Seedance 2.0 Tanıtımı
Topluluktan başarılı kamu üretimlerini göz atın ve istemi, ayarları ve çıktıyı incelemek için herhangi bir öğeyi açın.
A movie trailer about this six legged character being in Olympic Hockey and scoring the winning goal to take USA gold...
A movie trailer about this six legged character being in Olympic Hockey and scoring the winning goal to take USA gold in the 2026 Olympics. Cinematic scene. Movie film. Movie lens. Wide angle
A movie trailer about this six legged character being in Olympic Hockey and scoring the winning goal to take USA gold...
A movie trailer about this six legged character being in Olympic Hockey and scoring the winning goal to take USA gold in the 2026 Olympics. Cinematic scene. Movie film. Movie lens. Wide angle
A movie trailer about this six legged character being in Olympic Hockey and scoring the winning goal to take USA gold...
A movie trailer about this six legged character being in Olympic Hockey and scoring the winning goal to take USA gold in the 2026 Olympics. Cinematic scene. Movie film. Movie lens. Wide angle
15 seconds. Cinematic realism. Handheld. Shallow depth of field. No text, no logos, no subtitles, no watermarks. Loca...
15 seconds. Cinematic realism. Handheld. Shallow depth of field. No text, no logos, no subtitles, no watermarks. Location: Upscale hotel lobby, midday, marble floors, warm natural light. Characters: — NORA: white American woman, early 30s, frail build, torn ragged clothing, frayed jacket, scuffed shoes. — GUARD: white American male, late 30s, stocky, dark security uniform, silver badge. — WHITMORE: white American male, early 60s, lean, silver hair, plain dark suit. SHOT 1 (0s-4s): Medium. GUARD grips NORA by the wrist and drags her stumbling toward the exit. NORA makes a sharp involuntary sound — no words, just fear. GUARD does not look at her. GUARD yells straight ahead: "YOU CAN'T BE HERE LOOKING LIKE THAT." SHOT 2 (4s-7s): GUARD freezes mid-step. WHITMORE's voice comes from offscreen — WHITMORE not yet visible: "STOP." GUARD's grip loosens. GUARD slowly turns his head toward the sound. SHOT 3 (7s-11s): WHITMORE strides into frame and steps between NORA and GUARD. WHITMORE places one firm hand flat on GUARD's chest and shoves him back. WHITMORE looks directly into GUARD's face and says: "YOU'RE FIRED. GET OUT." GUARD stumbles, opens his mouth, closes it, turns and walks away. SHOT 4 (11s-15s): WHITMORE turns to NORA. WHITMORE extends his hand — open, steady, unhurried. NORA looks at his hand, then at his face, then slowly places her hand in his. WHITMORE walks NORA gently back into the lobby. Close-up: NORA's hand trembling inside WHITMORE's.
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] buatkan video 10 detik review produk moisturizer dengan model wanita indonesia menggunakan baju yang sopan tertutup dan kondisi kulit yang mulus tapi ada bekasr jewarat kemerahan di pipi. scene 1 (0-3 detik): model memperlihatkan kondisi wajah yang berminyak dan kusam dengan ekspresi wajah yang tidak senang dengen brief bicara: "lihat deh tiap bangun kulit jadi berminyak dan kusam gini" scene 2 (4-6 detik): model memegang produk moisturizer glow barrier dan memperlihatkan teksturnya yang berbentuk gel ringan smooth berwarna biru. dengan brief bicara: "tapi sekarang aku pakai moisturizer ini untuk merawat skin barrier" scene 3 (7-10 detik): model applying moisturizer dambil berbicara dengan brief: "tekturnya ringan dan ada sensasi rasa dingin bikin calming wajah, cek keranjang kuning" latar belakang tempat di dalam rumah cozy [SINGLE PRODUCT IMAGE: Only one product image is
15 seconds. Cinematic realism. Handheld. Shallow depth of field. No text, no logos, no subtitles, no watermarks. Loca...
15 seconds. Cinematic realism. Handheld. Shallow depth of field. No text, no logos, no subtitles, no watermarks. Location: Upscale hotel lobby, midday, marble floors, warm natural light. Characters: — NORA: white American woman, early 30s, frail build, torn ragged clothing, frayed jacket, scuffed shoes. — GUARD: white American male, late 30s, stocky, dark security uniform, silver badge. — WHITMORE: white American male, early 60s, lean, silver hair, plain dark suit. SHOT 1 (0s-4s): Medium. GUARD grips NORA by the wrist and drags her stumbling toward the exit. NORA makes a sharp involuntary sound — no words, just fear. GUARD does not look at her. GUARD yells straight ahead: "YOU CAN'T BE HERE LOOKING LIKE THAT." SHOT 2 (4s-7s): GUARD freezes mid-step. WHITMORE's voice comes from offscreen — WHITMORE not yet visible: "STOP." GUARD's grip loosens. GUARD slowly turns his head toward the sound. SHOT 3 (7s-11s): WHITMORE strides into frame and steps between NORA and GUARD. WHITMORE places one firm hand flat on GUARD's chest and shoves him back. WHITMORE looks directly into GUARD's face and says: "YOU'RE FIRED. GET OUT." GUARD stumbles, opens his mouth, closes it, turns and walks away. SHOT 4 (11s-15s): WHITMORE turns to NORA. WHITMORE extends his hand — open, steady, unhurried. NORA looks at his hand, then at his face, then slowly places her hand in his. WHITMORE walks NORA gently back into the lobby. Close-up: NORA's hand trembling inside WHITMORE's.
Location: Small Indian utensil shop. Daytime. Natural lighting. Raw handheld iPhone recording. Slight camera shake. S...
Location: Small Indian utensil shop. Daytime. Natural lighting. Raw handheld iPhone recording. Slight camera shake. Shopkeeper (40–50 years old), calm, grounded personality. Not aggressive seller — more like sharing a real story. No background music. No subtitles. Natural shop ambience. Dialogue (slow, natural storytelling tone): “Sach bolun bhaiya… main pehle ye glass bechta nahi tha. Log aate the, poochte the, par mujhe khud itna vishwas nahi tha. Phir ek din mere pitaji ne kaha, ‘Ek ghar le aa… dekhte hain.’ Bas bhaiya, wahi se kahani badli. Roz subah pitaji ne isi Vijaysaar ke glass ka paani peena shuru kiya.
Total duration 15 seconds. Cinematic realism. No subtitles. No text on screen. No logos. No signage. No watermarks. L...
Total duration 15 seconds. Cinematic realism. No subtitles. No text on screen. No logos. No signage. No watermarks. Location: American courtroom, daytime, warm overhead lighting, wood-paneled walls, elevated judge's bench at center, gallery seating visible in background, American flag to the side of the bench. Characters: White American female judge, 50s, silver hair, black robe, seated behind the bench, authoritative but measured. White American teenage girl, 14–15, slight frame, worn sweater, hair pulled back, standing near the witness area, visibly distressed. White American male, early 40s, lean build, tired face, pressed jacket, seated at the respondent's table, hands folded. Worn shoebox on the judge's bench. Camera style: handheld cinematic realism, shallow depth of field, natural motion blur, grounded Netflix-style drama. SHOT 1 (0s–3s): Starts as a medium wide shot — the girl standing, shoulders shaking, the courtroom tense and still around her. The moment she opens her mouth, the camera pushes in fast: a sharp handheld zoom onto her face, tight, raw, inescapable. Her eyes are red. Her jaw trembles with fury. She shouts directly into frame: "I don't want to hear anything from him — he was never there!" The zoom holds on her face through the last word. The judge watches without interrupting. The father sits motionless, jaw tight, eyes down. SHOT 2 (3s–6s): Medium shot on the judge. She lifts the shoebox from the bench with both hands, sets it at the edge, and says firmly but gently: "Miss Graves. Look at what's inside this box." SHOT 3 (6s–10s): Close-up on the girl's hands as she lifts the lid — birthday cards, sealed envelopes, folded bills, eight years of them, stacked in order. Her fingers go still. She pulls one card out. Close-up on her face: eyes scanning the handwriting, breath catching, the fury dissolving into something she wasn't ready for. Her chin buckles. Tears spill. SHOT 4 (10s–15s): Wide shot. The girl drops the box. She spins around. She runs across the courtroom floor — past the tables, past the gallery rail — and collides with her father, who is already on his feet, arms open before she reaches him. He catches her and holds on. She buries her face in his chest, shoulders heaving. He closes his eyes. The camera pulls back slowly. The courtroom holds its breath around them. Audio: girl's voice sharp and cracking in the first shot, courtroom silence, the judge's voice calm and deliberate, cardboard lid lifting, rustle of paper and envelopes, a sharp inhale, a choked sob, running footsteps on hardwood floor, the impact of the embrace, muffled crying, fabric under tight arms. Background music: silence through the shouting, a single low piano note as the box opens, a slow swell through the close-up, full emotional strings rising at the run, holding through the embrace with a warm sustained chord that doesn't fully resolve.
Total duration 15 seconds. Cinematic realism. No subtitles. No text on screen. No logos. No signage. No watermarks. L...
Total duration 15 seconds. Cinematic realism. No subtitles. No text on screen. No logos. No signage. No watermarks. Location: American courtroom, daytime, warm overhead lighting, wood-paneled walls, elevated judge's bench at center, gallery seating visible in background, American flag to the side of the bench. Characters: White American female judge, 50s, silver hair, black robe, seated behind the bench, authoritative but measured. White American teenage girl, 14–15, slight frame, worn sweater, hair pulled back, standing near the witness area, visibly distressed. White American male, early 40s, lean build, tired face, pressed jacket, seated at the respondent's table, hands folded. Worn shoebox on the judge's bench. Camera style: handheld cinematic realism, shallow depth of field, natural motion blur, grounded Netflix-style drama. SHOT 1 (0s–3s): Starts as a medium wide shot — the girl standing, shoulders shaking, the courtroom tense and still around her. The moment she opens her mouth, the camera pushes in fast: a sharp handheld zoom onto her face, tight, raw, inescapable. Her eyes are red. Her jaw trembles with fury. She shouts directly into frame: "I don't want to hear anything from him — he was never there!" The zoom holds on her face through the last word. The judge watches without interrupting. The father sits motionless, jaw tight, eyes down. SHOT 2 (3s–6s): Medium shot on the judge. She lifts the shoebox from the bench with both hands, sets it at the edge, and says firmly but gently: "Miss Graves. Look at what's inside this box." SHOT 3 (6s–10s): Close-up on the girl's hands as she lifts the lid — birthday cards, sealed envelopes, folded bills, eight years of them, stacked in order. Her fingers go still. She pulls one card out. Close-up on her face: eyes scanning the handwriting, breath catching, the fury dissolving into something she wasn't ready for. Her chin buckles. Tears spill. SHOT 4 (10s–15s): Wide shot. The girl drops the box. She spins around. She runs across the courtroom floor — past the tables, past the gallery rail — and collides with her father, who is already on his feet, arms open before she reaches him. He catches her and holds on. She buries her face in his chest, shoulders heaving. He closes his eyes. The camera pulls back slowly. The courtroom holds its breath around them. Audio: girl's voice sharp and cracking in the first shot, courtroom silence, the judge's voice calm and deliberate, cardboard lid lifting, rustle of paper and envelopes, a sharp inhale, a choked sob, running footsteps on hardwood floor, the impact of the embrace, muffled crying, fabric under tight arms. Background music: silence through the shouting, a single low piano note as the box opens, a slow swell through the close-up, full emotional strings rising at the run, holding through the embrace with a warm sustained chord that doesn't fully resolve.
Total duration 15 seconds. Cinematic realism. No subtitles. No text on screen. No logos. No signage. No watermarks. L...
Total duration 15 seconds. Cinematic realism. No subtitles. No text on screen. No logos. No signage. No watermarks. Location: American courtroom, daytime, warm overhead lighting, wood-paneled walls, elevated judge's bench at center, gallery seating visible in background, American flag to the side of the bench. Characters: White American female judge, 50s, silver hair, black robe, seated behind the bench, authoritative but measured. White American teenage girl, 14–15, slight frame, worn sweater, hair pulled back, standing near the witness area, visibly distressed. White American male, early 40s, lean build, tired face, pressed jacket, seated at the respondent's table, hands folded. Worn shoebox on the judge's bench. Camera style: handheld cinematic realism, shallow depth of field, natural motion blur, grounded Netflix-style drama. SHOT 1 (0s–3s): Starts as a medium wide shot — the girl standing, shoulders shaking, the courtroom tense and still around her. The moment she opens her mouth, the camera pushes in fast: a sharp handheld zoom onto her face, tight, raw, inescapable. Her eyes are red. Her jaw trembles with fury. She shouts directly into frame: "I don't want to hear anything from him — he was never there!" The zoom holds on her face through the last word. The judge watches without interrupting. The father sits motionless, jaw tight, eyes down. SHOT 2 (3s–6s): Medium shot on the judge. She lifts the shoebox from the bench with both hands, sets it at the edge, and says firmly but gently: "Miss Graves. Look at what's inside this box." SHOT 3 (6s–10s): Close-up on the girl's hands as she lifts the lid — birthday cards, sealed envelopes, folded bills, eight years of them, stacked in order. Her fingers go still. She pulls one card out. Close-up on her face: eyes scanning the handwriting, breath catching, the fury dissolving into something she wasn't ready for. Her chin buckles. Tears spill. SHOT 4 (10s–15s): Wide shot. The girl drops the box. She spins around. She runs across the courtroom floor — past the tables, past the gallery rail — and collides with her father, who is already on his feet, arms open before she reaches him. He catches her and holds on. She buries her face in his chest, shoulders heaving. He closes his eyes. The camera pulls back slowly. The courtroom holds its breath around them. Audio: girl's voice sharp and cracking in the first shot, courtroom silence, the judge's voice calm and deliberate, cardboard lid lifting, rustle of paper and envelopes, a sharp inhale, a choked sob, running footsteps on hardwood floor, the impact of the embrace, muffled crying, fabric under tight arms. Background music: silence through the shouting, a single low piano note as the box opens, a slow swell through the close-up, full emotional strings rising at the run, holding through the embrace with a warm sustained chord that doesn't fully resolve.
Total duration 15 seconds. Cinematic realism. No subtitles. No text on screen. No logos. No signage. No watermarks. L...
Total duration 15 seconds. Cinematic realism. No subtitles. No text on screen. No logos. No signage. No watermarks. Location: American courtroom, daytime, warm overhead lighting, wood-paneled walls, elevated judge's bench at center, gallery seating visible in background, American flag to the side of the bench. Characters: White American female judge, 50s, silver hair, black robe, seated behind the bench, authoritative but measured. White American teenage girl, 14–15, slight frame, worn sweater, hair pulled back, standing near the witness area, visibly distressed. White American male, early 40s, lean build, tired face, pressed jacket, seated at the respondent's table, hands folded. Worn shoebox on the judge's bench. Camera style: handheld cinematic realism, shallow depth of field, natural motion blur, grounded Netflix-style drama. SHOT 1 (0s–3s): Starts as a medium wide shot — the girl standing, shoulders shaking, the courtroom tense and still around her. The moment she opens her mouth, the camera pushes in fast: a sharp handheld zoom onto her face, tight, raw, inescapable. Her eyes are red. Her jaw trembles with fury. She shouts directly into frame: "I don't want to hear anything from him — he was never there!" The zoom holds on her face through the last word. The judge watches without interrupting. The father sits motionless, jaw tight, eyes down. SHOT 2 (3s–6s): Medium shot on the judge. She lifts the shoebox from the bench with both hands, sets it at the edge, and says firmly but gently: "Miss Graves. Look at what's inside this box." SHOT 3 (6s–10s): Close-up on the girl's hands as she lifts the lid — birthday cards, sealed envelopes, folded bills, eight years of them, stacked in order. Her fingers go still. She pulls one card out. Close-up on her face: eyes scanning the handwriting, breath catching, the fury dissolving into something she wasn't ready for. Her chin buckles. Tears spill. SHOT 4 (10s–15s): Wide shot. The girl drops the box. She spins around. She runs across the courtroom floor — past the tables, past the gallery rail — and collides with her father, who is already on his feet, arms open before she reaches him. He catches her and holds on. She buries her face in his chest, shoulders heaving. He closes his eyes. The camera pulls back slowly. The courtroom holds its breath around them. Audio: girl's voice sharp and cracking in the first shot, courtroom silence, the judge's voice calm and deliberate, cardboard lid lifting, rustle of paper and envelopes, a sharp inhale, a choked sob, running footsteps on hardwood floor, the impact of the embrace, muffled crying, fabric under tight arms. Background music: silence through the shouting, a single low piano note as the box opens, a slow swell through the close-up, full emotional strings rising at the run, holding through the embrace with a warm sustained chord that doesn't fully resolve.
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] Buat sebuah video iklan berdurasi 15 detik dengan rasio aspek 9:16 untuk 'madu vitabumin', mengadopsi gaya visual yang bersih, cerah, kasual, dan informatif. Mood video harus ceria, positif, dan penuh perhatian, dengan pencahayaan natural yang terang seperti studio. Musik latar belakang adalah jingle anak-anak yang ceria dan upbeat, dipadukan dengan voiceover Bahasa Indonesia yang ramah dan meyakinkan. Gunakan transisi cut instan untuk menjaga tempo cepat dan dinamis. SCENE 1 (0-3 detik): Video dimulai dengan close-up tangan orang dewasa, mungkin seorang ibu, dengan lembut memegang botol 'madu vitabumin' di depan seorang anak laki-laki (usia 3-5 tahun) yang terlihat sedikit blur di latar belakang. Botol madu vitabumin terlihat jelas dengan labelnya. Kamera memberikan kesan handheld yang halus, sedikit bergetar, menambah kesan personal. Secara bersamaan, teks overlay muncul de
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