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SCENE 1 (4s): Medium shot, handheld. Small American diner kitchen, Friday night. Hot fluorescent light, cluttered prep surfaces. Walter — a white American man, early seventies, white shirt, black apron — stands at the grill, working. Calm. Methodical. Unhurried. Behind him, Dane — a white American man, early thirties, blazer half-undone, face red — storms in. DIALOGUE (Dane, shouting): "I told you to clock out! This is MY kitchen — GET OUT!" SCENE 2 (5s): Same angle, tighter. Dane steps close, too close — and shoves Walter hard with both hands, flat palms to the chest. Walter's body snaps backward. His lower back hits the counter edge. He grabs the prep table to catch himself. He does not speak. He does not shout back. He just holds the table and looks at Dane — steady, silent, everything contained. The kitchen goes completely still. NO DIALOGUE. SCENE 3 (6s): Wide shot from the far end of the kitchen. Marcus — a young white American man in a server's uniform — stands near the service window. He slowly raises his phone. The small red recording dot is visible on the screen. He looks at Dane. DIALOGUE (Marcus, quiet, even): "I've been recording since the system crashed." Freeze on Dane's face — the mask dropping. Cut to black. NO text overlay, NO subtitles, NO captions, NO logos, NO brand names, NO watermarks. Cinematic, grounded, U.S. drama tone.

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SCENE 1 (4s): Medium shot, handheld. Small American diner kitchen, Friday night. Hot fluorescent light, cluttered pre...

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