ギャラリー
FSG AI ギャラリーで、コミュニティが作成したAI動画を探索。
In a Warehouse in front of came there is a table and on that table add this product after 2 sec who recording video t...
In a Warehouse in front of came there is a table and on that table add this product after 2 sec who recording video taking that brush and showing on camera in background 2-3 indian woman packing boxes and
Egy átlagos európai általános iskola tanterme, nappali fény szűrődik be az ablakokon, régi fa padok, színes rajzok a ...
Egy átlagos európai általános iskola tanterme, nappali fény szűrődik be az ablakokon, régi fa padok, színes rajzok a falakon. A kamera lassan végigsiklik a gyerekeken, majd megáll egy roma származású, barna bőrű, sötét hajú fiú, Rafael arcán, aki figyelmesen ül a padjában, természetes, barátságos megjelenéssel. A tanítónéni a tábla előtt áll, krétával a kezében, nyugodt, kedves hangon beszél. Tanítónéni: „Gyerekek, Tud valaki példát mondani a valószínűségekre?” Rafael ekkor vadul jelentkezik, magasra emeli a kezét. Tanítónéni: „Igen Rafael?” Rafael: „A apám, újsággal a kezében a kert végén sétálgat.” Tanítónéni: „Ebben mi a valószínűség???” Rafael: „Hát az, hogy valószínűleg szarni megy, mert olvasni nem tud!” A teremben a gyerekek nevetnek, a tanítónéni meglepetten, de mosolyogva reagál.
In a Warehouse in front of came there is a table and on that table add this brush witch i attached after 2 sec who re...
In a Warehouse in front of came there is a table and on that table add this brush witch i attached after 2 sec who recording video taking that brush and showing on camera in background 2-3 indian woman packing boxes and
Egy átlagos európai általános iskola tanterme, nappali fény szűrődik be az ablakokon, régi fa padok, színes rajzok a ...
Egy átlagos európai általános iskola tanterme, nappali fény szűrődik be az ablakokon, régi fa padok, színes rajzok a falakon. A kamera lassan végigsiklik a gyerekeken, majd megáll egy roma származású, barna bőrű, sötét hajú fiú, Rafael arcán, aki figyelmesen ül a padjában, természetes, barátságos megjelenéssel. A tanítónéni a tábla előtt áll, krétával a kezében, nyugodt, kedves hangon beszél. Tanítónéni: „Gyerekek, ma a valószínűségekkel fogunk foglalkozni. Tud valaki ilyet mondani?” Rafael ekkor vadul jelentkezik, magasra emeli a kezét. Tanítónéni: „Igen Rafael? Mondj egyet!” Rafael: „A apám, újsággal a kezében a kert végén sétálgat.” Tanítónéni: „Ebben mi a valószínűség???” Rafael: „Hát az, hogy valószínűleg szarni megy, mert olvasni nem tud!” A teremben a gyerekek nevetnek, a tanítónéni meglepetten, de mosolyogva reagál.
um homen com uma camera corporal em cima de uma cavalo,acompanha um cachorro vira latas caramelo e uma onça parda,ele...
um homen com uma camera corporal em cima de uma cavalo,acompanha um cachorro vira latas caramelo e uma onça parda,eles caminhan observando em todas as direçoes ,o homen que está filmando diz em portugues do brasil: fala pessoal!hoje vamos levar o Sombra e o biscoito pra caminhar até o rio,hoje ta muito calor pessoal,eles adoram esse passeio .visao em 1 pessoa,o homen não parece na imagem ,pois a visao é em 1 pessoa,so é falado o que está no script
A realistic lifestyle product video inside a warehouse fulfillment center. In the foreground, a wooden lymphatic dry ...
A realistic lifestyle product video inside a warehouse fulfillment center. In the foreground, a wooden lymphatic dry brush with natural bristles ( witch i attached) sits witch ( i attached) on a packing table. The brush is in sharp focus with a shallow depth of field. In the background, two indian women are packing cardboard boxes at a long worktable, surrounded by stacked brown shipping boxes and industrial warehouse shelves. The environment feels authentic, busy, and behind-the-scenes of an e-commerce brand. Natural indoor lighting, warm tones, candid documentary-style photography, vertical Instagram story format, high realism, soft blur in background, professional product lifestyle shot. then someone take this product and show casing in camera but add hand only who taking and showing the product
Scene: Single Indian woman (age 30–40). Shot on iPhone front camera. Handheld selfie video. Very natural hand movemen...
Scene: Single Indian woman (age 30–40). Shot on iPhone front camera. Handheld selfie video. Very natural hand movement and slight camera shake (realistic). No professional framing. Mid-close shot (face + upper chest). Plain indoor wall or simple home background. Lighting: Natural room light. No cinematic lighting. Audio: Clear voice audio. Limited background noise (very mild room ambience). No background music. No subtitles. No B-roll. No product visible in the frame. Style: Raw, real, honest testimonial feel. Looks like a normal person recording at home. Dialogue (Hinglish – Woman): “Agar aapke haath ya pair ke naakhun pe white, yellow ya black fungus dikh raha hai na— toh samajh lo danger start ho chuka hai. Ye fungus sirf naakhun nahi khata, ye dheere-dheere confidence bhi tod deta hai. Maine bhi ye galti ki thi— ignore kiya… delay kiya. Lekin time pe maine nail fungal patch lagaya. Bas raat ko lagao… aur so jao. Aur sach bataun— isi wajah se main operation se bach gayi. Ab choice aapki hai— aaj action loge, ya kal sirf pachtawa karoge.”
Create a short, funny gaming reaction video. Scene 1 (First 1 Second) • A UK living room • A TV on screen showing Roc...
Create a short, funny gaming reaction video. Scene 1 (First 1 Second) • A UK living room • A TV on screen showing Rocket League gameplay • On the TV: • Daniel’s teammate misses an open net • The ball hits the ground • Text appears: “WINNER: ORANGE” • Natural room lighting • No camera movement Scene 2 (After 1 Second – Cut to Daniel) • Cut to a close-up shot of Daniel, a 3-year-old toddler • Sitting in a baby/high chair • Wearing a Leeds United kit • Holding a game controller • Camera is still (no zooms, no pans) • No other people visible ⸻ Voice The child speaks clearly in full words, like a confident 3-year-old who can talk well for their age. • Clear child voice • Not baby babbling • Not an adult voice • Loud and emotional ⸻ Dialogue (Say Exactly This) Daniel screams first: “NOOOOOOO!” Then continues angrily: “I LOST MY PROMOTION GAME TO PLATINUM THREE! LOOK AT HIM, WIDE OPEN NET AND WHAT DOES HE DO? FARKS IT UP LIKE A TODDLER! AND YOU, YOU MISSED AN OPEN NET! I COULD’VE BEEN PLAT THREEEEEEEEEEE!” ⸻ Actions • Grips controller tightly • Shakes it while shouting • Leans forward • Face turns red from anger ⸻ Style • Natural lighting • Normal room sound • No captions • No effects • No camera movement ⸻ Mood Over-the-top gamer rage from a tiny kid. Funny, dramatic, and relatable.
A cinematic shot of a bedroom, The woman was taking off her clothes and then squeezing her breasts while enjoying it.
A cinematic shot of a bedroom, The woman was taking off her clothes and then squeezing her breasts while enjoying it.
Ultra-realistic cinematic short film. Feels like real documentary footage, not AI-generated. Natural imperfections ar...
Ultra-realistic cinematic short film. Feels like real documentary footage, not AI-generated. Natural imperfections are intentional. Duration: 15 seconds. Slow, controlled pacing. Voice-over starts immediately from the first second. No character dialogue. No subtitles. No music swell — only subtle, realistic ambient sound. INTERIOR — SMALL-TOWN CATHOLIC CHURCH, POLAND — DAY Natural daylight filters through tall stained-glass windows. Uneven, imperfect light, slightly cold tones. White lilies line the aisle. A closed wooden casket stands at the front. The atmosphere is heavy, emotionally suffocating. Camera style: Handheld, restrained. Subtle human micro-shake. Occasional imperfect framing. Natural focus breathing. No stylized or cinematic camera moves. Mourners sit silently. Pale faces. Red, tired eyes. Hands clasped tightly. Some people stare at the floor, others straight ahead. The church doors open quietly. Not slammed — just enough to be noticed. The sound echoes softly through the nave. A man in a black suit enters. A few steps behind him, a younger woman in a fitted black dress. They do not touch at first. He walks forward, composed. She follows naturally, close enough to be clearly with him. After a moment, as they move down the aisle, she places her hand lightly on his forearm. Instinctive. Familiar. Unconscious. He does not pull away. Heads turn. Short glances. Low murmurs ripple through the church. No dramatic reactions — restrained, Polish reserve. CLOSE-UPS (observational, grounded): — fingers tightening on a wooden pew — an older woman’s face frozen in disbelief — the woman’s hand resting on the man’s sleeve The funeral continues. The priest’s voice exists only as distant, indistinct background sound. The man never looks at the casket. Not once. The service ends. Benches creak. Coats rustle. Breathing is audible. A second man steps forward. Gray suit. Professional, restrained. A worn leather briefcase in his hand. He stops near the altar. Silence expands. A quiet mechanical click as the briefcase opens. Documents inside. He looks directly at the husband. The woman straightens slightly. The man’s shoulders tense. The attorney lifts a single page. CUT TO REACTIONS: — anticipation — restrained fear — shock held back Fade to black. VOICE-OVER (Polish, third person, deep, controlled, human): „Przyszedł na pogrzeb swojej żony z kochanką, przekonany, że wszystko jest już skończone. Ale zapomniał o jednym. Testamencie. Oto, co było w nim zapisane!”
A man with cigarette has a shotgun
A man with cigarette has a shotgun
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.use the provided image ...
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.use the provided image as strict character reference, keep exactly the same face, eyes, hair, clothes, colors, proportions and design, do not change appearance, do not redesign, do not change style or outfit, anime 2D cinematic trailer, high production quality, the scene opens with a clean extreme close-up of Akira’s face, cold wind, controlled breathing, visible vapor from the mouth, focused eyes, calm determination, Akira clearly states the full technique name: "Volto de Akyros, Fluxo Ancestral.", clean cut, Akira stands on the edge of a vast mountain cliff above the clouds, wide establishing shot, clear depth, no distortion, he steps forward and jumps into the abyss, camera positioned above Akira, stable top-down angle, Akira falls completely backwards with full control, fast, clean motion, no hesitation, no struggle, mid-air, Akira draws a long, thin, refined katana in one smooth motion, professional swordsman technique, he performs one single decisive slash, the motion is fast and continuous, the power manifests only after the slash is completed, from the completed cut, the ancestral water dragon Akyros emerges, formed by flowing water and blue energy, clear scale and readable form, Akira lands smoothly on top of Akyros, balanced stance, dominant presence, Akira rides the dragon forward at high speed through the sky, cinematic camera movement, clear action readability, wide lens without distortion, high-speed action, anime movie trailer quality, 10-second cinematic sequence... fisheye lens, camera warping, heavy distortion, shaky camera, excessive motion blur, slow motion, thick or short sword, multiple slashes, character redesign, style inconsistency
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