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SCENE 1 (4s): Medium shot, handheld. Small American diner kitchen, Friday night. Hot fluorescent light, cluttered prep surfaces. Walter — a white American man, early seventies, white shirt, black apron — stands at the grill, working. Calm. Methodical. Unhurried. Dane — a white American man, early thirties, blazer half-undone, face red — storms in through the kitchen door. Walter hears him, turns to face him. DIALOGUE (Dane, shouting): "I told you to clock out! This is MY kitchen — GET OUT!" SCENE 2 (5s): Same angle, tighter. Walter faces Dane directly, chest open. Dane steps close — and shoves him hard, both palms flat into Walter's chest. Walter's body snaps straight back. His lower back hits the counter edge. He grabs the prep table to catch himself. He does not fall. He does not speak. He does not shout back. He just holds the table, looks at Dane — steady, silent, utterly still. The kitchen goes dead quiet. NO DIALOGUE. SCENE 3 (6s): No cut. The camera slowly pulls back and tilts upward, drifting away from both men toward the upper corner of the kitchen wall. A small security camera is mounted there. Its red indicator light glows steady. Still recording. Everything. Cut to black. NO text overlay, NO subtitles, NO captions, NO logos, NO brand names, NO watermarks. Cinematic, grounded, U.S. drama tone.

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SCENE 1 (4s): Medium shot, handheld. Small American diner kitchen, Friday night. Hot fluorescent light, cluttered pre...

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