Mostruário Seedance 2.0
Navegue pelas gerações públicas bem-sucedidas da comunidade e abra qualquer item para inspecionar o prompt, as configurações e o resultado.
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.
In a fluorescent-lit American high school classroom at midday, rows of desks sit under buzzing ceiling lights. Maya, ...
In a fluorescent-lit American high school classroom at midday, rows of desks sit under buzzing ceiling lights. Maya, a white American teenage girl (16, thrift-store hoodie, messy brown hair, guarded expression), sits rigid at her desk as Tyler, a white American teenage boy (17, varsity jacket, cocky grin), slams his fist down and crushes a delicate balsa-wood model house; tiny shingles and splinters scatter across the linoleum. The camera starts on a medium shot of Tyler’s fist hitting the model, then cuts to a tight close-up of Maya’s unmoving face as the class reacts with nervous laughter. A white American substitute teacher, Mr. Henderson (late 50s, tweed jacket, tired eyes turning sharp), steps into frame; the camera follows him in a quick handheld push-in as he kneels and lifts a scorched wall fragment, his fingers freezing when he sees red stains and barricaded miniature furniture. Tyler sneers, delivering it casually: “Ugly trash for an ugly girl.” Mr. Henderson looks up, voice low and steady: “This isn’t a dollhouse.” The room falls tense and silent, ambient sound dropping under a slow, ominous music cue. No logos, no brand names, no signage, no watermarks, no text overlays.
In a fluorescent-lit American high school classroom at midday, rows of desks sit under buzzing ceiling lights. Maya, ...
In a fluorescent-lit American high school classroom at midday, rows of desks sit under buzzing ceiling lights. Maya, a white American teenage girl (16, thrift-store hoodie, messy brown hair, guarded expression), sits rigid at her desk as Tyler, a white American teenage boy (17, varsity jacket, cocky grin), slams his fist down and crushes a delicate balsa-wood model house; tiny shingles and splinters scatter across the linoleum. The camera starts on a medium shot of Tyler’s fist hitting the model, then cuts to a tight close-up of Maya’s unmoving face as the class reacts with nervous laughter. A white American substitute teacher, Mr. Henderson (late 50s, tweed jacket, tired eyes turning sharp), steps into frame; the camera follows him in a quick handheld push-in as he kneels and lifts a scorched wall fragment, his fingers freezing when he sees red stains and barricaded miniature furniture. Tyler sneers, delivering it casually: “Ugly trash for an ugly girl.” Mr. Henderson looks up, voice low and steady: “This isn’t a dollhouse.” The room falls tense and silent, ambient sound dropping under a slow, ominous music cue. No logos, no brand names, no signage, no watermarks, no text overlays.
In a fluorescent-lit American high school classroom at midday, rows of desks sit under buzzing ceiling lights. Maya, ...
In a fluorescent-lit American high school classroom at midday, rows of desks sit under buzzing ceiling lights. Maya, a white American teenage girl (16, thrift-store hoodie, messy brown hair, guarded expression), sits rigid at her desk as Tyler, a white American teenage boy (17, varsity jacket, cocky grin), slams his fist down and crushes a delicate balsa-wood model house; tiny shingles and splinters scatter across the linoleum. The camera starts on a medium shot of Tyler’s fist hitting the model, then cuts to a tight close-up of Maya’s unmoving face as the class reacts with nervous laughter. A white American substitute teacher, Mr. Henderson (late 50s, tweed jacket, tired eyes turning sharp), steps into frame; the camera follows him in a quick handheld push-in as he kneels and lifts a scorched wall fragment, his fingers freezing when he sees red stains and barricaded miniature furniture. Tyler sneers, delivering it casually: “Ugly trash for an ugly girl.” Mr. Henderson looks up, voice low and steady: “This isn’t a dollhouse.” The room falls tense and silent, ambient sound dropping under a slow, ominous music cue. No logos, no brand names, no signage, no watermarks, no text overlays.
Realistic, Natural Daily Life, No caption, Highly close-up Candid faces selfie angle view, sitting at beach, A handso...
Realistic, Natural Daily Life, No caption, Highly close-up Candid faces selfie angle view, sitting at beach, A handsome Tall stylish Muscular Iranian Stud man, 100% Hindi accent, moments about the name of girlfriend, Clear Candid Solo conversational reply:- \u002e\u002e\u002e\u002e\u0020\u092d\u0947\u0928\u091a\u094b\u007e\u0926\u002e\u002e\u002e\u000a\u091a\u093e\u0932\u0940\u0938\u0020\u0938\u093e\u0932\u0020\u0915\u093e\u0020\u0939\u094b\u0020\u0917\u092f\u093e\u0020\u0939\u0941\u002c\u0020\u0932\u0947\u0915\u093f\u0928\u0020\u0906\u091c\u0020\u092d\u0940\u0020\u0926\u007e\u092c\u093e\u0915\u0947\u0020\u0932\u0901\u007e\u0064\u0020\u0068\u0069\u007e\u0932\u093e\u0924\u093e\u0020\u0939\u0941\u002e\u002e\u002e then laugh ( Fun Behaviour, In Polo T-shirt, Clean shaved face, Iranian face feachers, big biceps, Don't Change In Dialogue, Unicode-encoded Text, 40 years old)
A Manhattan corporate corner office at 11 PM, with dim overhead lighting and city lights glowing through floor-to-cei...
A Manhattan corporate corner office at 11 PM, with dim overhead lighting and city lights glowing through floor-to-ceiling windows. The Christmas party has ended, leaving scattered champagne glasses and holiday decorations. Richard (late 40s, expensive suit, red-faced with rage) towers over David (25, janitor uniform, calm demeanor, cleaning cart nearby). Linda (mid-40s, professional blouse, executive assistant) sits at her desk in the corner, and Mrs. Hartwell (early 40s, elegant cocktail dress, concerned expression) stands by the window. Wide shot: Richard screams and points aggressively at David, spittle flying. Close-up: David remains perfectly still, reaches into his backpack with deliberate calm. Medium shot: David pulls out thick manila folders, spreads photographs across the mahogany desk surface. Richard's face drains of color, Linda gasps and covers her mouth. Cut to: Mrs. Hartwell stepping forward, picking up a photograph with trembling hands. David says quietly: "These are from the Ritz Carlton, room 412." Richard shouts: "This is extortion!" The atmosphere crackles with tension, silence broken only by the city hum outside. No logos, no brand names, no watermarks, no text overlays.
Cinematic wide shot of a busy Indian city at morning, people going to office, metro stations, traffic. Slowly overlay...
Cinematic wide shot of a busy Indian city at morning, people going to office, metro stations, traffic. Slowly overlay faint glowing financial graphs floating above buildings, unseen by people. Moody lighting, subtle tension, realistic style.
короткая драматическая история,жена сидит на коленьях перед мужем и просит прощения много много раз,но муж шлепает по...
короткая драматическая история,жена сидит на коленьях перед мужем и просит прощения много много раз,но муж шлепает по лицу жены и покидает комнату месте с ребенком которуй был очевидцем
A Manhattan corporate corner office at 11 PM, with dim overhead lighting and city lights glowing through floor-to-cei...
A Manhattan corporate corner office at 11 PM, with dim overhead lighting and city lights glowing through floor-to-ceiling windows. The Christmas party has ended, leaving scattered champagne glasses and holiday decorations. Richard (late 40s, expensive suit, red-faced with rage) towers over David (25, janitor uniform, calm demeanor, cleaning cart nearby). Linda (mid-40s, professional blouse, executive assistant) sits at her desk in the corner, and Mrs. Hartwell (early 40s, elegant cocktail dress, concerned expression) stands by the window. Wide shot: Richard screams and points aggressively at David, spittle flying. Close-up: David remains perfectly still, reaches into his backpack with deliberate calm. Medium shot: David pulls out thick manila folders, spreads photographs across the mahogany desk surface. Richard's face drains of color, Linda gasps and covers her mouth. Cut to: Mrs. Hartwell stepping forward, picking up a photograph with trembling hands. David says quietly: "These are from the Ritz Carlton, room 412." Richard shouts: "This is extortion!" The atmosphere crackles with tension, silence broken only by the city hum outside. No logos, no brand names, no watermarks, no text overlays.
A Manhattan corporate corner office at 11 PM, with dim overhead lighting and city lights glowing through floor-to-cei...
A Manhattan corporate corner office at 11 PM, with dim overhead lighting and city lights glowing through floor-to-ceiling windows. The Christmas party has ended, leaving scattered champagne glasses and holiday decorations. Richard (late 40s, expensive suit, red-faced with rage) towers over David (25, janitor uniform, calm demeanor, cleaning cart nearby). Linda (mid-40s, professional blouse, executive assistant) sits at her desk in the corner, and Mrs. Hartwell (early 40s, elegant cocktail dress, concerned expression) stands by the window. Wide shot: Richard screams and points aggressively at David, spittle flying. Close-up: David remains perfectly still, reaches into his backpack with deliberate calm. Medium shot: David pulls out thick manila folders, spreads photographs across the mahogany desk surface. Richard's face drains of color, Linda gasps and covers her mouth. Cut to: Mrs. Hartwell stepping forward, picking up a photograph with trembling hands. David says quietly: "These are from the Ritz Carlton, room 412." Richard shouts: "This is extortion!" The atmosphere crackles with tension, silence broken only by the city hum outside. No logos, no brand names, no watermarks, no text overlays.
A Manhattan corporate corner office at 11 PM, with dim overhead lighting and city lights glowing through floor-to-cei...
A Manhattan corporate corner office at 11 PM, with dim overhead lighting and city lights glowing through floor-to-ceiling windows. The Christmas party has ended, leaving scattered champagne glasses and holiday decorations. Richard (late 40s, expensive suit, red-faced with rage) towers over David (25, janitor uniform, calm demeanor, cleaning cart nearby). Linda (mid-40s, professional blouse, executive assistant) sits at her desk in the corner, and Mrs. Hartwell (early 40s, elegant cocktail dress, concerned expression) stands by the window. Wide shot: Richard screams and points aggressively at David, spittle flying. Close-up: David remains perfectly still, reaches into his backpack with deliberate calm. Medium shot: David pulls out thick manila folders, spreads photographs across the mahogany desk surface. Richard's face drains of color, Linda gasps and covers her mouth. Cut to: Mrs. Hartwell stepping forward, picking up a photograph with trembling hands. David says quietly: "These are from the Ritz Carlton, room 412." Richard shouts: "This is extortion!" The atmosphere crackles with tension, silence broken only by the city hum outside. No logos, no brand names, no watermarks, no text overlays.
A Manhattan corporate corner office at 11 PM, with dim overhead lighting and city lights glowing through floor-to-cei...
A Manhattan corporate corner office at 11 PM, with dim overhead lighting and city lights glowing through floor-to-ceiling windows. The Christmas party has ended, leaving scattered champagne glasses and holiday decorations. Richard (late 40s, expensive suit, red-faced with rage) towers over David (25, janitor uniform, calm demeanor, cleaning cart nearby). Linda (mid-40s, professional blouse, executive assistant) sits at her desk in the corner, and Mrs. Hartwell (early 40s, elegant cocktail dress, concerned expression) stands by the window. Wide shot: Richard screams and points aggressively at David, spittle flying. Close-up: David remains perfectly still, reaches into his backpack with deliberate calm. Medium shot: David pulls out thick manila folders, spreads photographs across the mahogany desk surface. Richard's face drains of color, Linda gasps and covers her mouth. Cut to: Mrs. Hartwell stepping forward, picking up a photograph with trembling hands. David says quietly: "These are from the Ritz Carlton, room 412." Richard shouts: "This is extortion!" The atmosphere crackles with tension, silence broken only by the city hum outside. No logos, no brand names, no watermarks, no text overlays.
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