ギャラリー
FSG AI ギャラリーで、コミュニティが作成したAI動画を探索。
Interior of a spare American pawn shop, late afternoon. Warm amber window light cuts across a long glass display coun...
Interior of a spare American pawn shop, late afternoon. Warm amber window light cuts across a long glass display counter. A white American woman in her mid-thirties — dark hair pulled back, worn jacket, exhausted eyes — stands on the customer side with one hand resting flat on the glass. Across from her, a heavyset white American man in his sixties, collared shirt, reading glasses in hand, holds an old leather-strap watch in both palms with unmistakable deliberateness. His jaw tightens. He looks up slowly. Long beat of silence — no movement, no score. Shelves of secondhand goods fill the shallow background; no visible signage or text. He shakes his head slightly, half frustrated, half tender, and says in a rough, gravelly voice: "You foolish girl... your father left this here for you." She freezes. Her breath catches. Her hand slowly closes into a fist on the glass. Close-up: a single tear rolls down her cheek, then another, as the realization hits. Her lips part but no sound comes. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded, raw emotion. Netflix short-form drama tone.
Create a fast-paced, modern promotional video advertising InVideo AI. Style: Clean, tech-inspired, futuristic, energe...
Create a fast-paced, modern promotional video advertising InVideo AI. Style: Clean, tech-inspired, futuristic, energetic Duration: 30–45 seconds Target audience: Content creators, entrepreneurs, freelancers, small business owners, and marketers Tone: Confident, inspiring, innovative Structure: Hook (0–5 seconds) Start with a bold question on screen: “Still spending HOURS editing videos?” Show frustrated creator staring at timeline. Problem (5–10 seconds) Quick cuts of complex editing software, confusion, time ticking. Text overlay: “Video creation shouldn’t be this hard.” Solution (10–25 seconds) Introduce InVideo AI with sleek animation. Text: “Meet InVideo AI.” Show user typing a simple prompt → AI generating full video automatically. Highlight features: Script to video instantly AI voiceovers Auto subtitles Stock footage library Social media ready formats Benefits (25–35 seconds) Show finished professional-looking videos for YouTube, TikTok, Instagram. Text overlays: “Create in minutes.” “No editing skills needed.” “Scale your content effortlessly.” Call to Action (35–45 seconds) Bold text: “Turn your ideas into videos instantly.” “Start creating with InVideo AI today.” End with logo animation and upbeat music fade-out. Music: Upbeat, tech, motivational Transitions: Smooth, dynamic zoom cuts Color scheme: Blue, purple, white tech aesthetic
people rushing at a guy named crypton and then he starts flying and then we see from his perspective and he has an re...
people rushing at a guy named crypton and then he starts flying and then we see from his perspective and he has an real life cheat client in the corner named crypton
PROMPT (FR) • Format : vidéo horizontale 16:9, 1080p, 24 fps, durée 10–12 secondes, rendu réaliste cinématique, grain...
PROMPT (FR) • Format : vidéo horizontale 16:9, 1080p, 24 fps, durée 10–12 secondes, rendu réaliste cinématique, grain très léger. • Personnage : un président tunisien fictif (homme ~55–65 ans), allure présidentielle, costume sombre, cravate, posture droite. Aucune ressemblance avec une personne réelle. • Décor : intérieur d’un palais officiel sobre (boiseries claires, drapeau tunisien en arrière-plan flou), ambiance institutionnelle. • Caméra : plan poitrine (medium close-up), caméra fixe, léger depth of field, regard caméra. • Éclairage : doux, chaud, uniforme, style interview officielle. • Audio : voix masculine posée, solennelle mais chaleureuse, accent tunisien naturel. Fond sonore très discret (nappe légère), respectueux, pas dramatique. • Jeu / actions : articulation claire, micro-expressions naturelles. À la toute fin : léger sourire + clin d’œil subtil (1 seconde max). • Dialogue (Tunisien / derja) : “باسم الشعب التونسي، نتمنّى رمضان مبروك، عامر بالسلامة والصحّة والبركة لكامل فريق هالّي. إن شاء الله يكون الشهر هذا شهر سكينة وتضامن ونجاح ليكم ولعيلاتكم. رمضان مبروك ليكم الكل.” • Sous-titres : sous-titres en arabe, synchronisés, police blanche avec ombre légère. • Texte final (1,5 s, centré) : “رمضان مبروك – L’équipe Halley”
buatkan gambar oli itu bergerak distudio photo
buatkan gambar oli itu bergerak distudio photo
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. ...
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. A white American woman in her early seventies — Carol, plain wool coat, silver hair pinned back, canvas tote on her lap — sits in a lobby chair, hands folded, posture careful and worn down. Across the lobby, a white American man in his mid-fifties — Derek, silver-haired, tailored charcoal suit, broad-shouldered — stands near the reception desk with his arms crossed, head tilted down at her with calm contempt, a smug smirk playing on his lips. Behind the desk, a young white American receptionist watches silently. The lobby is hushed, tension in the stillness. Then the elevator opens. A white American woman in her late thirties — Katherine, dark structured blazer, sharp jaw, hair pulled back tight — walks in with an unhurried stride, a folder in one hand. Katherine — dark structured blazer, sharp jaw, cold eyes — crosses directly to Derek — silver-haired, tailored charcoal suit, broad-shouldered, still smirking — stops two feet away. She holds his gaze. The smirk falters, then dies completely. His eyes widen. He swallows hard. Katherine — dark structured blazer, sharp jaw — says quietly, voice like ice: "She was here yesterday. You told her to go home." A beat. Her expression hardens. "She owns your building." Close-up on Derek — silver-haired, eyes going wide with shock, mouth falling open — as the words hit. His face drains of all color. His hands drop to his sides, trembling. Sweat beads at his temple. His jaw quivers. He tries to speak but no sound comes. Pure panic floods his face — disbelief, then horror, then desperate fear. Katherine — dark structured blazer, sharp jaw, unblinking stare — steps closer until she's inches from his face. Derek — silver-haired, shoulders sagging, suit suddenly too big on him — flinches back. She leans in and says, voice low and venomous: "Now get the hell out of her way." Derek — silver-haired, face pale and wet with sweat — stumbles back, nearly tripping. His breath comes short. Close-up on Carol — plain wool coat, silver hair, canvas tote in her hands — looking straight ahead. Not triumphant. Just steady. Just seen. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism. US short-form drama tone.
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. ...
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. A white American woman in her early seventies — Carol, plain wool coat, silver hair pinned back, canvas tote on her lap — sits in a lobby chair, hands folded, posture careful and worn down. Across the lobby, a white American man in his mid-fifties — Derek, silver-haired, tailored charcoal suit, broad-shouldered — stands near the reception desk with his arms crossed, head tilted down at her with calm contempt, a smug smirk playing on his lips. Behind the desk, a young white American receptionist watches silently. The lobby is hushed, tension in the stillness. Then the elevator opens. A white American woman in her late thirties — Katherine, dark structured blazer, sharp jaw, hair pulled back tight — walks in with an unhurried stride, a folder in one hand. Katherine — dark structured blazer, sharp jaw, cold eyes — crosses directly to Derek — silver-haired, tailored charcoal suit, broad-shouldered, still smirking — stops two feet away. She holds his gaze. The smirk falters, then dies completely. His eyes widen. He swallows hard. Katherine — dark structured blazer, sharp jaw — says quietly, voice like ice: "She was here yesterday. You told her to go home." A beat. Her expression hardens. "She owns your building." Close-up on Derek — silver-haired, eyes going wide with shock, mouth falling open — as the words hit. His face drains of all color. His hands drop to his sides, trembling. Sweat beads at his temple. His jaw quivers. He tries to speak but no sound comes. Pure panic floods his face — disbelief, then horror, then desperate fear. Katherine — dark structured blazer, sharp jaw, unblinking stare — steps closer until she's inches from his face. Derek — silver-haired, shoulders sagging, suit suddenly too big on him — flinches back. She leans in and says, voice low and venomous: "Now get the hell out of her way." Derek — silver-haired, face pale and wet with sweat — stumbles back, nearly tripping. His breath comes short. Close-up on Carol — plain wool coat, silver hair, canvas tote in her hands — looking straight ahead. Not triumphant. Just steady. Just seen. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism. US short-form drama tone.
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. ...
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. A white American woman in her early seventies — Carol, plain wool coat, silver hair pinned back, canvas tote on her lap — sits in a lobby chair, hands folded, posture careful and worn down. Across the lobby, a white American man in his mid-fifties — Derek, silver-haired, tailored charcoal suit, broad-shouldered — stands near the reception desk with his arms crossed, head tilted down at her with calm contempt, a smug smirk playing on his lips. Behind the desk, a young white American receptionist watches silently. The lobby is hushed, tension in the stillness. Then the elevator opens. A white American woman in her late thirties — Katherine, dark structured blazer, sharp jaw, hair pulled back tight — walks in with an unhurried stride, a folder in one hand. Katherine — dark structured blazer, sharp jaw, cold eyes — crosses directly to Derek — silver-haired, tailored charcoal suit, broad-shouldered, still smirking — stops two feet away. She holds his gaze. The smirk falters, then dies completely. His eyes widen. He swallows hard. Katherine — dark structured blazer, sharp jaw — says quietly, voice like ice: "She was here yesterday. You told her to go home." A beat. Her expression hardens. "She owns your building." Close-up on Derek — silver-haired, eyes going wide with shock, mouth falling open — as the words hit. His face drains of all color. His hands drop to his sides, trembling. Sweat beads at his temple. His jaw quivers. He tries to speak but no sound comes. Pure panic floods his face — disbelief, then horror, then desperate fear. Katherine — dark structured blazer, sharp jaw, unblinking stare — steps closer until she's inches from his face. Derek — silver-haired, shoulders sagging, suit suddenly too big on him — flinches back. She leans in and says, voice low and venomous: "Now get the hell out of her way." Derek — silver-haired, face pale and wet with sweat — stumbles back, nearly tripping. His breath comes short. Close-up on Carol — plain wool coat, silver hair, canvas tote in her hands — looking straight ahead. Not triumphant. Just steady. Just seen. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism. US short-form drama tone.
A cinematic shot of a futuristic boys happy and pray
A cinematic shot of a futuristic boys happy and pray
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. ...
A sleek corporate law firm lobby in Chicago, mid-morning. Tall windows flood the marble floor with cold white light. A white American woman in her early seventies — Carol, plain wool coat, silver hair pinned back, canvas tote on her lap — sits in a lobby chair, hands folded, posture careful and worn down. Across the lobby, a white American man in his mid-fifties — Derek, silver-haired, tailored charcoal suit, broad-shouldered — stands near the reception desk with his arms crossed, head tilted down at her with calm contempt, a smug smirk playing on his lips. Behind the desk, a young white American receptionist watches silently. The lobby is hushed, tension in the stillness. Then the elevator opens. A white American woman in her late thirties — Katherine, dark structured blazer, sharp jaw, hair pulled back tight — walks in with an unhurried stride, a folder in one hand. Katherine — dark structured blazer, sharp jaw, cold eyes — crosses directly to Derek — silver-haired, tailored charcoal suit, broad-shouldered, still smirking — stops two feet away. She holds his gaze. The smirk falters, then dies completely. His eyes widen. He swallows hard. Katherine — dark structured blazer, sharp jaw — says quietly, voice like ice: "She was here yesterday. You told her to go home." A beat. Her expression hardens. "She owns your building." Close-up on Derek — silver-haired, eyes going wide with shock, mouth falling open — as the words hit. His face drains of all color. His hands drop to his sides, trembling. Sweat beads at his temple. His jaw quivers. He tries to speak but no sound comes. Pure panic floods his face — disbelief, then horror, then desperate fear. Katherine — dark structured blazer, sharp jaw, unblinking stare — steps closer until she's inches from his face. Derek — silver-haired, shoulders sagging, suit suddenly too big on him — flinches back. She leans in and says, voice low and venomous: "Now get the hell out of her way." Derek — silver-haired, face pale and wet with sweat — stumbles back, nearly tripping. His breath comes short. Close-up on Carol — plain wool coat, silver hair, canvas tote in her hands — looking straight ahead. Not triumphant. Just steady. Just seen. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic, grounded realism. US short-form drama tone.
Style: Ultra-realistic wildlife documentary Resolution: FULL HD 1920x1080 No narration. No music. Natural savanna amb...
Style: Ultra-realistic wildlife documentary Resolution: FULL HD 1920x1080 No narration. No music. Natural savanna ambience. SCENE The scorpion fully consumed. Small remains in sand. ACTION Primary male lifts head. Licks front paw. Wipes face lightly. Rises upright briefly. Scans horizon. One juvenile approaches. Sniffs ground where scorpion was. Adult female emerges from second burrow. Short contact chirp exchanged. Family remains within 2-burrow perimeter. Wind shifts slightly. All adults momentarily pause. Two rise upright simultaneously. Then relax when no threat appears. The day continues. CAMERA 1. Close-up — paw cleaning gesture. 2. Medium shot — juvenile curiosity. 3. Side silhouette — upright scan. 4. Wide savanna shot — 6-member family near mound. 5. Soft push-in — primary male calm posture. SOUND Light wind. Short contact chirp. Grass brushing. Natural silence. MOOD Successful hunt. Family structure intact. Routine survival moment. Quiet strength. QUALITY FULL HD 1920x1080 Ultra-realistic wildlife cinematography. Accurate predator-prey behavior. True meerkat feeding mechanics. No stylization.
Style: Ultra-realistic wildlife documentary Resolution: FULL HD 1920x1080 No narration. No music. Natural savanna amb...
Style: Ultra-realistic wildlife documentary Resolution: FULL HD 1920x1080 No narration. No music. Natural savanna ambience. SCENE Primary male meerkat maintains tail grip. Scorpion struggling weakly. ACTION The meerkat carefully bites the stinger off. Quick precise movement. No hesitation. Drops stinger aside. Repositions scorpion. Bites head section. Crushing sound subtle. Begins eating efficiently. Chews methodically. Close-up: powerful jaw movement. Tiny sand particles shift. Juveniles watch cautiously from short distance. One sub-adult briefly scans horizon upright. No wasted motion. No play. Pure feeding behavior. CAMERA 1. Macro — stinger removal. 2. Extreme jaw close-up. 3. Profile chewing shot. 4. Juvenile observing from near burrow entrance. 5. Overhead wildlife angle — realistic spacing. SOUND Subtle crunch. Sand shifting. Soft chewing. Wind. Distant insect hum. MOOD Experienced hunter. Survival routine. Calm dominance.
831 / 3027 ページ