Seedance 2.0 Showcase
Blader door succesvolle openbare generaties van de gemeenschap en open elk item om de prompt, instellingen en output te bekijken.
A Shampowered Liy bot investigates something
A Shampowered Liy bot investigates something
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
A luxurious hotel ballroom with crystal chandeliers and marble floors. All characters are white American young profes...
A luxurious hotel ballroom with crystal chandeliers and marble floors. All characters are white American young professionals in formal attire. Close-up: A champagne glass tilts deliberately, golden liquid splashing across a young woman's black dress. She stands calmly as three consultants laugh around her, their faces cruel and satisfied. Cut to: A security guard in a black suit approaching the table, his expression deadly serious. The laughter dies instantly. One consultant's champagne glass slips from his hand, shattering on marble. The guard speaks firmly: "That's Mr. Chen's daughter. He owns this hotel and 47 others." Close-up on three faces draining of color simultaneously. The woman they attacked watches silently, her eyes cold and knowing. No logos, no brand names, no watermarks, no text overlays. Cinematic, realistic, grounded tone.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] Create a silent UGC-style video. Style: Silent UGC Duration: 15 seconds Language: Indonesian Character: - Gender: male - Age range: 18-24 Format: - No dialogue - Expressive facial movements - Minimal text overlay summarizing feelings Flow: Show activity. Show reaction or change. End with loopable satisfied moment related to Murah meriah cocok untuk lebaran . Mood: - Minimal - Trend-friendly [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since there is no reference image for packaging.] [Reference product: Baju koko Lengan pendek spesial ramadan] [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] [Complete all narration before video ends] [CRITICAL TIMING: All voiceover/narration MUST complete by second 13. The final 2 seconds (sec
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
Usa este exactamente: sube tu póster como imagen de referencia (first frame), y pega el prompt completo. "Usa esta im...
Usa este exactamente: sube tu póster como imagen de referencia (first frame), y pega el prompt completo. "Usa esta imagen subida como el frame inicial exacto y mantén 100% fiel su composición, estilo, colores, iluminación, elementos detallados (tiendas de campaña iluminadas, fogata central, siluetas de jóvenes exploradores o campistas alrededor, bosque denso, lago reflejando la luna o atardecer, montañas al fondo) y atmósfera general durante los primeros 5-10 segundos. No agregues monstruos, criaturas, figuras míticas, apariciones ni nada sobrenatural que no esté en la imagen original. Anima la escena de forma cinematográfica épica estilo tráiler de Hollywood blockbuster de aventura. Comienza con un zoom lento e inmersivo hacia la fogata del póster: chispas y humo volando en partículas realistas con efectos visuales premium, llamas crepitando más intensas, viento sutil moviendo hojas, telas de tiendas y ropa de los campistas. Transición fluida a secuencias dinámicas de 60 segundos totales: Corte aéreo drone shot majestuoso sobre el campamento nocturno/diurno (según tu póster), niebla natural rodando suavemente desde el bosque, rayos de luna o sol volumetricos filtrándose entre árboles, estrellas o cielo vibrante. Montaje rápido de aventura: campistas caminando/explorando senderos boscosos con linternas o mochilas, cámara en tracking shot dinámico, hojas y polvo levantándose con movimiento realista, risas y conversaciones lejanas implícitas. Escena heroica de acción: un explorador cruza un riachuelo o salta un tronco caído en slow-motion con flares de luz dramáticos, agua salpicando en física realista, iluminación HDR contrastada. Ambiente inmersivo natural: close-up de la fogata creciendo con fuego digital avanzado, chispas volando hacia la cámara, sombras danzantes en árboles y caras de campistas, viento moviendo todo orgánicamente. Climax emocionante: lluvia ligera o tormenta acercándose con gotas físicas realistas, relámpagos lejanos iluminando el campamento y el lago de forma espectacular (sin nada saliendo del agua), viento fuerte agitando árboles y tiendas, campistas uniéndose alrededor de la fogata en un momento de unión y aventura. Final épico: regreso suave al póster original con fade-out lento, superponiendo texto cinematográfico en estilo Hollywood (fuente bold blanca con glow sutil): 'El Campamento Olvidado' en grande arriba, 'Una aventura inolvidable' o 'Próximamente' abajo. Termina con corte negro y un impacto sonoro final potente. Estilo overall: ultra-realista 4K, cinematográfico como trailers de películas de aventura (inspirado en The Goonies, Stand By Me o Into the Wild), iluminación profesional con contrastes altos y moody, movimientos de cámara fluidos y épicos (dolly zoom, crane shots, pans dramáticos), efectos especiales de nivel Hollywood (partículas de humo/fuego/hojas, simulación de fluidos en agua/lluvia, volumetric lighting, depth of field cinematográfico), colores vibrantes pero naturales. Incluye descripción implícita de audio: música orquestal épica creciente con percusión intensa y cuerdas emotivas, sonidos ambientales inmersivos (viento, fuego crepitando, truenos lejanos, risas de fondo, naturaleza viva). Aspect ratio 16:9, 60fps, duración máxima permitida (ideal 60 segundos)."
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