Seedance 2.0 展示
瀏覽社群中成功的公開生成，並打開任何項目以檢查提示、設定和輸出。
Sotto la pioggia, un cavallo stanco cammina lungo un recinto rotto, ferito e spaventato. Le sue zampe tremano, il res...
Sotto la pioggia, un cavallo stanco cammina lungo un recinto rotto, ferito e spaventato. Le sue zampe tremano, il respiro è pesante. Una persona si avvicina con calma, gli parla piano e lo libera dal filo che lo intrappola. Il cavallo alza la testa, poi corre libero nel prato. È salvo. La fiducia è tornata.
[OPENING HOOK – FIRST 2 SECONDS] Rain falling softly. Extreme close-up: a cat-shaped shadow stretched across wet cobb...
[OPENING HOOK – FIRST 2 SECONDS] Rain falling softly. Extreme close-up: a cat-shaped shadow stretched across wet cobblestones. The shadow suddenly disappears as the light flickers. Cut to the kitten. Alone. [SCENE 1 – THE COZY STREET] A dark, cozy cartoon street with warm glowing lamps. A small round kitten stands under the lamplight. She looks down at the ground. The shadow is gone. She slowly turns in a circle. Nothing follows her. [SCENE 2 – TRYING TO FIX IT] The kitten steps forward. She looks down. No shadow. She steps back into the light. Still nothing. Her ears droop. She reaches a paw toward the ground, as if trying to grab it. [SCENE 3 – RAIN AND LONELINESS] Rain gently falls. The kitten sits. Her body sinks slightly. She hugs her tail. The street feels big and quiet. Lamp hums softly. [SCENE 4 – FALSE HOPE] A larger shadow briefly crosses the street. The kitten jumps up. Turns quickly. Runs toward it. But the shadow fades into nothing. She stops. Slowly sits again. [SCENE 5 – THE TURN] The rain stops. The streetlamp steadies. A second shadow slowly grows beside the kitten’s shadow. She doesn’t notice at first. Then— Her ears twitch. [SCENE 6 – REUNION] The kitten looks down. Two shadows. She looks up. The mother cat is standing right behind her, warm and calm. The kitten spins and runs into her. They touch foreheads. SFX: deep, comforting purring fills the street. [FINAL SHOT – COZY ENDING] Street glows golden. Mother and kitten sit under the lamp. Their shadows stretch together on the ground. The shadows gently merge. Camera pulls back. Only purring remains. Fade out.
cinematic, surreal apokalypse world, dark fantasy, photorealistic, ultra-detailed, full HD, 8k, unreal engine 5 rende...
cinematic, surreal apokalypse world, dark fantasy, photorealistic, ultra-detailed, full HD, 8k, unreal engine 5 render, volumetric lighting, hyperrealistic textures, film grain, muted cold color palette, deep shadows, stark contrast, eerie silence broken only by wind sounds. Visual Prompt: Surreal landscape. A mountain river, but its waters are flowing upwards or are frozen in mid-cascade, with ice crystals suspended in air. In the background, rows of identical, Apocalypse, Anxiety, Fear, Surreal World. A creepy face from nightmares, reminiscent of the "dead valley effect," with deformed arms and legs in an icy world. An entrance to the underworld, doors and windows that lead to other terrifying worlds. As the camera focuses on them, they slowly dissolve and unravel like smoke into the prevailing blizzard (dissolving into the gloom). Time-lapse effect showing the sun not moving in the sky. Atmosphere: Complete, unnatural silence. No water sound, no footsteps. Only a deep, subsonic hum.
The motorcycle rider drives into a car and is thrown onto the road. The motorcycle and car gets seriously damaged.
The motorcycle rider drives into a car and is thrown onto the road. The motorcycle and car gets seriously damaged.
PROMPT (ES) — 15s • UNA TOMA • CÁMARA FIJA • DÍA • SIN SUBTÍTULOS Estilo: Metraje realista de cámara de seguridad de ...
PROMPT (ES) — 15s • UNA TOMA • CÁMARA FIJA • DÍA • SIN SUBTÍTULOS Estilo: Metraje realista de cámara de seguridad de supermercado (CCTV), leve grano/compresión, iluminación fluorescente natural, colores apagados. Sin cortes, sin zoom, sin movimiento de cámara. Cámara: Cámara fija en una esquina alta del techo en un pasillo del supermercado, plano amplio que muestra parte del pasillo, estanterías y la apertura del pasillo hacia el frente de la tienda. Escena (día): Un hombre hispano bien vestido (30–40) empuja un carrito de compras lentamente, revisando productos. Un ayudante del sheriff uniformado está en el pasillo cerca de él, postura autoritaria, una mano cerca del cinturón de servicio. Un empleado de la tienda se ve más al fondo del pasillo, observando con nerviosismo. Acción (15 segundos, continuo): El ayudante se acerca y hace un gesto hacia la salida del pasillo como si le ordenara al comprador que se vaya. El comprador se mantiene calmado, levanta una mano ligeramente con un gesto de “solo estoy comprando” y señala brevemente el carrito. La postura del ayudante sigue firme y despectiva. El empleado duda, mirando de uno a otro. En el fondo, algunos clientes pasan brevemente por la entrada del pasillo. Audio: ambiente silencioso de tienda (PA tenue y apagado, zumbido de refrigeradores, chirrido de ruedas del carrito, pasos lejanos). Sin diálogo claro. Sin música. Sin subtítulos.
footage of a windows phone exploding and going back togeather
footage of a windows phone exploding and going back togeather
A short, comedic, viral zoo video filmed in realistic smartphone style. [00:00–00:02 | Setup] A young attractive woma...
A short, comedic, viral zoo video filmed in realistic smartphone style. [00:00–00:02 | Setup] A young attractive woman wearing a green hoodie stands in front of a thick glass gorilla enclosure, holding one single smartphone in selfie mode, smiling at the camera. [00:02–00:05 | Photobomb begins] Behind the intact safety glass, a calm and playful silverback gorilla slowly approaches from the background and positions himself perfectly behind her. [00:05–00:07 | Funny imitation] The gorilla leans closer to the glass and sticks out his tongue playfully, clearly visible in the same selfie frame. [00:07–00:10 | The joke escalates] The gorilla raises his hand and makes a clear peace sign (V sign), holding the pose like a human posing for a selfie. [00:10–00:12 | Reaction] The woman notices the gorilla on the screen of the same phone she is holding, and bursts into genuine laughter, repeatedly saying, “Oh my God!” [00:12–00:15 | Final gag] Still holding the same phone, she tries to take one last selfie while laughing. The gorilla freezes dramatically in his pose, tongue slightly out, peace sign still up. Natural daylight, zoo rocks and vegetation in the background, no camera cuts, intact safety glass, no danger, no aggression. Lighthearted, wholesome comedy with viral short-form energy.
[OPENING HOOK – FIRST 2 SECONDS] Rain falling softly. Extreme close-up: a cat-shaped shadow stretched across wet cobb...
[OPENING HOOK – FIRST 2 SECONDS] Rain falling softly. Extreme close-up: a cat-shaped shadow stretched across wet cobblestones. The shadow suddenly disappears as the light flickers. Cut to the kitten. Alone. [SCENE 1 – THE COZY STREET] A dark, cozy cartoon street with warm glowing lamps. A small round kitten stands under the lamplight. She looks down at the ground. The shadow is gone. She slowly turns in a circle. Nothing follows her. [SCENE 2 – TRYING TO FIX IT] The kitten steps forward. She looks down. No shadow. She steps back into the light. Still nothing. Her ears droop. She reaches a paw toward the ground, as if trying to grab it. [SCENE 3 – RAIN AND LONELINESS] Rain gently falls. The kitten sits. Her body sinks slightly. She hugs her tail. The street feels big and quiet. Lamp hums softly. [SCENE 4 – FALSE HOPE] A larger shadow briefly crosses the street. The kitten jumps up. Turns quickly. Runs toward it. But the shadow fades into nothing. She stops. Slowly sits again. [SCENE 5 – THE TURN] The rain stops. The streetlamp steadies. A second shadow slowly grows beside the kitten’s shadow. She doesn’t notice at first. Then— Her ears twitch. [SCENE 6 – REUNION] The kitten looks down. Two shadows. She looks up. The mother cat is standing right behind her, warm and calm. The kitten spins and runs into her. They touch foreheads. SFX: deep, comforting purring fills the street. [FINAL SHOT – COZY ENDING] Street glows golden. Mother and kitten sit under the lamp. Their shadows stretch together on the ground. The shadows gently merge. Camera pulls back. Only purring remains. Fade out.
cinematic, surreal apokalypse world, dark fantasy, photorealistic, ultra-detailed, full HD, 8k, unreal engine 5 rende...
cinematic, surreal apokalypse world, dark fantasy, photorealistic, ultra-detailed, full HD, 8k, unreal engine 5 render, volumetric lighting, hyperrealistic textures, film grain, muted cold color palette, deep shadows, stark contrast, eerie silence broken only by wind sounds. Visual Prompt: Surreal landscape. A mountain river, but its waters are flowing upwards or are frozen in mid-cascade, with ice crystals suspended in air. In the background, rows of identical, faceless humanoid figures in worn armor (faceless marches) walk in unison across a misty plain. As the camera focuses on them, they slowly dissolve and unravel like smoke into the prevailing blizzard (dissolving into the gloom). Time-lapse effect showing the sun not moving in the sky. Atmosphere: Complete, unnatural silence. No water sound, no footsteps. Only a deep, subsonic hum.
A modern American private airport terminal under harsh fluorescent lighting. Late afternoon. All characters are white...
A modern American private airport terminal under harsh fluorescent lighting. Late afternoon. All characters are white American adults, realistic and natural in appearance. The space is sleek, minimalist, expensive. Close-up: a simple wooden cane clatters loudly against polished marble floor as an elderly white American man in a gray hoodie falls hard, landing on his side. His face contorts in pain, one hand instinctively reaching for his hip. The camera pulls back to show a younger white American man in a neon green designer hoodie standing over him, adjusting his sunglasses with a sneer. Around them, several well-dressed white American passengers film silently on their phones. The air is thick with tension and voyeuristic stillness. A gate door opens. A white American airline captain in full uniform—four gold stripes visible on navy shoulders—steps through. His confident stride falters. He stops mid-step. His face drains of all color as he looks past the young man to the fallen figure on the floor. The captain moves with sudden urgency, bypassing the young man entirely. He drops to one knee beside the elderly man, his pristine uniform hitting the dirty terminal floor without hesitation. He extends a trembling hand. The young man turns, confused, watching this unexpected display of respect. His smirk begins to fade. Close-up on his face as realization slowly dawns—confusion shifting to dawning horror. Cut to the elderly man's weathered hand gripping the captain's. He's pulled to his feet, retrieves his cane. He turns, looking directly at the young man with cold, steel-gray eyes. No anger. Just quiet power. The captain stands at attention beside him, protective. The young man's mouth opens but no sound comes out. His face has gone pale. The captain says firmly: "You own this aircraft, Sir." Silence. Everyone's phones are still recording. The young man takes an involuntary step backward. No logos, no brand names, no signage, no watermarks, no text overlays. Cinematic, realistic, grounded tone. Natural lighting with slight contrast emphasizing the power shift in the scene.
A modern American private airport terminal under harsh fluorescent lighting. Late afternoon. All characters are white...
A modern American private airport terminal under harsh fluorescent lighting. Late afternoon. All characters are white American adults, realistic and natural in appearance. The space is sleek, minimalist, expensive. Close-up: a simple wooden cane clatters loudly against polished marble floor as an elderly white American man in a gray hoodie falls hard, landing on his side. His face contorts in pain, one hand instinctively reaching for his hip. The camera pulls back to show a younger white American man in a neon green designer hoodie standing over him, adjusting his sunglasses with a sneer. Around them, several well-dressed white American passengers film silently on their phones. The air is thick with tension and voyeuristic stillness. A gate door opens. A white American airline captain in full uniform—four gold stripes visible on navy shoulders—steps through. His confident stride falters. He stops mid-step. His face drains of all color as he looks past the young man to the fallen figure on the floor. The captain moves with sudden urgency, bypassing the young man entirely. He drops to one knee beside the elderly man, his pristine uniform hitting the dirty terminal floor without hesitation. He extends a trembling hand. The young man turns, confused, watching this unexpected display of respect. His smirk begins to fade. Close-up on his face as realization slowly dawns—confusion shifting to dawning horror. Cut to the elderly man's weathered hand gripping the captain's. He's pulled to his feet, retrieves his cane. He turns, looking directly at the young man with cold, steel-gray eyes. No anger. Just quiet power. The captain stands at attention beside him, protective. The young man's mouth opens but no sound comes out. His face has gone pale. The captain says firmly: "You own this aircraft, Sir." Silence. Everyone's phones are still recording. The young man takes an involuntary step backward. No logos, no brand names, no signage, no watermarks, no text overlays. Cinematic, realistic, grounded tone. Natural lighting with slight contrast emphasizing the power shift in the scene.
A modern American private airport terminal under harsh fluorescent lighting. Late afternoon. All characters are white...
A modern American private airport terminal under harsh fluorescent lighting. Late afternoon. All characters are white American adults, realistic and natural in appearance. The space is sleek, minimalist, expensive. Close-up: a simple wooden cane clatters loudly against polished marble floor as an elderly white American man in a gray hoodie falls hard, landing on his side. His face contorts in pain, one hand instinctively reaching for his hip. The camera pulls back to show a younger white American man in a neon green designer hoodie standing over him, adjusting his sunglasses with a sneer. Around them, several well-dressed white American passengers film silently on their phones. The air is thick with tension and voyeuristic stillness. A gate door opens. A white American airline captain in full uniform—four gold stripes visible on navy shoulders—steps through. His confident stride falters. He stops mid-step. His face drains of all color as he looks past the young man to the fallen figure on the floor. The captain moves with sudden urgency, bypassing the young man entirely. He drops to one knee beside the elderly man, his pristine uniform hitting the dirty terminal floor without hesitation. He extends a trembling hand. The young man turns, confused, watching this unexpected display of respect. His smirk begins to fade. Close-up on his face as realization slowly dawns—confusion shifting to dawning horror. Cut to the elderly man's weathered hand gripping the captain's. He's pulled to his feet, retrieves his cane. He turns, looking directly at the young man with cold, steel-gray eyes. No anger. Just quiet power. The captain stands at attention beside him, protective. The young man's mouth opens but no sound comes out. His face has gone pale. The captain says firmly: "You own this aircraft, Sir." Silence. Everyone's phones are still recording. The young man takes an involuntary step backward. No logos, no brand names, no signage, no watermarks, no text overlays. Cinematic, realistic, grounded tone. Natural lighting with slight contrast emphasizing the power shift in the scene.
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