Seedance 2.0 展示
瀏覽社群中成功的公開生成，並打開任何項目以檢查提示、設定和輸出。
A fast-paced 15-second cinematic journey of an epoxy table build. (1) Starts with a team of three carpenters carrying...
A fast-paced 15-second cinematic journey of an epoxy table build. (1) Starts with a team of three carpenters carrying a heavy live-edge walnut slab into a sunlit workshop. (2) The scene morphs via Google Flow into a clean mold setup. (3) Action shot: An artisan's hands pouring metallic blue deep-pour epoxy, swirls forming vividly. (4) [NEW STEP] A master craftsman uses a chisel and sander on the edges, dust flying in slow-motion. (5) A smooth transition reveals the surface changing to a glass-like finish. (6) [NEW ENDING] Ends with a majestic drone orbit in a luxury living room as a woman walks by and places a coffee cup on the finished River Table. 4K, photorealistic.
A fast-paced 15-second cinematic journey of an epoxy table build. (1) Starts with a team of three carpenters carrying...
A fast-paced 15-second cinematic journey of an epoxy table build. (1) Starts with a team of three carpenters carrying a heavy live-edge walnut slab into a sunlit workshop. (2) The scene morphs via Google Flow into a clean mold setup. (3) Action shot: An artisan's hands pouring metallic blue deep-pour epoxy, swirls forming vividly. (4) [NEW STEP] A master craftsman uses a chisel and sander on the edges, dust flying in slow-motion. (5) A smooth transition reveals the surface changing to a glass-like finish. (6) [NEW ENDING] Ends with a majestic drone orbit in a luxury living room as a woman walks by and places a coffee cup on the finished River Table. 4K, photorealistic.
A fast-paced 15-second cinematic journey of an epoxy table build. (1) Starts with a team of three carpenters carrying...
A fast-paced 15-second cinematic journey of an epoxy table build. (1) Starts with a team of three carpenters carrying a heavy live-edge walnut slab into a sunlit workshop. (2) The scene morphs via Google Flow into a clean mold setup. (3) Action shot: An artisan's hands pouring metallic blue deep-pour epoxy, swirls forming vividly. (4) [NEW STEP] A master craftsman uses a chisel and sander on the edges, dust flying in slow-motion. (5) A smooth transition reveals the surface changing to a glass-like finish. (6) [NEW ENDING] Ends with a majestic drone orbit in a luxury living room as a woman walks by and places a coffee cup on the finished River Table. 4K, photorealistic.
Close-up: A thick, swirling gray fog. A wooden bow of a ship slowly pierces through the mist. The camera pans up to s...
Close-up: A thick, swirling gray fog. A wooden bow of a ship slowly pierces through the mist. The camera pans up to show empty decks and tattered sails flapping in the wind.
CCTV security camera footage, ultra-realistic 4K video. A cat comes to a house and rings the doorbell. The human owne...
CCTV security camera footage, ultra-realistic 4K video. A cat comes to a house and rings the doorbell. The human owner opens the door, looks annoyed, and appears to ask, “Where are you coming from?” The cat keeps pressing the doorbell repeatedly. Fixed camera angle, no zoom or movement, realistic lighting, authentic surveillance camera style.
Um comercial para uma Loja de celulares chamada JN CELULARES
Um comercial para uma Loja de celulares chamada JN CELULARES
A cinematic 5-step architectural short about building an epoxy river table. (1) Starts with a static wide-angle of a ...
A cinematic 5-step architectural short about building an epoxy river table. (1) Starts with a static wide-angle of a dusty workshop with rough live-edge walnut slabs and workers unloading tools. (2) The scene morphs via Google Flow into a clean skeleton frame and mold setup. (3) Switches to a fast-motion timelapse of workers pouring metallic blue deep-pour epoxy into the wood gaps, pigments swirling. (4) A smooth transition reveals the surface changing from raw and sanded to a stunning crystal blue resin river with a glass-like finish. (5) Ends with a majestic drone orbit around the completed table in a modern living room, highlighting the stunning details in 4K quality.
Ultra-realistic 4K cinematic footage, handheld iPhone-style POV walking slowly forward through Shinjuku’s Kabukicho b...
Ultra-realistic 4K cinematic footage, handheld iPhone-style POV walking slowly forward through Shinjuku’s Kabukicho backstreets at night after light rain. Wet asphalt mirrors hundreds of glowing Japanese neon kanji signs in electric pink, cyan, magenta, and amber. Dozens of real-looking Japanese pedestrians walk naturally in all directions, many holding clear and black umbrellas, subtle water droplets visible. Brightly lit drink vending machines glow on the left sidewalk. Black Tokyo taxis with glowing roof signs crawl past slowly, brake lights and headlights reflecting sharply on the wet pavement. Natural handheld camera shake, slight focus breathing, shallow depth of field with beautiful bokeh on distant signs, realistic motion blur on moving people and cars, high-contrast cinematic color grading, documentary raw look, zero CGI or artificial feel, photorealistic textures, 9:16 aspect ratio
تحركها
تحركها
Wide tracking shot, gimbal or Steadicam, following them from a slight angle. Shot on a cinema camera with soft, warm ...
Wide tracking shot, gimbal or Steadicam, following them from a slight angle. Shot on a cinema camera with soft, warm colour grade. VISUAL: Manchester park at golden hour. Man pushes pram, partner walks beside him, trees glowing behind. MAN (to partner, casual, warm, Manc accent): “You know that platform I’ve been telling you about — The Oriel AP? My mate Lorenzo built it. It’s honestly changing lives round here.” Partner looks at him, interested. SCENE 2 – WHAT IT DOES (10–25s) CAMERA: Medium shot from the side, on a cinema camera with shallow depth of field. Insert close-ups of his hands on the pram, baby’s hand. PARTNER: “That’s the one that helps people get stuff delivered, yeah?” MAN (nodding, engaged): “Yeah. It started with groceries and medications for people who were being left behind by normal apps — especially older folks and neurodivergent people with ADHD, autism, dyslexia. Now it does home support too — gardening, maintenance — plus this really smart AI assistant that actually guides you through everything.” SCENE 3 – ABOUT LORENZO (25–40s) CAMERA: Over-the-shoulder shot on a prime lens, background softly blurred. Slight push-in as he talks about you. PARTNER: “Tell me again about Lorenzo. You said his story was powerful.” MAN (proud, like he’s talking about a close friend): “Yeah, so Lorenzo Pottinger — he’s 39, from Manchester, proper local lad. He watched people in his own family battling with tiny buttons, passwords, logins… all that rubbish. Instead of saying they were ‘bad with tech’, he realised the tech just wasn’t built for them. So he built The Oriel AP — for Manchester, by Manchester.” SCENE 4 – FEATURES & IMPACT (40–52s) CAMERA: Cinematic B‑roll cut over the dialogue: Macro/close-up shots of phone/tablet screens, well-lit, shot at 50mm or 85mm for detail. Shots of real people in natural light, handheld for intimacy. VISUAL (B‑roll over Man’s voice): The Oriel AP on screen: big buttons, AI chat bubble, clear steps. Older person smiling as they receive groceries. Neurodivergent adult calmly using Focus Mode. MAN (voiceover, still Manc accent): “There’s no login just to ask for help. An AI form assistant that reads things out and helps you fill them in. Focus mode so ADHD and autistic users don’t get overwhelmed. High-contrast, reduced animations so it’s easier on the eyes. They’ve tested it with older people here — and it hits about a 94% success rate. That’s miles better than the usual apps.” SCENE 5 – TALKING TO PARTNER AND VIEWER (52–60s) CAMERA: Medium close-up on both, shot on a cinema camera with beautiful bokeh. Slight, gentle dolly in as he delivers the final line. VISUAL: They pause by a nice spot (bench, view), baby in pram between them. PARTNER (softly): “That sounds exactly like what people here need.” MAN (to partner, inviting the viewer too): “Yeah, it is. If your mum, dad, neighbour — or even you — find tech a bit much, just go to compassionatecourier.world and try The Oriel AP. Lorenzo built it so the people everyone else forgets… finally come first.” VISUAL: He smiles at partner, looks into the pram, then they walk away. Camera holds on them, slowly drifting back. END CARD (graphic, clean): The Oriel AP – Manchester’s Most Trusted Community Platform Built by Lorenzo Pottinger, 39, Manchester compassionatecourier.world Music gently fades out. Production Note You Can Hand Directly to a Filmmaker Technical Quality Requirements: Camera: Use a top-tier digital cinema camera, preferably ARRI Alexa Mini LF, ARRI Alexa 35, Sony Venice 2, or RED V-Raptor, to achieve maximum dynamic range, colour depth, and cinematic image quality. Lenses: Fast prime lenses (e.g. 35mm, 50mm, 85mm) at wide apertures (T1.5–T2.8) for a soft, cinematic background and a gentle, intimate feel. Lighting: Natural golden-hour light, with minimal soft fill and negative fill where needed to maintain shape and contrast.
A neon-lit rainy street with reflections, slow camera dolly forward, high contrast.
A neon-lit rainy street with reflections, slow camera dolly forward, high contrast.
Wide tracking shot, gimbal or Steadicam, following them from a slight angle. Shot on a cinema camera with soft, warm ...
Wide tracking shot, gimbal or Steadicam, following them from a slight angle. Shot on a cinema camera with soft, warm colour grade. VISUAL: Manchester park at golden hour. Man pushes pram, partner walks beside him, trees glowing behind. MAN (to partner, casual, warm, Manc accent): “You know that platform I’ve been telling you about — The Oriel AP? My mate Lorenzo built it. It’s honestly changing lives round here.” Partner looks at him, interested. SCENE 2 – WHAT IT DOES (10–25s) CAMERA: Medium shot from the side, on a cinema camera with shallow depth of field. Insert close-ups of his hands on the pram, baby’s hand. PARTNER: “That’s the one that helps people get stuff delivered, yeah?” MAN (nodding, engaged): “Yeah. It started with groceries and medications for people who were being left behind by normal apps — especially older folks and neurodivergent people with ADHD, autism, dyslexia. Now it does home support too — gardening, maintenance — plus this really smart AI assistant that actually guides you through everything.” SCENE 3 – ABOUT LORENZO (25–40s) CAMERA: Over-the-shoulder shot on a prime lens, background softly blurred. Slight push-in as he talks about you. PARTNER: “Tell me again about Lorenzo. You said his story was powerful.” MAN (proud, like he’s talking about a close friend): “Yeah, so Lorenzo Pottinger — he’s 39, from Manchester, proper local lad. He watched people in his own family battling with tiny buttons, passwords, logins… all that rubbish. Instead of saying they were ‘bad with tech’, he realised the tech just wasn’t built for them. So he built The Oriel AP — for Manchester, by Manchester.” SCENE 4 – FEATURES & IMPACT (40–52s) CAMERA: Cinematic B‑roll cut over the dialogue: Macro/close-up shots of phone/tablet screens, well-lit, shot at 50mm or 85mm for detail. Shots of real people in natural light, handheld for intimacy. VISUAL (B‑roll over Man’s voice): The Oriel AP on screen: big buttons, AI chat bubble, clear steps. Older person smiling as they receive groceries. Neurodivergent adult calmly using Focus Mode. MAN (voiceover, still Manc accent): “There’s no login just to ask for help. An AI form assistant that reads things out and helps you fill them in. Focus mode so ADHD and autistic users don’t get overwhelmed. High-contrast, reduced animations so it’s easier on the eyes. They’ve tested it with older people here — and it hits about a 94% success rate. That’s miles better than the usual apps.” SCENE 5 – TALKING TO PARTNER AND VIEWER (52–60s) CAMERA: Medium close-up on both, shot on a cinema camera with beautiful bokeh. Slight, gentle dolly in as he delivers the final line. VISUAL: They pause by a nice spot (bench, view), baby in pram between them. PARTNER (softly): “That sounds exactly like what people here need.” MAN (to partner, inviting the viewer too): “Yeah, it is. If your mum, dad, neighbour — or even you — find tech a bit much, just go to compassionatecourier.world and try The Oriel AP. Lorenzo built it so the people everyone else forgets… finally come first.” VISUAL: He smiles at partner, looks into the pram, then they walk away. Camera holds on them, slowly drifting back. END CARD (graphic, clean): The Oriel AP – Manchester’s Most Trusted Community Platform Built by Lorenzo Pottinger, 39, Manchester compassionatecourier.world Music gently fades out. Production Note You Can Hand Directly to a Filmmaker Technical Quality Requirements: Camera: Use a top-tier digital cinema camera, preferably ARRI Alexa Mini LF, ARRI Alexa 35, Sony Venice 2, or RED V-Raptor, to achieve maximum dynamic range, colour depth, and cinematic image quality. Lenses: Fast prime lenses (e.g. 35mm, 50mm, 85mm) at wide apertures (T1.5–T2.8) for a soft, cinematic background and a gentle, intimate feel. Lighting: Natural golden-hour light, with minimal soft fill and negative fill where needed to maintain shape and contrast. Sound: Professional lav mic on the man and partner, with clean location sound and a subtle, licensed instrumental track under the dialogue. Accent: Cast an actor with a genuine Manchester accent, not an imitation. The performance must feel natural, not like a staged advert. Use exact UI compassionatecourier.world make sure there is no spelling mistakes. Nothing more is to be added into the video and nothing less is to be taken away. This has to be precise.
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