calm demeanor) mops near a decorative fountain while Amelia (30s, designer clothes, blonde hair, aggressive posture) approaches with a Starbucks cup. Medium shot: Amelia marches over, pointing accusingly at the floor while other shoppers slow their pace, sensing confrontation. Close-up: Amelia grabs a nearby trash can, her face twisted with contempt. Wide shot: Coffee cups and wrappers cascade over Jennifer's head as the crowd gasps, phones appearing to record. Jennifer stands motionless, garbage dripping from her shoulders, maintaining perfect composure. Cut to: Jennifer reaching into her uniform pocket, pulling out a corporate radio. She speaks clearly: "This is Vice President Anderson. Security to main concourse immediately." Amelia's expression shifts from smugness to confusion as Jennifer unzips her vest, revealing a business suit underneath. No logos, no brand names, no signage, no watermarks, no text overlays.
Style: Photorealistic, Cinematic, Full HD. A fusion of Andrei Tarkovsky's haunting atmospherics, Zdzisław Beksiński's...
Style: Photorealistic, Cinematic, Full HD. A fusion of Andrei Tarkovsky's haunting atmospherics, Zdzisław Beksiński's surreal dystopian landscapes, and the visceral body horror of Clive Barker. Color palette is desaturated, dominated by deep blacks, ash-greys, the metallic sheen of steel, and the dull copper of dried blood. Light sources are sparse, sickly, and diegetic (candles, bioluminescence, dim lightning). Prompt: A colossal, shadowy humanoid figure made of living, swirling cosmic dust and void, standing on the horizon, its back turned to the protagonist. The figure is so vast it distorts the space around it. It takes a step, and the ground where it stepped dissolves into a cloud of grey ash.
A wedding between two humanoid robots is blessed by a priest. The robots are against it because they don't believe in...
A wedding between two humanoid robots is blessed by a priest. The robots are against it because they don't believe in God. Realistic quality.
Indian 60 years woman giving interview in public everyone watching her and she saying ( abhi umar bhi ho chuki hai, a...
Indian 60 years woman giving interview in public everyone watching her and she saying ( abhi umar bhi ho chuki hai, aur ghutno ke dard ne to pareshan karke rakh diya tha!! Woto japan ke baam ne asar dikhaya aur dard band hua!) Don't add any B-rolls Don't Background music and subtitles Don't any product in visuals CLeaner audio , no background noice
A man comes to a school where only humanoid robots study, and they laugh at him.Realistic quality.
A man comes to a school where only humanoid robots study, and they laugh at him.Realistic quality.
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