Seedance 2.0 Showcase
Blader door succesvolle openbare generaties van de gemeenschap en open elk item om de prompt, instellingen en output te bekijken.
Mężczyzna z tego obrazka zostaje zatrzymany przez polską policję. Nagranie jest z kamerki body cam. Policjant podchod...
Mężczyzna z tego obrazka zostaje zatrzymany przez polską policję. Nagranie jest z kamerki body cam. Policjant podchodzi do tego mężczyzny, który jedzie na wózku sklepowym, ale ma doczepiony silnik. Policjant pyta "Dzień dobry. Tutaj perspirant damian wieczorek. Zatrzymałem pana za brak ważnego badania technicznego." Po tych słowach mężczyzna ucieka. Policjant mówi "Podejrzany ucieka. Galeria handlowa Łomianki. Potrzebuję wsparcia". Policjant wchodzi do radiowozu. Akcja dzieje się w podwarszawskich łomiankach w polsce na drodze. Obok drogi widać parking Galerii handlowej Łomianki
Create a cozy, colorful video scene inspired by Indian aesthetics. Use all real Glukofons from the uploaded product p...
Create a cozy, colorful video scene inspired by Indian aesthetics. Use all real Glukofons from the uploaded product photos, arranged creatively in a balanced, stylized composition — not randomly scattered. Place a young woman playing on each Glukofon in turn using proper mallets. Show her presence naturally and calmly, not exaggerated. Background should include warm Indian colors and decorative motifs, but stay soft and non-distracting. Explicit: do not recolor objects, do not hallucinate, use only real product forms. Colors of Glukofons must be brighter than the background.
Modern American coffee shop interior | Mid-morning | Bright fluorescent lighting mixed with natural window light | Bu...
Modern American coffee shop interior | Mid-morning | Bright fluorescent lighting mixed with natural window light | Bustling café atmosphere escalating to crisis All characters are white American, contemporary urban setting. CHARACTERS: KAREN: Mid-40s, perfectly styled blonde hair, wearing designer coat and carrying expensive handbag, escalating rage EMMA: 17 years old, brown hair in ponytail, wearing coffee shop uniform (black polo, apron), trying to stay professional RICHARD: Mid-50s, distinguished silver hair, expensive charcoal business suit, calm authoritative presence, protective father energy SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE CONFRONTATION): Medium two-shot at counter. Karen leans forward aggressively, finger jabbing toward Emma. Loud, sharp dialogue cuts through café noise. Emma's hands raised defensively, apologetic but overwhelmed. Other customers starting to look over. Tense body language, voices rising. 0:03-0:06 (THE ESCALATION): Close-up on Karen's face, red with anger, mouth moving in heated argument. Cut to Emma's face, eyes filling with tears, trying to explain. Rapid cuts between their faces as tension peaks. Karen's hand reaches for her coffee cup on the counter. Background conversations fade out. 0:06-0:09 (THE ATTACK): Extreme close-up in slow motion: Coffee cup tilts and hot liquid splashes directly into Emma's face. Rack focus from the flying coffee to Emma's shocked expression, mouth open in pain. Harsh fluorescent light catches every droplet. All sound cuts to dead silence except liquid splash. 0:09-0:12 (THE REVELATION): Wide shot: Emma staggers back, hands to her face, coffee dripping from her hair. Back office door opens. Richard emerges in sharp focus. Over-the-shoulder shot from behind Karen as she turns. Push in slowly on Karen's face as Richard's hand touches Emma's shoulder and she says "Dad." Karen's confident rage crumbles into horror. 0:12-0:15 (THE RECKONING): Close-up on Richard's face, calm but ice-cold authority. He speaks with controlled power. Cut to extreme close-up on Karen's face draining of all color, mouth falling open. Final wide shot: Richard protectively beside Emma, phone already raised. Karen backing toward the door, stumbling. Freeze on her devastated realization. DIALOGUE OPTIONS: KAREN (escalating anger to broken desperation): Opening: "This is UNACCEPTABLE! I want a manager NOW!" Opening: "Are you STUPID? I said NO foam! Get your manager!" Opening: "I've had ENOUGH of your incompetence! MANAGER!" Ending: "I... I didn't know... please..." Ending: "Oh my God... I had no idea..." Ending: "Please... I didn't realize..." EMMA (professional to shocked): Opening: "Ma'am, I'm so sorry, I can remake it right now—" Opening: "I apologize, let me fix that for you—" Opening: "I'm sorry, please, I'll make it right—" Ending: "I'm okay, Dad. Just coffee burns." Ending: "I'm alright, Daddy. It just stings." RICHARD (calm, controlled authority with underlying steel): "I'm Richard Sterling. I own this company. That's my daughter." "I own all 847 locations. And you just assaulted my daughter." "This is my company. That girl you attacked? She's my daughter." "I'm the owner of this entire chain. You just threw coffee at my child." "Richard Sterling, company owner. You've just assaulted my daughter." TECHNICAL NOTES: Opening shows clear heated argument with audible aggressive dialogue Transition to slow-motion coffee throw with sound design shift No logos, brand names, watermarks, or text overlays Realistic coffee splash physics and liquid movement Natural family body language between Richard and Emma Authentic emotion progression: Karen's rage → shock → horror Coherent spatial relationships in busy café environment Background customers reacting progressively throughout scene
Modern American coffee shop interior | Mid-morning | Bright fluorescent lighting mixed with natural window light | Bu...
Modern American coffee shop interior | Mid-morning | Bright fluorescent lighting mixed with natural window light | Bustling café atmosphere escalating to crisis All characters are white American, contemporary urban setting. CHARACTERS: KAREN: Mid-40s, perfectly styled blonde hair, wearing designer coat and carrying expensive handbag, escalating rage EMMA: 17 years old, brown hair in ponytail, wearing coffee shop uniform (black polo, apron), trying to stay professional RICHARD: Mid-50s, distinguished silver hair, expensive charcoal business suit, calm authoritative presence, protective father energy SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE CONFRONTATION): Medium two-shot at counter. Karen leans forward aggressively, finger jabbing toward Emma. Loud, sharp dialogue cuts through café noise. Emma's hands raised defensively, apologetic but overwhelmed. Other customers starting to look over. Tense body language, voices rising. 0:03-0:06 (THE ESCALATION): Close-up on Karen's face, red with anger, mouth moving in heated argument. Cut to Emma's face, eyes filling with tears, trying to explain. Rapid cuts between their faces as tension peaks. Karen's hand reaches for her coffee cup on the counter. Background conversations fade out. 0:06-0:09 (THE ATTACK): Extreme close-up in slow motion: Coffee cup tilts and hot liquid splashes directly into Emma's face. Rack focus from the flying coffee to Emma's shocked expression, mouth open in pain. Harsh fluorescent light catches every droplet. All sound cuts to dead silence except liquid splash. 0:09-0:12 (THE REVELATION): Wide shot: Emma staggers back, hands to her face, coffee dripping from her hair. Back office door opens. Richard emerges in sharp focus. Over-the-shoulder shot from behind Karen as she turns. Push in slowly on Karen's face as Richard's hand touches Emma's shoulder and she says "Dad." Karen's confident rage crumbles into horror. 0:12-0:15 (THE RECKONING): Close-up on Richard's face, calm but ice-cold authority. He speaks with controlled power. Cut to extreme close-up on Karen's face draining of all color, mouth falling open. Final wide shot: Richard protectively beside Emma, phone already raised. Karen backing toward the door, stumbling. Freeze on her devastated realization. DIALOGUE OPTIONS: KAREN (escalating anger to broken desperation): Opening: "This is UNACCEPTABLE! I want a manager NOW!" Opening: "Are you STUPID? I said NO foam! Get your manager!" Opening: "I've had ENOUGH of your incompetence! MANAGER!" Ending: "I... I didn't know... please..." Ending: "Oh my God... I had no idea..." Ending: "Please... I didn't realize..." EMMA (professional to shocked): Opening: "Ma'am, I'm so sorry, I can remake it right now—" Opening: "I apologize, let me fix that for you—" Opening: "I'm sorry, please, I'll make it right—" Ending: "I'm okay, Dad. Just coffee burns." Ending: "I'm alright, Daddy. It just stings." RICHARD (calm, controlled authority with underlying steel): "I'm Richard Sterling. I own this company. That's my daughter." "I own all 847 locations. And you just assaulted my daughter." "This is my company. That girl you attacked? She's my daughter." "I'm the owner of this entire chain. You just threw coffee at my child." "Richard Sterling, company owner. You've just assaulted my daughter." TECHNICAL NOTES: Opening shows clear heated argument with audible aggressive dialogue Transition to slow-motion coffee throw with sound design shift No logos, brand names, watermarks, or text overlays Realistic coffee splash physics and liquid movement Natural family body language between Richard and Emma Authentic emotion progression: Karen's rage → shock → horror Coherent spatial relationships in busy café environment Background customers reacting progressively throughout scene
Inside an indie ring, four females have their backs to the camera wearing jeans. As the lights dim all the way and sl...
Inside an indie ring, four females have their backs to the camera wearing jeans. As the lights dim all the way and slow saxophone music plays the camera captures each one from the back of their jeans as they don't need the jeans to show what they have, some might not have anything.
SCENE 1 (5s): iPhone selfie video. A young woman (28, casual t-shirt, hair tied back) sits in a parked car, looking d...
SCENE 1 (5s): iPhone selfie video. A young woman (28, casual t-shirt, hair tied back) sits in a parked car, looking directly at the camera with a conspiratorial, slightly mischievous expression. She speaks quickly and dynamically. DIALOGUE: "Non dovrei dirvelo, ma..." SCENE 2 (5s): iPhone selfie video. The same young woman in the same parked car, continuing to speak with increasing enthusiasm, gesturing slightly with her hands. She looks excited. DIALOGUE: "Ero stanca dei soliti aperitivi. Volevo qualcosa di fresco e diverso." SCENE 3 (5s): iPhone selfie video. The same young woman in the same parked car. She quickly picks up a bottle of 'Sorbole' (lemon bitter, as seen in the provided product image) from the passenger seat and holds it up towards the camera with a satisfied, proud smile. DI NO text overlay, NO subtitles, NO captions.
Albert Einstein is a Physics teacher in a chaotic, low-budget public high school in the Philippines. He has messy whi...
Albert Einstein is a Physics teacher in a chaotic, low-budget public high school in the Philippines. He has messy white hair, worn-out long sleeves, chalk dust everywhere, and is holding an old wooden ruler. The classroom has broken electric fans, cracked green chalkboard, monoblock chairs, noisy students in PE uniform, and a banner that says “WELCOME BRIGADA ESKWELA.” Einstein is visibly stressed and annoyed while teaching Newton’s Laws, but the Filipino Gen-Z students keep asking absurd, philosophical, and meme-style questions instead of listening. One student asks: “Sir, kung may gravity, bakit hindi bumabagsak grades ko?” Another says: “Sir, relativity ba yung dahilan kung bakit relative din yung attendance ko?” A student at the back is filming a TikTok dance. Someone shouts: “Sir, pwede po ba to sa real life gamitin o pang exam lang?” Einstein rubs his forehead in frustration and mutters in Tagalog-accented English: “This is not the relativity I meant…” Close-up of Einstein looking at the camera like he’s questioning his life choices. Chalkboard behind him filled with complicated physics equations, but students replaced some parts with memes and doodles like “E = MC² pero M = Mamaya, C = Copy, 2 = Too.” Electric fan making loud “ngiiiiii” sounds, students fanning themselves with notebooks, one student sleeping, another eating fishball. Classroom feels hot, noisy, and very Filipino public school vibe. Comedic timing, documentary-style camera movement, slight handheld shake, warm tropical lighting, realistic cinematic style, 4K, expressive facial reactions, fast meme-like cuts, subtitle captions in Tagalog for punchlines. Mood: chaotic, funny, relatable, viral meme energy, Filipino humor, Gen-Z classroom chaos. Is this conversation helpful so far?
[SCENE START] FOCO VISUAL PRINCIPAL: O foco absoluto da cena é o momento angustiante da separação de uma família dura...
[SCENE START] FOCO VISUAL PRINCIPAL: O foco absoluto da cena é o momento angustiante da separação de uma família durante a detenção de um homem por agentes da ICE. A interação é carregada de desespero, centrada no rosto choroso de uma mulher que se agarra ao seu filho pequeno enquanto seu parceiro é levado. A prioridade é a renderização de alta fidelidade das emoções cruas: o pânico da mulher, a tentativa de calma do homem e a postura profissional dos agentes. ESTILO TÉCNICO E CINEMATOGRAFIA: Estilo: Cinéma vérité, jornalismo cidadão, cru e imediato. A aparência é de uma gravação de smartphone (formato vertical) feita por uma testemunha que está muito próxima da ação. Câmera: A câmera é portátil e instável, com movimentos que seguem a interação, mergulhando o espectador diretamente no caos emocional do momento. Iluminação: Iluminação natural e difusa de um dia nublado, o que contribui para o clima sombrio e melancólico da cena. Cores: A paleta de cores é sóbria e realista. O cinza do moletom da mulher, o azul da jaqueta do homem e os tons escuros dos uniformes são as cores dominantes, com a blusa rosa da mulher sendo um sutil ponto de cor sob o casaco. CENÁRIO DETALHADO: Exterior, no estacionamento de uma loja, possivelmente um Walmart, como o letreiro sugere ao fundo. A cena se desenrola ao lado de uma grande van de transporte branca, com a porta lateral aberta, indicando que é um veículo de detenção. O ambiente é um espaço público e cotidiano, o que intensifica o drama da situação. DESCRIÇÃO PRECISA DOS PERSONAGENS (ALTA FIDELIDADE): MULHER: Mulher hispânica, jovem, com cabelo escuro e longo preso em um rabo de cavalo. Veste um moletom cinza com zíper sobre uma blusa rosa. Seu rosto está completamente contorcido em angústia, com lágrimas escorrendo abundantemente enquanto ela chora e implora. Ela segura firmemente um bebê no colo. HOMEM DETIDO: Homem hispânico, jovem, usando um boné de beisebol azul e uma jaqueta jeans. Ele parece aflito, mas tenta manter a compostura para acalmar sua parceira e o filho. BEBÊ: Uma criança muito pequena, com cerca de um ou dois anos de idade, vestindo um macacão azul escuro com estampas de dinossauros verdes. A criança parece estar dormindo ou quieta no colo da mãe durante a maior parte da cena. AGENTES ICE: Um grupo de agentes de diversas etnias e gêneros, vestidos com uniformes táticos pretos e coletes à prova de balas com "POLICE ICE" em letras brancas. Eles agem com calma e profissionalismo. Uma agente negra com cabelo loiro trançado se destaca, segurando um tablet ou prancheta. SEQUÊNCIA DE AÇÃO (PASSO A PASSO): A cena começa com o homem sendo escoltado em direção à van branca por um agente da ICE. A mulher, segurando o bebê, aproxima-se chorando e implorando para que não o levem. Um agente pede calmamente para que ela se afaste ("Ma'am, stay back, please"). Ela insiste em inglês, afirmando que ele tem documentos e está trabalhando ("He's got his papers, he's working, please!"). Uma agente informa que as perguntas serão respondidas no centro da cidade e que eles precisam proceder com o transporte. O homem detido tenta consolar sua parceira em espanhol, dizendo "Mi amor, aquí estoy" (Meu amor, eu estou aqui). A mulher chora desesperadamente, dizendo "Não se levem meu papai!", enquanto abraça o filho. O homem é colocado dentro da van, e um agente o instrui a ter cuidado com a cabeça ("Watch your head, sir, step up"). A mulher continua a implorar, "Por favor, não o tirem de nós", enquanto a porta da van começa a fechar. ÁUDIO (DIÁLOGO E DESIGN DE SOM): Design de Som: Qualidade de áudio de smartphone, capturando o som ambiente de forma crua. O som dominante é o choro desesperado e as súplicas da mulher, sobrepostos às vozes firmes e calmas dos agentes. DIÁLOGO (Misto de Inglês e Espanhol, carregado de emoção): VOZ DE FUNDO (em espanhol): "No, por favor, no lo lleven." (Não, por favor, não o levem.) AGENTE 1: "Ma'am, stay back, please." (Senhora, afaste-se, por favor.) MULHER (chorando): "He's got his papers, he's working, please!" (Ele tem seus documentos, ele está trabalhando, por favor!) AGENTE 2: "We can answer questions downtown. Right now we need him to come with us." (Podemos responder perguntas no centro da cidade. Agora precisamos que ele venha conosco.) MULHER (em espanhol): "¡No se lleven a mi papá!" (Não levem o meu papai!) HOMEM DETIDO (em espanhol): "Mi amor, aquí estoy." (Meu amor, eu estou aqui.) AGENTE 1: "Watch your head, sir, step up." (Cuidado com a cabeça, senhor, suba.) MULHER (chorando): "Please, don't take him from us!" (Por favor, não o tirem de nós!) ESTÉTICA E TOM GERAL: O tom é visceral, angustiante e profundamente triste. A estética de "jornalismo cidadão" captura a sensação crua de testemunhar um evento traumático em tempo real. O objetivo é destacar a tragédia humana da separação familiar, focando no desespero da mulher e na tentativa de dignidade do homem em meio a uma ação de aplicação da lei. A cena é perturbadora e enfatiza o impacto devastador de tais eventos na vida das famílias. [SCENE END]
Style: Authentic iPhone UGC, 9:16 vertical, Fake FaceTime UI overlay. SCENE 1 (5s): Handheld selfie video. A woman (2...
Style: Authentic iPhone UGC, 9:16 vertical, Fake FaceTime UI overlay. SCENE 1 (5s): Handheld selfie video. A woman (28, stylish, light makeup) walking through a bright living room, talking fast. DIALOGUE: "No debería deciros esto, pero he encontrado el truco para dientes perfectos rápido." SCENE 2 (5s): sora-2-pro-image-to-video. Handheld POV looking down at the Terapré aligner case on a marble countertop with a plant in the background. DIALOGUE: "Son de Terapré. Calidad suiza y los tienes listos en cinco días." SCENE 3 (5s): Handheld selfie video. The woman is now sitting on a sofa, looking directly at the camera with a big smile. DIALOGUE: "Miles de personas ya lo han hecho en Madrid. ¡Es una locura!" NO text overlay, NO subtitles, NO captions.
Inside an indie ring, four females have their backs to the camera wearing jeans. As the lights dim all the way and sl...
Inside an indie ring, four females have their backs to the camera wearing jeans. As the lights dim all the way and slow saxophone music plays the camera captures each one from the back of their jeans as they let the jeans drop and show what they have on, some might not have anything.
Inside an indie ring, four females have their backs to the camera wearing jeans as they're having a bottom contest. A...
Inside an indie ring, four females have their backs to the camera wearing jeans as they're having a bottom contest. As the lights dim and slow saxophone music plays the camera captures each one from their bottom as they do not need the jeans and show their uhndeez or no uhndeez
A crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American ...
A crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American students and adults, realistic in appearance. Jacob, a white American teenage boy, sits at a table as Martin, another white American teen, pours iced coffee over his head. Jacob remains perfectly calm. Phones rise as students silently record. Thick tension in the air. Jacob slowly stands and says, “Are you done?” and slaps him , Martin’s grin fades as uncertainty hits his face. Shocked students freeze mid-recording. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded, realistic tone. Write subtitles on the video, and at the end, on a black background, write: ‘Watch the full story in the comments.’”
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