ギャラリー
FSG AI ギャラリーで、コミュニティが作成したAI動画を探索。
A movie trailer about this character in the center of the frame (image staying the same) in a still frame (background...
A movie trailer about this character in the center of the frame (image staying the same) in a still frame (background staying the same) character climbs up Black History Mountain while it rains and thunder strikes . (close-up realistic) camera angles change every 3 seconds . Cinematic scene. Movie film. Movie lens. Wide angle
AEVON Launch Film — “NEXT.” Length: 15s Output: 16:9 master + 9:16 cut FPS: 24fps | Shutter: 180° | Look: modern mass...
AEVON Launch Film — “NEXT.” Length: 15s Output: 16:9 master + 9:16 cut FPS: 24fps | Shutter: 180° | Look: modern mass-premium, cool mids + warm highlights, crisp contrast Tech spec overlays (only these, tasteful) Japanese Quartz Movement Sapphire Crystal 316L Stainless Steel Butterfly clasp Chronograph watch MASTER SHOT-BY-SHOT SCRIPT (video-gen ready) Global Lighting + Camera Rules Faces optional (chest-down works great in video-gen). Prioritize hands, wrist, environment. Reflections controlled: soft key + flags/negative fill for product shots. Grade: clean, premium, not glossy-luxury. 1) 0:00–0:04 — Hook: time is loud VISUAL: Black → phone alarm: “8:59 AM — Standup.” Cut to wrist near laptop trackpad; second hand ticks crisp. VO (pragmatic, dry): “Adult life is basically… meetings with occasional breathing.” ON-SCREEN TEXT (small): “Monday.” CAM/FRAMING: ECU macro of second hand + dial texture. Slow micro push-in. LENS LOOK: 90–100mm macro, shallow DOF. LIGHTING: Soft key top-left (diffused) + monitor glow as fill + negative fill on right. SFX: tick + faint notification ping. CLIP PROMPT: “Cinematic macro close-up of a premium steel chronograph watch on a young Indian professional man’s wrist beside a laptop trackpad, shallow depth of field, second hand ticking sharply, moody office lighting, soft diffused key top-left, monitor glow fill, controlled reflections, 24fps film look.” 2) 0:04–0:12 — Morning reality montage VISUAL (quick cuts): ironing shirt, coffee sip, metro gate tap, elevator mirror check, laptop opens: “PitchDeck_FINAL_final(7).pptx”. VO: “And somehow… we all pretend it’s normal.” CAM: Handheld micro-movement, fast cuts. LIGHTING: Natural window light; realistic. SFX: metro beep, elevator ding, keyboard. CLIP PROMPT: “Fast-paced cinematic montage of Indian metro city morning routine for a 22–35 corporate professional: ironing shirt one-handed, holding coffee, tapping metro gate, elevator mirror check, opening laptop with a presentation file named PitchDeck_FINAL_final(7).pptx, realistic modern corporate life, handheld, 24fps.” 3) 0:12–0:16 — The late-guy joke (small, human) VISUAL: WhatsApp overlay: “Bro 9:30 standup. Don’t be ‘joining in 2 mins’ guy.” Wrist adjusts cuff; watch catches light. VO (smirk): “You know who you are.” CAM/FRAMING: MCU torso + wrist. LIGHTING: Soft practical overhead + window edge light. CLIP PROMPT: “Medium close-up of a young Indian professional man adjusting shirt cuff, premium chronograph watch visible, WhatsApp-style message overlay joke about joining late, modern office setting, soft practical lighting, subtle rim light, cinematic 24fps.”
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway wi...
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway with polished marble floors and glass walls. Marcus (early 40s, expensive suit wrinkled and stained, tie loose, hair disheveled) crouches beside a large metal trash bin, frantically digging through papers. Security guard Jake (mid-20s, crisp uniform, flashlight in hand) approaches with authority, grabs Marcus's arm firmly. Close-up: Jake's stern face as he commands "Hey! Get out of here. NOW." Medium shot: Marcus slowly rises, clutching a crumpled document, exhausted but determined. Cut to: Sarah (30s, business attire, breathless) bursting through the stairwell door, scanning the hallway frantically. She spots them and rushes over, calling out "Sir! I've been looking everywhere for you!" Wide shot: Jake's expression shifts from authority to confusion, his grip loosening as he processes the word "Sir." The camera captures the tension in the sterile corporate environment, with city lights visible through distant windows. No logos, no brand names, no watermarks, no text overlays.
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway wi...
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway with polished marble floors and glass walls. Marcus (early 40s, expensive suit wrinkled and stained, tie loose, hair disheveled) crouches beside a large metal trash bin, frantically digging through papers. Security guard Jake (mid-20s, crisp uniform, flashlight in hand) approaches with authority, grabs Marcus's arm firmly. Close-up: Jake's stern face as he commands "Hey! Get out of here. NOW." Medium shot: Marcus slowly rises, clutching a crumpled document, exhausted but determined. Cut to: Sarah (30s, business attire, breathless) bursting through the stairwell door, scanning the hallway frantically. She spots them and rushes over, calling out "Sir! I've been looking everywhere for you!" Wide shot: Jake's expression shifts from authority to confusion, his grip loosening as he processes the word "Sir." The camera captures the tension in the sterile corporate environment, with city lights visible through distant windows. No logos, no brand names, no watermarks, no text overlays.
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway wi...
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway with polished marble floors and glass walls. Marcus (early 40s, expensive suit wrinkled and stained, tie loose, hair disheveled) crouches beside a large metal trash bin, frantically digging through papers. Security guard Jake (mid-20s, crisp uniform, flashlight in hand) approaches with authority, grabs Marcus's arm firmly. Close-up: Jake's stern face as he commands "Hey! Get out of here. NOW." Medium shot: Marcus slowly rises, clutching a crumpled document, exhausted but determined. Cut to: Sarah (30s, business attire, breathless) bursting through the stairwell door, scanning the hallway frantically. She spots them and rushes over, calling out "Sir! I've been looking everywhere for you!" Wide shot: Jake's expression shifts from authority to confusion, his grip loosening as he processes the word "Sir." The camera captures the tension in the sterile corporate environment, with city lights visible through distant windows. No logos, no brand names, no watermarks, no text overlays.
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway wi...
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway with polished marble floors and glass walls. Marcus (early 40s, expensive suit wrinkled and stained, tie loose, hair disheveled) crouches beside a large metal trash bin, frantically digging through papers. Security guard Jake (mid-20s, crisp uniform, flashlight in hand) approaches with authority, grabs Marcus's arm firmly. Close-up: Jake's stern face as he commands "Hey! Get out of here. NOW." Medium shot: Marcus slowly rises, clutching a crumpled document, exhausted but determined. Cut to: Sarah (30s, business attire, breathless) bursting through the stairwell door, scanning the hallway frantically. She spots them and rushes over, calling out "Sir! I've been looking everywhere for you!" Wide shot: Jake's expression shifts from authority to confusion, his grip loosening as he processes the word "Sir." The camera captures the tension in the sterile corporate environment, with city lights visible through distant windows. No logos, no brand names, no watermarks, no text overlays.
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway wi...
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway with polished marble floors and glass walls. Marcus (early 40s, expensive suit wrinkled and stained, tie loose, hair disheveled) crouches beside a large metal trash bin, frantically digging through papers. Security guard Jake (mid-20s, crisp uniform, flashlight in hand) approaches with authority, grabs Marcus's arm firmly. Close-up: Jake's stern face as he commands "Hey! Get out of here. NOW." Medium shot: Marcus slowly rises, clutching a crumpled document, exhausted but determined. Cut to: Sarah (30s, business attire, breathless) bursting through the stairwell door, scanning the hallway frantically. She spots them and rushes over, calling out "Sir! I've been looking everywhere for you!" Wide shot: Jake's expression shifts from authority to confusion, his grip loosening as he processes the word "Sir." The camera captures the tension in the sterile corporate environment, with city lights visible through distant windows. No logos, no brand names, no watermarks, no text overlays.
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway wi...
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway with polished marble floors and glass walls. Marcus (early 40s, expensive suit wrinkled and stained, tie loose, hair disheveled) crouches beside a large metal trash bin, frantically digging through papers. Security guard Jake (mid-20s, crisp uniform, flashlight in hand) approaches with authority, grabs Marcus's arm firmly. Close-up: Jake's stern face as he commands "Hey! Get out of here. NOW." Medium shot: Marcus slowly rises, clutching a crumpled document, exhausted but determined. Cut to: Sarah (30s, business attire, breathless) bursting through the stairwell door, scanning the hallway frantically. She spots them and rushes over, calling out "Sir! I've been looking everywhere for you!" Wide shot: Jake's expression shifts from authority to confusion, his grip loosening as he processes the word "Sir." The camera captures the tension in the sterile corporate environment, with city lights visible through distant windows. No logos, no brand names, no watermarks, no text overlays.
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway wi...
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway with polished marble floors and glass walls. Marcus (early 40s, expensive suit wrinkled and stained, tie loose, hair disheveled) crouches beside a large metal trash bin, frantically digging through papers. Security guard Jake (mid-20s, crisp uniform, flashlight in hand) approaches with authority, grabs Marcus's arm firmly. Close-up: Jake's stern face as he commands "Hey! Get out of here. NOW." Medium shot: Marcus slowly rises, clutching a crumpled document, exhausted but determined. Cut to: Sarah (30s, business attire, breathless) bursting through the stairwell door, scanning the hallway frantically. She spots them and rushes over, calling out "Sir! I've been looking everywhere for you!" Wide shot: Jake's expression shifts from authority to confusion, his grip loosening as he processes the word "Sir." The camera captures the tension in the sterile corporate environment, with city lights visible through distant windows. No logos, no brand names, no watermarks, no text overlays.
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway wi...
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway with polished marble floors and glass walls. Marcus (early 40s, expensive suit wrinkled and stained, tie loose, hair disheveled) crouches beside a large metal trash bin, frantically digging through papers. Security guard Jake (mid-20s, crisp uniform, flashlight in hand) approaches with authority, grabs Marcus's arm firmly. Close-up: Jake's stern face as he commands "Hey! Get out of here. NOW." Medium shot: Marcus slowly rises, clutching a crumpled document, exhausted but determined. Cut to: Sarah (30s, business attire, breathless) bursting through the stairwell door, scanning the hallway frantically. She spots them and rushes over, calling out "Sir! I've been looking everywhere for you!" Wide shot: Jake's expression shifts from authority to confusion, his grip loosening as he processes the word "Sir." The camera captures the tension in the sterile corporate environment, with city lights visible through distant windows. No logos, no brand names, no watermarks, no text overlays.
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway wi...
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway with polished marble floors and glass walls. Marcus (early 40s, expensive suit wrinkled and stained, tie loose, hair disheveled) crouches beside a large metal trash bin, frantically digging through papers. Security guard Jake (mid-20s, crisp uniform, flashlight in hand) approaches with authority, grabs Marcus's arm firmly. Close-up: Jake's stern face as he commands "Hey! Get out of here. NOW." Medium shot: Marcus slowly rises, clutching a crumpled document, exhausted but determined. Cut to: Sarah (30s, business attire, breathless) bursting through the stairwell door, scanning the hallway frantically. She spots them and rushes over, calling out "Sir! I've been looking everywhere for you!" Wide shot: Jake's expression shifts from authority to confusion, his grip loosening as he processes the word "Sir." The camera captures the tension in the sterile corporate environment, with city lights visible through distant windows. No logos, no brand names, no watermarks, no text overlays.
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway wi...
In a modern corporate office building at night, harsh fluorescent lighting illuminates the executive floor hallway with polished marble floors and glass walls. Marcus (early 40s, expensive suit wrinkled and stained, tie loose, hair disheveled) crouches beside a large metal trash bin, frantically digging through papers. Security guard Jake (mid-20s, crisp uniform, flashlight in hand) approaches with authority, grabs Marcus's arm firmly. Close-up: Jake's stern face as he commands "Hey! Get out of here. NOW." Medium shot: Marcus slowly rises, clutching a crumpled document, exhausted but determined. Cut to: Sarah (30s, business attire, breathless) bursting through the stairwell door, scanning the hallway frantically. She spots them and rushes over, calling out "Sir! I've been looking everywhere for you!" Wide shot: Jake's expression shifts from authority to confusion, his grip loosening as he processes the word "Sir." The camera captures the tension in the sterile corporate environment, with city lights visible through distant windows. No logos, no brand names, no watermarks, no text overlays.
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