Seedance 2.0 展示
瀏覽社群中成功的公開生成，並打開任何項目以檢查提示、設定和輸出。
SETTING: Luxury hotel ballroom | Evening | Dramatic overhead crystal chandelier lighting casting geometric shadows, w...
SETTING: Luxury hotel ballroom | Evening | Dramatic overhead crystal chandelier lighting casting geometric shadows, warm golden spotlights on tables, cool blue uplighting on marble columns | Hushed tension before explosive confrontation All characters are white American, contemporary upper-class setting. CHARACTERS: VICTORIA: Mid-30s, sleek dark hair in an elegant updo, wearing a champagne-colored designer gown with statement jewelry, confident bordering on arrogant posture, wine glass in hand MARTHA: Mid-70s, silver hair in a modest bun, wearing a worn navy peacoat (slightly oversized, faded, mismatched buttons), calm dignified bearing, intelligent eyes ANDREW (Foundation Chairman): Late 50s, salt-and-pepper hair, sharp tuxedo, microphone in hand, initially composed then visibly shaken SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Extreme close-up on Victoria's perfectly manicured hand, wine glass tilted, as she points directly at camera. Rack focus reveals Martha in the background, peacoat clearly visible, standing still with quiet dignity. Victoria's lips move in slow motion forming cruel words. The ambient ballroom chatter goes dead silent. 0:03-0:06: Cut to wide shot from behind Martha's shoulder. Victoria's full figure in frame, surrounded by her table of shocked guests. She gestures dramatically at Martha's coat, her expression dripping with disdain. Camera pushes in slowly on Victoria's face - she's smiling, enjoying the attention. Scattered gasps. Phones lifting. 0:06-0:09: Whip pan to Andrew at the podium. Handheld camera, slightly shaky to convey urgency. His face drains of color as he realizes what's happening. Close-up on his mouth at the microphone, forming the name "Martha Reynolds." His hand trembles visibly. 0:09-0:12: Over-the-shoulder shot from Martha's perspective, looking at Victoria. Victoria's smug expression fractures - eyes widen, mouth opens slightly, champagne glass tilts in her frozen hand. Rack focus from Victoria to the glass as it slips from her fingers in ultra-slow motion, liquid catching the light. 0:12-0:15: Split focus shot: foreground - Victoria's champagne glass shattering on marble floor in extreme slow motion, crystal exploding outward. Background - Martha standing still, chin slightly raised, as the entire ballroom behind her rises to their feet in applause. Final frame holds on Victoria's devastated face reflected in a shard of broken glass. DIALOGUE OPTIONS: VICTORIA (loud, performative cruelty with underlying insecurity masked as confidence): "Did security seriously let homeless people wander in?" "Someone explain how she got past the door with that coat." "I'm sorry, did they open this event to the general public?" "That coat looks like it came from a dumpster. Literally." "Is there a dress code, or can anyone just walk in off the street?" "Five hundred dollars a plate and we're dining with Goodwill rejects?" "That coat is an insult to everyone who actually paid to be here." "Did someone from the soup kitchen get the wrong address?" "I wouldn't donate that coat to charity. I'd burn it." "Somebody's lost. The homeless shelter is six blocks south." ANDREW (voice trembling with horror and reverence, fighting to stay professional): "That woman... is Martha Reynolds." "Ladies and gentlemen... that's Martha Reynolds." "Oh my God. That's... that's Mrs. Reynolds." "I need everyone to understand... you're looking at Martha Reynolds." "That woman you just humiliated is Martha Reynolds." "Do you know who you just mocked? Martha Reynolds." "Mrs. Reynolds... our founder... our anonymous donor..." "The woman in that coat donated fifty million dollars to this foundation." "Martha Reynolds. The Martha Reynolds. Our founder." "You just publicly humiliated the most generous person in this room." MARTHA (quiet, dignified, with steel underneath the gentleness): "My late husband bought me this coat." "This coat was the last gift my husband gave me." "Seven dollars. Arlington Street Thrift. My husband chose it." "He bought this for me before he died." "My husband said it would keep me warm when he couldn't." "This was his final gift to me. I wear it to remember him." "My husband picked this coat. It's irreplaceable." "He bought this the week before he passed." "This coat means more to me than anything you're wearing." "It cost seven dollars. It's worth everything." TECHNICAL NOTES: Natural motion of wine glass falling with realistic physics and liquid dynamics Consistent spatial relationships: Victoria at table 6 feet from Martha, Andrew at podium 20 feet away Realistic crowd reactions: gradual awareness spreading through the room like a wave Glass shattering practical effect with crystal fragments and champagne splash Ambient sound design: crystal chandelier tinkling, fabric rustling, sharp intake of collective breath, building applause No logos, brand names, watermarks, or text overlays Coherent ballroom geography: podium stage right, Martha center floor, Victoria's table left
Ultra-realistic AI footage, interior racing car. orange Cat driving steadily. white cat looks scared → more scared → ...
Ultra-realistic AI footage, interior racing car. orange Cat driving steadily. white cat looks scared → more scared → extreme panic. Ends with white cat freezing in fear while orange cat calmly adjusts steering. Perfect seamless loop.
Sudden combat in a snowy enemy outpost made of metal barricades and containers. Soldiers move fast between cover. Han...
Sudden combat in a snowy enemy outpost made of metal barricades and containers. Soldiers move fast between cover. Hand-to-hand fight in snow, suppressed shots, bodies falling silently. Snow sprays into the air with each movement. Close-ups of bruised faces, breath in cold air, determination in eyes. Fast cuts blended with slow-motion impact shots. Raw, grounded action realism. Include powerful Hindi-language voiceover narration only, deep heroic Indian male voice, rising intensity and pride, Indian war-action cinema style. Background music tense and rhythmic but secondary to voiceover.
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
Ultra-realistic AI footage, interior racing car. orange Cat driving steadily. white cat looks scared → more scared → ...
Ultra-realistic AI footage, interior racing car. orange Cat driving steadily. white cat looks scared → more scared → extreme panic. Ends with white cat freezing in fear while orange cat calmly adjusts steering. Perfect seamless loop.
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—ba...
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—barely clinging to the back pocket of my mother. She is white, fit, mid-forties, moving with an eerie, unnatural confidence inside painfully tight skinny jeans and a pristine shirt that never wrinkles. The denim looms like a prison wall, its fibers oversized and suffocating, every stitch stretched and groaning with tension. As she walks, the city crawls by in broken fragments—storefronts bending inward, streetlights flickering like failing heartbeats, reflections lagging behind reality. Her stride repeats on a loop, too rhythmic, too perfect, the sway of her hips hypnotic and predatory. The soundscape hums with distorted traffic, low industrial drones, and a faint scraping noise that may be my own threads unraveling. My tall, lanky Filipino and Black male friends appear from nowhere, smiling too long, eyes unfocused. They wear skinny Levi’s 510s and high-top sneakers, but their proportions subtly stretch with each step, limbs elongating unnaturally. They start checking her out—slow, exaggerated glances—laughing in muffled echoes, completely unaware that I am watching from her body, trapped, helpless. The camera lingers in extreme close-ups: torn red stitching pulsing like exposed nerves, sweat-darkened denim breathing, fingernails brushing dangerously close. Faces slide in and out of focus, mouths moving out of sync with their voices. Time stutters. Gravity feels optional. The tab begins to peel, millimeter by millimeter, as if something unseen is tugging from below. The city’s hum swells into a nightmare chorus. The joke curdles into dread. There is no cutaway—only the certainty that this tiny, absurd vantage point is a place you don’t wake up from. Mood: surreal, oppressive, dreamlike horror Lighting: low-key, sickly sodium streetlight glow, deep shadows Camera: jittery handheld mixed with slow, predatory push-ins Inspiration: Nightmare on Elm Street, David Lynch, Ari Aster
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—ba...
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—barely clinging to the back pocket of my mother. She is white, fit, mid-forties, moving with an eerie, unnatural confidence inside painfully tight skinny jeans and a pristine shirt that never wrinkles. The denim looms like a prison wall, its fibers oversized and suffocating, every stitch stretched and groaning with tension. As she walks, the city crawls by in broken fragments—storefronts bending inward, streetlights flickering like failing heartbeats, reflections lagging behind reality. Her stride repeats on a loop, too rhythmic, too perfect, the sway of her hips hypnotic and predatory. The soundscape hums with distorted traffic, low industrial drones, and a faint scraping noise that may be my own threads unraveling. My tall, lanky Filipino and Black male friends appear from nowhere, smiling too long, eyes unfocused. They wear skinny Levi’s 510s and high-top sneakers, but their proportions subtly stretch with each step, limbs elongating unnaturally. They start checking her out—slow, exaggerated glances—laughing in muffled echoes, completely unaware that I am watching from her body, trapped, helpless. The camera lingers in extreme close-ups: torn red stitching pulsing like exposed nerves, sweat-darkened denim breathing, fingernails brushing dangerously close. Faces slide in and out of focus, mouths moving out of sync with their voices. Time stutters. Gravity feels optional. The tab begins to peel, millimeter by millimeter, as if something unseen is tugging from below. The city’s hum swells into a nightmare chorus. The joke curdles into dread. There is no cutaway—only the certainty that this tiny, absurd vantage point is a place you don’t wake up from. Mood: surreal, oppressive, dreamlike horror Lighting: low-key, sickly sodium streetlight glow, deep shadows Camera: jittery handheld mixed with slow, predatory push-ins Inspiration: Nightmare on Elm Street, David Lynch, Ari Aster
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—ba...
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—barely clinging to the back pocket of my mother. She is white, fit, mid-forties, moving with an eerie, unnatural confidence inside painfully tight skinny jeans and a pristine shirt that never wrinkles. The denim looms like a prison wall, its fibers oversized and suffocating, every stitch stretched and groaning with tension. As she walks, the city crawls by in broken fragments—storefronts bending inward, streetlights flickering like failing heartbeats, reflections lagging behind reality. Her stride repeats on a loop, too rhythmic, too perfect, the sway of her hips hypnotic and predatory. The soundscape hums with distorted traffic, low industrial drones, and a faint scraping noise that may be my own threads unraveling. My tall, lanky Filipino and Black male friends appear from nowhere, smiling too long, eyes unfocused. They wear skinny Levi’s 510s and high-top sneakers, but their proportions subtly stretch with each step, limbs elongating unnaturally. They start checking her out—slow, exaggerated glances—laughing in muffled echoes, completely unaware that I am watching from her body, trapped, helpless. The camera lingers in extreme close-ups: torn red stitching pulsing like exposed nerves, sweat-darkened denim breathing, fingernails brushing dangerously close. Faces slide in and out of focus, mouths moving out of sync with their voices. Time stutters. Gravity feels optional. The tab begins to peel, millimeter by millimeter, as if something unseen is tugging from below. The city’s hum swells into a nightmare chorus. The joke curdles into dread. There is no cutaway—only the certainty that this tiny, absurd vantage point is a place you don’t wake up from. Mood: surreal, oppressive, dreamlike horror Lighting: low-key, sickly sodium streetlight glow, deep shadows Camera: jittery handheld mixed with slow, predatory push-ins Inspiration: Nightmare on Elm Street, David Lynch, Ari Aster
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