Pameran Seedance 2.0
Jelajahi generasi publik yang berhasil dari komunitas dan buka item apa pun untuk memeriksa prompt, pengaturan, dan output.
@luciana_ca 15-second ultra lo-fi vertical video, 9:16 Media: Raw iPhone 15 front-camera selfie video, Instagram Stor...
@luciana_ca 15-second ultra lo-fi vertical video, 9:16 Media: Raw iPhone 15 front-camera selfie video, Instagram Stories style. Scene: Dentro de uma academia comum, com equipamentos visíveis ao fundo (ex: halteres, bancos de exercício, espelhos). A mulher está sentada em um lugar de exercício, como se tivesse feito uma pausa durante o treino. Luz natural vinda de uma janela ou iluminação suave da academia, com um toque realista. Imperfeições visíveis de exposição, com grain digital, e micro tremores de câmera devido à respiração e mudanças de posição. Leve desvio de enquadramento, sem estabilização. Sem iluminação de estúdio, sem filtros ou efeitos de produção. Energia casual e espontânea, sem planejamento, como um story improvisado. Subject: Mulher com aparência natural, sem maquiagem, com a pele visivelmente suada e cansada do treino. Fones de ouvido visíveis, com cabelo preso de forma casual, roupas de treino simples e confortáveis. A mulher está gravando de forma descontraída, como se estivesse falando com uma amiga que está ao lado dela. Wardrobe: Roupa de treino simples e confortável, sem produção, estilo natural e descontraído. LANGUAGE: Português brasileiro, sem legendas, legendas na tela ou traduções. PERFORMANCE: Tom amigável, descontraído, com um toque leve de sarcasmo ou ironia. Fala improvisada e natural, como se estivesse conversando com uma amiga ao lado dela. Relaxada, mas segura, com pausas naturais e respiração leve. Sorrisos discretos, expressões espontâneas, sem exageros ou atuação. A mulher fala com naturalidade e confiança, sem forçar emoções. CONTEXT: Ela está gravando o story de forma espontânea, pausando o treino para falar com a câmera. A conversa começa sobre o que está acontecendo com o app dela, sem pânico, com naturalidade. Exemplo de fala: "Eu vou ser direta: o app que eu criei tá sendo denunciado. Tem gente lá dentro da plataforma tentando derrubar. Porque a galera tá sacando muito com ele." Ela explica a situação de maneira tranquila, sem exagerar no drama. O foco está em passar a mensagem de forma clara e objetiva. NARRATIVE INSTRUCTION: A mulher deve começar o story de forma direta e honesta, compartilhando a situação: "Eu vou ser direta: o app que eu criei tá sendo denunciado. Tem gente lá dentro da plataforma tentando derrubar. Porque a galera tá sacando muito com ele." O vídeo deve ser direto e sem distrações. O início, meio e fim devem ser entregues dentro de 15 segundos, com uma mensagem clara. Não deve haver nenhum elemento que desvie a atenção da mensagem principal. ENDING: Ela termina com um pequeno sorriso ou expressão tranquila, como se estivesse apenas compartilhando algo importante de forma casual. A câmera fica parada por um momento breve, transmitindo uma sensação de autenticidade. Rules: Um único take contínuo, sem cortes. Sem filtros de beleza, sem correção de cor ou efeitos de estilização. Sem elementos de UI, marcas d'água ou textos na tela. Estilo "raw", sem produção excessiva.
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and be...
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and bed of a white pickup truck, parked outdoors on an asphalt or paved area near a grassy field. Palm trees and distant subtropical landscaping are visible in the background. The truck bed is completely filled and overflowing with a colossal pile of captured iguanas. Time & Atmosphere: Midday under a clear, intense blue sky. The atmosphere is demonstrative and boastful, conveying the success of a hunting or invasive species removal effort. Sensory Details: Harsh, direct sunlight emphasizing the rough, textured scales of the many reptiles. The iguanas exhibit diverse coloration, including olive green, brown, deep orange, and black striped tails. The implied sound is ambient outdoor noise, like wind or traffic, with the hunter's exclamations. [Action & Narrative] Primary Action: A man, dressed in camouflage, kneels in the back of the pickup truck and presents a massive collection of iguanas, holding two large specimens high for the camera. Subject Movement: The man shifts from holding the iguanas aloft with both arms to gesturing emphatically toward the dense pile covering the truck bed, then potentially repositioning one or two reptiles to show the volume of the catch. Implied Story: The scene documents a highly successful professional hunt or extermination of invasive iguanas, likely in a southern Florida location, showcasing the large scale of the population problem. [Cinematography & Style] Shot Composition: A vertical, centered composition (mobile video aspect ratio). The frame is dominated by the hunter and the reptiles in the foreground and midground, utilizing a medium-wide shot that emphasizes the height and volume of the pile. Camera Movement: Static camera with slight handheld movement, focused on capturing the subject's presentation. Lighting: High-contrast, harsh natural sunlight typical of midday, resulting in deep, defined shadows that highlight the texture of the iguanas and the camouflage clothing. Color Palette & Grade: High saturation with a vivid color palette dominated by azure blue sky, bright greens from the foliage, and a mix of earthy browns, olives, and bright orange-red accents on the reptiles. [Core Elements & Keywords] Iguana, Invasive Species, Hunter, Reptiles, Pickup Truck, Truck Bed, Massive Haul, Wildlife Removal, Florida, Camouflage, Outdoor, Sunny
SCENE 1 (5s): iPhone selfie video. A young woman (18-25, casual t-shirt, hair down) sits in a parked car, looking dir...
SCENE 1 (5s): iPhone selfie video. A young woman (18-25, casual t-shirt, hair down) sits in a parked car, looking directly at the camera with a slightly conspiratorial and embarrassed expression. She speaks dynamically and fast. Dialogue: "Não devia estar a dizer isto, mas... eu odiava ir ao ginásio. Sentia-me perdida!" SCENE 2 (5s): iPhone selfie video. The same young woman in the parked car, holding a smartphone and quickly showing the Flex app interface on screen, then gestures energetically. She speaks dynamically and fast. Dialogue: "Mas encontrei o Flex. É o meu personal trainer AI no telemóvel." SCENE 3 (5s): iPhone selfie video. The same young woman in the parked car, smiling confidently, she flexes her arm slightly and nods. She speaks dynamically and fast. Dialogue: "Agora sei o que fazer. É grátis na App Store. Sinto-me confiante!" NO text overlay, NO subtitles, NO captions.
A cinematic 10-second video featuring a majestic Maine Coon cat with long, thick fur and a calm, intelligent expressi...
A cinematic 10-second video featuring a majestic Maine Coon cat with long, thick fur and a calm, intelligent expression. The cat sits perfectly still, centered in frame, on a dark, minimal background. Soft, premium studio lighting highlights the fur texture. Ultra-realistic, high detail, cinematic quality. At second 3, the background slowly transforms into an epic fantasy throne room with subtle golden light rays and floating dust particles. At second 6, the cat slowly turns its head toward the camera, maintaining a serious, powerful stare. At second 8, the cat calmly lifts one paw and presses a glowing red button on a sleek, elegant pedestal. At second 9–10, the scene abruptly cuts to black with a soft power-down light effect, as if the entire world has been switched off. Tone: epic but ironic. Style: realistic, cinematic, premium, no cartoon, no exaggeration. Camera: slow cinematic push-in, shallow depth of field. Mood: calm, powerful, subtly funny. Duration: 10 seconds.
An animated Pixar movie trailer called "The Girl and a flamingo" a young girl meet a male flamingo and get adopted an...
An animated Pixar movie trailer called "The Girl and a flamingo" a young girl meet a male flamingo and get adopted and become good pet.
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and be...
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and bed of a white pickup truck, parked outdoors on an asphalt or paved area near a grassy field. Palm trees and distant subtropical landscaping are visible in the background. The truck bed is completely filled and overflowing with a colossal pile of captured iguanas. Time & Atmosphere: Midday under a clear, intense blue sky. The atmosphere is demonstrative and boastful, conveying the success of a hunting or invasive species removal effort. Sensory Details: Harsh, direct sunlight emphasizing the rough, textured scales of the many reptiles. The iguanas exhibit diverse coloration, including olive green, brown, deep orange, and black striped tails. The implied sound is ambient outdoor noise, like wind or traffic, with the hunter's exclamations. [Action & Narrative] Primary Action: A man, dressed in camouflage, kneels in the back of the pickup truck and presents a massive collection of iguanas, holding two large specimens high for the camera. Subject Movement: The man shifts from holding the iguanas aloft with both arms to gesturing emphatically toward the dense pile covering the truck bed, then potentially repositioning one or two reptiles to show the volume of the catch. Implied Story: The scene documents a highly successful professional hunt or extermination of invasive iguanas, likely in a southern Florida location, showcasing the large scale of the population problem. [Cinematography & Style] Shot Composition: A vertical, centered composition (mobile video aspect ratio). The frame is dominated by the hunter and the reptiles in the foreground and midground, utilizing a medium-wide shot that emphasizes the height and volume of the pile. Camera Movement: Static camera with slight handheld movement, focused on capturing the subject's presentation. Lighting: High-contrast, harsh natural sunlight typical of midday, resulting in deep, defined shadows that highlight the texture of the iguanas and the camouflage clothing. Color Palette & Grade: High saturation with a vivid color palette dominated by azure blue sky, bright greens from the foliage, and a mix of earthy browns, olives, and bright orange-red accents on the reptiles. [Core Elements & Keywords] Iguana, Invasive Species, Hunter, Reptiles, Pickup Truck, Truck Bed, Massive Haul, Wildlife Removal, Florida, Camouflage, Outdoor, Sunny
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and be...
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and bed of a white pickup truck, parked outdoors on an asphalt or paved area near a grassy field. Palm trees and distant subtropical landscaping are visible in the background. The truck bed is completely filled and overflowing with a colossal pile of captured iguanas. Time & Atmosphere: Midday under a clear, intense blue sky. The atmosphere is demonstrative and boastful, conveying the success of a hunting or invasive species removal effort. Sensory Details: Harsh, direct sunlight emphasizing the rough, textured scales of the many reptiles. The iguanas exhibit diverse coloration, including olive green, brown, deep orange, and black striped tails. The implied sound is ambient outdoor noise, like wind or traffic, with the hunter's exclamations. [Action & Narrative] Primary Action: A man, dressed in camouflage, kneels in the back of the pickup truck and presents a massive collection of iguanas, holding two large specimens high for the camera. Subject Movement: The man shifts from holding the iguanas aloft with both arms to gesturing emphatically toward the dense pile covering the truck bed, then potentially repositioning one or two reptiles to show the volume of the catch. Implied Story: The scene documents a highly successful professional hunt or extermination of invasive iguanas, likely in a southern Florida location, showcasing the large scale of the population problem. [Cinematography & Style] Shot Composition: A vertical, centered composition (mobile video aspect ratio). The frame is dominated by the hunter and the reptiles in the foreground and midground, utilizing a medium-wide shot that emphasizes the height and volume of the pile. Camera Movement: Static camera with slight handheld movement, focused on capturing the subject's presentation. Lighting: High-contrast, harsh natural sunlight typical of midday, resulting in deep, defined shadows that highlight the texture of the iguanas and the camouflage clothing. Color Palette & Grade: High saturation with a vivid color palette dominated by azure blue sky, bright greens from the foliage, and a mix of earthy browns, olives, and bright orange-red accents on the reptiles. [Core Elements & Keywords] Iguana, Invasive Species, Hunter, Reptiles, Pickup Truck, Truck Bed, Massive Haul, Wildlife Removal, Florida, Camouflage, Outdoor, Sunny
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and be...
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and bed of a white pickup truck, parked outdoors on an asphalt or paved area near a grassy field. Palm trees and distant subtropical landscaping are visible in the background. The truck bed is completely filled and overflowing with a colossal pile of captured iguanas. Time & Atmosphere: Midday under a clear, intense blue sky. The atmosphere is demonstrative and boastful, conveying the success of a hunting or invasive species removal effort. Sensory Details: Harsh, direct sunlight emphasizing the rough, textured scales of the many reptiles. The iguanas exhibit diverse coloration, including olive green, brown, deep orange, and black striped tails. The implied sound is ambient outdoor noise, like wind or traffic, with the hunter's exclamations. [Action & Narrative] Primary Action: A man, dressed in camouflage, kneels in the back of the pickup truck and presents a massive collection of iguanas, holding two large specimens high for the camera. Subject Movement: The man shifts from holding the iguanas aloft with both arms to gesturing emphatically toward the dense pile covering the truck bed, then potentially repositioning one or two reptiles to show the volume of the catch. Implied Story: The scene documents a highly successful professional hunt or extermination of invasive iguanas, likely in a southern Florida location, showcasing the large scale of the population problem. [Cinematography & Style] Shot Composition: A vertical, centered composition (mobile video aspect ratio). The frame is dominated by the hunter and the reptiles in the foreground and midground, utilizing a medium-wide shot that emphasizes the height and volume of the pile. Camera Movement: Static camera with slight handheld movement, focused on capturing the subject's presentation. Lighting: High-contrast, harsh natural sunlight typical of midday, resulting in deep, defined shadows that highlight the texture of the iguanas and the camouflage clothing. Color Palette & Grade: High saturation with a vivid color palette dominated by azure blue sky, bright greens from the foliage, and a mix of earthy browns, olives, and bright orange-red accents on the reptiles. [Core Elements & Keywords] Iguana, Invasive Species, Hunter, Reptiles, Pickup Truck, Truck Bed, Massive Haul, Wildlife Removal, Florida, Camouflage, Outdoor, Sunny
Dos estudiantes universitarios latinos, hombre y mujer, 18–25 años, conversando en español con tono positivo y animad...
Dos estudiantes universitarios latinos, hombre y mujer, 18–25 años, conversando en español con tono positivo y animado. Descubren KUMMI en una tablet como solución para continuar sus estudios pese a un problema financiero. Emociones de alivio, entusiasmo y motivación. Estilo cinematográfico realista, juvenil, aspiracional, luz cálida, cámara fluida. Calidad 1080p
Scene Description: An American school cafeteria. Armen, a handsome boy, is sitting at a table eating lunch. Other stu...
Scene Description: An American school cafeteria. Armen, a handsome boy, is sitting at a table eating lunch. Other students sit at different tables, eating. Action: Another boy approaches Armen, laughs, and says: "You’re lazy and ugly!" Armen reacts: He stands up from his chair and says: "Are you done?" Then he slaps the boy. Reaction: All the students watch and start recording with their phones. Ending Subtitle (last 3 seconds): "Full story in the comments."
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and be...
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and bed of a white pickup truck, parked outdoors on an asphalt or paved area near a grassy field. Palm trees and distant subtropical landscaping are visible in the background. The truck bed is completely filled and overflowing with a colossal pile of captured iguanas. Time & Atmosphere: Midday under a clear, intense blue sky. The atmosphere is demonstrative and boastful, conveying the success of a hunting or invasive species removal effort. Sensory Details: Harsh, direct sunlight emphasizing the rough, textured scales of the many reptiles. The iguanas exhibit diverse coloration, including olive green, brown, deep orange, and black striped tails. The implied sound is ambient outdoor noise, like wind or traffic, with the hunter's exclamations. [Action & Narrative] Primary Action: A man, dressed in camouflage, kneels in the back of the pickup truck and presents a massive collection of iguanas, holding two large specimens high for the camera. Subject Movement: The man shifts from holding the iguanas aloft with both arms to gesturing emphatically toward the dense pile covering the truck bed, then potentially repositioning one or two reptiles to show the volume of the catch. Implied Story: The scene documents a highly successful professional hunt or extermination of invasive iguanas, likely in a southern Florida location, showcasing the large scale of the population problem. [Cinematography & Style] Shot Composition: A vertical, centered composition (mobile video aspect ratio). The frame is dominated by the hunter and the reptiles in the foreground and midground, utilizing a medium-wide shot that emphasizes the height and volume of the pile. Camera Movement: Static camera with slight handheld movement, focused on capturing the subject's presentation. Lighting: High-contrast, harsh natural sunlight typical of midday, resulting in deep, defined shadows that highlight the texture of the iguanas and the camouflage clothing. Color Palette & Grade: High saturation with a vivid color palette dominated by azure blue sky, bright greens from the foliage, and a mix of earthy browns, olives, and bright orange-red accents on the reptiles. [Core Elements & Keywords] Iguana, Invasive Species, Hunter, Reptiles, Pickup Truck, Truck Bed, Massive Haul, Wildlife Removal, Florida, Camouflage, Outdoor, Sunny
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and be...
[Title: Hunter proudly displays massive iguana haul] [Scene Description] Setting & Location: The open tailgate and bed of a white pickup truck, parked outdoors on an asphalt or paved area near a grassy field. Palm trees and distant subtropical landscaping are visible in the background. The truck bed is completely filled and overflowing with a colossal pile of captured iguanas. Time & Atmosphere: Midday under a clear, intense blue sky. The atmosphere is demonstrative and boastful, conveying the success of a hunting or invasive species removal effort. Sensory Details: Harsh, direct sunlight emphasizing the rough, textured scales of the many reptiles. The iguanas exhibit diverse coloration, including olive green, brown, deep orange, and black striped tails. The implied sound is ambient outdoor noise, like wind or traffic, with the hunter's exclamations. [Action & Narrative] Primary Action: A man, dressed in camouflage, kneels in the back of the pickup truck and presents a massive collection of iguanas, holding two large specimens high for the camera. Subject Movement: The man shifts from holding the iguanas aloft with both arms to gesturing emphatically toward the dense pile covering the truck bed, then potentially repositioning one or two reptiles to show the volume of the catch. Implied Story: The scene documents a highly successful professional hunt or extermination of invasive iguanas, likely in a southern Florida location, showcasing the large scale of the population problem. [Cinematography & Style] Shot Composition: A vertical, centered composition (mobile video aspect ratio). The frame is dominated by the hunter and the reptiles in the foreground and midground, utilizing a medium-wide shot that emphasizes the height and volume of the pile. Camera Movement: Static camera with slight handheld movement, focused on capturing the subject's presentation. Lighting: High-contrast, harsh natural sunlight typical of midday, resulting in deep, defined shadows that highlight the texture of the iguanas and the camouflage clothing. Color Palette & Grade: High saturation with a vivid color palette dominated by azure blue sky, bright greens from the foliage, and a mix of earthy browns, olives, and bright orange-red accents on the reptiles. [Core Elements & Keywords] Iguana, Invasive Species, Hunter, Reptiles, Pickup Truck, Truck Bed, Massive Haul, Wildlife Removal, Florida, Camouflage, Outdoor, Sunny
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