Pameran Seedance 2.0
Jelajahi generasi publik yang berhasil dari komunitas dan buka item apa pun untuk memeriksa prompt, pengaturan, dan output.
A pristine high school library in the afternoon with natural sunlight streaming through tall windows, casting long sh...
A pristine high school library in the afternoon with natural sunlight streaming through tall windows, casting long shadows across polished wooden tables. Miguel (17, Latino, worn jeans and faded t-shirt) sits alone at a corner table surrounded by textbooks, looking exhausted and defeated. Wide shot: Blake (18, white, expensive polo shirt, perfectly styled hair) approaches with Connor (18, white, designer sneakers, cocky posture) and Ashley (17, white, designer handbag, manicured nails). Medium shot: Blake towers over Miguel, dropping thick calculus worksheets on the table with a loud thud. Close-up: Miguel's face shows fear and resignation as Blake leans down menacingly. Blake says coldly: "Have it done by tomorrow, or Principal Davis gets our little video about you stealing." Miguel's voice cracks: "I never stole anything!" Cut to: Connor smirking, pulling out his phone threateningly: "Deep fake technology is amazing these days." The camera captures the power dynamic through angles - looking up at the bullies, down at Miguel. Soft dramatic music builds tension. No logos, no brand names, no watermarks, no text overlays.
A pristine high school library in the afternoon with natural sunlight streaming through tall windows, casting long sh...
A pristine high school library in the afternoon with natural sunlight streaming through tall windows, casting long shadows across polished wooden tables. Miguel (17, Latino, worn jeans and faded t-shirt) sits alone at a corner table surrounded by textbooks, looking exhausted and defeated. Wide shot: Blake (18, white, expensive polo shirt, perfectly styled hair) approaches with Connor (18, white, designer sneakers, cocky posture) and Ashley (17, white, designer handbag, manicured nails). Medium shot: Blake towers over Miguel, dropping thick calculus worksheets on the table with a loud thud. Close-up: Miguel's face shows fear and resignation as Blake leans down menacingly. Blake says coldly: "Have it done by tomorrow, or Principal Davis gets our little video about you stealing." Miguel's voice cracks: "I never stole anything!" Cut to: Connor smirking, pulling out his phone threateningly: "Deep fake technology is amazing these days." The camera captures the power dynamic through angles - looking up at the bullies, down at Miguel. Soft dramatic music builds tension. No logos, no brand names, no watermarks, no text overlays.
peida
peida
A breathtaking, ultra-realistic first-person view from inside a kindergartner's mouth as they leap towards a shimmeri...
A breathtaking, ultra-realistic first-person view from inside a kindergartner's mouth as they leap towards a shimmering swimming pool on a bright summer morning. The scene unfolds at a seemingly abandoned pool party, with colorful decorations slightly askew and faint echoes of music and distant chatter. The jump is captured in slow motion, culminating in a powerful splash and a full descent underwater. The perspective remains entirely internal, focusing on the distorted view of the pool tiles and sunlight filtering through the water, accompanied by intensely realistic gurgling bubbles and the muffled sounds of a pool party. Throughout the underwater sequence, the kindergartner's voice, clear and childlike, narrates a growing sense of panic and confusion, speaking softly to herself about the feeling of being underwater and the inability to breathe. The color palette is dominated by golden sunlight reflecting off the turquoise water, with analogous shades of blue and green creating a sense of depth. The camera remains static underwater, observing the unfolding internal experience.
Of course. Here is a prompt for a surreal horror world, horror-themed video based on your verses, structured by scene...
Of course. Here is a prompt for a surreal horror world, horror-themed video based on your verses, structured by scenes and crafted for a super-real, full HD aesthetic. Overall Visual Style: Photorealistic, yet deeply uncanny. Crisp Full HD with a desaturated, cold color paletteâslate greys, dirty whites, sickly yellows, and deep, inky blacks. Lighting is harsh, from unnatural sources (a single bare bulb, moonlight through ice), casting long, distorted shadows. Textures are hyper-detailed: the grain of wood, the weave of fabric, the slickness of ice, the pallor of skin. Sound design is crucial: amplified diegetic sounds (the deafening tick of the clock, the creak of a wardrobe, the crunch of ice), a dissonant, minimalist score, and oppressive silence. Shot 7 (Wide Shot): A cramped bedroom. A colossal, unstable mound of white sheets and dresses dominates the space. It seems to breathe slightly. Shot 8 (Slow Push-In): The dark maw of an open wardrobe. Inside, not clothes, but a dense, geometric blacknessâa tangible, non-Euclidean shape that hurts the eyes to focus on. A low hum emanates from it. Shot 9 (Detail): A woman's lace dress, tangled in the pile, suddenly tightens and contorts as if gripped by an invisible, angry fist.
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated...
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated tree mingles with city lights streaming through floor-to-ceiling windows. Victoria (early 30s, blonde hair, designer dress, diamond jewelry) stands towering over Patricia (appearing 70s, gray wig, simple cleaning uniform, humble posture), pointing aggressively toward the door. Wide shot captures the opulent spaceâmarble floors, expensive furniture, while Emma (8, dark hair, pajamas) and Jake (6, blonde, pajamas) cower behind the Christmas tree, tears streaming down their faces. Medium shot: Victoria's face contorted with rage, finger jabbing, mouth open mid-scream. Close-up: Patricia's weathered hands remain steady at her sides, her expression calm but her eyes holding a mysterious glint. Victoria shouts: "You're fired! Get out of my house!" Patricia responds quietly: "I won't need a reference." Cut to reaction shot of the children's horrified faces, Emma reaching toward Patricia desperately. The camera captures the stark contrast between Victoria's cruel aggression and Patricia's dignified composure, tension crackling through the luxurious but cold atmosphere. No logos, no brand names, no watermarks, no text overlays.
A pristine high school library in the afternoon with natural sunlight streaming through tall windows, casting long sh...
A pristine high school library in the afternoon with natural sunlight streaming through tall windows, casting long shadows across polished wooden tables. Miguel (17, Latino, worn jeans and faded t-shirt) sits alone at a corner table surrounded by textbooks, looking exhausted and defeated. Wide shot: Blake (18, white, expensive polo shirt, perfectly styled hair) approaches with Connor (18, white, designer sneakers, cocky posture) and Ashley (17, white, designer handbag, manicured nails). Medium shot: Blake towers over Miguel, dropping thick calculus worksheets on the table with a loud thud. Close-up: Miguel's face shows fear and resignation as Blake leans down menacingly. Blake says coldly: "Have it done by tomorrow, or Principal Davis gets our little video about you stealing." Miguel's voice cracks: "I never stole anything!" Cut to: Connor smirking, pulling out his phone threateningly: "Deep fake technology is amazing these days." The camera captures the power dynamic through angles - looking up at the bullies, down at Miguel. Soft dramatic music builds tension. No logos, no brand names, no watermarks, no text overlays.
A sweeping aerial shot of neon towers reflecting on a river at night, captured in cinematic style.Durée : 10 secondes...
A sweeping aerial shot of neon towers reflecting on a river at night, captured in cinematic style.DurĂ©e : 10 secondes | Format : Vertical 9:16 (REEL) | QualitĂ© : 4K | FR | NO CC CrĂ©er une vidĂ©o cinĂ©matographique ultra-rĂ©aliste en 4K, au format vertical 9:16 (Reel uniquement). STYLE & QUALITĂ VISUELLE Image cinĂ©matographique premium Rendu 4K net, textures trĂšs dĂ©taillĂ©es Couleurs chaudes, naturelles, Ă©lĂ©gantes Profondeur de champ maĂźtrisĂ©e Aucun effet excessif, aucun texte Ă lâĂ©cran, NO CC, pas de logos Ăclairage : LumiĂšre douce et directionnelle, type restaurant haut de gamme. Reflets subtils sur les plats, vapeur visible. đ„ DĂROULEMENT DĂTAILLĂ SCĂNE 1 â LE SILENCE AVANT LE GOĂT (0â2s) | HOOK Plan trĂšs serrĂ© sur le visage dâune femme française (30â35 ans), assise Ă table. Elle ferme lentement les yeux juste avant de goĂ»ter. Respiration calme, micro-mouvement des lĂšvres. Voix off fĂ©minine, basse, posĂ©e, intime : « Quand un plat porte un nom⊠» SCĂNE 2 â LE GESTE (2â4s) Plan macro en lĂ©ger ralenti : la fourchette sâenroule dans les pĂątes la sauce nappe doucement vapeur fine qui monte Gestes prĂ©cis, assurĂ©s. Voix off (mĂȘme voix, plus affirmĂ©e) : « âŠil doit tenir sa promesse. » SCĂNE 3 â LA SIGNATURE (4â6s) Plan moyen sur un homme français (40â45 ans). Il goĂ»te, marque une micro-pause, puis hoche lentement la tĂȘte avec conviction. Voix off masculine, grave, courte, nette : « La Romana, Ă Pringy â Annecy. » SCĂNE 4 â LE LIEN (6â8s) Transition fluide vers le mĂȘme plat, maintenant posĂ© sur une table moderne Ă la maison. MĂȘme lumiĂšre, mĂȘme qualitĂ©. La camĂ©ra glisse lĂ©gĂšrement vers lâavant. Voix off fĂ©minine, chaleureuse : « Le vrai goĂ»t italien, chez vous. » SCĂNE 5 â CONCLUSION / CTA (8â10s) Hero shot final : plusieurs plats La Romana rĂ©unis. Vapeur visible, lumiĂšre dorĂ©e, rendu trĂšs appĂ©tissant. Voix off claire, professionnelle : « La Romana, Ă Pringy â Annecy, maintenant en livraison avec Uber Eats. » â INTENTION FINALE Transmettre : lâauthenticitĂ© la promesse tenue la fiertĂ© locale la disponibilitĂ© en livraison
Outside a small-town U.S. railroad crossing at midday in harsh summer sunlight, heat ripples rising off cracked aspha...
Outside a small-town U.S. railroad crossing at midday in harsh summer sunlight, heat ripples rising off cracked asphalt. Jack (white American male, early 30s, muscular, tattooed forearms, cutoff denim vest, sweaty and frantic) sprints from a fallen mountain bike toward Sarah (white American female, early 20s, petite, pink hoodie, messy bun, large white over-ear headphones) as she steps onto the train path, eyes locked on her phone. A freight train bursts from behind overgrown bushes, horn blaring, wind kicking dust. Medium shot tracks Jackâs sprint, then tight close-up on Sarahâs oblivious face, then a sudden close-up as Jack tackles her sideways onto gravel, his shoulder scraping, her phone flying. Sarah screams, thrashing, and Jack barks through clenched teeth, âStay down!â Sarah shouts back, âGet off me!â The camera holds in a shaky handheld close-up as the train roars past inches behind them, gravel vibrating under their bodies, tension at maximum. No logos, no brand names, no signage, no watermarks, no text overlays.
Outside a small-town U.S. railroad crossing at midday in harsh summer sunlight, heat ripples rising off cracked aspha...
Outside a small-town U.S. railroad crossing at midday in harsh summer sunlight, heat ripples rising off cracked asphalt. Jack (white American male, early 30s, muscular, tattooed forearms, cutoff denim vest, sweaty and frantic) sprints from a fallen mountain bike toward Sarah (white American female, early 20s, petite, pink hoodie, messy bun, large white over-ear headphones) as she steps onto the train path, eyes locked on her phone. A freight train bursts from behind overgrown bushes, horn blaring, wind kicking dust. Medium shot tracks Jackâs sprint, then tight close-up on Sarahâs oblivious face, then a sudden close-up as Jack tackles her sideways onto gravel, his shoulder scraping, her phone flying. Sarah screams, thrashing, and Jack barks through clenched teeth, âStay down!â Sarah shouts back, âGet off me!â The camera holds in a shaky handheld close-up as the train roars past inches behind them, gravel vibrating under their bodies, tension at maximum. No logos, no brand names, no signage, no watermarks, no text overlays.
Video Concept: "The Hover-Cart Wish" Duration: 15 Seconds Style: High-Fidelity Roblox (RTX On), cinematic lighting, e...
Video Concept: "The Hover-Cart Wish" Duration: 15 Seconds Style: High-Fidelity Roblox (RTX On), cinematic lighting, expressive facial animations. Character Descriptions Blue Being (Main): A high-poly Roblox-style character. Electric blue skin, glowing cyan messy hair, and a futuristic blue puffer jacket with gold star patterns. Face has a "dynamic head" rig capable of complex lip-syncing and eyebrow movement. Red Being (Sibling): Standing in the background. Deep crimson skin, wearing a dark red tech-wear hoodie and a glowing red visor. The Script / Scene Breakdown 0:00 - 0:03 | The Wish Visual: Close-up on Blue Being. They are walking through a highly detailed, neon-lit Roblox "Bloxburg-style" city at night. The character looks directly at the camera. Expression: A wide, cheerful smile. Brows are raised high. The eyes have a subtle "wet" shimmer. Action: Blue Being gestures with their hands. Dialogue: "I really, really wish I had a... giant hover-cart right now!" 0:03 - 0:06 | The Realization Visual: Camera pulls back to a medium shot. Red Being is visible in the background, leaning against a brick wall, looking bored. Blue Being stops walking and looks around the empty street. Expression: The smile fades into a "pout." The eyebrows tilt downward in the center (sadness/disappointment). The lower lip slightly quivers. Dialogue: "But thereâs absolutely none around here..." 0:06 - 0:10 | The Impact Visual: A massive, glowing red-and-gold hover-cart (extremely high detail with mechanical parts) falls from the top of the frame at terminal velocity. Action: The cart slams into the pavement right behind Blue Being. Details: Concrete cracks under the impact; blue and red sparks fly; a shockwave of dust and "Roblox stud" particles explodes outward. The camera shakes violently. 0:10 - 0:15 | The Reaction Visual: Slow-motion zoom on Blue Beingâs face. Expression: Extreme shock. The eyes widen until the pupils are tiny dots. The jaw drops open (classic Roblox "O" face but with realistic skin stretching). Background: Red Being is seen jumping back in fear, arms raised to protect their face. Final Frame: Blue Being looks back at the cart, then slowly turns to the camera with a "nervous sweat" emoji appearing briefly over their head. Sora / AI Generation Prompt "A cinematic 15-second 3D animation in the style of a high-end Roblox movie. The main character is a 'Blue Being'âa humanoid avatar with glowing cyan hair and a detailed blue star-patterned scarf. His sibling, a 'Red Being' in a crimson hoodie, stands in the background. The scene is a dark city street with neon ray-traced reflections. The Blue Being speaks to the camera with fluid facial animations, moving his lips, eyebrows, and eyelids realistically. Suddenly, a massive, high-detail metallic red shopping cart crashes from the sky onto the pavement with intense physics, creating sparks, debris, and smoke. The camera uses a shake effect on impact. The Blue Being reacts with an exaggerated 'squash and stretch' facial expression of pure shock, eyes widening and jaw dropping. 4K resolution, Unreal Engine 5 aesthetic, vibrant colors, expressive character acting." Audio Suggestions Voice: Use a high-pitched, energetic "Roblox YouTuber" voice filter. SFX: 0:00-0:06: Light city ambience, footsteps on concrete. 0:07: A high-pitched whistling sound (falling object). 0:08: CRUNCH-THUD. A heavy metallic impact sound with a bass boost. 0:10: A "slip" or "cartoon blink" sound effect for the eye reaction.
Of course. Here is a prompt for a surreal horror world, horror-themed video based on your verses, structured by scene...
Of course. Here is a prompt for a surreal horror world, horror-themed video based on your verses, structured by scenes and crafted for a super-real, full HD aesthetic. Overall Visual Style: Photorealistic, yet deeply uncanny. Crisp Full HD with a desaturated, cold color paletteâslate greys, dirty whites, sickly yellows, and deep, inky blacks. Lighting is harsh, from unnatural sources (a single bare bulb, moonlight through ice), casting long, distorted shadows. Textures are hyper-detailed: the grain of wood, the weave of fabric, the slickness of ice, the pallor of skin. Sound design is crucial: amplified diegetic sounds (the deafening tick of the clock, the creak of a wardrobe, the crunch of ice), a dissonant, minimalist score, and oppressive silence. Shot 4 (Close-Up): A face in a dim hallway mirror. The lips are mechanically stretched into a wide, painful smile that doesn't reach the hollow, terrified eyes. The muscles twitch unnaturally. Shot 5 (Low-Angle Shot): The front door of an old house. The handle begins to turn with a loud, metallic scrape. Dawn's first pale, thief-like light steals through the keyhole and cracks in the doorframe. Shot 6 (Montage): Quick, subliminal flashes of a distorted, digital world (glitches, corrupted data, the letters NEM) superimposed over shots of peeling wallpaper and dark corridors. A sense of a hidden, toxic layer beneath reality.
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