Seedance 2.0 Tanıtımı
Topluluktan başarılı kamu üretimlerini göz atın ve istemi, ayarları ve çıktıyı incelemek için herhangi bir öğeyi açın.
Anime Rumi e Jinu correndo juntos pelo hall do aeroporto, seus passos rápidos e corpos inclinados para frente. Seus r...
Anime Rumi e Jinu correndo juntos pelo hall do aeroporto, seus passos rápidos e corpos inclinados para frente. Seus rostos estão preocupados. Quando chegam à janela, eles se apoiam no vidro e olham o avião na pista. A animação deve transmitir urgência e se manter em 30 fps no estilo Roblox.
“A single continuous 15-second handheld iPhone RAW shot in 4K inside a bright sunlit kitchen. Natural morning light, ...
“A single continuous 15-second handheld iPhone RAW shot in 4K inside a bright sunlit kitchen. Natural morning light, soft shadows, subtle handheld micro-shake. A fluffy ginger cat sleeps peacefully on the tiled floor. A small pile of fine white flour sits directly in front of the cat’s face. A large dog walks toward the flour pile and stops extremely close to it — just a few centimeters away. The dog turns around and lowers its rear slightly toward the flour, clearly positioning itself near the pile. Suddenly, a powerful localized burst of air is released from behind the dog. A short, realistic low-frequency air-blast sound is captured naturally, like recorded on an iPhone microphone. The airflow immediately impacts the flour pile at close range, causing it to erupt outward in a dramatic white cloud. The flour clearly originates from the pile on the floor — not from the dog. High-speed particle simulation shows fine powder scattering across the tile and upward into the sunlight. The ginger cat jolts awake as the airborne flour hits its face. The cat sneezes, expelling fine flour particles like soft mist. The cat glares intensely at the dog. Without cuts, a chaotic chase begins across the kitchen floor. Hyper-realistic fur, detailed whiskers, natural motion blur, authentic iPhone home-video aesthetic.”
make me 3 clean looking advetisement in a studio of this poduct
make me 3 clean looking advetisement in a studio of this poduct
Storyboard
Storyboard
make me 3 mooccan clean looking doctos with a normal quality normal lighting like a normal tiktok holding this and sh...
make me 3 mooccan clean looking doctos with a normal quality normal lighting like a normal tiktok holding this and showing it to the camerra
First-person perspective looking at a floating iPhone 17 Pro in a futuristic white void. The phone’s screen displays ...
First-person perspective looking at a floating iPhone 17 Pro in a futuristic white void. The phone’s screen displays a mesmerizing, swirling holographic wallpaper. As the viewer reaches out, the phone vibrates gently, and the screen transforms into a large, bold typography animation that reads "BUY ME" in a stylish, glowing font. The camera captures the seamless edge-to-edge display and the iridescent finish of the glass back. High fashion aesthetic, sharp focus.
quiero imitar la famosa imagen "la ultima cena", en fotografia, entonces quiero que me crees una escena en donde el f...
quiero imitar la famosa imagen "la ultima cena", en fotografia, entonces quiero que me crees una escena en donde el fotografo este por tomar la imagen de la mesa donde habran 13 personas sentadas en una mesa larga con sus respectivos objetos, igual a la ultima cena, y quiero que muestres donde coloca los objetos con lo que va a iluminar la escena
A small rural Oklahoma airport terminal in 1993, late afternoon with golden sunlight streaming through dusty windows ...
A small rural Oklahoma airport terminal in 1993, late afternoon with golden sunlight streaming through dusty windows and fluorescent lights flickering overhead. Margaret (early 30s, professional blazer, anxious expression, clutching a carry-on bag) sits across from Robert (late 30s, business suit, loosened tie, frustrated posture) in uncomfortable plastic chairs. The terminal is nearly empty except for scattered passengers looking worried. Wide shot: They sit in awkward silence, both checking their watches, tension thick between strangers. Close-up: Margaret glances at Robert, then looks away; Robert runs his hand through his hair, checks his phone repeatedly. The lone airport worker (50s, uniform, weathered face) approaches with clipboard. He announces loudly: "Storm's coming in behind you folks. Could be here a few days." Cut to: Margaret and Robert exchange their first direct look, both realizing their carefully planned lives just derailed. Margaret says quietly: "Running late for something important?" Robert responds with dry frustration: "A deal that'll make or break my career. You?" Soft country music plays, conveying unexpected possibility amid disruption. No logos, no brand names, no watermarks, no text overlays.
A small rural Oklahoma airport terminal in 1993, late afternoon with golden sunlight streaming through dusty windows ...
A small rural Oklahoma airport terminal in 1993, late afternoon with golden sunlight streaming through dusty windows and fluorescent lights flickering overhead. Margaret (early 30s, professional blazer, anxious expression, clutching a carry-on bag) sits across from Robert (late 30s, business suit, loosened tie, frustrated posture) in uncomfortable plastic chairs. The terminal is nearly empty except for scattered passengers looking worried. Wide shot: They sit in awkward silence, both checking their watches, tension thick between strangers. Close-up: Margaret glances at Robert, then looks away; Robert runs his hand through his hair, checks his phone repeatedly. The lone airport worker (50s, uniform, weathered face) approaches with clipboard. He announces loudly: "Storm's coming in behind you folks. Could be here a few days." Cut to: Margaret and Robert exchange their first direct look, both realizing their carefully planned lives just derailed. Margaret says quietly: "Running late for something important?" Robert responds with dry frustration: "A deal that'll make or break my career. You?" Soft country music plays, conveying unexpected possibility amid disruption. No logos, no brand names, no watermarks, no text overlays.
A small rural Oklahoma airport terminal in 1993, late afternoon with golden sunlight streaming through dusty windows ...
A small rural Oklahoma airport terminal in 1993, late afternoon with golden sunlight streaming through dusty windows and fluorescent lights flickering overhead. Margaret (early 30s, professional blazer, anxious expression, clutching a carry-on bag) sits across from Robert (late 30s, business suit, loosened tie, frustrated posture) in uncomfortable plastic chairs. The terminal is nearly empty except for scattered passengers looking worried. Wide shot: They sit in awkward silence, both checking their watches, tension thick between strangers. Close-up: Margaret glances at Robert, then looks away; Robert runs his hand through his hair, checks his phone repeatedly. The lone airport worker (50s, uniform, weathered face) approaches with clipboard. He announces loudly: "Storm's coming in behind you folks. Could be here a few days." Cut to: Margaret and Robert exchange their first direct look, both realizing their carefully planned lives just derailed. Margaret says quietly: "Running late for something important?" Robert responds with dry frustration: "A deal that'll make or break my career. You?" Soft country music plays, conveying unexpected possibility amid disruption. No logos, no brand names, no watermarks, no text overlays.
A small rural Oklahoma airport terminal in 1993, late afternoon with golden sunlight streaming through dusty windows ...
A small rural Oklahoma airport terminal in 1993, late afternoon with golden sunlight streaming through dusty windows and fluorescent lights flickering overhead. Margaret (early 30s, professional blazer, anxious expression, clutching a carry-on bag) sits across from Robert (late 30s, business suit, loosened tie, frustrated posture) in uncomfortable plastic chairs. The terminal is nearly empty except for scattered passengers looking worried. Wide shot: They sit in awkward silence, both checking their watches, tension thick between strangers. Close-up: Margaret glances at Robert, then looks away; Robert runs his hand through his hair, checks his phone repeatedly. The lone airport worker (50s, uniform, weathered face) approaches with clipboard. He announces loudly: "Storm's coming in behind you folks. Could be here a few days." Cut to: Margaret and Robert exchange their first direct look, both realizing their carefully planned lives just derailed. Margaret says quietly: "Running late for something important?" Robert responds with dry frustration: "A deal that'll make or break my career. You?" Soft country music plays, conveying unexpected possibility amid disruption. No logos, no brand names, no watermarks, no text overlays.
A small rural Oklahoma airport terminal in 1993, late afternoon with golden sunlight streaming through dusty windows ...
A small rural Oklahoma airport terminal in 1993, late afternoon with golden sunlight streaming through dusty windows and fluorescent lights flickering overhead. Margaret (early 30s, professional blazer, anxious expression, clutching a carry-on bag) sits across from Robert (late 30s, business suit, loosened tie, frustrated posture) in uncomfortable plastic chairs. The terminal is nearly empty except for scattered passengers looking worried. Wide shot: They sit in awkward silence, both checking their watches, tension thick between strangers. Close-up: Margaret glances at Robert, then looks away; Robert runs his hand through his hair, checks his phone repeatedly. The lone airport worker (50s, uniform, weathered face) approaches with clipboard. He announces loudly: "Storm's coming in behind you folks. Could be here a few days." Cut to: Margaret and Robert exchange their first direct look, both realizing their carefully planned lives just derailed. Margaret says quietly: "Running late for something important?" Robert responds with dry frustration: "A deal that'll make or break my career. You?" Soft country music plays, conveying unexpected possibility amid disruption. No logos, no brand names, no watermarks, no text overlays.
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