Seedance 2.0 Showcase
Blader door succesvolle openbare generaties van de gemeenschap en open elk item om de prompt, instellingen en output te bekijken.
Setting: Interior fast food restaurant, Saturday afternoon rush. Packed dining area, harsh fluorescent overhead light...
Setting: Interior fast food restaurant, Saturday afternoon rush. Packed dining area, harsh fluorescent overhead lighting, tiled floors, plastic booths packed with customers. Ambient noise: overlapping conversations, fryer hiss, children's voices. [0:00–0:02] — IMPACT / COLD OPEN Close-up. No warning. A teenage boy's open hand strikes a teenage girl's cheek. Her head snaps hard to the right. The sound — a single sharp crack — cuts through every layer of restaurant noise. Half a beat of dead silence follows. [0:02–0:05] — TRAY CRASH Her food tray leaves her hands in slow motion — drink, food, and small plastic toys tumbling and scattering across white tile floor. Camera pulls back to medium shot revealing her McDonald's uniform, her hand rising to her face, eyes glassy with shock. [0:05–0:08] — CROWD REACTION Rapid cuts. Customers frozen mid-bite. Phones rising. A child bursting into tears. An elderly couple gripping each other. The boy backing up one step, chest heaving, realizing what he's done. [0:08–0:11] — KITCHEN DOOR Background. The swinging kitchen door pushes open. A woman in her mid-40s — restaurant polo, visor — walks out with complete calm. Her eyes read the entire scene in two seconds. A badge glints on her hip under the fluorescent light. [0:11–0:13] — AUTHORITY She moves through the crowd without rushing. Customers part. She reaches into her collar, pulls credentials, raises them high above her head with one hand, her eyes locked on the boy. [0:13–0:15] — FREEZE Slow push into her badge catching the light. The boy's back hits the corner booth wall. His face: pure panic. She speaks one sentence, low and even. Hard cut to black. CINEMATOGRAPHY: Handheld with subtle stabilization. Warm fluorescent color grade. No text, no logos, no watermarks. Tone: gritty procedural drama, The Wire aesthetic.
Setting: Interior fast food restaurant, Saturday afternoon rush. Packed dining area, harsh fluorescent overhead light...
Setting: Interior fast food restaurant, Saturday afternoon rush. Packed dining area, harsh fluorescent overhead lighting, tiled floors, plastic booths packed with customers. Ambient noise: overlapping conversations, fryer hiss, children's voices. [0:00–0:02] — IMPACT / COLD OPEN Close-up. No warning. A teenage boy's open hand strikes a teenage girl's cheek. Her head snaps hard to the right. The sound — a single sharp crack — cuts through every layer of restaurant noise. Half a beat of dead silence follows. [0:02–0:05] — TRAY CRASH Her food tray leaves her hands in slow motion — drink, food, and small plastic toys tumbling and scattering across white tile floor. Camera pulls back to medium shot revealing her McDonald's uniform, her hand rising to her face, eyes glassy with shock. [0:05–0:08] — CROWD REACTION Rapid cuts. Customers frozen mid-bite. Phones rising. A child bursting into tears. An elderly couple gripping each other. The boy backing up one step, chest heaving, realizing what he's done. [0:08–0:11] — KITCHEN DOOR Background. The swinging kitchen door pushes open. A woman in her mid-40s — restaurant polo, visor — walks out with complete calm. Her eyes read the entire scene in two seconds. A badge glints on her hip under the fluorescent light. [0:11–0:13] — AUTHORITY She moves through the crowd without rushing. Customers part. She reaches into her collar, pulls credentials, raises them high above her head with one hand, her eyes locked on the boy. [0:13–0:15] — FREEZE Slow push into her badge catching the light. The boy's back hits the corner booth wall. His face: pure panic. She speaks one sentence, low and even. Hard cut to black. CINEMATOGRAPHY: Handheld with subtle stabilization. Warm fluorescent color grade. No text, no logos, no watermarks. Tone: gritty procedural drama, The Wire aesthetic.
{ "broll_id": "02", "script_reference": "Se sua barriga fica inchada depois de comer, isso não é só gás.", "prompt_te...
{ "broll_id": "02", "script_reference": "Se sua barriga fica inchada depois de comer, isso não é só gás.", "prompt_text": "3D scientific animation style. A translucent frosted-glass human figure, soft inner blue glow, no facial features, no clothing details, smooth humanoid silhouette, stands at a futuristic laboratory bench. The figure places a glowing food particle into its mouth. Inside the torso, a transparent anatomical digestive system becomes visible, with orange-red inflammatory waves expanding slowly in the intestinal area. Floating data particles surround the gut region. Camera starts on a medium shot, executes a slow zoom-in toward the abdomen, transitions into a macro internal shot of the intestines with a smooth orbital rotation. Cold blue-cyan ambient lighting, warm orange-red contrast glow inside the torso. No audio.", "camera": "Medium shot, slow zoom-in to abdomen, orbital macro internal shot", "lighting": "Blue-cyan ambient exterior, orange-red inflammatory glow inside torso", "audio": "none", "duration": "8 seconds", "aspect_ratio": "16:9" }
{ "broll_id": "01", "script_reference": "Se você acorda cansada mesmo depois de dormir 8 horas, isso não é preguiça."...
{ "broll_id": "01", "script_reference": "Se você acorda cansada mesmo depois de dormir 8 horas, isso não é preguiça.", "prompt_text": "3D scientific animation style. A translucent frosted-glass human figure, soft inner blue glow, no facial features, no clothing details, smooth humanoid silhouette, lies horizontally in a minimalist floating bed inside a dark futuristic laboratory environment. Glowing particles drift slowly around the figure. A holographic clock displays 8 hours of sleep. The figure slowly sits up, and faint red energy waves pulse outward from the chest area, indicating fatigue. Camera starts with a wide establishing shot of the room, performs a slow crane-up, then pushes in with a smooth dolly toward the chest of the figure where the red pulse originates. Cold blue-cyan ambient lighting, soft rim light contouring the translucent body. No audio.", "camera": "Wide establishing shot, slow crane-up, dolly-in to chest", "lighting": "Cold blue-cyan ambient, red pulsing glow from chest", "audio": "none", "duration": "8 seconds", "aspect_ratio": "16:9" }
Interior, sleek American attorney's conference room, late afternoon. Hard natural light cuts through floor-to-ceiling...
Interior, sleek American attorney's conference room, late afternoon. Hard natural light cuts through floor-to-ceiling windows, casting long shadows across a polished dark table. A Black woman in her mid-30s — charcoal blazer, natural hair pulled back, expression unreadable — sits with one hand resting open on the table, posture still and controlled. Across from her, an older white woman in a cream blazer grips a legal document with both hands, knuckles pale, jaw tight. A silver-haired man beside her leans back, composure slipping. The younger woman watches them read, completely calm. A beat of silence. She speaks first, low and even: "He knew exactly what he was doing." The older woman looks up, mouth opening but no words coming. The younger woman holds eye contact and doesn't move. No logos, no text, no watermarks, no signage.
Interior. Modern American kitchen. Late afternoon. Warm golden light filters through wide windows, casting long shado...
Interior. Modern American kitchen. Late afternoon. Warm golden light filters through wide windows, casting long shadows across white marble countertops. A man in his early forties, dark hair, rumpled dress shirt, stands at the kitchen island — calm, still, but coiled with quiet intensity. He sets a bunch of yellow roses down on the counter between himself and the woman across from him. An older woman stands near the stove behind him, gripping a wooden spoon with both hands, watching. The wife, dressed in a cream blouse, arms crossed, lifts her chin slightly — holding ground she's already lost. A briefcase sits on the floor where it was dropped. No one moves. The older woman lowers her eyes. The wife's jaw tightens. The man speaks first, low and even: "Apologize to her. Right now." A beat of silence. The wife exhales through her nose, looks at the older woman, and says quietly: "I'm sorry. What I said was cruel." No logos, no text, no watermarks, no signage.
Top of a concrete staircase outside an American high school. Golden afternoon light, long shadows. A girl in a wheelc...
Top of a concrete staircase outside an American high school. Golden afternoon light, long shadows. A girl in a wheelchair is frozen at the edge of the top step. A tall boy in a letterman jacket stands directly behind her, blocking the only way back. He leans down over her shoulder from behind, his face next to her ear, smirking. He whispers: "Go ahead. Take the stairs." She grips the wheels tight, knuckles white. She doesn't move. He straightens up behind her and slowly places one hand on the back of her chair. Her eyes go wide. His fingers tighten on the handle. Hold on her face — pure terror. Below, a row of students watches with phones raised. Nobody moves. Slow push-in on his hand gripping the chair. Cinematic, natural lighting, shallow depth of field, no logos, no text, no watermarks, no subtitles.
Setting: Interior fast food restaurant, Saturday afternoon rush. Packed dining area, harsh fluorescent overhead light...
Setting: Interior fast food restaurant, Saturday afternoon rush. Packed dining area, harsh fluorescent overhead lighting, tiled floors, plastic booths packed with customers. Ambient noise: overlapping conversations, fryer hiss, children's voices. [0:00–0:02] — IMPACT / COLD OPEN Close-up. No warning. A teenage boy's open hand strikes a teenage girl's cheek. Her head snaps hard to the right. The sound — a single sharp crack — cuts through every layer of restaurant noise. Half a beat of dead silence follows. [0:02–0:05] — TRAY CRASH Her food tray leaves her hands in slow motion — drink, food, and small plastic toys tumbling and scattering across white tile floor. Camera pulls back to medium shot revealing her McDonald's uniform, her hand rising to her face, eyes glassy with shock. [0:05–0:08] — CROWD REACTION Rapid cuts. Customers frozen mid-bite. Phones rising. A child bursting into tears. An elderly couple gripping each other. The boy backing up one step, chest heaving, realizing what he's done. [0:08–0:11] — KITCHEN DOOR Background. The swinging kitchen door pushes open. A woman in her mid-40s — restaurant polo, visor — walks out with complete calm. Her eyes read the entire scene in two seconds. A badge glints on her hip under the fluorescent light. [0:11–0:13] — AUTHORITY She moves through the crowd without rushing. Customers part. She reaches into her collar, pulls credentials, raises them high above her head with one hand, her eyes locked on the boy. [0:13–0:15] — FREEZE Slow push into her badge catching the light. The boy's back hits the corner booth wall. His face: pure panic. She speaks one sentence, low and even. Hard cut to black. CINEMATOGRAPHY: Handheld with subtle stabilization. Warm fluorescent color grade. No text, no logos, no watermarks. Tone: gritty procedural drama, The Wire aesthetic.
Storyboard
Storyboard
Setting: Interior fast food restaurant, Saturday afternoon. Packed dining area, 40+ customers. Harsh overhead fluores...
Setting: Interior fast food restaurant, Saturday afternoon. Packed dining area, 40+ customers. Harsh overhead fluorescent lighting casts warm yellow tones over plastic booth seating, tiled floors, and a busy service counter. Ambient soundscape: overlapping conversations, fryer hiss, tray clatter, children's voices. SHOT SEQUENCE (15-second breakdown): [0:00–0:03] — WIDE ESTABLISHING Handheld-style wide shot. Crowded counter area. A teenage boy in a gray hoodie and jeans pushes through the lunch crowd toward the pickup counter where a teenage girl in a fast food uniform turns with a loaded tray. Energy is tense, purposeful. [0:03–0:07] — MEDIUM TWO-SHOT The boy grabs the girl's shoulder, spinning her around. Her expression shifts from surprise to fear. Tray wobbles. Medium shot, slightly low angle on him, slightly high on her — emphasizing power imbalance. Shallow depth of field, background customers blurred but present. [0:07–0:09] — CLOSE-UP / IMPACT His open hand strikes her cheek. Her head snaps sideways. Tray crashes to tile — toys and a drink exploding outward in slow motion for 12 frames. Sound design: the slap cuts through all ambient noise in a single sharp crack, followed by half a beat of silence. [0:09–0:11] — REACTION MONTAGE (rapid cuts) Customers freeze mid-bite. A child begins crying. Phones rise. An elderly woman grabs her husband's arm. Wide eyes. Open mouths. Three fast cuts, each 18 frames. [0:11–0:13] — KITCHEN DOOR SWING A swinging door bursts open in the background. A woman in her mid-40s in a restaurant polo and visor strides out with measured, authoritative calm. Her eyes sweep the scene instantly. A badge catches the fluorescent light on her hip. [0:13–0:15] — POWER CLOSE She raises credentials high, voice calm and clear over the noise: "FBI. Nobody moves." The teenage boy's face — pure panic — as he backs into the corner of a booth. Camera slowly pushes in on her badge, glinting under the lights. Hard cut to black. CINEMATOGRAPHY NOTES FOR SORA: Cinematic realism, handheld with subtle stabilization. Color grade: warm fluorescent interior, slightly overexposed highlights. No slow motion except the tray impact. No text overlays, no watermarks, no logos. Mood: Tense, visceral, procedural drama. Think The Wire meets everyday American setting.
Setting: Interior fast food restaurant, Saturday afternoon. Packed dining area, 40+ customers. Harsh overhead fluores...
Setting: Interior fast food restaurant, Saturday afternoon. Packed dining area, 40+ customers. Harsh overhead fluorescent lighting casts warm yellow tones over plastic booth seating, tiled floors, and a busy service counter. Ambient soundscape: overlapping conversations, fryer hiss, tray clatter, children's voices. SHOT SEQUENCE (15-second breakdown): [0:00–0:03] — WIDE ESTABLISHING Handheld-style wide shot. Crowded counter area. A teenage boy in a gray hoodie and jeans pushes through the lunch crowd toward the pickup counter where a teenage girl in a fast food uniform turns with a loaded tray. Energy is tense, purposeful. [0:03–0:07] — MEDIUM TWO-SHOT The boy grabs the girl's shoulder, spinning her around. Her expression shifts from surprise to fear. Tray wobbles. Medium shot, slightly low angle on him, slightly high on her — emphasizing power imbalance. Shallow depth of field, background customers blurred but present. [0:07–0:09] — CLOSE-UP / IMPACT His open hand strikes her cheek. Her head snaps sideways. Tray crashes to tile — toys and a drink exploding outward in slow motion for 12 frames. Sound design: the slap cuts through all ambient noise in a single sharp crack, followed by half a beat of silence. [0:09–0:11] — REACTION MONTAGE (rapid cuts) Customers freeze mid-bite. A child begins crying. Phones rise. An elderly woman grabs her husband's arm. Wide eyes. Open mouths. Three fast cuts, each 18 frames. [0:11–0:13] — KITCHEN DOOR SWING A swinging door bursts open in the background. A woman in her mid-40s in a restaurant polo and visor strides out with measured, authoritative calm. Her eyes sweep the scene instantly. A badge catches the fluorescent light on her hip. [0:13–0:15] — POWER CLOSE She raises credentials high, voice calm and clear over the noise: "FBI. Nobody moves." The teenage boy's face — pure panic — as he backs into the corner of a booth. Camera slowly pushes in on her badge, glinting under the lights. Hard cut to black. CINEMATOGRAPHY NOTES FOR SORA: Cinematic realism, handheld with subtle stabilization. Color grade: warm fluorescent interior, slightly overexposed highlights. No slow motion except the tray impact. No text overlays, no watermarks, no logos. Mood: Tense, visceral, procedural drama. Think The Wire meets everyday American setting.
Setting: Interior fast food restaurant, Saturday afternoon. Packed dining area, 40+ customers. Harsh overhead fluores...
Setting: Interior fast food restaurant, Saturday afternoon. Packed dining area, 40+ customers. Harsh overhead fluorescent lighting casts warm yellow tones over plastic booth seating, tiled floors, and a busy service counter. Ambient soundscape: overlapping conversations, fryer hiss, tray clatter, children's voices. SHOT SEQUENCE (15-second breakdown): [0:00–0:03] — WIDE ESTABLISHING Handheld-style wide shot. Crowded counter area. A teenage boy in a gray hoodie and jeans pushes through the lunch crowd toward the pickup counter where a teenage girl in a fast food uniform turns with a loaded tray. Energy is tense, purposeful. [0:03–0:07] — MEDIUM TWO-SHOT The boy grabs the girl's shoulder, spinning her around. Her expression shifts from surprise to fear. Tray wobbles. Medium shot, slightly low angle on him, slightly high on her — emphasizing power imbalance. Shallow depth of field, background customers blurred but present. [0:07–0:09] — CLOSE-UP / IMPACT His open hand strikes her cheek. Her head snaps sideways. Tray crashes to tile — toys and a drink exploding outward in slow motion for 12 frames. Sound design: the slap cuts through all ambient noise in a single sharp crack, followed by half a beat of silence. [0:09–0:11] — REACTION MONTAGE (rapid cuts) Customers freeze mid-bite. A child begins crying. Phones rise. An elderly woman grabs her husband's arm. Wide eyes. Open mouths. Three fast cuts, each 18 frames. [0:11–0:13] — KITCHEN DOOR SWING A swinging door bursts open in the background. A woman in her mid-40s in a restaurant polo and visor strides out with measured, authoritative calm. Her eyes sweep the scene instantly. A badge catches the fluorescent light on her hip. [0:13–0:15] — POWER CLOSE She raises credentials high, voice calm and clear over the noise: "FBI. Nobody moves." The teenage boy's face — pure panic — as he backs into the corner of a booth. Camera slowly pushes in on her badge, glinting under the lights. Hard cut to black. CINEMATOGRAPHY NOTES FOR SORA: Cinematic realism, handheld with subtle stabilization. Color grade: warm fluorescent interior, slightly overexposed highlights. No slow motion except the tray impact. No text overlays, no watermarks, no logos. Mood: Tense, visceral, procedural drama. Think The Wire meets everyday American setting.
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