プロンプト

A modern American gas station forecourt at night under harsh LED lights, Detroit. All characters are white American, realistic and natural. Close-up: A white American woman in worn flannel holds a shivering boy wrapped in a blanket. Behind the glass doors, the manager—a stocky white American man in a polo shirt—storms toward them with rage in his eyes. The automatic doors slide open. He grabs the woman's arm and yanks her. She stumbles, falling hard onto the concrete. Her knees hit the pavement. Blood seeps through her jeans. The boy screams, "Mommy!" Cut to: The woman sitting on the freezing ground, holding her son, completely broken. She touches a silver necklace at her throat. Suddenly, the ground vibrates. A low rumble grows louder. The horizon lights up. A massive wall of motorcycle headlights crests the hill—150 bikes rolling in like thunder. The manager's face goes white. A giant white American biker dismounts slowly. He walks past the manager without looking at him. He kneels in front of the boy and wraps his thermal hoodie around the child. He stands, turns to the manager. Close-up on the manager's trembling hands. The biker says quietly, "You put your hands on my brother's widow?" The manager stammers, "I didn't know—" The biker cuts him off: "We just need some gas." He roars to the crowd, "FILL 'EM UP!" The station floods with bikers. The manager realizes he's surrounded. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism, U.S. short-form drama tone.

生成結果

A modern American gas station forecourt at night under harsh LED lights, Detroit. All characters are white American, ...

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