Seedance 2.0 展示
瀏覽社群中成功的公開生成，並打開任何項目以檢查提示、設定和輸出。
A beautiful white American woman with a great body, wearing a tank top, was stroking a lion. The lion licked the woma...
A beautiful white American woman with a great body, wearing a tank top, was stroking a lion. The lion licked the woman's armpit and then vomited.
A small-town Texas diner interior, warm afternoon lighting streaming through venetian blinds. All characters are Amer...
A small-town Texas diner interior, warm afternoon lighting streaming through venetian blinds. All characters are American, realistic and natural in appearance. Close-up: Marcus, a young Latino-American man, sits at the counter staring at dismissal papers, his hands visibly trembling. The diner falls silent as he enters. Rosa, an older Latina-American woman behind the counter, slides him coffee without being asked. Suddenly, the door chimes and Deputy Williams, a middle-aged white American officer, walks in. Tension fills the frame as both men lock eyes. Williams approaches slowly and extends his hand. "Marcus, I owe you an apology." Marcus stares at the offered handshake, the camera holding on their frozen moment. The door chimes again - Sarah, a professional white American woman in a suit, enters with papers in hand. Close-up on Marcus's face as his expression shifts from recognition to wariness. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism.
A small-town Texas diner interior, warm afternoon lighting streaming through venetian blinds. All characters are Amer...
A small-town Texas diner interior, warm afternoon lighting streaming through venetian blinds. All characters are American, realistic and natural in appearance. Close-up: Marcus, a young Latino-American man, sits at the counter staring at dismissal papers, his hands visibly trembling. The diner falls silent as he enters. Rosa, an older Latina-American woman behind the counter, slides him coffee without being asked. Suddenly, the door chimes and Deputy Williams, a middle-aged white American officer, walks in. Tension fills the frame as both men lock eyes. Williams approaches slowly and extends his hand. "Marcus, I owe you an apology." Marcus stares at the offered handshake, the camera holding on their frozen moment. The door chimes again - Sarah, a professional white American woman in a suit, enters with papers in hand. Close-up on Marcus's face as his expression shifts from recognition to wariness. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism.
A small-town Texas diner interior, warm afternoon lighting streaming through venetian blinds. All characters are Amer...
A small-town Texas diner interior, warm afternoon lighting streaming through venetian blinds. All characters are American, realistic and natural in appearance. Close-up: Marcus, a young Latino-American man, sits at the counter staring at dismissal papers, his hands visibly trembling. The diner falls silent as he enters. Rosa, an older Latina-American woman behind the counter, slides him coffee without being asked. Suddenly, the door chimes and Deputy Williams, a middle-aged white American officer, walks in. Tension fills the frame as both men lock eyes. Williams approaches slowly and extends his hand. "Marcus, I owe you an apology." Marcus stares at the offered handshake, the camera holding on their frozen moment. The door chimes again - Sarah, a professional white American woman in a suit, enters with papers in hand. Close-up on Marcus's face as his expression shifts from recognition to wariness. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism.
A small-town Texas diner interior, warm afternoon lighting streaming through venetian blinds. All characters are Amer...
A small-town Texas diner interior, warm afternoon lighting streaming through venetian blinds. All characters are American, realistic and natural in appearance. Close-up: Marcus, a young Latino-American man, sits at the counter staring at dismissal papers, his hands visibly trembling. The diner falls silent as he enters. Rosa, an older Latina-American woman behind the counter, slides him coffee without being asked. Suddenly, the door chimes and Deputy Williams, a middle-aged white American officer, walks in. Tension fills the frame as both men lock eyes. Williams approaches slowly and extends his hand. "Marcus, I owe you an apology." Marcus stares at the offered handshake, the camera holding on their frozen moment. The door chimes again - Sarah, a professional white American woman in a suit, enters with papers in hand. Close-up on Marcus's face as his expression shifts from recognition to wariness. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism.
A small-town Texas diner interior, warm afternoon lighting streaming through venetian blinds. All characters are Amer...
A small-town Texas diner interior, warm afternoon lighting streaming through venetian blinds. All characters are American, realistic and natural in appearance. Close-up: Marcus, a young Latino-American man, sits at the counter staring at dismissal papers, his hands visibly trembling. The diner falls silent as he enters. Rosa, an older Latina-American woman behind the counter, slides him coffee without being asked. Suddenly, the door chimes and Deputy Williams, a middle-aged white American officer, walks in. Tension fills the frame as both men lock eyes. Williams approaches slowly and extends his hand. "Marcus, I owe you an apology." Marcus stares at the offered handshake, the camera holding on their frozen moment. The door chimes again - Sarah, a professional white American woman in a suit, enters with papers in hand. Close-up on Marcus's face as his expression shifts from recognition to wariness. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism.
Vídeo com qualidade natural, como se fosse gravado pelo celular, nada de filtros nem efeitos cinematográficos. É impo...
Vídeo com qualidade natural, como se fosse gravado pelo celular, nada de filtros nem efeitos cinematográficos. É importante que a filmagem pegue toda a cena e os personagens em todo o tempo do vídeo, sem desfocar nem desviar muito deles para capturar os pontos mais importantes do vídeo. O vídeo se passa no nordeste do brasil, em uma casa de barro e as pessoas usam roupas básicas, sujas e velhas, próprias para o calor. três idoso estão sentados no terreiro, sentada do lado esquerdo tem Uma mulher idosa de 95 anos, extremamente magra com desnutrição, de pele branca, banguela e de cabelo de cor ruiva puxando para o loiro sem nenhum fio branco, liso e amarrado para trás com uma verruga no meio do nariz e dois dentes grandes da frente, sentado no meio, entre as duas mulheres tem um homem idoso de 95 anos, extremamente magro com desnutrição, de pele branca e de cabelo 3 meses por cortar, de cor ruiva puxando para o loiro sem nenhum pelo branco e calvo na parte de cima e sentada do lado direito tem uma mulher negra e magra de 95 anos. Então a mulher negra fala: "Larga logo desse homem, chica." e a idosa branca fala: "Tou pra largar dessa carniça, cumadre." então a idosa negra fala carinhosamente abraçando o idoso branco: "Zé, quando ela te largar vamo morar mais eu, meu lindo." só depois disso a idosa branca fica brava e fala muito brava: "Tu tá querendo roubar meu macho, véia inxirida!" então depois de terminar todas as falas as duas se levantam e começam a as fazer os passos típicos de uma luta de capoeira enquanto o idoso fica olhando. Não tem risos no vídeo e não deve ter nenhuma música. (Vídeo natural e contínuo, sem nenhum tipo de corte ou edição.)
una tizia che beve NO text overlay, NO subtitles, NO captions on screen.
una tizia che beve NO text overlay, NO subtitles, NO captions on screen.
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
un video di una ragazza che beve integratori da una tazza NO text overlay, NO subtitles, NO captions on screen.
un video di una ragazza che beve integratori da una tazza NO text overlay, NO subtitles, NO captions on screen.
un video di una ragazza che beve integratori da una tazza NO text overlay, NO subtitles, NO captions on screen.
un video di una ragazza che beve integratori da una tazza NO text overlay, NO subtitles, NO captions on screen.
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