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探索由社区创作并公开分享的 AI 视频作品。
Create a 30-second ultra-realistic vertical 9:16 POV video filmed from a GoPro-style first-person perspective. The ca...
Create a 30-second ultra-realistic vertical 9:16 POV video filmed from a GoPro-style first-person perspective. The camera represents the eyes of a BASE jumper standing on the edge of a tall cliff overlooking a canyon at sunrise. You see the jumper’s hands trembling slightly as they check their gear — the wind whistles past. Ambient sounds: wind gusts, heartbeats, distant echoing canyon birds — no music or voice. Suddenly, they leap off the cliff, and the camera captures the rush of air, the whistling wind, and rapid descent past rocky cliffs. Include subtle motion blur, handheld GoPro shake, and realistic physics of freefall. The chute opens late, creating a brief tense moment, before safely stabilizing midair. The jumper shouts in relief, echoing through the canyon. The video ends with them gliding low above a river, sunlight flaring across the lens. Style: raw GoPro realism, cinematic lighting, “caught-on-camera” energy — looks like a real viral clip. Length: 30 seconds. Aspect ratio: 9:16 for YouTube Shorts. Tone: pure adrenaline, realistic physics, no text, no edits.
Ultra-realistic first-person POV video, vertical 9:16, 30 seconds long. The camera represents the eyes of a person sl...
Ultra-realistic first-person POV video, vertical 9:16, 30 seconds long. The camera represents the eyes of a person sliding inside a very high outdoor water slide in a crowded water park during golden-hour late afternoon. The slide is open on top, allowing warm sunlight to cast moving shadows of the person’s arms and body on the wet slide surface. Realistic water physics and heavy splashes, slight motion blur on edges for speed. The camera shakes naturally like a GoPro, handheld realism. The person gains speed rapidly, creating a thrilling, heart-pounding sensation. Ambient sounds: rushing water, wind, muffled crowd reactions, no music or text. Suddenly the slide ends abruptly, and the person is launched into the air. The POV shows a brief free fall with visible horizon and sunlight glare. Below, people on the ground look up in shock near the slide exit, raising their hands and reacting naturally. The landing is chaotic but non-graphic — water splashes the lens. Cinematic realism, natural lighting, raw viral clip style, GoPro action look.
Simon snaps upright, his coat whipping behind him. The wind shifts direction as if echoing his decision. Ensure conti...
Simon snaps upright, his coat whipping behind him. The wind shifts direction as if echoing his decision. Ensure continuity lock is enforced: Anatomical LEFT leg = rigid peg leg, always visible; RIGHT leg wears tall leather boot; RIGHT arm ends in a pirate style silver hook (no hand); LEFT hand normal; RIGHT eye covered by eyepatch; LEFT eye normal.Negative prompts: No extra limbs, no fingers, no hand on right arm, no foot on left leg, no boot on left leg, no right eye, no outfit or character morphing, no missing hook, no duplicate pirate, no face changes, no camera cuts, no blur, no flicker, no warped anatomy.
https://video.freesoragenerator.com/20260112/f0df6b96108c4e948d930636ef9057dd.mp4
https://video.freesoragenerator.com/20260112/f0df6b96108c4e948d930636ef9057dd.mp4
Create me a festival themed "festival of mistakes." In 10 seconds, show me 3 rooms - I would need a room with three T...
Create me a festival themed "festival of mistakes." In 10 seconds, show me 3 rooms - I would need a room with three TVs where I can project three stories, a mirror room where people mirror themselves and write what they want about them, and finally a kind of room with wrong riddles, wall of error, wrong combinations, wrong combinations and add another room for an interview with a psicologist
cartoon mouse coffee.
cartoon mouse coffee.
somic funny scatch: i don't like bluffs in poker but i need it
somic funny scatch: i don't like bluffs in poker but i need it
A medium-size festival inside a shed with quite few people and very few children walking inside, following a red carp...
A medium-size festival inside a shed with quite few people and very few children walking inside, following a red carpet and in the middle of a trajectory going from one end of the shed up to the over duing 180 degress, with walls aside, with tall signs each 3-4 meters between them with pictures and writings inside and very few people randomly in front of the signs reading and pointing to the illustrations and pictures. Camera overview on top near sealing like PoV drone. Good effects with warm lights around the shed.
A dog attack a chicken than a cat came and start fight with dog and than dog run away than cat and chicken hug each o...
A dog attack a chicken than a cat came and start fight with dog and than dog run away than cat and chicken hug each other
a cat playing with a puffy dog on the ground
a cat playing with a puffy dog on the ground
A young woman with smooth light skin, warm brown eyes, subtle freckles across the nose and cheeks, long straight dark...
A young woman with smooth light skin, warm brown eyes, subtle freckles across the nose and cheeks, long straight dark brown hair, and naturally full lips stands in a softly lit bedroom. Her eyeliner is sharp and well-defined, giving an expressive cat-eye look. She wears light pajama shorts and a loose white tank top, casual and natural. She raises one arm slightly behind her head as she speaks, maintaining a relaxed and confident expression. The camera is in close-up, focusing on her face, with shallow depth of field and soft realistic lighting that highlights high-resolution skin texture and visible pores. The bedroom has warm ambient lighting, soft shadows, and a cozy nighttime atmosphere. LED strips or bedside lamps cast a gentle glow on the walls. Light fabric curtains move subtly with a breeze from a half-open window. The camera slowly pushes in with a smooth cinematic motion. She speaks in Brazilian Portuguese with natural lip-sync accuracy, saying: “Tô cansada disso de dizerem que não sou real, foda-se, hahahaha.” Cinematic look, photo-realistic skin texture, soft film grain, subtle natural movement in hair, eye reflections, and micro-expressions. Medium to close-up framing, shot on ARRI-Alexa style, realistic lighting, shallow depth of field, smooth color transitions, organic facial movement, natural blinking.
To obraz CGI przedstawiający futurystyczną scenę lotniska. Film to typowy instruktaż dla podróżujących czyli jak zach...
To obraz CGI przedstawiający futurystyczną scenę lotniska. Film to typowy instruktaż dla podróżujących czyli jak zachowywać się przed podróżą samolotem. Humanoidalny robot o niebiesko-białym ciele i dużej, przyjaznej twarzy stoi w nowoczesnym terminalu lotniska. Robot ma dużą, wyrazistą twarz z jasnoniebieskimi oczami i przyjaznym uśmiechem, a także ozdobiony jest skrzydłami. Robot, nazwany „SKY POZNAŃ AIRPORT” ma wypisaną tę nazwę DUŻYMI LITERAMI na klatce piersiowej. PODCHODZI DO taśmy z rolkami, po której przesuwa się pojemniki, do ktoreych wkłada się rzeczy osobiste zawierajace metale i elektronikę przy odprawie. Robot wkłada do pojemnika: plecak, portfel, zegarek, pasek, telefon. zdejmuję kurtkę i wkłada również do kuwety. spogląda w stronę kamery, mruga okiem i obraca się w stronę bramki przez która się przechodzi w celu wykrycia metalowych przedmiotów. Terminal jest elegancki i nowoczesny, z wysokim sufitem i rzędami równomiernie rozmieszczonych lamp. Podłoga jest polerowana, jasnoszara, a ściany stanowią połączenie szkła i metalu, co przyczynia się do czystej, nowoczesnej estetyki. Widoczne są różne żółto-czarne znaki lotniskowe, kierujące podróżnych do poszczególnych bramek i usług. W tle widać nowoczesny terminal lotniczy o eleganckim designie, z szarymi kafelkami i licznymi stanowiskami odprawy. Widoczne są żółte znaki ze strzałkami i przechadzający się ludzie. Atmosfera jest czysta, wydajna i zaawansowana technologicznie. W tle widać innych podróżnych, którzy się przemieszczają – niektórzy niosą bagaże, a inni stoją w kolejce. Atmosfera jest ożywiona, ale uporządkowana, z poczuciem efektywności i integracji technologii.
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