Pameran Seedance 2.0
Jelajahi generasi publik yang berhasil dari komunitas dan buka item apa pun untuk memeriksa prompt, pengaturan, dan output.
In a crowded U.S. Marine Corps base chow hall at midday under harsh fluorescent lighting, a white American Staff Serg...
In a crowded U.S. Marine Corps base chow hall at midday under harsh fluorescent lighting, a white American Staff Sergeant in his late 30s with a tight high-and-tight haircut and crisp cammies looms over a seated Black woman in her early 30s wearing jeans and a plain gray hoodie, her posture calm but coiled with tension as nearby Marines fall silent mid-bite. Medium shot tracks the sergeantâs aggressive step in; he suddenly snaps his hand across her face, and she steadies herself without sitting back. Close-up on her controlled expression as she rises, eyes locked on him; the camera shifts to a tight close-up of his smirk fading into confusion as three plainclothes white American agents stand up in the background. The woman says, flat and clear, âDo you know who I am?â A man in a ball cap flashes a badge in a quick push-in shot and says, âNCISâdonât move.â The room holds its breath, tension spiking with a low, pulsing score; no logos, no brand names, no signage, no watermarks, no text overlays.
O que a modelo vai fazer no vĂdeo (15s) Cena 1 (gancho) A modelo estĂĄ no quarto ou banheiro com luz natural, segurand...
O que a modelo vai fazer no vĂdeo (15s) Cena 1 (gancho) A modelo estĂĄ no quarto ou banheiro com luz natural, segurando o pote do creme. Ela aproxima o produto da cĂąmera. Fala: âQuase ninguĂ©m fala disso, mas muita mulher tem estrias no bumbum.â Cena 2 A modelo gira o pote na mĂŁo, mostrando o produto. Fala: âEu descobri esse creme aqui que ajuda a hidratar bem a peleâŠâ Cena 3 A modelo abre o pote e mostra a textura do creme com o dedo. Fala: ââŠe melhorar a aparĂȘncia.â Cena 4 (final) Ela fecha o pote e segura o produto perto da cĂąmera. Sem falar mais nada. O que precisa ter no vĂdeo â VĂdeo vertical 9:16 â MĂĄxima resolução â Luz natural â Movimento das mĂŁos o tempo todo â Mostrar o produto claramente â Abrir o creme e mostrar a textura O que NĂO pode ter â Texto na tela â Legendas â MĂșsica â Efeitos sonoros â Preço â Outras falas alĂ©m do roteiro
Gerar vĂdeo vertical 9:16 em mĂĄxima resolução. Mostrar o kit de 8 tigelas vermelhas da imagem de referĂȘncia sobre uma...
Gerar vĂdeo vertical 9:16 em mĂĄxima resolução. Mostrar o kit de 8 tigelas vermelhas da imagem de referĂȘncia sobre uma bancada de cozinha organizada. Movimentos naturais: mĂŁos pegam a pilha de tigelas separar algumas tigelas mostrando o conjunto empilhar novamente as tigelas A gravação deve parecer um vĂdeo real gravado na cozinha. Fala da modelo âOlha esse conjunto de tigelas. Ele vem com oito tigelas vermelhas, perfeitas para usar no dia a dia na cozinha. VocĂȘ pode usar para servir refeiçÔes, frutas ou saladas. Ă um kit prĂĄtico que jĂĄ deixa tudo organizado.â
A time traveler's vlog in a desolate Goiania, Brazil, after a catastrophic collapse. A single, continuous 15-second 8...
A time traveler's vlog in a desolate Goiania, Brazil, after a catastrophic collapse. A single, continuous 15-second 8K ultra-realistic documentary-style video. Setting: Overgrown vegetation reclaiming crumbling buildings, abandoned military vehicles, and a pervasive sense of desolation, 10-15 words. Camera: Selfie POV with dynamic movement. Appearance: @misterstrong, an athletic man with a lean face and no dark circles, wearing traveler's clothing with a concealed temporal device. 0-3 seconds: @misterstrong, speaking directly to the camera, "El futuro es desolador." show his face, mouth moving. 3-7 seconds: @misterstrong continues walking through the ruins, still talking, "Esto... era Goiania." face visible while talking. 7-11 seconds: @misterstrong gestures towards the ruined Teatro Goian
In a crowded U.S. Marine Corps base chow hall at midday under harsh fluorescent lighting, a white American Staff Serg...
In a crowded U.S. Marine Corps base chow hall at midday under harsh fluorescent lighting, a white American Staff Sergeant in his late 30s with a tight high-and-tight haircut and crisp cammies looms over a seated Black woman in her early 30s wearing jeans and a plain gray hoodie, her posture calm but coiled with tension as nearby Marines fall silent mid-bite. Medium shot tracks the sergeantâs aggressive step in; he suddenly snaps his hand across her face, and she steadies herself without sitting back. Close-up on her controlled expression as she rises, eyes locked on him; the camera shifts to a tight close-up of his smirk fading into confusion as three plainclothes white American agents stand up in the background. The woman says, flat and clear, âDo you know who I am?â A man in a ball cap flashes a badge in a quick push-in shot and says, âNCISâdonât move.â The room holds its breath, tension spiking with a low, pulsing score; no logos, no brand names, no signage, no watermarks, no text overlays.
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, mas...
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, massive build, black bouncer uniform) stands outside Club Vortex as Lucas (late 30s, thin build, casual tourist jacket, rolling carry-on) approaches from a yellow cab. Wide shot: The crowded sidewalk with a long club line, strobing lights from inside, urban energy. Medium shot: Marco steps forward aggressively, towering over Lucas, chest puffed, dismissive expression. Close-up: Marco grabs Lucas's collar with both hands, shoves him backward hard. Lucas stumbles into the street, phone clattering on wet asphalt, crowd gasps and phones go up recording. Lucas crouches calmly, picks up his phone, brushes the screen. He stands, reaches into his jacket, flips open a leather wallet. Close-up: The INTERPOL badge catches all the neon lights, reflecting blue and pink. Cut to: Marco's face, laugh dying, eyes widening in shock. Lucas says quietly: "You really shouldn't have touched me." No logos, no brand names, no watermarks, no text overlays.
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, mas...
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, massive build, black bouncer uniform) stands outside Club Vortex as Lucas (late 30s, thin build, casual tourist jacket, rolling carry-on) approaches from a yellow cab. Wide shot: The crowded sidewalk with a long club line, strobing lights from inside, urban energy. Medium shot: Marco steps forward aggressively, towering over Lucas, chest puffed, dismissive expression. Close-up: Marco grabs Lucas's collar with both hands, shoves him backward hard. Lucas stumbles into the street, phone clattering on wet asphalt, crowd gasps and phones go up recording. Lucas crouches calmly, picks up his phone, brushes the screen. He stands, reaches into his jacket, flips open a leather wallet. Close-up: The INTERPOL badge catches all the neon lights, reflecting blue and pink. Cut to: Marco's face, laugh dying, eyes widening in shock. Lucas says quietly: "You really shouldn't have touched me." No logos, no brand names, no watermarks, no text overlays.
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, mas...
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, massive build, black bouncer uniform) stands outside Club Vortex as Lucas (late 30s, thin build, casual tourist jacket, rolling carry-on) approaches from a yellow cab. Wide shot: The crowded sidewalk with a long club line, strobing lights from inside, urban energy. Medium shot: Marco steps forward aggressively, towering over Lucas, chest puffed, dismissive expression. Close-up: Marco grabs Lucas's collar with both hands, shoves him backward hard. Lucas stumbles into the street, phone clattering on wet asphalt, crowd gasps and phones go up recording. Lucas crouches calmly, picks up his phone, brushes the screen. He stands, reaches into his jacket, flips open a leather wallet. Close-up: The INTERPOL badge catches all the neon lights, reflecting blue and pink. Cut to: Marco's face, laugh dying, eyes widening in shock. Lucas says quietly: "You really shouldn't have touched me." No logos, no brand names, no watermarks, no text overlays.
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, mas...
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, massive build, black bouncer uniform) stands outside Club Vortex as Lucas (late 30s, thin build, casual tourist jacket, rolling carry-on) approaches from a yellow cab. Wide shot: The crowded sidewalk with a long club line, strobing lights from inside, urban energy. Medium shot: Marco steps forward aggressively, towering over Lucas, chest puffed, dismissive expression. Close-up: Marco grabs Lucas's collar with both hands, shoves him backward hard. Lucas stumbles into the street, phone clattering on wet asphalt, crowd gasps and phones go up recording. Lucas crouches calmly, picks up his phone, brushes the screen. He stands, reaches into his jacket, flips open a leather wallet. Close-up: The INTERPOL badge catches all the neon lights, reflecting blue and pink. Cut to: Marco's face, laugh dying, eyes widening in shock. Lucas says quietly: "You really shouldn't have touched me." No logos, no brand names, no watermarks, no text overlays.
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, mas...
A bustling city street at midnight with neon club signs casting colorful light on wet pavement. Marco (early 40s, massive build, black bouncer uniform) stands outside Club Vortex as Lucas (late 30s, thin build, casual tourist jacket, rolling carry-on) approaches from a yellow cab. Wide shot: The crowded sidewalk with a long club line, strobing lights from inside, urban energy. Medium shot: Marco steps forward aggressively, towering over Lucas, chest puffed, dismissive expression. Close-up: Marco grabs Lucas's collar with both hands, shoves him backward hard. Lucas stumbles into the street, phone clattering on wet asphalt, crowd gasps and phones go up recording. Lucas crouches calmly, picks up his phone, brushes the screen. He stands, reaches into his jacket, flips open a leather wallet. Close-up: The INTERPOL badge catches all the neon lights, reflecting blue and pink. Cut to: Marco's face, laugh dying, eyes widening in shock. Lucas says quietly: "You really shouldn't have touched me." No logos, no brand names, no watermarks, no text overlays.
Time travel expedition Antarctica, permanent text "Lost City Antarctica 1928", 15 second documentary 8K ultra realist...
Time travel expedition Antarctica, permanent text "Lost City Antarctica 1928", 15 second documentary 8K ultra realistic frozen wasteland with ancient ruins visible, selfie POV dynamic movement, @misterstrong athletic lean face no dark circles traveler clothes hidden time device, 0-3 seconds @misterstrong speaking selfie camera - "Descubrimiento increĂble en la AntĂĄrtida." - showing face directly, 3-7 seconds @misterstrong continues speaking while walking - "Esta ciudad estĂĄ congelada en el tiempo." - walking, 7-11 seconds @misterstrong showing location/scene pointing hand - "Miren estos artefactos antiguos." - showing ancient ruins, 11-15 seconds @misterstrong refocusing face speaking CTA - "Para mĂĄs viajes link en mi perfil."
Gerar vĂdeo vertical 9:16 em mĂĄxima resolução. Mostrar o kit de 8 tigelas vermelhas da imagem de referĂȘncia sobre uma...
Gerar vĂdeo vertical 9:16 em mĂĄxima resolução. Mostrar o kit de 8 tigelas vermelhas da imagem de referĂȘncia sobre uma bancada de cozinha organizada. Movimentos naturais: mĂŁos pegam a pilha de tigelas separar algumas tigelas mostrando o conjunto empilhar novamente as tigelas A gravação deve parecer um vĂdeo real gravado na cozinha. Fala da modelo âOlha esse conjunto de tigelas. Ele vem com oito tigelas vermelhas, perfeitas para usar no dia a dia na cozinha. VocĂȘ pode usar para servir refeiçÔes, frutas ou saladas. Ă um kit prĂĄtico que jĂĄ deixa tudo organizado.â
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