Pameran Video AI

POV camera, hyper-realistic wildlife encounter. The camera is positioned at ground level on the muddy sidewall of a swamp lake, partially hidden by tall grass and reeds. From the POV of a human observer, a giant crocodile clashes with a massive snake (anaconda-like) in shallow water near the shore. The snake is coiled tightly around the crocodile’s neck and torso, muscles flexing as it constricts, while the crocodile rolls violently, snapping its jaws and slamming its tail against the water. Thick mud and water explode into the air, splashing toward the lens. Camera behavior: slow, controlled POV movement, slight breathing motion, smooth cinematic stabilization. Details: hyper-detailed wet scales, mud dripping off bodies, realistic muscle tension, ripples spreading across the lake. Lighting: moody overcast daylight, soft shadows, mist hovering above the water surface. Environment: swamp vegetation shaking from the struggle, insects scattering, water plants torn loose. Style: National Geographic–level realism, documentary intensity. Frame quality: smooth frame pacing, no jitter, natural motion blur only. Audio (optional): heavy water splashes, low reptile hisses, tail impacts, no background music. Resolution: 4K HDR. Mood: primal, brutal, survival instinct.

Короткометражный сценарий в стиле «рофл» Название: Техническая поддержка Жанр: Абсурдная комедия / Рофл Формат: Короткометражка, ~3-5 минут --- СЦЕНАРИЙ Локация: Квартира. Старый диван, пульты, ноутбук. На заднем плане — гитара, прислонённая к стене. Время: Вечер. ПЕРСОНАЖИ: · ВАЛАКАС (ДЕД): 54 года, хриплый голос, говорит медленно, с паузами. В растянутой футболке. · ОПЕРАТОР (голос из телефона): Молодой человек, пытается сохранять профессионализм. --- (НАЧАЛО СЦЕНЫ) КАДР 1. Крупный план старого беспроводного микрофона. Палец с морщинистой кожей нажимает кнопку. Слышен характерный щелчок. КАДР 2. Валакас сидит в кресле, подносит телефон к уху. На его лице — сосредоточенная, почти философская задумчивость. На экране телефона — номер службы поддержки. (Звук гудков. Пауза. Щелчок соединения.) ОПЕРАТОР (V.O.) (Энергично, по-офисному) Добрый день! Служба поддержки «МегаФон», оператор Артём, слушаю вас! ВАЛАКАС (Медленно, хрипло, с паузами) Ага... Шо, Артём... У меня тут делов накопилось... Тупа вопрос. ОПЕРАТОР Я вас слушаю. Чем могу помочь? ВАЛАКАС (Глядя в потолок) Вот... Гитара. Она у меня не фонить. ПАУЗА. Длинная. ОПЕРАТОР Простите... Вы сказали, гитара? ВАЛАКАС Ну да. Гитара. Вот она стоит. (Машет рукой в сторону гитары, хотя оператор этого не видит). А фонить — не фонить. Интернет тут при чём? Может, у вас провода... в гитаре? ОПЕРАТОР (Сбит с толку) Сэр, вы позвонили в техническую поддержку мобильного оператора. Мы интернет и связь настраиваем. Для гитары вам нужен мастер или, может, учитель музыки. ВАЛАКАС (Делая вид, что не слышит) А... Так вы типа... мастер? Артём-мастер? Ну так настройте. У меня тут струна одна... она как будто в роуминге. Звенит, а толку ноль. Тариф надо, может, поменять? Безлимитный на вибрацию? ОПЕРАТОР (Начинает терять терпение) Слушайте, я не могу поменять вам тариф на струну! Это не техническая неполадка! Это физический объект! ВАЛАКАС (Голос становится громче, интонация — знаменитая, драматичная) Физический... Так я кто... по-твоему? Дурак, да?! Я физический дурак, получается? Ты мне прямо сейчас говоришь — «Дед, ты физический дурак»? Да?! КАДР 3. Крупный план лица Валакаса. Глаза широко раскрыты, в них — наигранная, но мастерски выполненная обида вселенского масштаба. ОПЕРАТОР (В панике) Нет-нет-нет! Я не это имел в виду! Я про гитару! ВАЛАКАС (Резко успокаивается, переходит на доверительный шёпот) Так... Ладно. Проехали. Тогда другой вопрос. Вот кот у меня... Он на Wi-Fi садится. Роутер облюбовал. Греется. Это у вас тариф «Домашний интернет для кота»? Или это вирус у него? Антивирус ему скачать надо? На три устройства? ОПЕРАТОР (Полностью сломлен, говорит тихо и отстранённо) Сэр... Я... Я отправлю вам ссылку. Скачайте и запустите файл «CatCleaner.exe». Он всё почистит. И гитаре тоже поможет. ВАЛАКАС (Довольный) Вот! Деловой подход! Я сразу понял — Артём, ты мастер! Спасибо, дружище. Тупа отдохни. (Валакас вешает трубку. Садится на диван, берёт гитару, дергает струну. Она издаёт дребезжащий звук. Он смотрит на гитару с укором.) ВАЛАКАС (Шепчет гитаре) Видишь? Теперь с тобой специалист разберётся. Физический ты объект. КАДР 4. Финальный кадр. Валакас сидит, обняв гитару, и смотрит в камеру с каменным лицом. Замирает на 2 секунды. (НАДПИСЬ НА ЭКРАНЕ: «ПРОБЛЕМА РЕШЕНА?») ЧЁРНЫЙ ЭКРАН. ЗВУК ГРОМКОГО, ХРИПЛОГО СМЕХА. (КОНЕЦ СЦЕНЫ) ---

POV camera, ultra-realistic. The camera is standing on the rocky sidewall of a lake, slightly elevated above the water. In front of the camera, two massive crocodiles are violently fighting in the lake, thrashing the water, snapping jaws, and spinning with powerful tail movements. Water splashes toward the lens, creating subtle droplets on the camera glass. The POV feels human, steady but tense, as if the person is frozen in fear while witnessing the fight up close. Natural sunlight reflects off the rippling water, highlighting the crocodiles’ rough, wet scales. Surrounding reeds sway gently from the force of the movement. Camera movement: slow, smooth handheld stabilization, minor natural sway only. Style: cinematic wildlife documentary realism. Quality: ultra-realistic textures, smooth frame transitions, no motion blur, sharp focus. Lighting: natural daylight, realistic shadows and reflections. Audio (optional): water splashing, low growls, tails hitting the surface, no music. Resolution: 4K, high dynamic range. Mood: intense, dangerous, raw nature.

### Style * **Visual Texture:** Photorealistic digital video with crisp detail. The textures of the aged brick wall, the rough asphalt, and the varying colors of the leaves are distinct and sharp. * **Lighting Quality:** Natural, diffused daylight. The scene appears to be shot under an overcast sky or in a shaded area, resulting in soft shadows and a lack of harsh specular highlights. * **Color Palette:** A naturalistic palette dominated by organic tones: deep greens, autumnal yellows, and brownish-oranges from the surrounding trees, contrasted against the neutral grey of the road and the bright white of the car. * **Atmosphere:** High-octane and rebellious. The quiet, residential-looking alley is interrupted by a sudden burst of mechanical energy and tire smoke. ### Cinematography * **Camera:** Static tripod shot at a low-to-mid angle. The camera is positioned centrally in the narrow street, capturing the car as it approaches from the background and exits the frame in the foreground. * **Lens:** Wide-angle lens with a deep focus. This allows the viewer to see the entire length of the alley, from the house and gate in the distance to the textures of the road in the foreground. * **Lighting:** Natural outdoor light with an even distribution across the scene. The only artificial light comes from the car's distinct glowing headlights. * **Mood:** Thrilling and aggressive. --- ### Scene Breakdown **Scene 1 (00:00s - 00:06s):** The shot begins on a narrow, paved street framed by overhanging tree branches. A white BMW E60 is visible in the distance near a wooden gate. The car suddenly accelerates, causing the rear tires to spin and emit a dense cloud of white smoke. As the car gains speed, it fishtails slightly in a controlled drift, its iconic "angel eye" headlights glowing brightly. The vehicle rapidly approaches the camera, filling the frame with its white body and the sound of its engine, before passing by on the right side. **Actions:** * **Tire Burnout:** The car’s rear wheels spin rapidly at the start, generating a thick plume of white tire smoke that fills the back of the alley. * **Drifting:** The car exhibits micro-movements of oversteer, swerving slightly as it accelerates down the street. * **Vehicle Transit:** The car moves from a distant stationary position to a high-speed exit past the camera lens. **Dialogue:** * None **Background Sound:** A loud, high-pitched engine roar and the characteristic screeching of tires spinning at high speed on asphalt. The sound culminates in a loud "whoosh" as the car passes the camera's microphone.

A herd of zombies run around the corner of the deserted area darting at the camera screen Zoom-out shot: Intense, cinematic, realistic action —

A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.

A man in a fine suit walks on the edge A man in a fine suit walks along the doorway

playing game

{ "car_name_model": "1989 Ferrari F40", "visual_description": "Intricately detailed, vintage magnesium alloy wheel spokes of a pristine 1989 Ferrari F40 painted in classic Rosso Corsa red with authentic subtle aging: faint surface oxidation, minor embedded brake dust in the grooves, and glossy clear coat reflecting light with high-fidelity realism. The spokes feature a deep-dish design with sharp, angular edges and curved contours. A premium soft-bristled brush with long, flexible black nylon bristles and ergonomic wooden handle interacts directly with the spokes, showing individual bristle fibers bending and spreading upon contact. Fine water droplets and sudsy foam cling to the spokes, with realistic refraction and beading effects on the metallic surfaces.", "camera_details": "Extreme macro close-up side angle view positioned at a precise 30-degree offset to the wheel's plane, capturing intricate textures and motions with ultra-high resolution. Very shallow depth of field (equivalent to f/1.4 aperture) isolates the brush-spoke interaction in pin-sharp focus, while foreground bristles and background wheel elements softly blur into creamy bokeh with circular highlights. Subtle camera dolly-in movement over eight seconds for added intimacy, maintaining composition centered on the active scrubbing area. High frame rate capture for smooth, fluid motion rendering.", "lighting_details": "Evenly diffused overhead lighting from a large, ceiling-mounted softbox array simulating a professional automotive detailing garage ambiance. Primary light source at 5600K daylight-balanced temperature casts gentle, shadowless illumination across the wheel, highlighting metallic sheen without hotspots. Secondary subtle fill lights from side angles reduce any minor shadows in spoke crevices, creating a soft gradient falloff. Ambient warm glow from nearby workshop lamps adds a faint golden hue to edges, enhancing the red paint's vibrancy and depth.", "action_description": "The soft-bristled brush executes a series of slow, methodical, gentle scrubbing motions: circular rotations alternating with straight back-and-forth strokes along each spoke's length. Bristles delicately flex and conform to the spoke's contours, dislodging embedded dirt particles that float away in tiny, realistic dust clouds and water splashes. Physical interactions include bristle compression against edges, subtle vibration from friction, and gradual buildup then dispersal of soapy lather. The motion remains consistent and rhythmic, covering three to four spokes progressively over the eight-second duration, emphasizing care and precision to avoid any surface damage.", "environment_details": "Set in a spotless, high-end automotive detailing studio with polished concrete floors reflecting soft red hues from the Ferrari's bodywork. Background subtly features out-of-focus elements like the F40's aerodynamic side vents, black center-lock wheel nuts, and hints of surrounding equipment: stacked microfiber cloths, spray bottles of wheel cleaner, and faint reflections on nearby metal tool carts. Atmospheric details include minor steam wisps from evaporating water and a clean, minimalist space with neutral gray walls to keep focus on the wheel cleaning action.", "eight_second_clip_intent": "An immersive eight-second clip designed as a satisfying ASMR-style automotive detailing experience, showcasing the therapeutic process of cleaning the iconic 1989 Ferrari F40's wheel spokes with meticulous attention to texture, motion, and sound potential. The sequence builds a sense of luxury and preservation, highlighting the brush's gentle efficacy in restoring the wheel's luster through visible dirt removal and gleaming highlights, ideal for enthusiasts appreciating vintage supercar maintenance rituals." }

A cute baby giraffe walking gently and curiously, slightly swaying its neck, calm natural behavior, soft warm sunlight, realistic savannah environment, ultra-realistic cinematic style, seamless loop, smooth motion,

Second person showing no arms, flying through buildings , rooms , cars and zombies

Zombies run down the street and the ground opens up and most of the zombies fall in

A small, skinny dog walks alone through a cold, empty city at night. Rain falls softly. His fur is dirty, his ribs showing. People pass by without looking. He stops at a closed bakery, staring at the dark window. His tail moves once… then falls still. A flashback appears: The same dog, clean and happy, running beside a little girl. She laughs, calling his name. Then the memory fades. Back in the present, the dog curls up beside a streetlight. The rain turns heavier. He shivers, eyes slowly closing. Suddenly, footsteps. A woman stops. She kneels, holding out her hand. The dog opens one eye. Hope flickers. Cut to morning light. The dog walks again — but this time, there is a leash. And his tail is wagging.

A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.

First, the rejected student picks up their resume from the table and shows it, and a "AI Generated" stamp appears on it. Then, the student on the right picks up their resume from the table and shows it, and a "Selected" stamp appears on it. both have same expration starting of video, rejected condidated will be sad and selected one will be happy at end of vedio .

A cinematic shot of The puppy is giving vegetables to the woman behind

shiva walking forward, hair and cloths flowing. hair flowing in the wind, trident steady, eye glowing softly 5 black dogs walking in sync beside shiva naturally , synchronized , breathing , blinking , smoke , embers and ash floating around. moon with Om symbol , soft pulsing glow, with quote " I am not the body, i am not the mind , I am Shiva" at the bottom Environment dark stormy sky floating embers and ash smoke drifting sideways ground glowing faintly (fire under Ash) duration 30sec ffp 24 camera slow push in motion LOW seed lock dogs and shiva eyes glow on tap silent manta synced overlay ultra- dark Amoled Edition

Create an elegant and joyful New Year 2026 celebration video featuring one couple. Both the boy and the girl are wearing the exact same color: black. The boy is wearing a black shirt with the word “Mr” written on it. The girl is wearing a black western dress with long sleeves, with the word “Miss” written on it. The boy and girl are standing at a small distance from each other, facing forward. Their interaction should look respectful, graceful, and celebratory, not romantic. Background Scene: A beautiful night sky with fireworks celebrating New Year 2026. In the sky, glowing text appears clearly: “Laiba, Happy New Year 2026” Ending Scene: The boy smiles and says in English: “Miss Python, I wish you a very, very Happy New Year 2026.” The overall mood of the video should be simple, elegant, festive, and cinematic, with smooth camera movements and soft lightin

create a firworks video on new year in mountains of pakistan

The Epstein Files is a musical