Seedance 2.0 Showcase
Blader door succesvolle openbare generaties van de gemeenschap en open elk item om de prompt, instellingen en output te bekijken.
O papagaio todo verde está em cima de uma cerca de uma casa num ambiente de floresta. Um forte forte está passando na...
O papagaio todo verde está em cima de uma cerca de uma casa num ambiente de floresta. Um forte forte está passando na rua olhando o celular. O papagaio grita para o homem com voz tipica de papagaio: "olha o veado, olha o veado", o homem olha para o papagaio e aponta o dedo para ele dizendo: "me respeite seu bicho abusado", o papagaio repete dizendo: "olha o veado", do nada aparece um veado correndo em direção ao homem, o homem tenta correr e tropeça caindo de cara na lama. O papagaio ri.
STYLE: Ultra-realistic cinematic office surveillance / corporate drama style, slightly grainy but sharp, natural indo...
STYLE: Ultra-realistic cinematic office surveillance / corporate drama style, slightly grainy but sharp, natural indoor lighting, modern American bank interior, 4K look, ONE SHOT, no cuts, no subtitles. CAMERA: Fixed wide-angle security-camera-like shot from inside a private glass office at a downtown U.S. bank, slightly elevated corner perspective, capturing both the branch manager standing behind the desk and the White American businessman seated across from him. SCENE: A sleek, high-end American bank branch with glass walls, polished floors, muted corporate colors, employees moving in the background, customers passing by outside the office. The atmosphere is tense and professional. The branch manager, a middle-aged man in a gray suit, leans forward with a skeptical expression. Across from him sits a confident White American entrepreneur in a navy suit, holding a folder of financial documents. ACTION (15s): The manager glances at the loan file, then looks up with visible doubt and restrained hostility. He hesitates, taps the folder on the desk, and questions the applicant in a dismissive tone. The entrepreneur stays calm at first, then shows visible disbelief, straightens in his chair, and firmly pushes a stack of financial statements forward. Background staff begin to notice the tension through the glass. The manager’s body language becomes defensive as the entrepreneur realizes he is being treated unfairly despite his credentials. DIALOGUE: Manager: “You’re asking for a $2.3 million commercial loan?” Entrepreneur: “That’s correct.” Manager: “That’s a significant request.” Entrepreneur: “Then review the numbers.” Manager: “I am.” Entrepreneur: “Then act like it.” AUDIO: Low office ambience, distant footsteps, muffled lobby chatter, faint echo in the glass office, sharp paper movement on the desk, tense silence between lines. Branch manager Robert Thompson had worked at First National Bank for 11 years when he stepped into a situation that would destroy his career and cost the bank $8.7 million. At 42 years old, he was experienced enough to understand banking regulations and federal discrimination laws, yet he apparently believed his personal judgment about who deserved premium banking services mattered more than compliance. One Thursday afternoon at the bank’s flagship downtown branch, he received an appointment request from a White American entrepreneur seeking a $2.3 million commercial loan. The entrepreneur was Marcus Williams, a Harvard MBA who owned a construction company, two restaurants, and a commercial real estate firm, with a combined net worth approaching $40 million. What Thompson did next would trigger a chain of events no one in that branch would forget. bodycam and real
STYLE: Ultra-realistic cinematic office surveillance / corporate drama style, slightly grainy but sharp, natural indo...
STYLE: Ultra-realistic cinematic office surveillance / corporate drama style, slightly grainy but sharp, natural indoor lighting, modern American bank interior, 4K look, ONE SHOT, no cuts, no subtitles. CAMERA: Fixed wide-angle security-camera-like shot from inside a private glass office at a downtown U.S. bank, slightly elevated corner perspective, capturing both the branch manager standing behind the desk and the White American businessman seated across from him. SCENE: A sleek, high-end American bank branch with glass walls, polished floors, muted corporate colors, employees moving in the background, customers passing by outside the office. The atmosphere is tense and professional. The branch manager, a middle-aged man in a gray suit, leans forward with a skeptical expression. Across from him sits a confident White American entrepreneur in a navy suit, holding a folder of financial documents. ACTION (15s): The manager glances at the loan file, then looks up with visible doubt and restrained hostility. He hesitates, taps the folder on the desk, and questions the applicant in a dismissive tone. The entrepreneur stays calm at first, then shows visible disbelief, straightens in his chair, and firmly pushes a stack of financial statements forward. Background staff begin to notice the tension through the glass. The manager’s body language becomes defensive as the entrepreneur realizes he is being treated unfairly despite his credentials. DIALOGUE: Manager: “You’re asking for a $2.3 million commercial loan?” Entrepreneur: “That’s correct.” Manager: “That’s a significant request.” Entrepreneur: “Then review the numbers.” Manager: “I am.” Entrepreneur: “Then act like it.” AUDIO: Low office ambience, distant footsteps, muffled lobby chatter, faint echo in the glass office, sharp paper movement on the desk, tense silence between lines. Branch manager Robert Thompson had worked at First National Bank for 11 years when he stepped into a situation that would destroy his career and cost the bank $8.7 million. At 42 years old, he was experienced enough to understand banking regulations and federal discrimination laws, yet he apparently believed his personal judgment about who deserved premium banking services mattered more than compliance. One Thursday afternoon at the bank’s flagship downtown branch, he received an appointment request from a White American entrepreneur seeking a $2.3 million commercial loan. The entrepreneur was Marcus Williams, a Harvard MBA who owned a construction company, two restaurants, and a commercial real estate firm, with a combined net worth approaching $40 million. What Thompson did next would trigger a chain of events no one in that branch would forget. bodycam and real
STYLE: Ultra-realistic cinematic office surveillance / corporate drama style, slightly grainy but sharp, natural indo...
STYLE: Ultra-realistic cinematic office surveillance / corporate drama style, slightly grainy but sharp, natural indoor lighting, modern American bank interior, 4K look, ONE SHOT, no cuts, no subtitles. CAMERA: Fixed wide-angle security-camera-like shot from inside a private glass office at a downtown U.S. bank, slightly elevated corner perspective, capturing both the branch manager standing behind the desk and the White American businessman seated across from him. SCENE: A sleek, high-end American bank branch with glass walls, polished floors, muted corporate colors, employees moving in the background, customers passing by outside the office. The atmosphere is tense and professional. The branch manager, a middle-aged man in a gray suit, leans forward with a skeptical expression. Across from him sits a confident White American entrepreneur in a navy suit, holding a folder of financial documents. ACTION (15s): The manager glances at the loan file, then looks up with visible doubt and restrained hostility. He hesitates, taps the folder on the desk, and questions the applicant in a dismissive tone. The entrepreneur stays calm at first, then shows visible disbelief, straightens in his chair, and firmly pushes a stack of financial statements forward. Background staff begin to notice the tension through the glass. The manager’s body language becomes defensive as the entrepreneur realizes he is being treated unfairly despite his credentials. DIALOGUE: Manager: “You’re asking for a $2.3 million commercial loan?” Entrepreneur: “That’s correct.” Manager: “That’s a significant request.” Entrepreneur: “Then review the numbers.” Manager: “I am.” Entrepreneur: “Then act like it.” AUDIO: Low office ambience, distant footsteps, muffled lobby chatter, faint echo in the glass office, sharp paper movement on the desk, tense silence between lines. Branch manager Robert Thompson had worked at First National Bank for 11 years when he stepped into a situation that would destroy his career and cost the bank $8.7 million. At 42 years old, he was experienced enough to understand banking regulations and federal discrimination laws, yet he apparently believed his personal judgment about who deserved premium banking services mattered more than compliance. One Thursday afternoon at the bank’s flagship downtown branch, he received an appointment request from a White American entrepreneur seeking a $2.3 million commercial loan. The entrepreneur was Marcus Williams, a Harvard MBA who owned a construction company, two restaurants, and a commercial real estate firm, with a combined net worth approaching $40 million. What Thompson did next would trigger a chain of events no one in that branch would forget. bodycam and real
Storyboard
Storyboard
Security camera still frame from residential street surveillance footage, camera mounted on utility pole positioned o...
Security camera still frame from residential street surveillance footage, camera mounted on utility pole positioned off to the side, daytime suburban neighborhood scene. Surveillance camera perspective from street-mounted camera looking across at sidewalk area. Camera captures subjects at close range with clear unobstructed view - no utility pole visible in center of frame. Manicured grass lawns visible at edges. Suburban houses in background. Clear blue sky above. Trees in background. A man in his early 60s stands on the sidewalk in the foreground, close to camera view. He is upright with one hand placed on his chest. His posture appears slightly unsteady. A younger man in his 30s stands very close to him, only a few feet away, also prominently in the foreground. The younger man faces the older man directly. Both men fill a significant portion of the frame as the main subjects, positioned close enough to see details clearly. The area between the two men and the camera view is clear and unobstructed - no poles, posts, or objects blocking the view in the center of the frame. The scene is captured from a fixed angle with the camera positioned to the side, providing a clear direct view of both subjects without obstruction. Color image with visible digital grain and compression artifacts. Natural daylight. Slightly washed-out colors typical of outdoor CCTV footage. Blue sky visible. Residential setting. Close-range framing emphasizes the two men as primary focus. Timestamp-free frame. Authentic street surveillance aesthetic with clear unobstructed center frame. Animate this security camera footage image into a 10-second video clip. The camera remains completely fixed and static throughout - absolutely no camera movement, no panning, no zooming, no tilting. This is surveillance footage from a stationary mounted camera. Animation sequence: The older man (60s) standing on the sidewalk with hand on chest begins to appear more unsteady. His body sways slightly. His knees buckle. He collapses downward and falls to the ground on the sidewalk, ending up lying on the pavement. The younger man (30s) immediately reacts. He moves quickly toward the collapsed man, crossing the short distance between them. He kneels down on the pavement beside the older man. He leans over him, checking on him. He pulls out a phone and holds it to his ear, making a call. He gestures with his free hand while speaking. He remains kneeling beside the collapsed man. The background remains static - houses, lawns, trees, and sky do not move. Only the two people animate. Natural subtle movements only - slight wind in trees is acceptable but minimal. Camera perspective: Fixed security camera angle. Zero camera movement. The frame composition stays exactly the same throughout. This is authentic CCTV footage aesthetic - static mounted camera recording the scene. Style: Realistic surveillance footage movement. Natural human motion. No dramatic or cinematic camera work. The animation shows only what a fixed security camera would capture - the people moving within the static frame.
“I am a federal judge. You can confirm that immediately.” “Credentials don’t put you above investigation.” “I am aski...
“I am a federal judge. You can confirm that immediately.” “Credentials don’t put you above investigation.” “I am asking you to verify before escalating this.” “You think because you’ve got a title and a big house in this neighborhood that nobody’s going to question you?” bodycam and real
SCENE 1: [5s] Una donna in auto rivela entusiasta: "Non ci posso credere! La mia pizza preferita arriva sempre a casa...
SCENE 1: [5s] Una donna in auto rivela entusiasta: "Non ci posso credere! La mia pizza preferita arriva sempre a casa calda e croccante, è incredibile! Supera ogni aspettativa di consegna a domicilio. È come averla appena sfornata, una vera magia!" DIALOGUE: "Non dovrei dirvelo, ma la pizza preferita arriva calda a casa!" SCENE 2: [5s] Product showcase. SC NO text overlay, NO subtitles, NO captions.
“I am a federal judge. You can confirm that immediately.” “Credentials don’t put you above investigation.” “I am aski...
“I am a federal judge. You can confirm that immediately.” “Credentials don’t put you above investigation.” “I am asking you to verify before escalating this.” “You think because you’ve got a title and a big house in this neighborhood that nobody’s going to question you?” bodycam and real
Crea un video testimonianza ultra realistico, stile improvvisato, ambientato industriale, capannoni di aziende, nel s...
Crea un video testimonianza ultra realistico, stile improvvisato, ambientato industriale, capannoni di aziende, nel settore fotovoltaico aziendale. SCENA E AMBIENTE: Il video si svolge in un cantiere reale durante l’installazione di un impianto fotovoltaico industriale. Devono essere visibili pannelli, struttura metallica, attrezzi e almeno 1-2 operai sullo sfondo. Ambiente leggermente caotico, NON pulito o perfetto. Audio ambientale presente: vento leggero, rumori di lavoro (trapano, metallo, passi). Luce naturale, non artificiale. PERSONAGGIO: Uomo italiano, 35-50 anni. Ex elettricista, ora titolare di azienda. Aspetto: via di mezzo tra imprenditore e tecnico operativo. ABBIGLIAMENTO: – Polo o camicia leggermente stropicciata – Giacca leggera o felpa tecnica – Un po’ trasandato (realistico, non eccessivo) – Mani leggermente sporche o segnate dal lavoro COMPORTAMENTO: – Leggermente impacciato – Non guarda sempre la camera – Piccole pause naturali – Fa micro errori mentre parla (es. si corregge, esita) – Usa intercalari: “cioè”, “praticamente”, “vabbè”, “onestamente” ACCENTO: Forte accento del nord Italia (veneto/lombardo). RIPRESA: – Smartphone – Camera a mano (leggermente mossa) – Inquadratura non perfetta – Formato verticale (9:16) – Durata circa 15 secondi AUDIO: Reale, non pulito da studio. Voce chiara ma con rumore ambientale. TESTO DA DIRE (IMPORTANTE: NON DEVE SEMBRARE LETTO, ma parlato in modo spontaneo con pause naturali): Inizio leggermente esitante, come se non fosse abituato: “Eh… allora… gestisco un’azienda di installazione a Borgo Chiese…” (pausa breve, guarda di lato) “All’inizio ero molto scettico, cioè… avevo già avuto esperienze pessime col fotovoltaico… promesse non mantenute e… zero risultati.” (pausa, piccolo respiro) “Poi ho detto vabbè, dai… proviamo un’ultima volta.” (cambia leggermente tono, più convinto) “Con loro è stato completamente diverso… numeri chiari, niente sorprese.” (pausa breve, annuisce) “In tre mesi ho fatto… centotrentacinquemila euro di fatturato.” (pausa per dare peso al numero) “E la cosa che mi ha stupito di più… è che ho pagato solo per appuntamenti veramente validi.” (chiusura sincera, quasi sorpresa) “Cioè… onestamente… dovevo iniziare prima.” DETTAGLI FONDAMENTALI: – Deve sembrare un video vero, NON pubblicità – Nessuna musica – Nessun taglio perfetto – Nessuna recitazione pulita – Priorità assoluta: autenticità e spontaneità OBIETTIVO: Creare una testimonianza credibile al 100%, che sembri girata al momento e che trasmetta fiducia immediata, come se fosse un cliente reale che racconta la sua esperienza senza filtri. NO text overlay, NO subtitles, NO captions.
Vertical 9:16, real smartphone footage, warm indoor lighting, smooth hardwood floor. A hyper-realistic fluffy white-a...
Vertical 9:16, real smartphone footage, warm indoor lighting, smooth hardwood floor. A hyper-realistic fluffy white-and-creamdense long fur, blue-gray tipping, full cat anatomy — NO) wears a delicate pink floral collar and two tiny fabric cherry blossoms pinned to its ears. It stalks a feather wand (blue/yellow/green feathers) with intense focus — pupils dilated, tail low, paws placed deliberately. Behind it, 4 other kittens approach in loose formation: One in lavender hoodie (hood up), One in mint green, One in pale pink, One in light gray — all with matching snug pastel hoodies and subtle floral details. They observe, then join: one investigates a red perforated plastic ball, another sniffs a gray felt mouse with pink ears and nose. At 0:10, the lead kitten turns, gently nuzzles the gray-tabby kitten lying down — slow motion, whiskers brushing, eyes soft. The gray kitten blinks slowly, unafraid. Audio: light rustle of feathers, soft paw pads on wood, faint purring, gentle jingle of wand bell. Guardrails: fur texture highly detailed (individual strands visible in light), hoodie seams realistic, no floating, no exaggerated pounce — motion is feline-plausible (low-to-ground, weight-shifted); floral accents matte-finish, no glitter; contact shadows crisp on floor
{ "video_format": "vertical_9_16", "duration_seconds": 14, "product": { "name": "Kit 4 Shorts Legging", "quantity": 4...
{ "video_format": "vertical_9_16", "duration_seconds": 14, "product": { "name": "Kit 4 Shorts Legging", "quantity": 4 }, "scene": { "location": "mesa branca" }, "voice": { "type": "female", "tone": "natural firme" }, "narration_text": [ "Esse aqui é outro nível.", "Tecido firme, não fica transparente, não marca", "Cintura alta que segura.", "E são quatro shorts.", "Clica no carrinho laranja enquanto tem no estoque!" ] }
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