Seedance 2.0 Präsentation
Durchsuchen Sie erfolgreiche öffentliche Generationen aus der Community und öffnen Sie jedes Element, um den Prompt, die Einstellungen und das Ergebnis zu prüfen.
A sweeping aerial shot of neon towerA crowded American high school cafeteria at midday under harsh fluorescent lights...
A sweeping aerial shot of neon towerA crowded American high school cafeteria at midday under harsh fluorescent lights. All characters are white American students and adults, realistic in appearance. Jacob, a white American teenage boy, sits at a table as Martin, another white American teen, pours iced coffee over his head. Jacob remains perfectly calm. Phones rise as students silently record. Thick tension in the air. Jacob slowly stands and says, “Are you done?” and slaps him , Martin’s grin fades as uncertainty hits his face. Shocked students freeze mid-recording. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded, realistic tone. Write subtitles on the video, and at the end, on a black background, write: ‘Watch the full story in the comments.’”s reflecting on a river at night, captured in cinematic style.
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and be...
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and bed of a white pickup truck, parked outdoors on an asphalt or paved area near a grassy field. Palm trees and distant subtropical landscaping are visible in the background. The truck bed is completely filled and overflowing with a colossal pile of captured iguanas. Time & Atmosphere: Midday under a clear, intense blue sky. The atmosphere is demonstrative and boastful, conveying the success of a hunting or invasive species removal effort. Sensory Details: Harsh, direct sunlight emphasizing the rough, textured scales of the many reptiles. The iguanas exhibit diverse coloration, including olive green, brown, deep orange, and black striped tails. The implied sound is ambient outdoor noise, like wind or traffic, with the hunter's exclamations. [Action & Narrative] Primary Action: A man, dressed in camouflage, kneels in the back of the pickup truck and presents a massive collection of iguanas, holding two large specimens high for the camera. Subject Movement: The man shifts from holding the iguanas aloft with both arms to gesturing emphatically toward the dense pile covering the truck bed, then potentially repositioning one or two reptiles to show the volume of the catch. Implied Story: The scene documents a highly successful professional hunt or extermination of invasive iguanas, likely in a southern Florida location, showcasing the large scale of the population problem. [Cinematography & Style] Shot Composition: A vertical, centered composition (mobile video aspect ratio). The frame is dominated by the hunter and the reptiles in the foreground and midground, utilizing a medium-wide shot that emphasizes the height and volume of the pile. Camera Movement: Static camera with slight handheld movement, focused on capturing the subject's presentation. Lighting: High-contrast, harsh natural sunlight typical of midday, resulting in deep, defined shadows that highlight the texture of the iguanas and the camouflage clothing. Color Palette & Grade: High saturation with a vivid color palette dominated by azure blue sky, bright greens from the foliage, and a mix of earthy browns, olives, and bright orange-red accents on the reptiles. [Core Elements & Keywords] Iguana, Invasive Species, Hunter, Reptiles, Pickup Truck, Truck Bed, Massive Haul, Wildlife Removal, Florida, Camouflage, Outdoor, Sunny
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and be...
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and bed of a white pickup truck, parked outdoors on an asphalt or paved area near a grassy field. Palm trees and distant subtropical landscaping are visible in the background. The truck bed is completely filled and overflowing with a colossal pile of captured iguanas. Time & Atmosphere: Midday under a clear, intense blue sky. The atmosphere is demonstrative and boastful, conveying the success of a hunting or invasive species removal effort. Sensory Details: Harsh, direct sunlight emphasizing the rough, textured scales of the many reptiles. The iguanas exhibit diverse coloration, including olive green, brown, deep orange, and black striped tails. The implied sound is ambient outdoor noise, like wind or traffic, with the hunter's exclamations. [Action & Narrative] Primary Action: A man, dressed in camouflage, kneels in the back of the pickup truck and presents a massive collection of iguanas, holding two large specimens high for the camera. Subject Movement: The man shifts from holding the iguanas aloft with both arms to gesturing emphatically toward the dense pile covering the truck bed, then potentially repositioning one or two reptiles to show the volume of the catch. Implied Story: The scene documents a highly successful professional hunt or extermination of invasive iguanas, likely in a southern Florida location, showcasing the large scale of the population problem. [Cinematography & Style] Shot Composition: A vertical, centered composition (mobile video aspect ratio). The frame is dominated by the hunter and the reptiles in the foreground and midground, utilizing a medium-wide shot that emphasizes the height and volume of the pile. Camera Movement: Static camera with slight handheld movement, focused on capturing the subject's presentation. Lighting: High-contrast, harsh natural sunlight typical of midday, resulting in deep, defined shadows that highlight the texture of the iguanas and the camouflage clothing. Color Palette & Grade: High saturation with a vivid color palette dominated by azure blue sky, bright greens from the foliage, and a mix of earthy browns, olives, and bright orange-red accents on the reptiles. [Core Elements & Keywords] Iguana, Invasive Species, Hunter, Reptiles, Pickup Truck, Truck Bed, Massive Haul, Wildlife Removal, Florida, Camouflage, Outdoor, Sunny
A tiny tan chihuahua wearing a frog hoodie (frog eyes on top) sits inside a metal shopping cart filled with tall colo...
A tiny tan chihuahua wearing a frog hoodie (frog eyes on top) sits inside a metal shopping cart filled with tall colorful pet food bags in a bright pet-supply store aisle. Shot vertical 9:16, smartphone POV from behind the cart, angled downward, mild handheld shake, fluorescent store lighting. The chihuahua clutches a small jingle-bell toy tightly against its chest, giving a suspicious stare. A human hand enters from the right and tugs the bell upward/right, making it jingle. The chihuahua instantly barks/yelps dramatically, eyes wide, trying to hold on—then flops backward into the bags with a comedic tumble. The dog disappears behind the bags, then peeks out, then pops up at the end for one last funny bark/exclamation.
A tiny tan chihuahua wearing a frog hoodie (frog eyes on top) sits inside a metal shopping cart filled with tall colo...
A tiny tan chihuahua wearing a frog hoodie (frog eyes on top) sits inside a metal shopping cart filled with tall colorful pet food bags in a bright pet-supply store aisle. Shot vertical 9:16, smartphone POV from behind the cart, angled downward, mild handheld shake, fluorescent store lighting. The chihuahua clutches a small jingle-bell toy tightly against its chest, giving a suspicious stare. A human hand enters from the right and tugs the bell upward/right, making it jingle. The chihuahua instantly barks/yelps dramatically, eyes wide, trying to hold on—then flops backward into the bags with a comedic tumble. The dog disappears behind the bags, then peeks out, then pops up at the end for one last funny bark/exclamation.
(realismo extremo): @luciana_ca 15-second ultra lo-fi vertical video, 9:16. Media: Raw iPhone 15 front-camera selfie ...
(realismo extremo): @luciana_ca 15-second ultra lo-fi vertical video, 9:16. Media: Raw iPhone 15 front-camera selfie video, Instagram Stories style. Scene: In a beauty salon, seated casually in a relaxed area. She is not actively getting her hair done—she's simply in the salon, having a normal moment, maybe just waiting or relaxing. Soft natural light filters through the windows. Imperfect exposure, visible digital grain. Handheld micro-shake from breathing and slight grip changes. Autofocus breathing. Slight framing drift. No studio lighting. No stabilization. Casual, chaotic story energy. Subject: Same person as reference. Human imperfect skin. No visible makeup, just natural. Wardrobe: Simple, casual clothing, unstyled—maybe a hoodie or a comfortable jacket. LANGUAGE: Brazilian Portuguese only. No subtitles. No captions. No on-screen text. No translations. PERFORMANCE: Tone is friendly, relaxed, and unpretentious. Improvised, natural speech, as if she’s just thinking aloud. She’s looking for words as she talks, with natural pauses and breathes in between, not rushing through the message. She’s not reading from a script, but speaking like she would to a friend, sometimes trailing off or collecting her thoughts. Subtle half-smiles or chuckles as she talks, nothing too forced. No acting. No exaggeration. CONTEXT: She records a spontaneous Instagram Story, sitting in the beauty salon, just having a regular moment. She casually starts talking about Aviator, as if sharing a realization. She briefly mentions how many people think it’s just luck, but she knows better and takes a few seconds to gather her thoughts before explaining what she figured out about the game. She mentions that Aviator has patterns, not luck, and that after studying thousands of flights, she created an app that helps predict the best time to cash out. NARRATIVE INSTRUCTION: She must deliver the message naturally, with a clear beginning, middle, and end in 15 seconds: Aviator isn’t about luck—it has patterns. She studied over 5,000 flights, mapped the multipliers, and created an app to show the best time to cash out. It’s simple, and she’s just casually sharing it with her followers. Keep it real and unforced, like she’s talking to a friend who doesn’t know about the game. ENDING: She finishes with a small, knowing smile, almost like she’s sharing a secret. She holds the phone still for a moment to emphasize the simplicity and importance of the message, then the video ends. Rules: One continuous take. No cuts. No filters. No beauty filters. No color correction. No cinematic styling. No UI elements. No watermarks.
Inside a dimly lit economy cabin on a red-eye flight from JFK to Seattle, the overhead lights glow cold blue. Julian ...
Inside a dimly lit economy cabin on a red-eye flight from JFK to Seattle, the overhead lights glow cold blue. Julian (late 20s, white American, hoodie, terrified) is pinned against the window seat as Rick (late 40s, white American, heavy-set in a tight polo, flushed and furious) grips his collar and throat, leaning in close. Leo (late 20s, white American, casual sweatshirt, stunned and protective) reaches up from the middle seat, helpless. The camera starts in a tight medium shot on Rick’s hand crushing fabric at Julian’s neck, then snaps to a close-up of Julian gasping, eyes watering. In the aisle ahead, Frank (early 60s, white American, white buzz cut, gray T-shirt, calm but dangerous) rises into frame; the camera cuts to a low-angle close-up of Frank’s steady face as he steps forward. Frank says, flat and controlled: “Drop him. Now.” Rick sneers without fully turning: “Mind your business, grandpa.” The cabin around them is frozen—passengers half-turned, phones lowered—tension razor-high with a low, pulsing score. No logos, no brand names, no signage, no watermarks, no text overlays.
Inside a dimly lit economy cabin on a red-eye flight from JFK to Seattle, the overhead lights glow cold blue. Julian ...
Inside a dimly lit economy cabin on a red-eye flight from JFK to Seattle, the overhead lights glow cold blue. Julian (late 20s, white American, hoodie, terrified) is pinned against the window seat as Rick (late 40s, white American, heavy-set in a tight polo, flushed and furious) grips his collar and throat, leaning in close. Leo (late 20s, white American, casual sweatshirt, stunned and protective) reaches up from the middle seat, helpless. The camera starts in a tight medium shot on Rick’s hand crushing fabric at Julian’s neck, then snaps to a close-up of Julian gasping, eyes watering. In the aisle ahead, Frank (early 60s, white American, white buzz cut, gray T-shirt, calm but dangerous) rises into frame; the camera cuts to a low-angle close-up of Frank’s steady face as he steps forward. Frank says, flat and controlled: “Drop him. Now.” Rick sneers without fully turning: “Mind your business, grandpa.” The cabin around them is frozen—passengers half-turned, phones lowered—tension razor-high with a low, pulsing score. No logos, no brand names, no signage, no watermarks, no text overlays.
{ "generation_mode": "text_to_video", "style": "realistic documentary footage, raw", "camera": { "type": "handheld sm...
{ "generation_mode": "text_to_video", "style": "realistic documentary footage, raw", "camera": { "type": "handheld smartphone from inside a parked car", "movement": "slight natural shake", "single_take": true }, "scene": { "location": "street or parking area", "environment": "parked car with door closed", "lighting": "natural daylight" }, "identity_lock": { "mother_cat": "adult female cat", "kittens": "three small kittens", "no_change": true }, "action": [ "large dogs bark aggressively nearby", "the mother cat approaches carrying one kitten in her mouth", "the car door opens", "the cat places the kitten inside the car", "the cat runs back and returns with the second kitten", "the cat places the second kitten inside the car", "the cat returns with the third kitten", "the cat places the third kitten inside", "the cat steps away from the car", "the car door closes quickly", "the dogs remain outside barking and unable to enter" ], "animal_rules": [ "dogs show barking and agitation only", "no biting", "no physical contact", "no chasing inside the car" ], "safety_rules": [ "kittens are never harmed", "no violence shown", "rescue happens successfully" ], "negative_prompt": [ "attack", "bite", "blood", "gore", "cgi", "cartoon", "cinematic slow motion" ] }
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and be...
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and bed of a white pickup truck, parked outdoors on an asphalt or paved area near a grassy field. Palm trees and distant subtropical landscaping are visible in the background. The truck bed is completely filled and overflowing with a colossal pile of captured iguanas. Time & Atmosphere: Midday under a clear, intense blue sky. The atmosphere is demonstrative and boastful, conveying the success of a hunting or invasive species removal effort. Sensory Details: Harsh, direct sunlight emphasizing the rough, textured scales of the many reptiles. The iguanas exhibit diverse coloration, including olive green, brown, deep orange, and black striped tails. The implied sound is ambient outdoor noise, like wind or traffic, with the hunter's exclamations. [Action & Narrative] Primary Action: A man, dressed in camouflage, kneels in the back of the pickup truck and presents a massive collection of iguanas, holding two large specimens high for the camera. Subject Movement: The man shifts from holding the iguanas aloft with both arms to gesturing emphatically toward the dense pile covering the truck bed, then potentially repositioning one or two reptiles to show the volume of the catch. Implied Story: The scene documents a highly successful professional hunt or extermination of invasive iguanas, likely in a southern Florida location, showcasing the large scale of the population problem. [Cinematography & Style] Shot Composition: A vertical, centered composition (mobile video aspect ratio). The frame is dominated by the hunter and the reptiles in the foreground and midground, utilizing a medium-wide shot that emphasizes the height and volume of the pile. Camera Movement: Static camera with slight handheld movement, focused on capturing the subject's presentation. Lighting: High-contrast, harsh natural sunlight typical of midday, resulting in deep, defined shadows that highlight the texture of the iguanas and the camouflage clothing. Color Palette & Grade: High saturation with a vivid color palette dominated by azure blue sky, bright greens from the foliage, and a mix of earthy browns, olives, and bright orange-red accents on the reptiles. [Core Elements & Keywords] Iguana, Invasive Species, Hunter, Reptiles, Pickup Truck, Truck Bed, Massive Haul, Wildlife Removal, Florida, Camouflage, Outdoor, Sunny
0–1s – Title Slam Text: SEND HIM TO DAGESTAN 💀💪🇷🇺 Quick goat bleat + dramatic wind swoosh 1–3s – The Zesty Kid Fa...
0–1s – Title Slam Text: SEND HIM TO DAGESTAN 💀💪🇷🇺 Quick goat bleat + dramatic wind swoosh 1–3s – The Zesty Kid Fast montage: kid in pink shirt, glitter on cheeks, painting nails, dancing Dad facepalming in background, quick “WHA—???” 3–5s – The 2 a.m. Revelation Phone buzzes, “Dagestan Training Program – Plane Ticket Included” Glitch effect, kid screams, dad’s eyes widen 5–7s – Cliffside Drive Car speeding along foggy Dagestan cliffs Dramatic wind, goats briefly in background 7–10s – Training Montage (Hyper Speed) Pull-ups with goats, cliff running, wrestling, slow-mo suplex Quick cuts, chaotic energy, epic music build 10–12s – Transformation & Punchline Kid emerges ripped, glare intense, holding goat like trophy Text overlay: “SEND HIM TO DAGESTAN. AND FORGET.” Dramatic goat bleat + wind fade out
ZORA Prompt – 10-Second Roofing Ad for Hawk Roofing Ad Title: “Shield Above All” Brand: Hawk Roofing Company Info: Ha...
ZORA Prompt – 10-Second Roofing Ad for Hawk Roofing Ad Title: “Shield Above All” Brand: Hawk Roofing Company Info: Hawk Roofing is a local roofing company specializing in roof repairs, full replacements, new roof installs, roof rejuvenation, and gutter installation. They also offer free roof inspections, delivering expert assessments with solutions tailored to the homeowner. Hawk Roofing is trusted, professional, and community-driven — with a sharp, modern brand identity. Target Audience: Homeowners, especially 30–60+, concerned about roof damage, storm wear, or aging shingles. 🎞️ ZORA Video Prompt (10 seconds) Create a bold, cinematic 10-second vertical ad (9:16) for a professional roofing company called Hawk Roofing. Open with a slow-motion shot of a roofer slamming a shingle into place — debris and dust catch the golden sunlight. Match cut to a drone flyover of a perfectly finished roof glowing at sunset. Overlay bold white text: “HAWK ROOFING” (display with a bold, stylized logo – logo 2). Overlay beneath: “FREE ROOF INSPECTIONS” End on a clean black screen, and animate in their full brand logo (logo 1). Final text reads: “Call Now. We’ve Got You Covered.” Use impactful SFX: cinematic bass hit, subtle hawk screech, clean whoosh as logo fades in. Color palette: Slate gray, matte black, copper roof tones. Tone: Trustworthy, modern, action-driven.
Seite 1221 von 3031