Seedance 2.0 Tanıtımı
Topluluktan başarılı kamu üretimlerini göz atın ve istemi, ayarları ve çıktıyı incelemek için herhangi bir öğeyi açın.
Naked woman
Naked woman
(realismo extremo): @luciana_ca 15-second ultra lo-fi vertical video, 9:16. Media: Raw iPhone 15 front-camera selfie ...
(realismo extremo): @luciana_ca 15-second ultra lo-fi vertical video, 9:16. Media: Raw iPhone 15 front-camera selfie video, Instagram Stories style. Scene: No restaurante romântico, uma mesa simples, mas elegante, com uma iluminação suave e quente, criando uma atmosfera confortável. Há um toque de "vida real", com pessoas passando ao fundo e o cenário não sendo perfeitamente arrumado. O espaço parece genuíno, com uma energia casual, como se estivesse gravando enquanto espera a comida ou se distrai um pouco. Subject: Mulher jovem, com uma pele natural, sem retoques. Ela está com um vestido bonito, mas sem exagero — algo que ela usaria de verdade. Maquiagem leve e natural, com um batom bege discreto. Ela está tranquila, sorrindo de forma natural, e com gestos espontâneos. Movimento de mão quando fala, sem exagero, como se estivesse explicando algo para uma amiga. O sotaque paulista aparece sutilmente, dando um tom mais informal e acolhedor. Wardrobe: Vestido elegante, mas não excessivamente arrumado. Simples, mas adequado para o ambiente. Nada forçado. LANGUAGE: Portuguese (Brazilian, Paulista accent) only. No subtitles. No captions. No on-screen text. No translations. PERFORMANCE: Tom informal, amigável e com um toque de humor sutil. Ela fala com uma naturalidade total, pausando para pensar e respirando de maneira descontraída. Quando ela fala sobre o app, ela pode gesticular com a mão, como quem compartilha uma experiência entre amigos. Nada de exageros ou encenação, apenas uma conversa verdadeira, com risadinhas espontâneas e um tom leve. CONTEXT: Ela está sentada à mesa de um restaurante, gravando um story casualmente. Começa com uma fala descontraída, contando como perdeu muito dinheiro jogando Aviator, mas de forma bem natural, sem drama. Ela explica que começou a estudar o jogo, mapear horários, e agora usa um app que avisa quando sacar. Ela não está vendendo nada, apenas contando uma história do cotidiano, de forma bem real. NARRATIVE INSTRUCTION: Ela deve passar a mensagem de forma simples e natural: “Gente, eu perdi muito dinheiro jogando Aviator... mas aí eu comecei a estudar, mapear os horários, e criei um app que me avisa quando sacar... Agora eu não jogo mais no escuro. Tá funcionando demais!” Com isso, ela faz uma pequena pausa, olha diretamente para a câmera e com um sorriso tranquilo, termina com algo como: “E, ó, se você quiser saber mais, vem pro grupo lá no Telegram!” A história deve ser clara, simples e ir direto ao ponto, tudo dentro dos 15 segundos. ENDING: Ela termina com um sorriso sutil, fazendo um pequeno movimento com a mão como se estivesse descomplicada. A câmera fica estável por um momento, sem pressa, como se ela estivesse apenas esperando alguém responder à conversa. O foco é totalmente no conteúdo, sem afetação. Rules: One continuous take. No cuts. No filters. No beauty filters. No color correction. No cinematic styling. No UI elements. No watermarks. Esse prompt agora tem um tom m
Limo drives from airport aerial shot of limo zoom out
Limo drives from airport aerial shot of limo zoom out
Shoppers in a Branson, Missouri grocery store stopped in their tracks after noticing something off in the freezer ais...
Shoppers in a Branson, Missouri grocery store stopped in their tracks after noticing something off in the freezer aisle. Cellphone footage shows cold air and frost moving upward along the freezer doors instead of settling downward as expected. Several customers began filming as the phenomenon continued across multiple doors. No explanation has been given, and viewers online are split between calling it an illusion and insisting something is seriously wrong with the airflow—or physics itself.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead f...
Inside a busy American bistro during lunch hour, warm natural lighting streams through large windows while overhead fixtures cast golden light on white tablecloths and dark wood chairs. Sarah, a young white American woman in a black server's uniform with "Sarah Chen" name tag, approaches table twelve carrying three plates, moving gracefully despite the crowded dining room. Medium shot follows her as she sets down a salmon dish before Karen, a middle-aged white American woman in expensive designer clothing and jewelry, blonde hair perfectly styled. Close-up: Karen cuts the fish, her face immediately contorting with disgust and rage. She stands abruptly, grabs the plate with both hands. Wide shot: Karen dumps the entire meal over Sarah's head, salmon and sauce cascading down her uniform as forty diners gasp and freeze mid-conversation. Cut to: Jake, a casual white American man in his 40s wearing jeans and a t-shirt, rising slowly from a corner booth, his face calm but eyes burning with controlled fury. He walks toward them with measured steps. Karen shouts: "Look at you in that cheap uniform!" Jake reaches them, voice steady and cold: "That's my wife. I'm Jake Chen. I own this restaurant." No logos, no brand names, no watermarks, no text overlays.
you are a gorgeous redhead, with big breasts. wearing only a sundress. you grab your tits and show them, then you rai...
you are a gorgeous redhead, with big breasts. wearing only a sundress. you grab your tits and show them, then you raise your dress to show your pussy, and turn to show your ass while you bend down. to show your asshole
@luciana_ca 15-second ultra lo-fi vertical video, 9:16. Media: Raw iPhone 15 front-camera selfie video, Instagram Sto...
@luciana_ca 15-second ultra lo-fi vertical video, 9:16. Media: Raw iPhone 15 front-camera selfie video, Instagram Stories style. Scene: No restaurante romântico, uma mesa simples, mas elegante, com uma iluminação suave e quente, criando uma atmosfera confortável. Há um toque de "vida real", com pessoas passando ao fundo e o cenário não sendo perfeitamente arrumado. O espaço parece genuíno, com uma energia casual, como se estivesse gravando enquanto espera a comida ou se distrai um pouco. Subject: Mulher jovem, com uma pele natural, sem retoques. Ela está com um vestido bonito, mas sem exagero — algo que ela usaria de verdade. Maquiagem leve e natural, com um batom bege discreto. Ela está tranquila, sorrindo de forma natural, e com gestos espontâneos. Movimento de mão quando fala, sem exagero, como se estivesse explicando algo para uma amiga. O sotaque paulista aparece sutilmente, dando um tom mais informal e acolhedor. Wardrobe: Vestido elegante, mas não excessivamente arrumado. Simples, mas adequado para o ambiente. Nada forçado. LANGUAGE: Portuguese (Brazilian, Paulista accent) only. No subtitles. No captions. No on-screen text. No translations. PERFORMANCE: Tom informal, amigável e com um toque de humor sutil. Ela fala com uma naturalidade total, pausando para pensar e respirando de maneira descontraída. Quando ela fala sobre o app, ela pode gesticular com a mão, como quem compartilha uma experiência entre amigos. Nada de exageros ou encenação, apenas uma conversa verdadeira, com risadinhas espontâneas e um tom leve. CONTEXT: Ela está sentada à mesa de um restaurante, gravando um story casualmente. Começa com uma fala descontraída, contando como perdeu muito dinheiro jogando Aviator, mas de forma bem natural, sem drama. Ela explica que começou a estudar o jogo, mapear horários, e agora usa um app que avisa quando sacar. Ela não está vendendo nada, apenas contando uma história do cotidiano, de forma bem real. NARRATIVE INSTRUCTION: Ela deve passar a mensagem de forma simples e natural: “Gente, eu perdi muito dinheiro jogando Aviator... mas aí eu comecei a estudar, mapear os horários, e criei um app que me avisa quando sacar... Agora eu não jogo mais no escuro. Tá funcionando demais!” Com isso, ela faz uma pequena pausa, olha diretamente para a câmera e com um sorriso tranquilo, termina com algo como: “E, ó, se você quiser saber mais, vem pro grupo lá no Telegram!” A história deve ser clara, simples e ir direto ao ponto, tudo dentro dos 15 segundos. ENDING: Ela termina com um sorriso sutil, fazendo um pequeno movimento com a mão como se estivesse descomplicada. A câmera fica estável por um momento, sem pressa, como se ela estivesse apenas esperando alguém responder à conversa. O foco é totalmente no conteúdo, sem afetação. Rules: One continuous take. No cuts. No filters. No beauty filters. No color correction. No cinematic styling. No UI elements. No watermarks.
jest maszyną stworzoną do budowania głębokich, opartych na zaufaniu więzi z ograniczoną liczbą osób.
jest maszyną stworzoną do budowania głębokich, opartych na zaufaniu więzi z ograniczoną liczbą osób.
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