Pameran Seedance 2.0
Jelajahi generasi publik yang berhasil dari komunitas dan buka item apa pun untuk memeriksa prompt, pengaturan, dan output.
generate video for podcast interview using attached image
generate video for podcast interview using attached image
at a Warehouse in front there is a table and on that table add this product after 2 sec girl who recording video taki...
at a Warehouse in front there is a table and on that table add this product after 2 sec girl who recording video taking that brush and showing on camera rotating brush showcasing. in background 2-3 Indian woman packing boxes not so zoom Camera angle - long shoot
SHOT 1 (15s) Hook 0–3s : 👉 « Attends… regarde bien la poussette… » POV lunettes Ray-Ban Meta. On marche dans un hall...
SHOT 1 (15s) Hook 0–3s : 👉 « Attends… regarde bien la poussette… » POV lunettes Ray-Ban Meta. On marche dans un hall d’hôtel ultra chic. Marbre, silence, gens bien habillés. Un homme en costume noir impeccable debout, calme. Une poussette à côté de lui. Tout est normal. Trop normal. SHOT 2 (15s) On s’approche doucement. Un bruit étrange, humide, presque un souffle. La caméra tremble légèrement. Le mec regarde son téléphone, imperturbable. La poussette bouge. SHOT 3 (15s) ⚠️ TENSION MAX La caméra se penche dans la poussette. ➡️ Un bébé hippopotame. Vivant. Qui cligne des yeux. Silence total autour. Personne ne réagit. Un client passe à côté comme si de rien n’était. SHOT 4 (15s) 🎯 CLIMAX / ACTION L’homme en costume pose la main sur la tête du bébé hippo, doucement, comme un père. Il murmure : « Chut… » Le bébé ouvre la bouche, petit grognement. La caméra recule, panique visible. SHOT 5 (5s) 💥 PAYOFF ÉMOTIONNEL Cut brutal. Texte écran : 👉 « Si c’était faux, pourquoi PERSONNE ne réagit ? » Son ambiant + respiration. 1080p – 65s – multi-shots – ultra réaliste – POV
a cinematic ad of this perfume bottle
a cinematic ad of this perfume bottle
generate video for podcast interview using attached image
generate video for podcast interview using attached image
at a Warehouse in front there is a table and on that table add this product after 2 sec who recording video taking th...
at a Warehouse in front there is a table and on that table add this product after 2 sec who recording video taking that brush and showing on camera in background 2-3 Indian woman packing boxes Camera angle - long shoot
Storyboard
Storyboard
at a Warehouse in front there is a table and on that table add this product after 2 sec who recording video taking th...
at a Warehouse in front there is a table and on that table add this product after 2 sec who recording video taking that brush and showing on camera in background 2-3 Indian woman packing boxes Camera angle - long shoot
at a Warehouse in front there is a table and on that table add this product after 2 sec who recording video taking th...
at a Warehouse in front there is a table and on that table add this product after 2 sec who recording video taking that brush and showing on camera in background 2-3 Indian woman packing boxes
لقطة قريبة لحقيبة مفتوحة، العطر الكبير ما يدخلش → تعبير استياء → طلوع القارورة الصغيرة. النص المنطوق (سريع + حاد): "إ...
لقطة قريبة لحقيبة مفتوحة، العطر الكبير ما يدخلش → تعبير استياء → طلوع القارورة الصغيرة. النص المنطوق (سريع + حاد): "إلى توّا ما زلتِ تخرج بعطر كبير؟ 😳 ثقيل، يسرّب، ويكسّر الساك؟ وقف! شوف الحل هذا 👀"
Rachel stands in her darkened garden as officials in white lab coats dig through Karen’s once-perfect roses under a s...
Rachel stands in her darkened garden as officials in white lab coats dig through Karen’s once-perfect roses under a stormy sky. Karen bursts in, hair wild, shouting, “You reported me!” Rachel steps forward, voice low and steady: “You poisoned my garden four times.” Hyper-realistic, dramatic lighting, slow cinematic zoom, petals falling in time-lapse decay, tense atmosphere, 15-second emotional confrontation.
Rachel stands in her darkened garden as officials in white lab coats dig through Karen’s once-perfect roses under a s...
Rachel stands in her darkened garden as officials in white lab coats dig through Karen’s once-perfect roses under a stormy sky. Karen bursts in, hair wild, shouting, “You reported me!” Rachel steps forward, voice low and steady: “You poisoned my garden four times.” Hyper-realistic, dramatic lighting, slow cinematic zoom, petals falling in time-lapse decay, tense atmosphere, 15-second emotional confrontation.
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