프롬프트
Late-afternoon suburban Chicago high school parking lot, golden autumn light streaking between rows of parked cars, long shadows on asphalt. Medium shot: Trevor Jackson (18, tall, athletic, varsity jacket) stands inches from Maya Chen (17, honor student, jeans and sweater), his posture aggressive, face twisted with anger. He shouts, “You ruined my relationship!” Cut to Maya, calm but unflinching, eyes steady. She answers firmly, “You ruined it by cheating.” Quick close-up: Trevor’s jaw tightens, breath sharp, rage flashing in his eyes. Sudden motion blur as his hand lashes out — impact implied, sharp sound cue, no blood. Close-up: Maya stumbles back, stunned, hand to cheek, eyes wide in shock. Wide shot reveals Ethan Chen (17, Maya’s twin) standing ten feet away, frozen, backpack slipping off one shoulder, fists clenched, body visibly trembling. Cut to close-up: Ethan’s face, tears welling, jaw locked, veins tight in his neck. He steps forward, voice shaking with restrained fury: “You just hit my sister.” Medium shot: Ethan pulls out his phone with trembling hands. “I’m calling the police.” Background comes alive — students gathering, whispers spreading, phones raised, tension thick in the air. Natural lighting, handheld cinematic realism, shallow depth of field, dramatic pacing. No blood, no logos, no brand names, no watermarks, no text overlays.
Late-afternoon suburban Chicago high school parking lot, golden autumn light streaking between rows of parked cars, l...
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