พรอมต์

0:00–0:02 — Extreme close-up on David's hand lifting slowly off the landline handset on the kitchen counter, cold pendant light catching the gold of his wedding band. Camera begins a slow motivated pull-back as he raises his eyes. The faint dial tone from the phone cuts out into silence. 0:02–0:04 — Pull-back widens to reveal the empty space between the kitchen island and the living-room couch — hardwood floor, warm lamp glow in the far corner. Camera settles into a wide two-shot: David framed in cold pendant light, Sarah framed in warm table-lamp light, the two pools almost touching at the midline. Sarah sits cradling the air above a folded yellow blanket in her lap. 0:04–0:05 — David's jaw tightens, his throat works. Low and flat: "There is no baby." The line lands across the silent room. 0:05–0:07 — Sarah's hands go perfectly still over the empty blanket. Her shoulders lift in a small sharp inhale; her mouth opens, closes, opens again. Soft and coaxing, as if quieting an infant: "Of course there is. He's just sleeping." 0:07–0:09 — Camera begins a slow push-in on Sarah's face alone; the kitchen and David drop out of focus behind her. Her careful expression fractures in micro-beats — a blink that lingers too long, a tremor at the corner of her mouth, eyes flicking down to the blanket and struggling to come back up. 0:09–0:10 — Her arms tighten around the empty weight; her lower lip trembles once and she corrects it. Camera holds on her face as a single tear builds at the waterline. Frame settles on her hands still curled around the shape of a child who was never there as the scene ends. KEY DIALOGUE DAVID (low, flat, worn through): "There is no baby." SARAH (soft, coaxing, as if quieting him): "Of course there is. He's just sleeping." TECHNICAL NOTES No logos, brand names, watermarks, signage, or on-screen text Natural motion and physics; realistic hand tremors and breathing rhythms Coherent spatial relationships maintained throughout the single take Realistic eye contact, proximity, and micro-reactions Single continuous take — no cuts, no scene breaks, no transitions

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0:00–0:02 — Extreme close-up on David's hand lifting slowly off the landline handset on the kitchen counter, cold pen...

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