Mostruário Seedance 2.0
Navegue pelas gerações públicas bem-sucedidas da comunidade e abra qualquer item para inspecionar o prompt, as configurações e o resultado.
A close-up, slow-motion shot of a master sculptor at the Harbin Ice Festival. The artist, wearing a frosted mask and ...
A close-up, slow-motion shot of a master sculptor at the Harbin Ice Festival. The artist, wearing a frosted mask and heavy gear, uses a buzzing chainsaw to carve intricate, flowing patterns into a massive block of clear river ice. Shards of ice fly off like sparkling diamonds, caught in the low-hanging winter sun. The camera pans to show a construction site where cranes are stacking these blocks like LEGO bricks to form the walls of a towering ice pagoda. You can see the internal texture of the "Songhua ice"—it’s glass-like and incredibly clear. The sound of carving and the distant hum of the city create an atmosphere of focused creativity.
A cinematic wide-angle drone shot of the frozen Songhua River in Harbin, China, during a cold, bright winter morning....
A cinematic wide-angle drone shot of the frozen Songhua River in Harbin, China, during a cold, bright winter morning. The scene captures the industrial scale of ice harvesting. Massive, specialized circular saws slice through the thick, translucent blue ice, sending crystalline sprays of snow into the air. Dozens of workers in heavy orange winter gear use long metal poles to guide giant, perfectly rectangular ice blocks through the dark water channels. In the background, heavy-duty excavators and cranes with specialized claws lift the 500kg blocks onto a fleet of trucks. The atmosphere is crisp and freezing, with visible steam rising from the machines and the breath of the workers.
este homem irar falar a seguinte frase "olá meu querido rafinha, eu fiquei sabendo sabe jogar bola né? vem jogar uma ...
este homem irar falar a seguinte frase "olá meu querido rafinha, eu fiquei sabendo sabe jogar bola né? vem jogar uma pelada comigo. o homem depois da frase ele vira um mortal para tras e grita SIUUUUUUUUU!
إحنا كنا فاكهة طازة! فجأة لقينا السكينة قرّبت. حد يشيل اللوح ده من هنا! إحنا مش مستعدين للتقطيع!
إحنا كنا فاكهة طازة! فجأة لقينا السكينة قرّبت. حد يشيل اللوح ده من هنا! إحنا مش مستعدين للتقطيع!
A surrea abstract world, Apocalypse, Anxiety, Fear, Surreal World. A creepy face from nightmares, reminiscent of the ...
A surrea abstract world, Apocalypse, Anxiety, Fear, Surreal World. A creepy face from nightmares, reminiscent of the "dead valley effect," with deformed arms and legs in an icy world. An entrance to the underworld, doors and windows that lead to other terrifying worlds.A sudden, shocking cut to an extreme wide shot of a vast, desolate landscape under a monstrous, bloated red sun that fills a third of the sky. The heat is palpable through the image (mirage effect, warping air). This is not a desert, but a cracked, fleshy earth—like dried clay over muscle tissue. The protagonist stumbles into the frame, their robes now stained and torn. As the "red sphere" (the sun) beats down, the protagonist's head begins to distort. In extreme close-up, we see the skin on their temple pulse as if the brain is swelling. The veins in their eyes become prominent, reflecting the red sun. They are not in pain, but in a state of terrifying ecstasy. Flashes of surreal, rapid-cut imagery: roots growing into skulls, honeycomb patterns in stone, insects crawling from eye sockets. Contrast Montage: Quick, jarring cuts back to the pristine granite monastery, now empty and cold, intercut with the vibrant, hellish beauty of the new landscape. The "flesh and blood" that "gave out" is shown as the protagonist's old self, crumbling to dust in the monastery corner.
Sora 2 for video A hyper-realistic 4k raw POV smartphone video. The camera is ANCHORED to a fixed point, 10 meters aw...
Sora 2 for video A hyper-realistic 4k raw POV smartphone video. The camera is ANCHORED to a fixed point, 10 meters away from the Walmart deli rotisserie chicken display. The shot is strictly 90-degree frontal and perfectly parallel to the counter. ZERO camera travel, ZERO walking, ZERO Z-axis movement. The only motion is a rapid, shaky digital zoom-in (frame magnification) with natural handheld jitter and a quick autofocus snap. THE DISPLAY: The rotisserie chicken display must look 100% authentic, featuring rows of succulent roasted chickens inside clear plastic-domed containers with condensation, grease streaks on the glass, and sharp yellow price stickers on a brushed stainless steel ledge. THE MOUSE: Once zoomed, a LARGE, dark-gray mouse is revealed; it is highly visible and scurries in a physically logical straight line along the very front metallic ledge, trapped between the outer glass panel and the first row of chicken boxes. The mouse movement is realistic and stays in the foreground. LIGHTING: Harsh, industrial overhead fluorescent white light, creating realistic specular highlights on the metal and glass surfaces. The camera remains frozen at the 10m mark; only the digital crop moves. No people in frame, high-fidelity textures, zero AI artifacts. size video 9x16
A Romanian man 70 years old wearing a heavy sheepskin coat (cojoc) he looks suspicious and wise, says mysteriously: "...
A Romanian man 70 years old wearing a heavy sheepskin coat (cojoc) he looks suspicious and wise, says mysteriously: " Fă binele cu măsură, deoarece unii oameni se obișnuiesc repede cu mâna întinsă și uită să mai muncească singuri. Când nu vei mai putea să le dai nimic, tot ei vor fi primii care te vor vorbi de rău prin tot satul sau cartierul." Village road background. [Additional requirements: January period, no music, no captions, no text, no birds sound, no wind sound, no scarf, no smoke etc.]
A kid running in the beach daytime
A kid running in the beach daytime
A surrea abstract world, Apocalypse, Anxiety, Fear, Surreal World. A creepy face from nightmares, reminiscent of the ...
A surrea abstract world, Apocalypse, Anxiety, Fear, Surreal World. A creepy face from nightmares, reminiscent of the "dead valley effect," with deformed arms and legs in an icy world. An entrance to the underworld, doors and windows that lead to other terrifying worlds.A sudden, shocking cut to an extreme wide shot of a vast, desolate landscape under a monstrous, bloated red sun that fills a third of the sky. The heat is palpable through the image (mirage effect, warping air). This is not a desert, but a cracked, fleshy earth—like dried clay over muscle tissue. The protagonist stumbles into the frame, their robes now stained and torn. As the "red sphere" (the sun) beats down, the protagonist's head begins to distort. In extreme close-up, we see the skin on their temple pulse as if the brain is swelling. The veins in their eyes become prominent, reflecting the red sun. They are not in pain, but in a state of terrifying ecstasy. Flashes of surreal, rapid-cut imagery: roots growing into skulls, honeycomb patterns in stone, insects crawling from eye sockets. Contrast Montage: Quick, jarring cuts back to the pristine granite monastery, now empty and cold, intercut with the vibrant, hellish beauty of the new landscape. The "flesh and blood" that "gave out" is shown as the protagonist's old self, crumbling to dust in the monastery corner.
A dimly lit American dive bar at night, harsh overhead lights casting shadows across worn wooden floors. All characte...
A dimly lit American dive bar at night, harsh overhead lights casting shadows across worn wooden floors. All characters are American, realistic and natural in appearance. Close-up: Captain Rourke—a typical American man in a crisp City Guard uniform—pours beer directly onto the head and face of a janitor in gray coveralls. Beer streams down the janitor's face, dripping from his hair and chin. Rourke then kicks a metal mop bucket sitting next to the janitor, sending dirty water splashing across the floor. The janitor stands still, water dripping from his face, mop in hand. Around them, a crowd of typical American bar patrons watches in tense silence, phones lowered, bodies frozen. Suddenly, the windows flood with blinding white light from outside. The sound of helicopter rotors shakes the walls. The janitor slowly wipes beer from his eyes, his expression shifting from calm to cold. He reaches behind the bar and pulls out a small velvet box, opening it to reveal a medal with ten stars. Close-up on Rourke's face as recognition dawns—his smirk collapses into horror. The janitor says quietly but with absolute authority: "You just poured beer on the Supreme Commander." No logos, no brand names, no signage, no watermarks, no text overlays, no subtitles. Cinematic, realistic, grounded tone.
Gere um vídeo promocional profissional e criativo, divulgando esse produto do TikTok Shop, sem autolegendas e sem tex...
Gere um vídeo promocional profissional e criativo, divulgando esse produto do TikTok Shop, sem autolegendas e sem textos, fala rápida, direta e objetiva. Ser agressivo na fala pra gerar impacto, passar autoridade na fala e chamar a atenção. Estilo vendedor profissional. mencionar que é do TikTok Shop, incentivar as pessoas querer comprar esse produto Sem deformar o produto, sempre o produto estar em destaque em direção da câmera. Cenário relacionado com tema do produto. Sem autolegendas e sem textos, sem mencionar valores, sem mencionar nome da marca, sem mencionar que é original. Sem mostrar o celular. Personagem usando o produto desde do início da cena, sempre em movimento. cinematic quality, ultra realistic, 4K, high detail, professional lighting.
Cinematic film still, 8k resolution, ultra-realistic. A dramatic three-part sequence. First, a close-up of a teenage ...
Cinematic film still, 8k resolution, ultra-realistic. A dramatic three-part sequence. First, a close-up of a teenage girl with curly hair, completely drenched in thick, dripping neon pink and blue paint, her expression one of deep humiliation and sadness outside a high school. Cinematic wide shot of a high school parking lot. In the center, a teenage girl (Sexy) is covered head-to-toe in bright blue paint, shivering. A group of wealthy-looking teens laugh in the background. Cut to: Jax Miller, a rugged man with tattoos, dismounting a vintage Harley. The camera captures the raw grief and rage in his eyes as he sees his daughter's ruined leather jacket. Close-up on Jax’s hand as he flips open a burner phone. Sound design: the distant, growing roar of hundreds of motorcycle engines. The scene ends with Jax staring down the bully as the first wave of 200 bikers rounds the corner in a massive, intimidating formation.
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