Seedance 2.0 Fremvisning
Gennemse succesfulde offentlige generationer fra fællesskabet og åbn et hvilket som helst element for at inspicere prompten, indstillingerne og outputtet.
Estilo:* Vídeo vertical, 4K, cinematográfico e fotorrealista. * *Cena:* Uma bela *influencer* latina, cabelos longos,...
Estilo:* Vídeo vertical, 4K, cinematográfico e fotorrealista. * *Cena:* Uma bela *influencer* latina, cabelos longos,lisos e escuros, e pele bronzeada * . A iluminação é intensa, típica de comerciais. Faça um prompt mas foque na experiência do produto,fale sobre a dor que esse produto resolve,quais são seus benefícios,o que o produto tem de bom Gere desejo e curiosidade depois venha com o preço e a oferta Observação: NUNCA fale que está cansada no script
[15-SECOND CINEMATIC SCENE] SETTING: High school main staircase | Late afternoon | Harsh fluorescent lighting casting...
[15-SECOND CINEMATIC SCENE] SETTING: High school main staircase | Late afternoon | Harsh fluorescent lighting casting sharp shadows on concrete steps | Chaos and panic All characters are white American, contemporary high school setting. CHARACTERS: DAVID: Late 20s, buzz cut brown hair, muscular build, wearing Marine dress blue uniform with ribbons, controlled intensity despite shock, military bearing even in crisis SOPHIE: 14-year-old, long dark hair now disheveled, wearing jeans and school hoodie, unconscious then semi-conscious, blood visible on forehead CHASE: 17-year-old, blonde hair, tall athletic build, wearing gray hoodie, panicked and fleeing, guilt written across his face SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Extreme close-up on Sophie's motionless face at bottom of concrete stairs, blood trickling from her forehead. Rack focus pulls back to reveal David in full dress blues bursting through the front doors, his face shifting from surprise to horror as he sees her crumpled body. 0:03-0:06: Handheld camera follows David as he sprints down the hallway and drops to his knees beside Sophie. His military training kicks in - hands steady, checking her pulse, cradling her head without moving her neck. Students scatter around them, voices echoing off walls. 0:06-0:09: Close-up on David's face as he pulls out his phone with one hand, other hand still protecting Sophie's head. His voice is controlled, military-precise despite the emotional devastation in his eyes. Cut to Chase in background, frozen at exit door, realizing who just arrived. 0:09-0:12: Over-the-shoulder shot from behind David as he speaks into phone. Camera pushes in on Chase's horrified face as he recognizes the Marine uniform, realizes this is Sophie's brother. Chase's hand trembles on door handle - fight or flight response kicking in. 0:12-0:15: Wide shot showing the full scene: David in dress blues kneeling over his injured sister, students pointing at fleeing Chase, chaos contained by one Marine's disciplined presence. Hold on David's determined expression as sirens wail in distance. DIALOGUE OPTIONS: DAVID (controlled military precision, voice steady despite emotional devastation): "This is Corporal Martinez, USMC. I need paramedics at Lincoln High immediately." "Corporal David Martinez requesting emergency medical at Lincoln High School." "This is Corporal Martinez. Medical emergency at Lincoln High, assault victim." "Emergency services, this is Corporal Martinez, USMC. Lincoln High School, now." "Corporal Martinez reporting assault at Lincoln High. Need paramedics immediately." "This is Marine Corporal Martinez. Emergency medical needed at Lincoln High." "Corporal Martinez, USMC. Requesting immediate medical response, Lincoln High." "Emergency dispatch, Corporal Martinez. Assault victim at Lincoln High School." "This is Corporal David Martinez. Medical emergency, Lincoln High, now." "Marine Corporal Martinez requesting paramedics, Lincoln High School immediately." SOPHIE (weak, disoriented whisper, barely conscious): "David... is that really you?" "David? You're... you're home?" "I can't... David, you came back?" "You're here... you're really here?" "David... I missed you so much..." "You came home... for me?" "I knew you'd come... I knew it..." "You're not deployed anymore?" "David... don't leave me again..." "You're home... you're actually home..." TECHNICAL NOTES: - No logos, brand names, watermarks, or text overlays - Natural physics: realistic fall aftermath, blood pooling, body positioning - Coherent spatial relationships: staircase geography, exit doors, student positions - Military bearing: David's posture and movement despite emotional crisis - Authentic uniform details: ribbons, brass, proper military appearance
Estilo:* Vídeo vertical, 4K, cinematográfico e fotorrealista. * *Cena:* Uma bela *influencer* latina, cabelos longos,...
Estilo:* Vídeo vertical, 4K, cinematográfico e fotorrealista. * *Cena:* Uma bela *influencer* latina, cabelos longos,lisos e escuros, e pele bronzeada * . A iluminação é intensa, típica de comerciais. Faça um prompt mas foque na experiência do produto,fale sobre a dor que esse produto resolve,quais são seus benefícios,o que o produto tem de bom Gere desejo e curiosidade depois venha com o preço e a oferta Observação: NUNCA fale que está cansada no script
Atmosfera natural, hiper-realista, iluminação cinematográfica em 4k, expressando surpresa e alegriaClose-up vertical,...
Atmosfera natural, hiper-realista, iluminação cinematográfica em 4k, expressando surpresa e alegriaClose-up vertical, mulher jovem fotorealista, pele clara, cabelo longo cor castanho, cacheado, olhos castanhos, maquiagem leve e natural (pele uniforme, sobrancelhas definidas, lábios com batom vermelho), vestindo uma blusa estampada. Usa duas correntes douradas no pescoço e pulseira e relógio no pulso esquerdo. Está sentado no banco do motorista um carro moderno, com cinto de segurança visível. Expressão de surpresa: olhos bem abertos, boca parcialmente coberta pela mão esquerda, anéis dourados, unhas curtas, esmalte vermelho . Interior do carro desfocado, bancos escuros, reflexos de luz suave entrando pela janela lateral esquerda.. Estilo vlog vertical 9:16, câmera frontal levemente acima da linha dos olhos, foco no rosto e gesto. Atmosfera natural, hiper-realista, iluminação cinematográfica em 4k, expressando surpresa e alegria em português. ela diz: Que maravilha! Não acreditei quando vi, amigas, vocês conhecem?
[15-SECOND CINEMATIC SCENE] SETTING: Busy American supermarket produce section | Mid-afternoon | Harsh fluorescent li...
[15-SECOND CINEMATIC SCENE] SETTING: Busy American supermarket produce section | Mid-afternoon | Harsh fluorescent lighting mixed with natural light from storefront windows | Chaotic weekend shopping atmosphere All characters are white American, contemporary retail setting. CHARACTERS: KEVIN: Mid-50s, silver hair, expensive navy suit, aggressive posture, phone constantly at ear, entitled body language MARGARET: Early 70s, gray hair in neat bun, simple cleaning uniform, gentle but alert demeanor, pushing yellow mop bucket SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Extreme close-up on Kevin's face, mid-conversation, jaw clenched in anger. "These people are replaceable!" Handheld camera pulls back rapidly to reveal he's charging through the store, completely oblivious to his surroundings. Margaret appears in frame, mopping peacefully. 0:03-0:06: Wide shot captures the collision. Kevin's shoulder slams into Margaret's back with brutal force. Slow motion as she tumbles forward, mop flying, yellow bucket spinning. Her face shows shock and pain as she crashes into the metal produce display. 0:06-0:09: Close-up on Margaret hitting the floor, the sickening sound of her hip breaking. Push in on her face - agony and disbelief. Cut to Kevin walking away without looking back, still on his phone. "Watch where you're mopping!" he shouts dismissively. 0:09-0:12: Over-the-shoulder shot from behind Margaret on the ground. Customers rush into frame, kneeling beside her. "Call 911!" someone yells. Rack focus from Margaret's pained face to Kevin disappearing into the background, completely indifferent. 0:12-0:15: Handheld camera slowly circles Margaret's face as she lies there. Despite the pain, her eyes show something Kevin missed - recognition, calculation, and quiet determination. Hold on her expression as sirens wail in the distance. This isn't over. DIALOGUE OPTIONS: KEVIN (cold arrogance, barking into phone): "These people are replaceable!" "I don't care what they want - cut their hours!" "Fire anyone who complains!" "These workers are nothing but numbers!" "Replace them all if you have to!" "I own them - they'll do what I say!" "Disposable workers, that's all they are!" "They should be grateful to have jobs!" "Cut costs, I don't care how!" "These people mean nothing to me!" KEVIN (dismissive anger after the collision): "Watch where you're mopping!" "Get out of my way, lady!" "Learn to stay out of the way!" "Move it, this is my store!" "Watch what you're doing!" "Stay in your lane, cleaner!" "Don't block the aisles!" "Do your job properly!" "Keep the floors clear!" "Mind your own business!" TECHNICAL NOTES: - No logos, brand names, watermarks, or text overlays - Realistic collision physics and fall mechanics - Natural crowd reactions and movement - Coherent store layout with produce displays and aisles - Authentic retail environment sounds: shopping carts, checkout beeps, crowd murmur
[15-SECOND CINEMATIC SCENE] SETTING: High school auditorium stage | Late afternoon | Harsh fluorescent stage lights w...
[15-SECOND CINEMATIC SCENE] SETTING: High school auditorium stage | Late afternoon | Harsh fluorescent stage lights with warm audience lighting | Tense silence broken by scattered applause All characters are white American, contemporary academic setting. CHARACTERS: ANDREW: Late teens, tall athletic build, perfectly styled blonde hair, navy blazer with school crest, red-faced with barely contained rage KEIKO: 16, petite Asian-American, long black hair, simple blue dress, holding trophy, extending hand graciously despite Andrew's hostility CARMEN: Early 40s, shoulder-length brown hair, wearing faded floral dress from thrift store, sitting in audience third row, phone discreetly recording SECOND-BY-SECOND BREAKDOWN: 0:00-0:03 (THE HOOK): Extreme close-up on Andrew's clenched fist connecting with Keiko's face. Slow motion impact, her head snapping back, blood visible from split lip. Trophy falls from her hands, hitting the stage floor with metallic crash. Gasps from 400-person audience. 0:03-0:06: Wide shot revealing the full stage. Keiko stumbles backward, hand to her bleeding mouth, eyes wide with shock. Andrew stands over her, chest heaving, pointing down aggressively. "My father's a federal judge! You're nobody!" Audience erupting in horrified shouts. 0:06-0:09: Push in on Carmen rising from audience seat, phone still recording. Her expression transforms from maternal concern to cold legal authority. She moves through the crowd with purpose, thrift store dress contrasting with her commanding presence. Other parents shrinking back. 0:09-0:12: Close-up on Carmen kneeling beside Keiko, one hand checking the injury, the other holding up her phone showing clear footage. Her voice cuts through the chaos with courtroom precision. Camera captures Andrew's face changing from arrogant to confused as her words register. 0:12-0:15: Rack focus from Carmen's Supreme Court ID badge (official credentials clearly visible) to Andrew's face draining of all color. His mouth opens slightly, realization hitting. Hold on Carmen's steely gaze as she stands, protecting her daughter while delivering justice. Final frame: the trophy on the floor, forgotten. DIALOGUE OPTIONS: ANDREW (arrogant rage dissolving into panic): "My father's a federal judge! You're nobody!" "Dad will fix this! You can't touch me!" "I'm going to Harvard! This means nothing!" "You don't know who you're messing with!" "My family owns this town! Back off!" "I barely touched her! She's being dramatic!" "This is insane! I'm the valedictorian!" "You people don't understand how this works!" "I have connections! This won't stick!" "Wait... what did you just say you do?" CARMEN (cold legal authority, each word precise as a scalpel): "I'm Carmen Martinez, Supreme Court clerk to Chief Justice Morrison." "Supreme Court of the United States clerk. I work for the Chief Justice." "I help decide constitutional law for this country." "I've written bench memos on three of your father's cases." "I just watched you commit assault while discussing judicial integrity." "I recorded everything. Including your threat about your father's position." "You just ended your legal career before it started." "Chief Justice Morrison will be very interested in this footage." "Your father will recuse himself, or I'll file ethics complaints." "You chose violence over law. That was your mistake." TECHNICAL NOTES: - No logos, brand names, watermarks, or text overlays - Realistic blood effects from split lip - Natural physics for falling trophy and stumbling motion - Coherent stage geography with audience seating visible - Authentic crowd reaction sounds building throughout - Carmen's phone screen should show actual recording interface
Satu adegan kontinu tanpa cut. Sebuah mobil pick up melaju sangat kencang di jalan raya dengan kecepatan sekitar 100 ...
Satu adegan kontinu tanpa cut. Sebuah mobil pick up melaju sangat kencang di jalan raya dengan kecepatan sekitar 100 km/jam. Di bak belakang mobil terdapat kursi pelaminan mewah berwarna emas, di atasnya duduk sepasang pengantin adat Jawa mengenakan busana hitam beludru dengan bordir emas yang sangat detail. Ekspresi kedua pengantin jelas terlihat panik namun tetap memaksakan senyum, senyum kaku bercampur tegang, mata sedikit membesar, rahang mengeras. Kedua pengantin mencengkeram kursi pelaminan dengan sangat kuat, tubuh sedikit condong ke depan menahan laju. Efek kain sangat dominan: kain batik, selendang, melati, dan ornamen busana tertiup angin kencang secara dramatis, berkibar liar ke belakang, menciptakan gerakan berlapis yang sinematik dan realistis, menegaskan kecepatan ekstrem kendaraan. Di belakang mobil pick up, terlihat seorang kameramen profesional berlari dengan kecepatan seimbang dengan laju mobil, posisi stabil, langkah panjang dan ritmis, tubuh condong ke depan, kamera DSLR terangkat mantap, strap kamera berkibar namun tetap terkendali. Gerakannya terlihat berat namun terlatih, seolah sudah terbiasa meliput situasi ekstrem. Latar belakang jalan raya, pepohonan, dan kendaraan lain tampil dengan motion blur ekstrem dan konsisten, memberi kesan kecepatan tinggi tanpa kehilangan fokus pada subjek utama. Nuansa absurd: sakral, khidmat, tapi berada dalam situasi berbahaya dan tidak masuk akal. Lighting: Natural daylight Visual Quality: Ultra-detailed, photorealistic, cinematic motion blur, shallow depth of field, high contrast, film-like realism SOUND EFFECTS & AUDIO: Suara angin kencang menderu terus-menerus Kain dan melati berkibar keras, gesekan kain jelas terdengar Suara mesin pick up meraung stabil Langkah kaki kameramen menghentak aspal dengan ritme cepat Nafas kameramen terkontrol namun berat Ambient jalan raya: klakson jauh, desingan kendaraan melintas cepat
Create a single continuous 15-second vertical video (9:16), ultra-realistic, cinematic, 4K quality, no cuts, no trans...
Create a single continuous 15-second vertical video (9:16), ultra-realistic, cinematic, 4K quality, no cuts, no transitions. Scene takes place in a Brazilian hair salon, woman seated in front of a mirror, hair freshly styled and shiny. A fit white red-haired woman (25–30), elegant but natural look. She holds the Barbour’s Beauty Very Sexy Hair Perfume, never spraying it. Tone: authority + secret tip. Action and speech must be perfectly synchronized as follows (spoken in Brazilian Portuguese PT-BR): The woman with a light countryside accent must have perfect lip-synchronization. Second 0–2: She looks into the mirror, then to the camera. “Amiga, olha esse aviso.” Second 2–4: She shakes her head slightly. “Perfume comum no cabelo acaba com o fio.” Second 4–8: She brings the product closer to the camera. “Por isso eu só uso esse Perfume Capilar da Barbour’s.” Second 8–11: She touches her hair proudly. “Cheiro incrível, macio e protegido do calor.” Second 11–13: She nods. “Fórmula bifásica que trata sem ressecar.” Second 13–15: She points down confidently. “Testei e viciei. Link no vídeo.”
Estilo:* Vídeo vertical, 4K, cinematográfico e fotorrealista. * *Cena:* Uma bela *influencer* latina, cabelos longos,...
Estilo:* Vídeo vertical, 4K, cinematográfico e fotorrealista. * *Cena:* Uma bela *influencer* latina, cabelos longos,lisos e escuros, e pele bronzeada * . A iluminação é intensa, típica de comerciais. Faça um prompt mas foque na experiência do produto,fale sobre a dor que esse produto resolve,quais são seus benefícios,o que o produto tem de bom Gere desejo e curiosidade depois venha com o preço e a oferta Observação: NUNCA fale que está cansada no script
A movie trailer about these characters standing outside of zombie twerkville watching female zombies ( realistic) wal...
A movie trailer about these characters standing outside of zombie twerkville watching female zombies ( realistic) walk by. Character on the far left says " where's the Roach Goat ? He probably out there busting eggs"! Cinematic scene. Movie film. Movie lens. Wide angle
A movie trailer about these characters standing outside of zombie twerkville watching female zombies ( realistic) wal...
A movie trailer about these characters standing outside of zombie twerkville watching female zombies ( realistic) walk by. Character on the far left says " where's the Roach Goat ? He probably out there busting eggs"! Cinematic scene. Movie film. Movie lens. Wide angle
A movie trailer about these characters standing outside of zombie twerkville watching female zombies ( realistic) wal...
A movie trailer about these characters standing outside of zombie twerkville watching female zombies ( realistic) walk by. Character on the far left says " where's the Roach Goat ? He probably out there busting eggs"! Cinematic scene. Movie film. Movie lens. Wide angle
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