Seedance 2.0 Tanıtımı
Topluluktan başarılı kamu üretimlerini göz atın ve istemi, ayarları ve çıktıyı incelemek için herhangi bir öğeyi açın.
The Battle of Berlin, the end of World War II. Three Soviets arrive in a sand-tan German Kubelwagen, an angular conve...
The Battle of Berlin, the end of World War II. Three Soviets arrive in a sand-tan German Kubelwagen, an angular convertible jeep without a grille, with a simple, sloping hood and a spare tire in an off-road tire. It has two round lights, one per fender. A sand-colored linen roof is rolled up on the back. There are three Soviets: Nikolai Krachenko – the lead one, pale-faced, young, slim, with blue eyes and short, untidy dark brown hair. He wears an olive-colored Soviet bechatka jacket and a dark gray Soviet ushanka (fur earflap) with a red star emblem. He is distrustful but determined. The second is Boris Zhuchkov – portly, more muscular, with a strong jaw, light stubble, also wearing an olive-colored bechatka and an ushanka with a red star, also wearing rubber boots, confident, and courageous. Sergei Natashkov – skinny, tall, very pale, with bags under his eyes, afraid of everything, trembling with fear, dressed like his predecessors: an olive-colored bechatka and a gray ushanka with a red star. They arrive in a Kubelwagen and park it, the lights go out, the engine stops. They get out, open the massive doors, but remain silent. They emerge with wooden PPSH submachine guns, with a black drum magazine. They carefully place their weapons on the vehicle seats and move on. Suddenly, Nikolai says, "Quiet, Comrades! I hear a tank! Take cover!" The heavy, massive metal sound of the tank's tracks and the roar of its engine can be heard in the distance. They quickly take cover quietly behind the rubble and destroyed walls, while Sergei panics, hiding behind the Kubelwagen, trembling, begging with a wavering voice for them to escape. To this, Boris whispers that they must be quiet, otherwise he will be the first to go to the front. Sergei falls silent. Suddenly, from around the corner of a ruined Berlin building in ruins, a dark green Soviet T-34 tank with a red star and the white number 234 on the turret emerges. In the turret sits a Soviet tankman in a khaki tank uniform and a tank headset. He waves his arms and shouts, "WE PEACEFUL COMRADES!" At which Boris Sergei and Nikolai start cheering, waving their arms and shouting, "For the great Soviet Union!" and "Soviet Union!" The tank turns off its engine, parks, and the tankman comes out of the turret with two other tankmen and says, "Comrades, we have received information that an enemy tank is approaching." "You have headsets, grab them!" Then three tankmen give them headsets. Then they get into the Kubelwagen and drive away. Nikolai says, "Put on your headphones! Get ready!" Suddenly, a shot of a gray, angular German Panzer tank pulling out from around the corner. A dramatic, terrifying scene unfolds as the German tank approaches, the ground trembles, Sergei panics and wants to flee, but Boris tells him that if he doesn't calm down, he'll leave him outside the tank, alone with the Panzer!
cinematic, surreal, dark fantasy, photorealistic, ultra-detailed, full HD, 8k, unreal engine 5 render, volumetric lig...
cinematic, surreal, dark fantasy, photorealistic, ultra-detailed, full HD, 8k, unreal engine 5 render, volumetric lighting, hyperrealistic textures, film grain, muted cold color palette, deep shadows, stark contrast, eerie silence broken only by wind sounds. Visual Prompt: Wide shot of a desolate, snow-covered road at night, disappearing into a dark pine forest. Thick, heavy snow falls almost vertically. A fierce blizzard (blizzard) howls, creating swirling vortices of snow in the air. The only light comes from a faint, ghostly moon glowing behind thick clouds. The scene is static for a moment, then a dark, blurred figure (the rider) appears in the extreme distance, running towards the camera. The camera is low, close to the snow. Atmosphere: Oppressive silence broken by the roar of the wind, a sense of deep loneliness and pursuit.
A sweeping aerial shot of neon toThe father enters the house wearing a dark gray suit and a blue tie, standing in the...
A sweeping aerial shot of neon toThe father enters the house wearing a dark gray suit and a blue tie, standing in the open doorway. The diplomat briefcase slips from his hand and falls to the floor. The father is in shock, eyes wide open, his face showing surprise and fear. A little girl is kneeling on the floor, crying. Her face is wet with tears. Liquid (water or juice) is spilled on the floor, a tipped cup beside her. The girl is scared, head down, trying to clean the floor with her hands. Voiceover (girl, crying): „Snažím se, mami… prosím, nezlob se…“ The mother is standing in the kitchen. She is holding a glass of orange juice. She is wearing a blue dress. Her face is cold and indifferent. Voiceover (mother, cold): „Ukliď to pořádně. Mohli by přijít hosté.“ The father looks at the scene in shock. Voiceover (father): „Do čeho jsem se to právě dostal?“ The father kneels down next to the girl, hugging her tightly, protecting her. His face shows pain, guilt, and anger. Style: Dramatic family tension, real life, cinematic lighting, high emotion, realistic, short film, TikTok / Reels style, vertical frame. wers reflecting on a river at night, captured in cinematic style.
Sebuah pengambilan udara yang luas dari menara neon yang memantulkan di sungai di malam hari, ditangkap dalam gaya si...
Sebuah pengambilan udara yang luas dari menara neon yang memantulkan di sungai di malam hari, ditangkap dalam gaya sinematik.
Valentine themed telecom advertisement set in Elbasan, Albania. Romantic and premium atmosphere with deep magenta ton...
Valentine themed telecom advertisement set in Elbasan, Albania. Romantic and premium atmosphere with deep magenta tones. Soft glowing magenta colored fiber optic light streams flowing smoothly across the screen. Minimal city background and a small clock tower inspired by Elbasan, abstract and slightly blurred. Clean cinematic lighting, smooth camera motion, elegant transitions. Scene 1: A young couple video calling each other on smartphones, smiling and laughing. The FaceTime-style call is shown softly, screens glowing with magenta reflections. Fiber optic light streams connect the two phones, symbolizing fast and reliable internet. Scene 2: Another couple sitting together at home enjoying television content on a modern TV. Warm Valentine lighting, cozy living room, soft magenta accents. Subtle fiber optic lights flowing from the TV, representing rich programming and stable connection. Animated Albanian text appears one by one in the center of the screen with soft fade-in: "MUAJ DHURATE" "RRJETI ME I SIGURTE" "PROGRAMACION I PASUR" "INTERNET PA LIMIT" "CMIMET ME TE MIRA" Each text stays for a few seconds, synchronized with gentle fiber optic light movement. High-end telecom commercial style, simple composition, no clutter. End scene with soft magenta glow and flowing light trails, Valentine mood, elegant and emotional finish. No logos, no brand names, no voice, no music.
cinematic, surreal, dark fantasy, photorealistic, ultra-detailed, full HD, 8k, unreal engine 5 render, volumetric lig...
cinematic, surreal, dark fantasy, photorealistic, ultra-detailed, full HD, 8k, unreal engine 5 render, volumetric lighting, hyperrealistic textures, film grain, muted cold color palette, deep shadows, stark contrast, eerie silence broken only by wind sounds. Visual Prompt: Wide shot of a desolate, snow-covered road at night, disappearing into a dark pine forest. Thick, heavy snow falls almost vertically. A fierce blizzard (blizzard) howls, creating swirling vortices of snow in the air. The only light comes from a faint, ghostly moon glowing behind thick clouds. The scene is static for a moment, then a dark, blurred figure (the rider) appears in the extreme distance, running towards the camera. The camera is low, close to the snow. Atmosphere: Oppressive silence broken by the roar of the wind, a sense of deep loneliness and pursuit.
POV from the driver's seat. Only the man’s hairy hands on the steering wheel are visible. Next to him, the white tige...
POV from the driver's seat. Only the man’s hairy hands on the steering wheel are visible. Next to him, the white tiger cub and the Golden Retriever are sitting side-by-side. The scene jump-cuts to the house living room: The man’s hands are wrestling and playing joyfully with the dog and the cub on a rug. The cub pounces on the man's red sleeves. Extreme excitement, jumping, and happy sounds. Natural indoor lighting.
First-person POV. The man’s masculine hands are using a metal shovel to dig a grave in the frozen ground. The hands l...
First-person POV. The man’s masculine hands are using a metal shovel to dig a grave in the frozen ground. The hands lower the mother tiger (unseen body, just white fur) and cover it with soil and snow. The man’s hands place a yellow wildflower on the fresh dirt mound. The tiny white tiger cub is seen curled up on the grave, whimpering. The man’s hand reaches from the bottom to gently pet the cub's head.
ESCENA: Mira a su alrededor. El muro de piedra tiene un cartel flotante: Muro de Piedra (Resistencia: 800). El suelo:...
ESCENA: Mira a su alrededor. El muro de piedra tiene un cartel flotante: Muro de Piedra (Resistencia: 800). El suelo: Suelo Rocoso (Tipo: Sucio). Kaito: "¡Increíble! ¿Puedo ver los atributos de todo? Esto es... demasiado real para ser un sueño."
POV head-cam footage inside a dark tent. The man’s hairy hands wrap the white tiger cub in a thick wool blanket. The ...
POV head-cam footage inside a dark tent. The man’s hairy hands wrap the white tiger cub in a thick wool blanket. The hands hold a plastic baby bottle, feeding warm milk to the cub. The cub suckles hungrily. The scene transitions to the man’s hands petting both the Golden dog and the white cub as they all lie together on a sleeping bag. Warm orange lantern light, realistic shadows.
Extreme POV. The man’s masculine hands gently scoop up the shivering white tiger cub. The cub cries loudly. The man’s...
Extreme POV. The man’s masculine hands gently scoop up the shivering white tiger cub. The cub cries loudly. The man’s hands are seen unzipping his red parka, and he gently tucks the cub inside the jacket against his chest. Only the man’s hands and the red jacket are visible. The camera moves as the man and the dog walk through the heavy snowstorm back toward a small tent.
A cinematic live-action video of two adult cosplayers performing a gritty street-fight scene, filmed like a high-budg...
A cinematic live-action video of two adult cosplayers performing a gritty street-fight scene, filmed like a high-budget action series. They are currently fighting, a huntress vs a thug The whole video should feel like a fight, not a static thing. Language: Japanese Cosplayer 1 (the heroine): A cocky petite but athletic and cute caucasian young woman with mid-short dark hair tipped with deep red, light silver-gray eyes, and a calm but determined expression. She is a huntress. She wears a red cropped combat corset that stops just under her chest, exposing her toned, clearly defined abdominal muscles — athletic and feminine, not bulky. Her outfit includes a black mini-skirt with utility belt, black thigh-high stockings, combat boots, fingerless gloves, a tight black choker and a red cape. Her stomach is clearly visible throughout the scene. Her abs are an important visual focus. Cosplayer 2 (the thug): An adult female street thug with a rich, cocky attitude, blonde hair tied into twin drill-style twintails, wearing a black leather jacket, dark pants, gloves, and a black face mask. Her posture is controlled, confident. Action choreography: The fight starts with the huntress entering the alleyway, pointing at the thug and saying she Will stop her They fight, the fight is a close one, they are really Good. The fight is slow and deliberate, allowing every movement to be clearly seen. The heroine has her hands up, ready to block, with determination, but the thug sneaks a punch into her abs. The thug sneaks a punch into the heroine’s exposed abs, once she receives the punch, the heroie drops her guard, arms lowering from the stunning and shock, and bending over slightly over the fist, slowly The punches are slow and deliberate, not fast. The thug, takes advantage of the stunning of the heroine and punches another time the heroine's abs Include some close ups, different from each other Reactions & audio: With every hit, the heroine lets out soft, breathless groans — winded and air-knocked, not cries of pain. Her mouth opens slightly in a small “o” shape as she struggles to breathe. She remains conscious but increasingly weakened, visibly breathless and overwhelmed. Ending: The heroine is ultimately defeated, the enemy turns the heroine around roughly to secure the heroine in a chokehold from behind. The heroine's expression changes into her with her eyes closed (relaxed, not hurt) and her mouth open in a small "o" shape, winded, struggling a bit
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