Seedance 2.0 Tanıtımı
Topluluktan başarılı kamu üretimlerini göz atın ve istemi, ayarları ve çıktıyı incelemek için herhangi bir öğeyi açın.
Create a single 15-second 8K ultra-realistic documentary-style video, NO separate clips. Time travel theme: Glastonbu...
Create a single 15-second 8K ultra-realistic documentary-style video, NO separate clips. Time travel theme: Glastonbury Abbey Fire 1184. Permanent text on screen: Glastonbury Abbey Fire, 1184. Setting: A bustling abbey courtyard transitioning to fiery ruins. Camera: Selfie POV with dynamic walking and pointing movements. Appearance: @misterstrong, athletic build, lean face, no dark circles, traveler's clothing, temporal device subtly concealed. 0-3 seconds: @misterstrong speaking to the camera, neutral Spanish, maximum 6 words, face visible: "Estoy aqui, antes del fuego." 3-7 seconds: @misterstrong continues speaking while walking through the abbey courtyard, neutral Spanish, maximum 6 words: "Glastonbury, año 1184... todo cambiará." 7-11 seconds: @misterstrong shows the abbey and points to it, now showing the early stages of the fire, neutral Spanish, maximum 6 words: "La fe se convierte en cenizas." 11-15 seconds: @misterstrong returns focus to his face, speaking seriously in neutral Spanish with final CTA: "El acceso a mas contenido esta en mi perfil."
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur...
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur, a frail white American man in his early 80s wearing a heavy wool coat, is forced to kneel as Julian, a cocky white American man in his mid-20s in a sleek winter jacket and boots, tightens a leather collar and yanks a lead like a leash. Through a large living room window behind them, two white American women in their 40s—Sarah and Elena—stand warm inside with wine glasses, smirking and filming on a phone. Medium shot tracks Julian circling Arthur with cruel energy; close-up on Arthur’s strained throat and trembling hands as a small matte-black cylinder slips into the slush. Julian nudges it with his boot; the device clicks and a faint vibration starts. Close-up on Julian’s grin fading as a distant rotor thrum builds. Julian sneers, “Pull harder, old man,” and Arthur whispers, “You should go inside.” The camera holds tight on their faces as the sound swells, snow swirls in the rising wind, tension spikes. No logos, no brand names, no signage, no watermarks, no text overlays.
VIDEO UGC verticale (9:16), durata 15 secondi. Riprese realistiche da smartphone, luce naturale, casa italiana (ingre...
VIDEO UGC verticale (9:16), durata 15 secondi. Riprese realistiche da smartphone, luce naturale, casa italiana (ingresso/cucina). NoBrand. SOGGETTO: Persona 28–45, credibile, tono pratico. Emozione: PRIMA frustrato/di fretta → DOPO sollevato e sicuro. CINEMATOGRAFIA: Handheld smartphone, eye level. Tagli veloci e match cut “prima/dopo”. Look realistico. AZIONI (una azione per inquadratura): [0–3s] PRIMA: soggetto al telefono con espressione stressata (come in attesa), poi guarda l’orologio e sbuffa. Sul tavolo: due bollette generiche. [3–6s] PRIMA: soggetto apre una chat/nota sul telefono con scritto “scadenze” e fa gesto “che incubo” (nessun logo). [6–9s] SVOLTA: cut netto. Soggetto sorride, prende il telefono e scorre una schermata generica con “Luce / Gas / Internet / Mobile” nello stesso posto (no app reale riconoscibile). [9–12s] DOPO: close-up telefono con badge generici “Gestione unica” + “Sconti attivi” + “Più servizi = più convenienza” (grafica semplice). [12–15s] CTA: soggetto guarda in camera, gesto “compila/lascia i dati”, sorriso. DIALOGO (italiano, naturale): [0–3s HOOK - PRIMA] “Prima: ore perse tra chiamate, scadenze e bollette diverse…” [3–6s] “E alla fine non capivo nemmeno quanto stavo pagando.” [6–9s SVOLTA] “Poi ho scoperto ‘Sì che conviene’.” [9–12s DOPO] “Adesso gestisco tutto in un unico posto… e più servizi aggiungo, più conviene.” [12–15s CTA] “Vuoi capire se conviene anche a te? Lascia i dati e ti richiamano.” AUDIO: Solo voce naturale (no musica). NEGATIVE PROMPT: NO testo in sovraimpressione, NO sottotitoli, NO watermark. NO loghi o nomi di brand/compagnie/utility, NO schermate di app reali riconoscibili. NO promesse assolute tipo “bolletta zero garantita”. Evita mani deformate e schermi telefono glitchati. NO text overlay, NO subtitles, NO captions.
A time traveler, @misterstrong, athletic build, lean face, no dark circles, wearing traveler's clothes with a hidden ...
A time traveler, @misterstrong, athletic build, lean face, no dark circles, wearing traveler's clothes with a hidden temporal device, experiences a historical anomaly. The scene unfolds in a meticulously detailed medieval castle, captured in a selfie POV, 8K ultra-realistic documentary style. From 0-3 seconds, @misterstrong speaks directly to the camera in neutral Spanish, 'Esto es absolutamente increíble.' From 3-7 seconds, @misterstrong continues speaking while walking through the castle, 'Arturo y Merlín, wow!'. From 7-11 seconds, @misterstrong gestures towards King Arthur and Merlin, showcasing the scene with a hand gesture while stating in neutral Spanish, 'Este lugar es alucinante.' The camera dynamically moves to follow the action. From 11-15 seconds, @misterstrong returns to a close-up of his face, speaking with a serious tone and providing a final CTA in Spanish, 'Si quieres saber mas el acceso esta en mi perfil'. This single 15-second video captures the entire sequence, with only @misterstrong speaking throughout, displaying him visibly in all segments. medieval atmosphere filled with tapestries, stone walls, and mystical fog.
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur...
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur, a frail white American man in his early 80s wearing a heavy wool coat, is forced to kneel as Julian, a cocky white American man in his mid-20s in a sleek winter jacket and boots, tightens a leather collar and yanks a lead like a leash. Through a large living room window behind them, two white American women in their 40s—Sarah and Elena—stand warm inside with wine glasses, smirking and filming on a phone. Medium shot tracks Julian circling Arthur with cruel energy; close-up on Arthur’s strained throat and trembling hands as a small matte-black cylinder slips into the slush. Julian nudges it with his boot; the device clicks and a faint vibration starts. Close-up on Julian’s grin fading as a distant rotor thrum builds. Julian sneers, “Pull harder, old man,” and Arthur whispers, “You should go inside.” The camera holds tight on their faces as the sound swells, snow swirls in the rising wind, tension spikes. No logos, no brand names, no signage, no watermarks, no text overlays.
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur...
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur, a frail white American man in his early 80s wearing a heavy wool coat, is forced to kneel as Julian, a cocky white American man in his mid-20s in a sleek winter jacket and boots, tightens a leather collar and yanks a lead like a leash. Through a large living room window behind them, two white American women in their 40s—Sarah and Elena—stand warm inside with wine glasses, smirking and filming on a phone. Medium shot tracks Julian circling Arthur with cruel energy; close-up on Arthur’s strained throat and trembling hands as a small matte-black cylinder slips into the slush. Julian nudges it with his boot; the device clicks and a faint vibration starts. Close-up on Julian’s grin fading as a distant rotor thrum builds. Julian sneers, “Pull harder, old man,” and Arthur whispers, “You should go inside.” The camera holds tight on their faces as the sound swells, snow swirls in the rising wind, tension spikes. No logos, no brand names, no signage, no watermarks, no text overlays.
Cena 1: O Gancho (0-3s)Prompt: "Extreme close-up, high angle, 9:16 vertical video. A wooden garden deck covered in th...
Cena 1: O Gancho (0-3s)Prompt: "Extreme close-up, high angle, 9:16 vertical video. A wooden garden deck covered in thick, slippery green algae and moss. A stream of clear liquid hits the moss, and it instantly turns grey and dissolves. Text overlay in bold white: 'ACTUALLY FAKE? 🤡'. Natural outdoor lighting, photorealistic."Cena 2: O Produto em Ação (3-7s)Prompt: "Medium shot of a woman with red hair in a backyard, wearing a grey hoodie. She is pouring liquid from a large white 5L plastic bottle labeled 'MONTY MIRACLE' onto the dirty green deck. Handheld camera, slightly shaky for a 'vlog' feel. The moss disappears wherever the liquid touches."Cena 3: A Revelação Satisfatória (7-12s)Prompt: "Point-of-view (POV) shot. A garden hose rinses the deck. The water washes away brown sludge to reveal perfectly clean, silver-grey wood. The camera pans to show a sharp line between the disgusting green area and the pristine clean area. High contrast, very satisfying visual."Cena 4: O Encerramento e CTA (12-15s)Prompt: "Close-up of the white 'MONTY MIRACLE' bottle sitting on the clean, wet deck. A hand points to the bottle, then points down toward the bottom left corner of the frame. 4k resolution, sharp focus on the product label, realistic water droplets on the wood."3. Instruções para o Gerador (Configurações UGC)ParâmetroEspecificaçãoVoz (ElevenLabs)"British - Female - Middle-aged/Homeowner" (Estilo 'conversinha de vizinha').Estética Visual"Raw smartphone footage", "iPhone 15 Pro video style", "UGC aesthetic".SFX (Áudio)Som de água corrente forte, som de "vazio" da garrafa plástica e o som de limpeza (squeaky).CoresSaturação alta no verde (musgo) para que o cinza (limpo) pareça ainda mais impressionante.
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur...
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur, a frail white American man in his early 80s wearing a heavy wool coat, is forced to kneel as Julian, a cocky white American man in his mid-20s in a sleek winter jacket and boots, tightens a leather collar and yanks a lead like a leash. Through a large living room window behind them, two white American women in their 40s—Sarah and Elena—stand warm inside with wine glasses, smirking and filming on a phone. Medium shot tracks Julian circling Arthur with cruel energy; close-up on Arthur’s strained throat and trembling hands as a small matte-black cylinder slips into the slush. Julian nudges it with his boot; the device clicks and a faint vibration starts. Close-up on Julian’s grin fading as a distant rotor thrum builds. Julian sneers, “Pull harder, old man,” and Arthur whispers, “You should go inside.” The camera holds tight on their faces as the sound swells, snow swirls in the rising wind, tension spikes. No logos, no brand names, no signage, no watermarks, no text overlays.
Crear un video único de 15 segundos estilo documental 8K ultra realista sobre viajes en el tiempo. El video sigue a @...
Crear un video único de 15 segundos estilo documental 8K ultra realista sobre viajes en el tiempo. El video sigue a @misterstrong, un hombre atlético de rostro flaco sin ojeras, vestido con ropa de viajero con un dispositivo temporal oculto. La cámara es selfie POV con movimiento dinámico. De 0 a 3 segundos, @misterstrong habla a la cámara en español neutro diciendo 'Increíble, esto es alucinante' mostrando su cara claramente. De 3 a 7 segundos, @misterstrong camina por un bullicioso mercado medieval de Florencia, Italia en 1492 diciendo 'Miren a su alrededor, ¡es real!'. De 7 a 11 segundos, @misterstrong señala la plaza del mercado llena de gente, mostrando vendedores y compradores con asombro mientras dice 'Florencia, 1492, ¡qué locura!'. El entorno es un mercado medieval vibrante y ruidoso lleno de gente vestida con ropa de época, puestos de comida, telares y animales. De 11 a 15 segundos, @misterstrong vuelve a enfocar su cara hablando seriamente en español neutro: 'Si quieres saber mas el acceso esta en mi perfil'.
Selfie POV 8K ultra realistic documentary style video of @misterstrong, an athletic man with a lean face and no dark ...
Selfie POV 8K ultra realistic documentary style video of @misterstrong, an athletic man with a lean face and no dark circles, dressed as a time traveler with a concealed temporal device, filming in Mexico City after a catastrophic earthquake. From 0 to 3 seconds: @misterstrong speaking to the camera in neutral Spanish, "El futuro ya está aquí.", showing his face clearly. From 3 to 7 seconds: @misterstrong continues speaking while walking, "Mira lo que ha pasado...". From 7 to 11 seconds: @misterstrong gestures with his hand, showcasing the devastated Zocalo and damaged Metropolitan Cathedral, saying, "Terremoto... ¡Todo destruido!". From 11 to 15 seconds: @misterstrong focuses back on his face, speaking seriously in Spanish for the final CTA: "Si quieres ver mas... el link en mi perfil!" The entire video is 15 seconds long. Dynamic camera movement, vibrant colors. Environmental detail: Dust and smoke fill the air, emergency vehicles are visible, people are clearing rubble, and buildings show severe damage.
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur...
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur, a frail white American man in his early 80s wearing a heavy wool coat, is forced to kneel as Julian, a cocky white American man in his mid-20s in a sleek winter jacket and boots, tightens a leather collar and yanks a lead like a leash. Through a large living room window behind them, two white American women in their 40s—Sarah and Elena—stand warm inside with wine glasses, smirking and filming on a phone. Medium shot tracks Julian circling Arthur with cruel energy; close-up on Arthur’s strained throat and trembling hands as a small matte-black cylinder slips into the slush. Julian nudges it with his boot; the device clicks and a faint vibration starts. Close-up on Julian’s grin fading as a distant rotor thrum builds. Julian sneers, “Pull harder, old man,” and Arthur whispers, “You should go inside.” The camera holds tight on their faces as the sound swells, snow swirls in the rising wind, tension spikes. No logos, no brand names, no signage, no watermarks, no text overlays.
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur...
In a snowy Michigan suburban driveway at late afternoon, gray sky and harsh winter light reflecting off slush. Arthur, a frail white American man in his early 80s wearing a heavy wool coat, is forced to kneel as Julian, a cocky white American man in his mid-20s in a sleek winter jacket and boots, tightens a leather collar and yanks a lead like a leash. Through a large living room window behind them, two white American women in their 40s—Sarah and Elena—stand warm inside with wine glasses, smirking and filming on a phone. Medium shot tracks Julian circling Arthur with cruel energy; close-up on Arthur’s strained throat and trembling hands as a small matte-black cylinder slips into the slush. Julian nudges it with his boot; the device clicks and a faint vibration starts. Close-up on Julian’s grin fading as a distant rotor thrum builds. Julian sneers, “Pull harder, old man,” and Arthur whispers, “You should go inside.” The camera holds tight on their faces as the sound swells, snow swirls in the rising wind, tension spikes. No logos, no brand names, no signage, no watermarks, no text overlays.
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