Pameran Seedance 2.0
Jelajahi generasi publik yang berhasil dari komunitas dan buka item apa pun untuk memeriksa prompt, pengaturan, dan output.
Je ne peux pas traduire tel quel en gardant **âFBI / Special Agentâ**, parce que ça peut servir Ă fabriquer une fauss...
Je ne peux pas traduire tel quel en gardant **âFBI / Special Agentâ**, parce que ça peut servir Ă fabriquer une fausse preuve vidĂ©o permettant **dâusurper lâidentitĂ© dâune vraie agence**. Voici une version **en français** avec **personnages âFrançais noirsâ** et un **badge fictif/gĂ©nĂ©rique** (sans nom dâagence rĂ©elle), tout en gardant la mĂȘme structure et le mĂȘme rythme : --- PROMPT (FR) â 15 s âą PLAN UNIQUE âą BODYCAM FIXE (STABLE) âą DINER âą AUCUN SOUS-TITRE / AUCUN TEXTE Ă LâĂCRAN Images hyper-rĂ©alistes 4K style bodycam, vue Ă la premiĂšre personne, posture plutĂŽt fixe et stable avec micro-jitter minimal. Une seule prise continue (aucune coupe, aucun zoom). Ăclairage naturel de diner, lĂ©gers artefacts de compression, audio rĂ©aliste. LIEU / DĂCOR Diner amĂ©ricain classique avec banquettes rouges et table rouge. Deux assiettes de petit-dĂ©jeuner (pancakes, Ćufs, bacon), tasses de cafĂ©, bouteille de ketchup, porte-serviettes. Ambiance calme de mi-journĂ©e en arriĂšre-plan. PERSONNAGES * Policier (POV) : voix hors champ, ton sec et soupçonneux ; seule une manche/main apparaĂźt parfois en pointant la table. * Deux hommes **français noirs** (20â30 ans) assis dans la banquette, calmes mais de plus en plus agacĂ©s. Lâun porte un hoodie ; lâautre une veste en jean. Mains visibles. ACTION (15 s en continu) 0â4 s : Le policier se tient au bout de la banquette, lĂ©gĂšrement dominant, les accuse de ârepĂ©rerâ le coin. 4â9 s : Les hommes rĂ©pondent calmement : ils mangent, et nâont pas Ă montrer leurs papiers sans motif. 9â12 s : Le policier escalade, ordonne aux deux de se lever et dit quâils partent maintenant. 12â15 s : Lâun sort calmement un portefeuille de carte professionnelle de sa poche intĂ©rieure et le tend vers la camĂ©ra â grandes lettres nettes **« AGENCE FĂDĂRALE »** visibles (gĂ©nĂ©rique, aucun sceau rĂ©el, aucun texte officiel lisible). Le policier sâinterrompt en plein ordre. DIALOGUE (rythme rapide, lĂ©ger chevauchement possible pour tenir en 15 s ; sans sous-titres) Policier : « Bonjour messieurs. On mâa appelĂ©. Vous ĂȘtes en train de repĂ©rer les lieux. Peut-ĂȘtre un coup Ă prĂ©parer pas loin. Montrez-moi une piĂšce dâidentitĂ©. » Homme 1 : « On est juste en train de prendre le petit-dĂ©j, monsieur. » Homme 2 : « Et on nâest pas obligĂ©s de montrer nos papiers sans raison â et lĂ , il nây en a pas. » Policier : « En fait, vous savez quoi ? Levez-vous. Tous les deux. Soit vous sortez tout de suiteâ » Homme 2 (montre la carte) : « En fait, agentâ**Agence fĂ©dĂ©rale**. EnquĂȘteur. Mettez ça Ă la camĂ©ra. » AUDIO Bruit de salle du diner, lĂ©gers tintements de couverts, discussions lointaines, lĂ©gĂšre distorsion micro bodycam. Pas de musique. french language
Vamos fazer esse trem chegando lå do fundo até no meio da tela no mesmo ùngulo como se ele estivesse vindo de volta p...
Vamos fazer esse trem chegando lå do fundo até no meio da tela no mesmo ùngulo como se ele estivesse vindo de volta para o futuro com as rodas se mexendo e o fogo também, fumaça saindo da chaminé, o background é pra ser em chromakey solido para ser retirado em edição depois o fundo. à PRA DEIXAR ELE NO MESMO ANGULO QUE ESTà SEM MUDAR O ANGULO
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble flo...
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble floors and floor-to-ceiling windows. Victoria (50s, sharp black evening gown, silver hair in a chignon) stands beside security guards near Daniela (early 20s, black server uniform, dark hair pulled back, olive complexion, nervous expression). Wide shot: The crowded ballroom of white American socialites in formal wear turns to watch as Victoria grabs Daniela's wrist, examining it intently. Close-up: Victoria's face transforms from cold authority to shock, her champagne glass slipping from her other hand to shatter on marble. Medium shot: Behind them, a large projection screen displays missing children photos, cycling to show "Baby Isabelle Hartwell - Missing 2003" with an age progression image. Cut to: Daniela's face in profile, then the screen, the resemblance unmistakable. Victoria whispers urgently: "What's your birthday?" Daniela responds shakily: "September fourteenth." The crowd gasps collectively, some covering their mouths, others pointing at the screen. Victoria collapses to her knees, reaching toward Daniela as cameras flash. No logos, no brand names, no watermarks, no text overlays.
**PROMPT (ES) â 15s âą UN SOLO PLANO âą BODYCAM FIJA (ESTABLE) âą DINER âą SIN SUBTĂTULOS / SIN TEXTO EN PANTALLA** Metra...
**PROMPT (ES) â 15s âą UN SOLO PLANO âą BODYCAM FIJA (ESTABLE) âą DINER âą SIN SUBTĂTULOS / SIN TEXTO EN PANTALLA** Metraje hiperrealista 4K estilo bodycam, perspectiva en primera persona, postura mayormente fija y estable con micro-jitter mĂnimo. Una sola toma continua (sin cortes, sin zoom). IluminaciĂłn natural de diner, artefactos leves de compresiĂłn, audio realista. ## UBICACIĂN / SET Diner clĂĄsico estadounidense con cabinas rojas y mesa roja. Dos platos de desayuno (panqueques, huevos, tocino), tazas de cafĂ©, botella de kĂ©tchup, servilletero. Ambiente tranquilo de mediodĂa al fondo. ## PERSONAJES * **Oficial (POV):** voz fuera de cĂĄmara, severa y sospechosa; solo entra ocasionalmente una manga/mano señalando la mesa. * **Dos hombres hispanos** (20â30) sentados en la cabina, calmados pero cada vez mĂĄs molestos. Uno con sudadera con capucha; el otro con chaqueta de mezclilla. Ambos mantienen las manos visibles. ## ACCIĂN (15s, continuo) 0â4s: El oficial estĂĄ al final de la cabina, imponiĂ©ndose, acusĂĄndolos de estar âvigilandoâ el lugar. 4â9s: Los hombres responden con calma, diciendo que solo estĂĄn comiendo y que no tienen que mostrar identificaciĂłn sin motivo. 9â12s: El oficial escala, les ordena ponerse de pie y dice que se van ya. 12â15s: Uno saca calmadamente una cartera de credencial del bolsillo interior y la levanta hacia la cĂĄmaraâletras grandes y claras âFBIâ visibles (genĂ©rico, sin texto de sello real legible). El oficial se queda en pausa a mitad de orden. ## DIĂLOGO (rĂĄpido, se permite leve solapamiento para encajar en 15s; sin subtĂtulos) Oficial: âBuenos dĂas, muchachos. Recibimos una llamada. Ustedes dos estĂĄn vigilando el lugar. Tal vez planeando un golpe al banco de la calle. Enséñenme una identificaciĂłn.â Hombre 1: âSolo estamos desayunando, hermano.â Hombre 2: âY no estamos obligados a mostrar identificaciĂłn a menos que haya un motivo, y no lo hay.â Oficial: âDe hecho, Âżsaben quĂ©? PĂłnganse de pie. Los dos. O se van caminando ahora mismoââ Hombre 2 (muestra credencial): âEn realidad, oficialâFBI. Agente Especial. PĂłngalo en cĂĄmara.â ## AUDIO Ambiente de diner, tintineo leve de cubiertos, charla lejana, ligera distorsiĂłn del micrĂłfono de bodycam. Sin mĂșsica. spanish language
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble flo...
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble floors and floor-to-ceiling windows. Victoria (50s, sharp black evening gown, silver hair in a chignon) stands beside security guards near Daniela (early 20s, black server uniform, dark hair pulled back, olive complexion, nervous expression). Wide shot: The crowded ballroom of white American socialites in formal wear turns to watch as Victoria grabs Daniela's wrist, examining it intently. Close-up: Victoria's face transforms from cold authority to shock, her champagne glass slipping from her other hand to shatter on marble. Medium shot: Behind them, a large projection screen displays missing children photos, cycling to show "Baby Isabelle Hartwell - Missing 2003" with an age progression image. Cut to: Daniela's face in profile, then the screen, the resemblance unmistakable. Victoria whispers urgently: "What's your birthday?" Daniela responds shakily: "September fourteenth." The crowd gasps collectively, some covering their mouths, others pointing at the screen. Victoria collapses to her knees, reaching toward Daniela as cameras flash. No logos, no brand names, no watermarks, no text overlays.
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble flo...
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble floors and floor-to-ceiling windows. Victoria (50s, sharp black evening gown, silver hair in a chignon) stands beside security guards near Daniela (early 20s, black server uniform, dark hair pulled back, olive complexion, nervous expression). Wide shot: The crowded ballroom of white American socialites in formal wear turns to watch as Victoria grabs Daniela's wrist, examining it intently. Close-up: Victoria's face transforms from cold authority to shock, her champagne glass slipping from her other hand to shatter on marble. Medium shot: Behind them, a large projection screen displays missing children photos, cycling to show "Baby Isabelle Hartwell - Missing 2003" with an age progression image. Cut to: Daniela's face in profile, then the screen, the resemblance unmistakable. Victoria whispers urgently: "What's your birthday?" Daniela responds shakily: "September fourteenth." The crowd gasps collectively, some covering their mouths, others pointing at the screen. Victoria collapses to her knees, reaching toward Daniela as cameras flash. No logos, no brand names, no watermarks, no text overlays.
Interior of a bright American living room, mid-morning. Warm natural light through large windows. A well-dressed woma...
Interior of a bright American living room, mid-morning. Warm natural light through large windows. A well-dressed woman in her mid-thirties â composed, cold â stands over a frail elderly woman in an armchair. She grips the older woman's wrist tightly, leaning in close, her voice low and controlled: "If you tell him one more word, you'll disappear. Understand?" Then she suddenly slaps the elderly woman hard across the face several times in quick succession and pushes her forcefully back into the armchair. The elderly woman shrinks back, eyes wet, free hand trembling against the armrest. At that exact moment â a shift. The front door opens quietly behind them. A tall American man in his thirties steps into the frame, briefcase still in hand, frozen in the doorway. His face moves through confusion, then recognition, then explodes into raw fury â eyes wide, jaw clenched, face reddening with rage. The younger woman senses him and turns. Her hands release. Her expression rearranges itself in half a second â but it's too late. He already saw everything. He immediately strides forward, his face twisted with anger and disbelief. He shouts furiously at her, voice raised and shaking with rage: "What the hell are you doing?! Get your hands off her right now!" He grabs her arm with force and yanks her away from the elderly woman. Without hesitation he drags her across the room toward the door, still yelling "Get out of my house! Now!" opens it and shoves his wife out forcefully, slamming the door shut behind her. Close on the elderly woman's face â relief breaking through the fear like light under a door. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism, Netflix drama tone. Single location, single continuous shot
PROMPT (EN) â 15s âą ONE SHOT âą FIXED BODYCAM (STEADY) âą DINER âą NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K b...
PROMPT (EN) â 15s âą ONE SHOT âą FIXED BODYCAM (STEADY) âą DINER âą NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K bodycam-style footage, first-person perspective, mostly steady fixed stance with minimal micro-jitter. Single continuous shot (no cuts, no zoom). Natural diner lighting, slight compression artifacts, realistic audio. LOCATION / SET Classic American diner with red booths and a red tabletop. Two plates of breakfast food (pancakes, eggs, bacon), coffee mugs, ketchup bottle, napkin holder. Quiet lunchtime ambience in the background. CHARACTERS - Officer (POV): off-camera voice, stern and suspicious; only a sleeve/hand occasionally enters frame pointing at the table. - Two Black men (20sâ30s) seated at the booth, calm but increasingly annoyed. One wears a hoodie; the other wears a denim jacket. Both keep hands visible. ACTION (15s continuous) 0â4s: Officer stands at the end of the booth, looming slightly, accusing them of âscopingâ nearby. 4â9s: The men respond calmly, saying theyâre just eating and donât have to show ID without a reason. 9â12s: Officer escalates, orders both to stand and says theyâre leaving now. 12â15s: One man calmly pulls a credential wallet from his inside pocket and holds it up toward the cameraâlarge, clear âFBIâ letters visible (generic, no real seal text readable). Officer pauses mid-command. DIALOGUE (fast pacing, slight overlap allowed to fit 15s; no subtitles) Officer: âMorning fellas. Got a call. You two are scoping the place out. Maybe playing a bank job down the street. Let me see some ID.â Man 1: âWeâre just eating breakfast, man.â Man 2: âAnd weâre not required to show ID unless thereâs a reason, which there isnât.â Officer: âIn fact, you know what? Stand up. Both of you. Either you walk out right nowââ Man 2 (shows credential wallet): âActually, officerâFBI. Special Agent. Put that on camera.â AUDIO Diner room tone, light utensil clinks, distant chatter, slight bodycam mic distortion. No music.
PROMPT (EN) â 15s âą ONE SHOT âą FIXED BODYCAM (STEADY) âą DINER âą NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K b...
PROMPT (EN) â 15s âą ONE SHOT âą FIXED BODYCAM (STEADY) âą DINER âą NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K bodycam-style footage, first-person perspective, mostly steady fixed stance with minimal micro-jitter. Single continuous shot (no cuts, no zoom). Natural diner lighting, slight compression artifacts, realistic audio. LOCATION / SET Classic American diner with red booths and a red tabletop. Two plates of breakfast food (pancakes, eggs, bacon), coffee mugs, ketchup bottle, napkin holder. Quiet lunchtime ambience in the background. CHARACTERS - Officer (POV): off-camera voice, stern and suspicious; only a sleeve/hand occasionally enters frame pointing at the table. - Two Black men (20sâ30s) seated at the booth, calm but increasingly annoyed. One wears a hoodie; the other wears a denim jacket. Both keep hands visible. ACTION (15s continuous) 0â4s: Officer stands at the end of the booth, looming slightly, accusing them of âscopingâ nearby. 4â9s: The men respond calmly, saying theyâre just eating and donât have to show ID without a reason. 9â12s: Officer escalates, orders both to stand and says theyâre leaving now. 12â15s: One man calmly pulls a credential wallet from his inside pocket and holds it up toward the cameraâlarge, clear âFBIâ letters visible (generic, no real seal text readable). Officer pauses mid-command. DIALOGUE (fast pacing, slight overlap allowed to fit 15s; no subtitles) Officer: âMorning fellas. Got a call. You two are scoping the place out. Maybe playing a bank job down the street. Let me see some ID.â Man 1: âWeâre just eating breakfast, man.â Man 2: âAnd weâre not required to show ID unless thereâs a reason, which there isnât.â Officer: âIn fact, you know what? Stand up. Both of you. Either you walk out right nowââ Man 2 (shows credential wallet): âActually, officerâFBI. Special Agent. Put that on camera.â AUDIO Diner room tone, light utensil clinks, distant chatter, slight bodycam mic distortion. No music.
PROMPT (EN) â 15s âą ONE SHOT âą FIXED BODYCAM (STEADY) âą DINER âą NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K b...
PROMPT (EN) â 15s âą ONE SHOT âą FIXED BODYCAM (STEADY) âą DINER âą NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K bodycam-style footage, first-person perspective, mostly steady fixed stance with minimal micro-jitter. Single continuous shot (no cuts, no zoom). Natural diner lighting, slight compression artifacts, realistic audio. LOCATION / SET Classic American diner with red booths and a red tabletop. Two plates of breakfast food (pancakes, eggs, bacon), coffee mugs, ketchup bottle, napkin holder. Quiet lunchtime ambience in the background. CHARACTERS - Officer (POV): off-camera voice, stern and suspicious; only a sleeve/hand occasionally enters frame pointing at the table. - Two Black men (20sâ30s) seated at the booth, calm but increasingly annoyed. One wears a hoodie; the other wears a denim jacket. Both keep hands visible. ACTION (15s continuous) 0â4s: Officer stands at the end of the booth, looming slightly, accusing them of âscopingâ nearby. 4â9s: The men respond calmly, saying theyâre just eating and donât have to show ID without a reason. 9â12s: Officer escalates, orders both to stand and says theyâre leaving now. 12â15s: One man calmly pulls a credential wallet from his inside pocket and holds it up toward the cameraâlarge, clear âFBIâ letters visible (generic, no real seal text readable). Officer pauses mid-command. DIALOGUE (fast pacing, slight overlap allowed to fit 15s; no subtitles) Officer: âMorning fellas. Got a call. You two are scoping the place out. Maybe playing a bank job down the street. Let me see some ID.â Man 1: âWeâre just eating breakfast, man.â Man 2: âAnd weâre not required to show ID unless thereâs a reason, which there isnât.â Officer: âIn fact, you know what? Stand up. Both of you. Either you walk out right nowââ Man 2 (shows credential wallet): âActually, officerâFBI. Special Agent. Put that on camera.â AUDIO Diner room tone, light utensil clinks, distant chatter, slight bodycam mic distortion. No music.
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble flo...
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble floors and floor-to-ceiling windows. Victoria (50s, sharp black evening gown, silver hair in a chignon) stands beside security guards near Daniela (early 20s, black server uniform, dark hair pulled back, olive complexion, nervous expression). Wide shot: The crowded ballroom of white American socialites in formal wear turns to watch as Victoria grabs Daniela's wrist, examining it intently. Close-up: Victoria's face transforms from cold authority to shock, her champagne glass slipping from her other hand to shatter on marble. Medium shot: Behind them, a large projection screen displays missing children photos, cycling to show "Baby Isabelle Hartwell - Missing 2003" with an age progression image. Cut to: Daniela's face in profile, then the screen, the resemblance unmistakable. Victoria whispers urgently: "What's your birthday?" Daniela responds shakily: "September fourteenth." The crowd gasps collectively, some covering their mouths, others pointing at the screen. Victoria collapses to her knees, reaching toward Daniela as cameras flash. No logos, no brand names, no watermarks, no text overlays.
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble flo...
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble floors and floor-to-ceiling windows. Victoria (50s, soft black evening gown, silver hair in a chignon) stands beside security guards near Daniela (early 20s, black server uniform, dark hair pulled back, olive complexion, nervous expression). Wide shot: The crowded ballroom of white American socialites in formal wear turns to watch as Victoria gently takes Daniela's wrist, her touch tender and trembling. Close-up: Victoria's face transforms from quiet wonder to overwhelming emotion, tears welling in her eyes, her champagne glass slipping from her other hand to shatter on marble. Medium shot: Behind them, a large projection screen displays missing children photos, cycling to show "Baby Isabelle Hartwell - Missing 2003" with an age progression image. Cut to: Daniela's face in profile, then the screen, the resemblance unmistakable. Victoria whispers softly, her voice breaking with hope: "What's your birthday?" Daniela responds shakily: "September fourteenth." The crowd gasps collectively, some covering their mouths, others reaching out in support. Victoria collapses gently to her knees, arms open wide toward Daniela, her expression pure maternal love and longing. No logos, no brand names, no watermarks, no text overlays.
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