Seedance 2.0 Showcase
Blader door succesvolle openbare generaties van de gemeenschap en open elk item om de prompt, instellingen en output te bekijken.
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All chara...
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All characters are contemporary American in a U.S. setting. CHARACTERS: MARCUS: 40s, well-groomed restaurant owner, crisp white shirt and dark slacks, defensive and suspicious, arms crossed, authoritative posture FRANK: 60s, weathered homeless man, worn clothes and gray beard, carrying a backpack, determined but weary, gentle but persistent movements SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Close-up: Frank's weathered hands pressing a yellowed photograph against the restaurant's front window. Camera push-in on the photo showing construction workers and foundation work. Marcus visible inside, frozen in shock. 0:03-0:06: Cut to: Marcus's face through the glass, expression shifting from annoyance to confusion. He unlocks the door with hesitant movements. Handheld camera follows him outside. 0:06-0:09: Wide shot: Frank pulls out official-looking documents from his backpack. Papers flutter slightly in the breeze. Marcus examines them, his confident posture beginning to crumble. 0:09-0:12: Over-the-shoulder shot: Frank pointing to the building's cornerstone, Marcus kneeling down, pushing aside ivy. Close-up on a child's handprint in concrete. Marcus's face shows dawning realization. 0:12-0:15: Two-shot: Marcus and Frank facing each other, the power dynamic completely reversed. Marcus extends his hand in a handshake. Hold on their joined hands with the restaurant in soft focus background. DIALOGUE OPTIONS: MARCUS (defensive, then uncertain): "Get away from my restaurant, you're scaring customers" "Move along or I'm calling the cops" "Back off, you're bothering my business" "I don't want trouble, just leave" "Security cameras are recording this" "You can't loiter here all day" "Find somewhere else to hang around" "This is private property, move on" FRANK (determined, revealing truth): "I built this place with my own hands" "Every brick, every beam - I constructed it" "This building is my life's work" "I designed every inch of this foundation" "My family's dreams are in these walls" "I know every pipe and wire in there" "This was supposed to be our restaurant" "I carved my initials in the support beam" MARCUS (realization dawning): "How do you know about the basement?" "That information isn't public record" "Nobody should know those details" "The safe combination - how did you..." "You really built this place?" TECHNICAL NOTES: - Natural lighting with golden hour warmth - Slight handheld movement for documentary feel - Focus pulls between characters and evidence - Audio: urban background noise, paper rustling, footsteps on concrete - Maintain consistent eye-lines and spatial relationships - Realistic weathering on props and costumes
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All chara...
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All characters are contemporary American in a U.S. setting. CHARACTERS: MARCUS: 40s, well-groomed restaurant owner, crisp white shirt and dark slacks, defensive and suspicious, arms crossed, authoritative posture FRANK: 60s, weathered homeless man, worn clothes and gray beard, carrying a backpack, determined but weary, gentle but persistent movements SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Close-up: Frank's weathered hands pressing a yellowed photograph against the restaurant's front window. Camera push-in on the photo showing construction workers and foundation work. Marcus visible inside, frozen in shock. 0:03-0:06: Cut to: Marcus's face through the glass, expression shifting from annoyance to confusion. He unlocks the door with hesitant movements. Handheld camera follows him outside. 0:06-0:09: Wide shot: Frank pulls out official-looking documents from his backpack. Papers flutter slightly in the breeze. Marcus examines them, his confident posture beginning to crumble. 0:09-0:12: Over-the-shoulder shot: Frank pointing to the building's cornerstone, Marcus kneeling down, pushing aside ivy. Close-up on a child's handprint in concrete. Marcus's face shows dawning realization. 0:12-0:15: Two-shot: Marcus and Frank facing each other, the power dynamic completely reversed. Marcus extends his hand in a handshake. Hold on their joined hands with the restaurant in soft focus background. DIALOGUE OPTIONS: MARCUS (defensive, then uncertain): "Get away from my restaurant, you're scaring customers" "Move along or I'm calling the cops" "Back off, you're bothering my business" "I don't want trouble, just leave" "Security cameras are recording this" "You can't loiter here all day" "Find somewhere else to hang around" "This is private property, move on" FRANK (determined, revealing truth): "I built this place with my own hands" "Every brick, every beam - I constructed it" "This building is my life's work" "I designed every inch of this foundation" "My family's dreams are in these walls" "I know every pipe and wire in there" "This was supposed to be our restaurant" "I carved my initials in the support beam" MARCUS (realization dawning): "How do you know about the basement?" "That information isn't public record" "Nobody should know those details" "The safe combination - how did you..." "You really built this place?" TECHNICAL NOTES: - Natural lighting with golden hour warmth - Slight handheld movement for documentary feel - Focus pulls between characters and evidence - Audio: urban background noise, paper rustling, footsteps on concrete - Maintain consistent eye-lines and spatial relationships - Realistic weathering on props and costumes
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All chara...
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All characters are contemporary American in a U.S. setting. CHARACTERS: MARCUS: 40s, well-groomed restaurant owner, crisp white shirt and dark slacks, defensive and suspicious, arms crossed, authoritative posture FRANK: 60s, weathered homeless man, worn clothes and gray beard, carrying a backpack, determined but weary, gentle but persistent movements SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Close-up: Frank's weathered hands pressing a yellowed photograph against the restaurant's front window. Camera push-in on the photo showing construction workers and foundation work. Marcus visible inside, frozen in shock. 0:03-0:06: Cut to: Marcus's face through the glass, expression shifting from annoyance to confusion. He unlocks the door with hesitant movements. Handheld camera follows him outside. 0:06-0:09: Wide shot: Frank pulls out official-looking documents from his backpack. Papers flutter slightly in the breeze. Marcus examines them, his confident posture beginning to crumble. 0:09-0:12: Over-the-shoulder shot: Frank pointing to the building's cornerstone, Marcus kneeling down, pushing aside ivy. Close-up on a child's handprint in concrete. Marcus's face shows dawning realization. 0:12-0:15: Two-shot: Marcus and Frank facing each other, the power dynamic completely reversed. Marcus extends his hand in a handshake. Hold on their joined hands with the restaurant in soft focus background. DIALOGUE OPTIONS: MARCUS (defensive, then uncertain): "Get away from my restaurant, you're scaring customers" "Move along or I'm calling the cops" "Back off, you're bothering my business" "I don't want trouble, just leave" "Security cameras are recording this" "You can't loiter here all day" "Find somewhere else to hang around" "This is private property, move on" FRANK (determined, revealing truth): "I built this place with my own hands" "Every brick, every beam - I constructed it" "This building is my life's work" "I designed every inch of this foundation" "My family's dreams are in these walls" "I know every pipe and wire in there" "This was supposed to be our restaurant" "I carved my initials in the support beam" MARCUS (realization dawning): "How do you know about the basement?" "That information isn't public record" "Nobody should know those details" "The safe combination - how did you..." "You really built this place?" TECHNICAL NOTES: - Natural lighting with golden hour warmth - Slight handheld movement for documentary feel - Focus pulls between characters and evidence - Audio: urban background noise, paper rustling, footsteps on concrete - Maintain consistent eye-lines and spatial relationships - Realistic weathering on props and costumes
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All chara...
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All characters are contemporary American in a U.S. setting. CHARACTERS: MARCUS: 40s, well-groomed restaurant owner, crisp white shirt and dark slacks, defensive and suspicious, arms crossed, authoritative posture FRANK: 60s, weathered homeless man, worn clothes and gray beard, carrying a backpack, determined but weary, gentle but persistent movements SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Close-up: Frank's weathered hands pressing a yellowed photograph against the restaurant's front window. Camera push-in on the photo showing construction workers and foundation work. Marcus visible inside, frozen in shock. 0:03-0:06: Cut to: Marcus's face through the glass, expression shifting from annoyance to confusion. He unlocks the door with hesitant movements. Handheld camera follows him outside. 0:06-0:09: Wide shot: Frank pulls out official-looking documents from his backpack. Papers flutter slightly in the breeze. Marcus examines them, his confident posture beginning to crumble. 0:09-0:12: Over-the-shoulder shot: Frank pointing to the building's cornerstone, Marcus kneeling down, pushing aside ivy. Close-up on a child's handprint in concrete. Marcus's face shows dawning realization. 0:12-0:15: Two-shot: Marcus and Frank facing each other, the power dynamic completely reversed. Marcus extends his hand in a handshake. Hold on their joined hands with the restaurant in soft focus background. DIALOGUE OPTIONS: MARCUS (defensive, then uncertain): "Get away from my restaurant, you're scaring customers" "Move along or I'm calling the cops" "Back off, you're bothering my business" "I don't want trouble, just leave" "Security cameras are recording this" "You can't loiter here all day" "Find somewhere else to hang around" "This is private property, move on" FRANK (determined, revealing truth): "I built this place with my own hands" "Every brick, every beam - I constructed it" "This building is my life's work" "I designed every inch of this foundation" "My family's dreams are in these walls" "I know every pipe and wire in there" "This was supposed to be our restaurant" "I carved my initials in the support beam" MARCUS (realization dawning): "How do you know about the basement?" "That information isn't public record" "Nobody should know those details" "The safe combination - how did you..." "You really built this place?" TECHNICAL NOTES: - Natural lighting with golden hour warmth - Slight handheld movement for documentary feel - Focus pulls between characters and evidence - Audio: urban background noise, paper rustling, footsteps on concrete - Maintain consistent eye-lines and spatial relationships - Realistic weathering on props and costumes
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All chara...
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All characters are contemporary American in a U.S. setting. CHARACTERS: MARCUS: 40s, well-groomed restaurant owner, crisp white shirt and dark slacks, defensive and suspicious, arms crossed, authoritative posture FRANK: 60s, weathered homeless man, worn clothes and gray beard, carrying a backpack, determined but weary, gentle but persistent movements SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Close-up: Frank's weathered hands pressing a yellowed photograph against the restaurant's front window. Camera push-in on the photo showing construction workers and foundation work. Marcus visible inside, frozen in shock. 0:03-0:06: Cut to: Marcus's face through the glass, expression shifting from annoyance to confusion. He unlocks the door with hesitant movements. Handheld camera follows him outside. 0:06-0:09: Wide shot: Frank pulls out official-looking documents from his backpack. Papers flutter slightly in the breeze. Marcus examines them, his confident posture beginning to crumble. 0:09-0:12: Over-the-shoulder shot: Frank pointing to the building's cornerstone, Marcus kneeling down, pushing aside ivy. Close-up on a child's handprint in concrete. Marcus's face shows dawning realization. 0:12-0:15: Two-shot: Marcus and Frank facing each other, the power dynamic completely reversed. Marcus extends his hand in a handshake. Hold on their joined hands with the restaurant in soft focus background. DIALOGUE OPTIONS: MARCUS (defensive, then uncertain): "Get away from my restaurant, you're scaring customers" "Move along or I'm calling the cops" "Back off, you're bothering my business" "I don't want trouble, just leave" "Security cameras are recording this" "You can't loiter here all day" "Find somewhere else to hang around" "This is private property, move on" FRANK (determined, revealing truth): "I built this place with my own hands" "Every brick, every beam - I constructed it" "This building is my life's work" "I designed every inch of this foundation" "My family's dreams are in these walls" "I know every pipe and wire in there" "This was supposed to be our restaurant" "I carved my initials in the support beam" MARCUS (realization dawning): "How do you know about the basement?" "That information isn't public record" "Nobody should know those details" "The safe combination - how did you..." "You really built this place?" TECHNICAL NOTES: - Natural lighting with golden hour warmth - Slight handheld movement for documentary feel - Focus pulls between characters and evidence - Audio: urban background noise, paper rustling, footsteps on concrete - Maintain consistent eye-lines and spatial relationships - Realistic weathering on props and costumes
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All chara...
SETTING: Urban restaurant exterior | Late afternoon | Golden hour lighting | Tense confrontation atmosphere All characters are contemporary American in a U.S. setting. CHARACTERS: MARCUS: 40s, well-groomed restaurant owner, crisp white shirt and dark slacks, defensive and suspicious, arms crossed, authoritative posture FRANK: 60s, weathered homeless man, worn clothes and gray beard, carrying a backpack, determined but weary, gentle but persistent movements SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Close-up: Frank's weathered hands pressing a yellowed photograph against the restaurant's front window. Camera push-in on the photo showing construction workers and foundation work. Marcus visible inside, frozen in shock. 0:03-0:06: Cut to: Marcus's face through the glass, expression shifting from annoyance to confusion. He unlocks the door with hesitant movements. Handheld camera follows him outside. 0:06-0:09: Wide shot: Frank pulls out official-looking documents from his backpack. Papers flutter slightly in the breeze. Marcus examines them, his confident posture beginning to crumble. 0:09-0:12: Over-the-shoulder shot: Frank pointing to the building's cornerstone, Marcus kneeling down, pushing aside ivy. Close-up on a child's handprint in concrete. Marcus's face shows dawning realization. 0:12-0:15: Two-shot: Marcus and Frank facing each other, the power dynamic completely reversed. Marcus extends his hand in a handshake. Hold on their joined hands with the restaurant in soft focus background. DIALOGUE OPTIONS: MARCUS (defensive, then uncertain): "Get away from my restaurant, you're scaring customers" "Move along or I'm calling the cops" "Back off, you're bothering my business" "I don't want trouble, just leave" "Security cameras are recording this" "You can't loiter here all day" "Find somewhere else to hang around" "This is private property, move on" FRANK (determined, revealing truth): "I built this place with my own hands" "Every brick, every beam - I constructed it" "This building is my life's work" "I designed every inch of this foundation" "My family's dreams are in these walls" "I know every pipe and wire in there" "This was supposed to be our restaurant" "I carved my initials in the support beam" MARCUS (realization dawning): "How do you know about the basement?" "That information isn't public record" "Nobody should know those details" "The safe combination - how did you..." "You really built this place?" TECHNICAL NOTES: - Natural lighting with golden hour warmth - Slight handheld movement for documentary feel - Focus pulls between characters and evidence - Audio: urban background noise, paper rustling, footsteps on concrete - Maintain consistent eye-lines and spatial relationships - Realistic weathering on props and costumes
Uma reportagem, uma jornalista mostra um carro atingido por um bloco de gelo pontudo atravessando um carro, a jornali...
Uma reportagem, uma jornalista mostra um carro atingido por um bloco de gelo pontudo atravessando um carro, a jornalista fica chocada e entrevista o motorista falando "O que aconteceu com o seu carro?" ai o dono do carro não fala nada, chora e sai andando triste e chorando bem alto
核心：15 秒快节奏、反复强调 so good，覆盖所有指定画面 + 核心卖点 + 折扣，博主活力口语化输出，卡点切换画面 总时长：15 秒 0-2 秒，画面特写顺滑从 Melluxe 湿厕纸单包中抽出一张，纸巾柔软展平无掉絮，博主露...
核心：15 秒快节奏、反复强调 so good，覆盖所有指定画面 + 核心卖点 + 折扣，博主活力口语化输出，卡点切换画面 总时长：15 秒 0-2 秒，画面特写顺滑从 Melluxe 湿厕纸单包中抽出一张，纸巾柔软展平无掉絮，博主露脸兴奋开口，英文台词：Guys! Melluxe wet wipes are so good! 画面同步出英文标签：Melluxe Wet Wipes 3-4 秒，画面切特写，湿厕纸轻擦沾满巧克力酱的鸡蛋表面，酱渍瞬间擦净，鸡蛋表面无痕洁净，博主快速接词，英文台词：Super clean wiping, gentle and non-irritating, so good! 英文标签：Gentle & Spotless Clean 5-6 秒，画面切换，用过的湿厕纸投入清水杯，纸巾快速溶解无残留，无结块，博主语速加快，英文台词：Dissolves in water, no toilet clogging, so good! 英文标签：Flushable & Clog-Free 7-8 秒，画面切特写，整箱 Melluxe 湿厕纸开箱，手倾斜箱体，多包湿厕纸整齐倒出，量感十足，博主接词，英文台词：Huge pack, full of value, so good! 英文标签：Large Quantity 9-11 秒，画面切仓库全景，镜头从下往上扫过堆积如山的 Melluxe 湿厕纸堆头，备货满满视觉冲击强，博主放大音量喊福利，英文台词：Big deal! 24 packs for only £18.99, so good! 英文标签：£18.99 for 24 Packs 12-14 秒，画面切产品特写，手拿起单包湿厕纸展示，镜头给到包装细节，博主凑近安利，英文台词：40 sheets per pack, durable and cost-effective, so good! Grab now! 英文标签：40 Sheets Per Pack 15 秒，画面定格整箱湿厕纸 + 醒目折扣字样，博主比冲刺手势收尾，英文台词：Melluxe wet wipes, truly so good! 英文标签：Melluxe - Must-Have Daily Item. Voiceover: ""
## 🏴☠️ 剧本 3：The "Hidden Stash" (藏宝战争篇) **核心卖点：** 用“抢着藏起来”表现产品好用，同时引出 **24包量大** 的卖点。 **场景：** 卫生间门口/走廊 ### **镜头 1：Hoo...
## 🏴☠️ 剧本 3：The "Hidden Stash" (藏宝战争篇) **核心卖点：** 用“抢着藏起来”表现产品好用，同时引出 **24包量大** 的卖点。 **场景：** 卫生间门口/走廊 ### **镜头 1：Hook - 抓包现场 (0-5s)** * **画面：** 闺蜜 A 鬼鬼祟祟地踮着脚，试图把一包 Melluxe 藏在卫生间的高柜顶上。闺蜜 B 突然从后面出现，双手叉腰。 * **Sora Prompt:** > Bestie A tiptoeing sneakily in the bathroom, trying to hide a pack of "Melluxe" wet wipes on top of a high cabinet. Bestie B suddenly appears in the doorway, hands on hips, catching her in the act. Comedy vibe. * **VO (B):** "Are you hiding the wipes from me?!" (你是在背着我藏湿厕纸吗？！) ### **镜头 2：Conflict - 私房货 (5-10s)** * **画面：** A 紧紧护住怀里的湿厕纸，一脸防备。B 指着走廊外（客厅方向）。 * **Sora Prompt:** > Bestie A hugs the pack protectively to her chest, looking defensive. Bestie B points aggressively towards the hallway/living room behind them. Emotional and funny acting. * **VO (A):** "This is my personal stash!" (这是我的私房货！) **VO (B):** "There are 23 more packs in the box!" (箱子里还有23包！) ### **镜头 3：Resolution - 别抢了 (10-15s)** * **画面：** 两人瞬间冷静下来，看了一眼客厅堆积如山的湿厕纸，然后一起看向镜头微笑推荐。 * **Sora Prompt:** > The two friends instantly calm down, look towards the living room (implied huge pile of product), then turn to smile at the camera. Bestie A holds up the pack. * **VO:** "Stop fighting. Just buy the 24-pack." (别抢了。直接买24包吧。) . Voiceover: ""
## 🏴☠️ 剧本 3：The "Hidden Stash" (藏宝战争篇) **核心卖点：** 用“抢着藏起来”表现产品好用，同时引出 **24包量大** 的卖点。 **场景：** 卫生间门口/走廊 ### **镜头 1：Hoo...
## 🏴☠️ 剧本 3：The "Hidden Stash" (藏宝战争篇) **核心卖点：** 用“抢着藏起来”表现产品好用，同时引出 **24包量大** 的卖点。 **场景：** 卫生间门口/走廊 ### **镜头 1：Hook - 抓包现场 (0-5s)** * **画面：** 闺蜜 A 鬼鬼祟祟地踮着脚，试图把一包 Melluxe 藏在卫生间的高柜顶上。闺蜜 B 突然从后面出现，双手叉腰。 * **Sora Prompt:** > Bestie A tiptoeing sneakily in the bathroom, trying to hide a pack of "Melluxe" wet wipes on top of a high cabinet. Bestie B suddenly appears in the doorway, hands on hips, catching her in the act. Comedy vibe. * **VO (B):** "Are you hiding the wipes from me?!" (你是在背着我藏湿厕纸吗？！) ### **镜头 2：Conflict - 私房货 (5-10s)** * **画面：** A 紧紧护住怀里的湿厕纸，一脸防备。B 指着走廊外（客厅方向）。 * **Sora Prompt:** > Bestie A hugs the pack protectively to her chest, looking defensive. Bestie B points aggressively towards the hallway/living room behind them. Emotional and funny acting. * **VO (A):** "This is my personal stash!" (这是我的私房货！) **VO (B):** "There are 23 more packs in the box!" (箱子里还有23包！) ### **镜头 3：Resolution - 别抢了 (10-15s)** * **画面：** 两人瞬间冷静下来，看了一眼客厅堆积如山的湿厕纸，然后一起看向镜头微笑推荐。 * **Sora Prompt:** > The two friends instantly calm down, look towards the living room (implied huge pile of product), then turn to smile at the camera. Bestie A holds up the pack. * **VO:** "Stop fighting. Just buy the 24-pack." (别抢了。直接买24包吧。) . Voiceover: ""
Noelle kata "Weh, mulai hari ini menjelang Bulan Ramadhan kita semua pakai PP Ramadhan 2026 ala-ala Noelling sebagai ...
Noelle kata "Weh, mulai hari ini menjelang Bulan Ramadhan kita semua pakai PP Ramadhan 2026 ala-ala Noelling sebagai gambar profile tik tok boleh keh tekan je letak kan situ, cepat biar ramai-ramai ikut nanti kita jadi Noelling sama-sama setuju?"
Uma fantástica cena original, cinematográfica, hiper realista, dinâmica, profissional, altamente detalhada, com alta ...
Uma fantástica cena original, cinematográfica, hiper realista, dinâmica, profissional, altamente detalhada, com alta resolução, alta definição, com um bonito contraste, jogo de luzes, sombras e boa iluminação, com profissionais efeitos sonoros e de ambientes da visão de costas de uma mulher, 28 anos, caucasiana, cabelo cacheado preto, olhos castanhos escuros, vestida com uma camisa de manga curta verde vivo, short branco, sandália branca, apavorada segurando seu cachorro Golden retriever com uma das mãos pela guia, o cachorro também está de costas, ambos estão parados na beira do topo do terraço de um edifício, onde, lá em baixo e ao redor, há a cidade de São Paulo destruída e em chamas com colossais, gigantes e assustadores extraterrestres humanoides zumbis de mais de 300 metros de altura caminhando e destruindo a cidade no horizonte. os gigantes não possuem cabelo e sua pele é acizentada. então, os gigantes lentamente caminham embora em direção ao horizonte. não há diálogos. O vídeo não deve ser cena de vídeo game. o vídeo não deve ser renderização 3D, nem computação gráfica. não deve haver nenhum personagem famoso de filme famoso ou série famosa. O vídeo deve ser em tela cheia, sem "mattes", ou seja, sem bordas superiores ou inferiores na tela. O vídeo não deve ter legendas e nem música de fundo.
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