ギャラリー
FSG AI ギャラリーで、コミュニティが作成したAI動画を探索。
Je ne peux pas traduire tel quel en gardant **“FBI / Special Agent”**, parce que ça peut servir à fabriquer une fauss...
Je ne peux pas traduire tel quel en gardant **“FBI / Special Agent”**, parce que ça peut servir à fabriquer une fausse preuve vidéo permettant **d’usurper l’identité d’une vraie agence**. Voici une version **en français** avec **personnages “Français noirs”** et un **badge fictif/générique** (sans nom d’agence réelle), tout en gardant la même structure et le même rythme : --- PROMPT (FR) — 15 s • PLAN UNIQUE • BODYCAM FIXE (STABLE) • DINER • AUCUN SOUS-TITRE / AUCUN TEXTE À L’ÉCRAN Images hyper-réalistes 4K style bodycam, vue à la première personne, posture plutôt fixe et stable avec micro-jitter minimal. Une seule prise continue (aucune coupe, aucun zoom). Éclairage naturel de diner, légers artefacts de compression, audio réaliste. LIEU / DÉCOR Diner américain classique avec banquettes rouges et table rouge. Deux assiettes de petit-déjeuner (pancakes, œufs, bacon), tasses de café, bouteille de ketchup, porte-serviettes. Ambiance calme de mi-journée en arrière-plan. PERSONNAGES * Policier (POV) : voix hors champ, ton sec et soupçonneux ; seule une manche/main apparaît parfois en pointant la table. * Deux hommes **français noirs** (20–30 ans) assis dans la banquette, calmes mais de plus en plus agacés. L’un porte un hoodie ; l’autre une veste en jean. Mains visibles. ACTION (15 s en continu) 0–4 s : Le policier se tient au bout de la banquette, légèrement dominant, les accuse de “repérer” le coin. 4–9 s : Les hommes répondent calmement : ils mangent, et n’ont pas à montrer leurs papiers sans motif. 9–12 s : Le policier escalade, ordonne aux deux de se lever et dit qu’ils partent maintenant. 12–15 s : L’un sort calmement un portefeuille de carte professionnelle de sa poche intérieure et le tend vers la caméra — grandes lettres nettes **« AGENCE FÉDÉRALE »** visibles (générique, aucun sceau réel, aucun texte officiel lisible). Le policier s’interrompt en plein ordre. DIALOGUE (rythme rapide, léger chevauchement possible pour tenir en 15 s ; sans sous-titres) Policier : « Bonjour messieurs. On m’a appelé. Vous êtes en train de repérer les lieux. Peut-être un coup à préparer pas loin. Montrez-moi une pièce d’identité. » Homme 1 : « On est juste en train de prendre le petit-déj, monsieur. » Homme 2 : « Et on n’est pas obligés de montrer nos papiers sans raison — et là, il n’y en a pas. » Policier : « En fait, vous savez quoi ? Levez-vous. Tous les deux. Soit vous sortez tout de suite— » Homme 2 (montre la carte) : « En fait, agent—**Agence fédérale**. Enquêteur. Mettez ça à la caméra. » AUDIO Bruit de salle du diner, légers tintements de couverts, discussions lointaines, légère distorsion micro bodycam. Pas de musique. french language
Vamos fazer esse trem chegando lá do fundo até no meio da tela no mesmo ângulo como se ele estivesse vindo de volta p...
Vamos fazer esse trem chegando lá do fundo até no meio da tela no mesmo ângulo como se ele estivesse vindo de volta para o futuro com as rodas se mexendo e o fogo também, fumaça saindo da chaminé, o background é pra ser em chromakey solido para ser retirado em edição depois o fundo. É PRA DEIXAR ELE NO MESMO ANGULO QUE ESTÁ SEM MUDAR O ANGULO
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble flo...
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble floors and floor-to-ceiling windows. Victoria (50s, sharp black evening gown, silver hair in a chignon) stands beside security guards near Daniela (early 20s, black server uniform, dark hair pulled back, olive complexion, nervous expression). Wide shot: The crowded ballroom of white American socialites in formal wear turns to watch as Victoria grabs Daniela's wrist, examining it intently. Close-up: Victoria's face transforms from cold authority to shock, her champagne glass slipping from her other hand to shatter on marble. Medium shot: Behind them, a large projection screen displays missing children photos, cycling to show "Baby Isabelle Hartwell - Missing 2003" with an age progression image. Cut to: Daniela's face in profile, then the screen, the resemblance unmistakable. Victoria whispers urgently: "What's your birthday?" Daniela responds shakily: "September fourteenth." The crowd gasps collectively, some covering their mouths, others pointing at the screen. Victoria collapses to her knees, reaching toward Daniela as cameras flash. No logos, no brand names, no watermarks, no text overlays.
**PROMPT (ES) — 15s • UN SOLO PLANO • BODYCAM FIJA (ESTABLE) • DINER • SIN SUBTÍTULOS / SIN TEXTO EN PANTALLA** Metra...
**PROMPT (ES) — 15s • UN SOLO PLANO • BODYCAM FIJA (ESTABLE) • DINER • SIN SUBTÍTULOS / SIN TEXTO EN PANTALLA** Metraje hiperrealista 4K estilo bodycam, perspectiva en primera persona, postura mayormente fija y estable con micro-jitter mínimo. Una sola toma continua (sin cortes, sin zoom). Iluminación natural de diner, artefactos leves de compresión, audio realista. ## UBICACIÓN / SET Diner clásico estadounidense con cabinas rojas y mesa roja. Dos platos de desayuno (panqueques, huevos, tocino), tazas de café, botella de kétchup, servilletero. Ambiente tranquilo de mediodía al fondo. ## PERSONAJES * **Oficial (POV):** voz fuera de cámara, severa y sospechosa; solo entra ocasionalmente una manga/mano señalando la mesa. * **Dos hombres hispanos** (20–30) sentados en la cabina, calmados pero cada vez más molestos. Uno con sudadera con capucha; el otro con chaqueta de mezclilla. Ambos mantienen las manos visibles. ## ACCIÓN (15s, continuo) 0–4s: El oficial está al final de la cabina, imponiéndose, acusándolos de estar “vigilando” el lugar. 4–9s: Los hombres responden con calma, diciendo que solo están comiendo y que no tienen que mostrar identificación sin motivo. 9–12s: El oficial escala, les ordena ponerse de pie y dice que se van ya. 12–15s: Uno saca calmadamente una cartera de credencial del bolsillo interior y la levanta hacia la cámara—letras grandes y claras “FBI” visibles (genérico, sin texto de sello real legible). El oficial se queda en pausa a mitad de orden. ## DIÁLOGO (rápido, se permite leve solapamiento para encajar en 15s; sin subtítulos) Oficial: “Buenos días, muchachos. Recibimos una llamada. Ustedes dos están vigilando el lugar. Tal vez planeando un golpe al banco de la calle. Enséñenme una identificación.” Hombre 1: “Solo estamos desayunando, hermano.” Hombre 2: “Y no estamos obligados a mostrar identificación a menos que haya un motivo, y no lo hay.” Oficial: “De hecho, ¿saben qué? Pónganse de pie. Los dos. O se van caminando ahora mismo—” Hombre 2 (muestra credencial): “En realidad, oficial—FBI. Agente Especial. Póngalo en cámara.” ## AUDIO Ambiente de diner, tintineo leve de cubiertos, charla lejana, ligera distorsión del micrófono de bodycam. Sin música. spanish language
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble flo...
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble floors and floor-to-ceiling windows. Victoria (50s, sharp black evening gown, silver hair in a chignon) stands beside security guards near Daniela (early 20s, black server uniform, dark hair pulled back, olive complexion, nervous expression). Wide shot: The crowded ballroom of white American socialites in formal wear turns to watch as Victoria grabs Daniela's wrist, examining it intently. Close-up: Victoria's face transforms from cold authority to shock, her champagne glass slipping from her other hand to shatter on marble. Medium shot: Behind them, a large projection screen displays missing children photos, cycling to show "Baby Isabelle Hartwell - Missing 2003" with an age progression image. Cut to: Daniela's face in profile, then the screen, the resemblance unmistakable. Victoria whispers urgently: "What's your birthday?" Daniela responds shakily: "September fourteenth." The crowd gasps collectively, some covering their mouths, others pointing at the screen. Victoria collapses to her knees, reaching toward Daniela as cameras flash. No logos, no brand names, no watermarks, no text overlays.
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble flo...
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble floors and floor-to-ceiling windows. Victoria (50s, sharp black evening gown, silver hair in a chignon) stands beside security guards near Daniela (early 20s, black server uniform, dark hair pulled back, olive complexion, nervous expression). Wide shot: The crowded ballroom of white American socialites in formal wear turns to watch as Victoria grabs Daniela's wrist, examining it intently. Close-up: Victoria's face transforms from cold authority to shock, her champagne glass slipping from her other hand to shatter on marble. Medium shot: Behind them, a large projection screen displays missing children photos, cycling to show "Baby Isabelle Hartwell - Missing 2003" with an age progression image. Cut to: Daniela's face in profile, then the screen, the resemblance unmistakable. Victoria whispers urgently: "What's your birthday?" Daniela responds shakily: "September fourteenth." The crowd gasps collectively, some covering their mouths, others pointing at the screen. Victoria collapses to her knees, reaching toward Daniela as cameras flash. No logos, no brand names, no watermarks, no text overlays.
Interior of a bright American living room, mid-morning. Warm natural light through large windows. A well-dressed woma...
Interior of a bright American living room, mid-morning. Warm natural light through large windows. A well-dressed woman in her mid-thirties — composed, cold — stands over a frail elderly woman in an armchair. She grips the older woman's wrist tightly, leaning in close, her voice low and controlled: "If you tell him one more word, you'll disappear. Understand?" Then she suddenly slaps the elderly woman hard across the face several times in quick succession and pushes her forcefully back into the armchair. The elderly woman shrinks back, eyes wet, free hand trembling against the armrest. At that exact moment — a shift. The front door opens quietly behind them. A tall American man in his thirties steps into the frame, briefcase still in hand, frozen in the doorway. His face moves through confusion, then recognition, then explodes into raw fury — eyes wide, jaw clenched, face reddening with rage. The younger woman senses him and turns. Her hands release. Her expression rearranges itself in half a second — but it's too late. He already saw everything. He immediately strides forward, his face twisted with anger and disbelief. He shouts furiously at her, voice raised and shaking with rage: "What the hell are you doing?! Get your hands off her right now!" He grabs her arm with force and yanks her away from the elderly woman. Without hesitation he drags her across the room toward the door, still yelling "Get out of my house! Now!" opens it and shoves his wife out forcefully, slamming the door shut behind her. Close on the elderly woman's face — relief breaking through the fear like light under a door. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism, Netflix drama tone. Single location, single continuous shot
PROMPT (EN) — 15s • ONE SHOT • FIXED BODYCAM (STEADY) • DINER • NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K b...
PROMPT (EN) — 15s • ONE SHOT • FIXED BODYCAM (STEADY) • DINER • NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K bodycam-style footage, first-person perspective, mostly steady fixed stance with minimal micro-jitter. Single continuous shot (no cuts, no zoom). Natural diner lighting, slight compression artifacts, realistic audio. LOCATION / SET Classic American diner with red booths and a red tabletop. Two plates of breakfast food (pancakes, eggs, bacon), coffee mugs, ketchup bottle, napkin holder. Quiet lunchtime ambience in the background. CHARACTERS - Officer (POV): off-camera voice, stern and suspicious; only a sleeve/hand occasionally enters frame pointing at the table. - Two Black men (20s–30s) seated at the booth, calm but increasingly annoyed. One wears a hoodie; the other wears a denim jacket. Both keep hands visible. ACTION (15s continuous) 0–4s: Officer stands at the end of the booth, looming slightly, accusing them of “scoping” nearby. 4–9s: The men respond calmly, saying they’re just eating and don’t have to show ID without a reason. 9–12s: Officer escalates, orders both to stand and says they’re leaving now. 12–15s: One man calmly pulls a credential wallet from his inside pocket and holds it up toward the camera—large, clear “FBI” letters visible (generic, no real seal text readable). Officer pauses mid-command. DIALOGUE (fast pacing, slight overlap allowed to fit 15s; no subtitles) Officer: “Morning fellas. Got a call. You two are scoping the place out. Maybe playing a bank job down the street. Let me see some ID.” Man 1: “We’re just eating breakfast, man.” Man 2: “And we’re not required to show ID unless there’s a reason, which there isn’t.” Officer: “In fact, you know what? Stand up. Both of you. Either you walk out right now—” Man 2 (shows credential wallet): “Actually, officer—FBI. Special Agent. Put that on camera.” AUDIO Diner room tone, light utensil clinks, distant chatter, slight bodycam mic distortion. No music.
PROMPT (EN) — 15s • ONE SHOT • FIXED BODYCAM (STEADY) • DINER • NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K b...
PROMPT (EN) — 15s • ONE SHOT • FIXED BODYCAM (STEADY) • DINER • NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K bodycam-style footage, first-person perspective, mostly steady fixed stance with minimal micro-jitter. Single continuous shot (no cuts, no zoom). Natural diner lighting, slight compression artifacts, realistic audio. LOCATION / SET Classic American diner with red booths and a red tabletop. Two plates of breakfast food (pancakes, eggs, bacon), coffee mugs, ketchup bottle, napkin holder. Quiet lunchtime ambience in the background. CHARACTERS - Officer (POV): off-camera voice, stern and suspicious; only a sleeve/hand occasionally enters frame pointing at the table. - Two Black men (20s–30s) seated at the booth, calm but increasingly annoyed. One wears a hoodie; the other wears a denim jacket. Both keep hands visible. ACTION (15s continuous) 0–4s: Officer stands at the end of the booth, looming slightly, accusing them of “scoping” nearby. 4–9s: The men respond calmly, saying they’re just eating and don’t have to show ID without a reason. 9–12s: Officer escalates, orders both to stand and says they’re leaving now. 12–15s: One man calmly pulls a credential wallet from his inside pocket and holds it up toward the camera—large, clear “FBI” letters visible (generic, no real seal text readable). Officer pauses mid-command. DIALOGUE (fast pacing, slight overlap allowed to fit 15s; no subtitles) Officer: “Morning fellas. Got a call. You two are scoping the place out. Maybe playing a bank job down the street. Let me see some ID.” Man 1: “We’re just eating breakfast, man.” Man 2: “And we’re not required to show ID unless there’s a reason, which there isn’t.” Officer: “In fact, you know what? Stand up. Both of you. Either you walk out right now—” Man 2 (shows credential wallet): “Actually, officer—FBI. Special Agent. Put that on camera.” AUDIO Diner room tone, light utensil clinks, distant chatter, slight bodycam mic distortion. No music.
PROMPT (EN) — 15s • ONE SHOT • FIXED BODYCAM (STEADY) • DINER • NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K b...
PROMPT (EN) — 15s • ONE SHOT • FIXED BODYCAM (STEADY) • DINER • NO SUBTITLES / NO ON-SCREEN TEXT Hyper-realistic 4K bodycam-style footage, first-person perspective, mostly steady fixed stance with minimal micro-jitter. Single continuous shot (no cuts, no zoom). Natural diner lighting, slight compression artifacts, realistic audio. LOCATION / SET Classic American diner with red booths and a red tabletop. Two plates of breakfast food (pancakes, eggs, bacon), coffee mugs, ketchup bottle, napkin holder. Quiet lunchtime ambience in the background. CHARACTERS - Officer (POV): off-camera voice, stern and suspicious; only a sleeve/hand occasionally enters frame pointing at the table. - Two Black men (20s–30s) seated at the booth, calm but increasingly annoyed. One wears a hoodie; the other wears a denim jacket. Both keep hands visible. ACTION (15s continuous) 0–4s: Officer stands at the end of the booth, looming slightly, accusing them of “scoping” nearby. 4–9s: The men respond calmly, saying they’re just eating and don’t have to show ID without a reason. 9–12s: Officer escalates, orders both to stand and says they’re leaving now. 12–15s: One man calmly pulls a credential wallet from his inside pocket and holds it up toward the camera—large, clear “FBI” letters visible (generic, no real seal text readable). Officer pauses mid-command. DIALOGUE (fast pacing, slight overlap allowed to fit 15s; no subtitles) Officer: “Morning fellas. Got a call. You two are scoping the place out. Maybe playing a bank job down the street. Let me see some ID.” Man 1: “We’re just eating breakfast, man.” Man 2: “And we’re not required to show ID unless there’s a reason, which there isn’t.” Officer: “In fact, you know what? Stand up. Both of you. Either you walk out right now—” Man 2 (shows credential wallet): “Actually, officer—FBI. Special Agent. Put that on camera.” AUDIO Diner room tone, light utensil clinks, distant chatter, slight bodycam mic distortion. No music.
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble flo...
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble floors and floor-to-ceiling windows. Victoria (50s, sharp black evening gown, silver hair in a chignon) stands beside security guards near Daniela (early 20s, black server uniform, dark hair pulled back, olive complexion, nervous expression). Wide shot: The crowded ballroom of white American socialites in formal wear turns to watch as Victoria grabs Daniela's wrist, examining it intently. Close-up: Victoria's face transforms from cold authority to shock, her champagne glass slipping from her other hand to shatter on marble. Medium shot: Behind them, a large projection screen displays missing children photos, cycling to show "Baby Isabelle Hartwell - Missing 2003" with an age progression image. Cut to: Daniela's face in profile, then the screen, the resemblance unmistakable. Victoria whispers urgently: "What's your birthday?" Daniela responds shakily: "September fourteenth." The crowd gasps collectively, some covering their mouths, others pointing at the screen. Victoria collapses to her knees, reaching toward Daniela as cameras flash. No logos, no brand names, no watermarks, no text overlays.
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble flo...
An elegant Manhattan charity ballroom in the evening, crystal chandeliers casting warm golden light across marble floors and floor-to-ceiling windows. Victoria (50s, soft black evening gown, silver hair in a chignon) stands beside security guards near Daniela (early 20s, black server uniform, dark hair pulled back, olive complexion, nervous expression). Wide shot: The crowded ballroom of white American socialites in formal wear turns to watch as Victoria gently takes Daniela's wrist, her touch tender and trembling. Close-up: Victoria's face transforms from quiet wonder to overwhelming emotion, tears welling in her eyes, her champagne glass slipping from her other hand to shatter on marble. Medium shot: Behind them, a large projection screen displays missing children photos, cycling to show "Baby Isabelle Hartwell - Missing 2003" with an age progression image. Cut to: Daniela's face in profile, then the screen, the resemblance unmistakable. Victoria whispers softly, her voice breaking with hope: "What's your birthday?" Daniela responds shakily: "September fourteenth." The crowd gasps collectively, some covering their mouths, others reaching out in support. Victoria collapses gently to her knees, arms open wide toward Daniela, her expression pure maternal love and longing. No logos, no brand names, no watermarks, no text overlays.
639 / 3045 ページ