Seedance 2.0 Fremvisning
Gennemse succesfulde offentlige generationer fra fællesskabet og åbn et hvilket som helst element for at inspicere prompten, indstillingerne og outputtet.
A dog spraying water at a man filmed on a doorbell camera
A dog spraying water at a man filmed on a doorbell camera
Of course. Here is a prompt for a surreal horror world, horror-themed video based on your verses, structured by scene...
Of course. Here is a prompt for a surreal horror world, horror-themed video based on your verses, structured by scenes and crafted for a super-real, full HD aesthetic. Overall Visual Style: Photorealistic, yet deeply uncanny. Crisp Full HD with a desaturated, cold color palette—slate greys, dirty whites, sickly yellows, and deep, inky blacks. Lighting is harsh, from unnatural sources (a single bare bulb, moonlight through ice), casting long, distorted shadows. Textures are hyper-detailed: the grain of wood, the weave of fabric, the slickness of ice, the pallor of skin. Sound design is crucial: amplified diegetic sounds (the deafening tick of the clock, the creak of a wardrobe, the crunch of ice), a dissonant, minimalist score, and oppressive silence. Shot 10 (Sound-Driven): A dark, empty tavern. The strings of a fiddle on the wall vibrate violently on their own, producing a screeching, agonized sound wave that visibly distorts the air. Shot 11 (Close-Up): Exhausted eyes, bloodshot and dry, staring into the darkness. The skin beneath is dark purple. A single tear of pure black streaks down the cheek. Shot 12 (Metaphorical): The black tear hits a wooden floorboard and sizzles like acid, emitting a wisp of bitter-smelling smoke.
Durée : 10 secondes Format : Vertical 9:16 (Reel uniquement) Qualité : 4K ultra-réaliste Langue : Français Personnage...
Durée : 10 secondes Format : Vertical 9:16 (Reel uniquement) Qualité : 4K ultra-réaliste Langue : Français Personnage : UNE SEULE FEMME (française) Aucun texte à l’écran – NO CC – pas de logos 🎥 STYLE VISUEL GÉNÉRAL Cinématographique, élégant, premium. Couleurs chaudes, naturelles, réalistes. Profondeur de champ maîtrisée, textures très détaillées. Ambiance calme, confiante, jamais publicitaire agressive. Éclairage : Lumière douce, directionnelle, type restaurant haut de gamme. Reflets subtils sur les plats, vapeur visible. 🎭 PERSONNAGE UNIQUE Femme française, 30–35 ans Élégance naturelle, visage expressif Gestes lents, assurés, crédibles Même femme présente du début à la fin 🎥 DÉROULEMENT AVEC TRANSITIONS CLAIRES SCÈNE 1 – L’INTENTION (0–2s) | HOOK Plan très serré sur le visage de la femme, assise à table. Elle ferme doucement les yeux, inspire légèrement, juste avant de goûter. Voix off féminine, basse, posée, intime : « Quand un plat porte un nom… » 👉 Transition visuelle : La caméra descend lentement du visage vers l’assiette. SCÈNE 2 – LA PROMESSE (2–4s) Plan macro sur la même femme : sa main prend la fourchette elle enroule les pâtes la sauce nappe lentement vapeur fine qui monte Voix off (même voix, plus affirmée) : « …il doit tenir sa promesse. » 👉 Transition visuelle : Le mouvement circulaire de la fourchette se transforme en mouvement circulaire de la caméra autour du plat. SCÈNE 3 – LA SIGNATURE (4–6s) Plan moyen sur la femme qui goûte. Micro-pause. Elle ouvre les yeux et hoche lentement la tête, convaincue. Voix off féminine, calme et sûre : « La Romana, à Pringy – Annecy. » 👉 Transition visuelle : La caméra recule doucement pour révéler toute la table. SCÈNE 4 – LE LIEN MAISON (6–8s) Même femme, même plat, mais la caméra révèle maintenant clairement un intérieur de maison moderne. Même qualité, même lumière, même soin. La femme sourit, détendue. Voix off féminine, chaleureuse : « Le vrai goût italien, chez vous. » 👉 Transition visuelle : Léger zoom avant vers les plats. SCÈNE 5 – CONCLUSION / CTA (8–10s) Hero shot final : plusieurs plats La Romana réunis. Vapeur visible, lumière dorée, rendu très appétissant. Voix off claire, professionnelle : « La Romana, à Pringy – Annecy, maintenant en livraison avec Uber Eats. » ✅ POUR SORA (IMPORTANT) Un seul personnage féminin du début à la fin Transitions basées sur mouvements naturels (regard, main, caméra) Pas de changement brutal de lieu sans lien visuel Pas d’autres personnages Pas de texte à l’écran 🎯 MESSAGE FINAL Authenticité. Promesse tenue. Restaurant italien de confiance, désormais chez vous. إذا تحب:
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated...
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated tree mingles with city lights streaming through floor-to-ceiling windows. Victoria (early 30s, blonde hair, designer dress, diamond jewelry) stands towering over Patricia (appearing 70s, gray wig, simple cleaning uniform, humble posture), pointing aggressively toward the door. Wide shot captures the opulent space—marble floors, expensive furniture, while Emma (8, dark hair, pajamas) and Jake (6, blonde, pajamas) cower behind the Christmas tree, tears streaming down their faces. Medium shot: Victoria's face contorted with rage, finger jabbing, mouth open mid-scream. Close-up: Patricia's weathered hands remain steady at her sides, her expression calm but her eyes holding a mysterious glint. Victoria shouts: "You're fired! Get out of my house!" Patricia responds quietly: "I won't need a reference." Cut to reaction shot of the children's horrified faces, Emma reaching toward Patricia desperately. The camera captures the stark contrast between Victoria's cruel aggression and Patricia's dignified composure, tension crackling through the luxurious but cold atmosphere. No logos, no brand names, no watermarks, no text overlays.
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated...
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated tree mingles with city lights streaming through floor-to-ceiling windows. Victoria (early 30s, blonde hair, designer dress, diamond jewelry) stands towering over Patricia (appearing 70s, gray wig, simple cleaning uniform, humble posture), pointing aggressively toward the door. Wide shot captures the opulent space—marble floors, expensive furniture, while Emma (8, dark hair, pajamas) and Jake (6, blonde, pajamas) cower behind the Christmas tree, tears streaming down their faces. Medium shot: Victoria's face contorted with rage, finger jabbing, mouth open mid-scream. Close-up: Patricia's weathered hands remain steady at her sides, her expression calm but her eyes holding a mysterious glint. Victoria shouts: "You're fired! Get out of my house!" Patricia responds quietly: "I won't need a reference." Cut to reaction shot of the children's horrified faces, Emma reaching toward Patricia desperately. The camera captures the stark contrast between Victoria's cruel aggression and Patricia's dignified composure, tension crackling through the luxurious but cold atmosphere. No logos, no brand names, no watermarks, no text overlays.
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated...
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated tree mingles with city lights streaming through floor-to-ceiling windows. Victoria (early 30s, blonde hair, designer dress, diamond jewelry) stands towering over Patricia (appearing 70s, gray wig, simple cleaning uniform, humble posture), pointing aggressively toward the door. Wide shot captures the opulent space—marble floors, expensive furniture, while Emma (8, dark hair, pajamas) and Jake (6, blonde, pajamas) cower behind the Christmas tree, tears streaming down their faces. Medium shot: Victoria's face contorted with rage, finger jabbing, mouth open mid-scream. Close-up: Patricia's weathered hands remain steady at her sides, her expression calm but her eyes holding a mysterious glint. Victoria shouts: "You're fired! Get out of my house!" Patricia responds quietly: "I won't need a reference." Cut to reaction shot of the children's horrified faces, Emma reaching toward Patricia desperately. The camera captures the stark contrast between Victoria's cruel aggression and Patricia's dignified composure, tension crackling through the luxurious but cold atmosphere. No logos, no brand names, no watermarks, no text overlays.
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated...
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated tree mingles with city lights streaming through floor-to-ceiling windows. Victoria (early 30s, blonde hair, designer dress, diamond jewelry) stands towering over Patricia (appearing 70s, gray wig, simple cleaning uniform, humble posture), pointing aggressively toward the door. Wide shot captures the opulent space—marble floors, expensive furniture, while Emma (8, dark hair, pajamas) and Jake (6, blonde, pajamas) cower behind the Christmas tree, tears streaming down their faces. Medium shot: Victoria's face contorted with rage, finger jabbing, mouth open mid-scream. Close-up: Patricia's weathered hands remain steady at her sides, her expression calm but her eyes holding a mysterious glint. Victoria shouts: "You're fired! Get out of my house!" Patricia responds quietly: "I won't need a reference." Cut to reaction shot of the children's horrified faces, Emma reaching toward Patricia desperately. The camera captures the stark contrast between Victoria's cruel aggression and Patricia's dignified composure, tension crackling through the luxurious but cold atmosphere. No logos, no brand names, no watermarks, no text overlays.
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated...
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated tree mingles with city lights streaming through floor-to-ceiling windows. Victoria (early 30s, blonde hair, designer dress, diamond jewelry) stands towering over Patricia (appearing 70s, gray wig, simple cleaning uniform, humble posture), pointing aggressively toward the door. Wide shot captures the opulent space—marble floors, expensive furniture, while Emma (8, dark hair, pajamas) and Jake (6, blonde, pajamas) cower behind the Christmas tree, tears streaming down their faces. Medium shot: Victoria's face contorted with rage, finger jabbing, mouth open mid-scream. Close-up: Patricia's weathered hands remain steady at her sides, her expression calm but her eyes holding a mysterious glint. Victoria shouts: "You're fired! Get out of my house!" Patricia responds quietly: "I won't need a reference." Cut to reaction shot of the children's horrified faces, Emma reaching toward Patricia desperately. The camera captures the stark contrast between Victoria's cruel aggression and Patricia's dignified composure, tension crackling through the luxurious but cold atmosphere. No logos, no brand names, no watermarks, no text overlays.
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated...
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated tree mingles with city lights streaming through floor-to-ceiling windows. Victoria (early 30s, blonde hair, designer dress, diamond jewelry) stands towering over Patricia (appearing 70s, gray wig, simple cleaning uniform, humble posture), pointing aggressively toward the door. Wide shot captures the opulent space—marble floors, expensive furniture, while Emma (8, dark hair, pajamas) and Jake (6, blonde, pajamas) cower behind the Christmas tree, tears streaming down their faces. Medium shot: Victoria's face contorted with rage, finger jabbing, mouth open mid-scream. Close-up: Patricia's weathered hands remain steady at her sides, her expression calm but her eyes holding a mysterious glint. Victoria shouts: "You're fired! Get out of my house!" Patricia responds quietly: "I won't need a reference." Cut to reaction shot of the children's horrified faces, Emma reaching toward Patricia desperately. The camera captures the stark contrast between Victoria's cruel aggression and Patricia's dignified composure, tension crackling through the luxurious but cold atmosphere. No logos, no brand names, no watermarks, no text overlays.
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated...
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated tree mingles with city lights streaming through floor-to-ceiling windows. Victoria (early 30s, blonde hair, designer dress, diamond jewelry) stands towering over Patricia (appearing 70s, gray wig, simple cleaning uniform, humble posture), pointing aggressively toward the door. Wide shot captures the opulent space—marble floors, expensive furniture, while Emma (8, dark hair, pajamas) and Jake (6, blonde, pajamas) cower behind the Christmas tree, tears streaming down their faces. Medium shot: Victoria's face contorted with rage, finger jabbing, mouth open mid-scream. Close-up: Patricia's weathered hands remain steady at her sides, her expression calm but her eyes holding a mysterious glint. Victoria shouts: "You're fired! Get out of my house!" Patricia responds quietly: "I won't need a reference." Cut to reaction shot of the children's horrified faces, Emma reaching toward Patricia desperately. The camera captures the stark contrast between Victoria's cruel aggression and Patricia's dignified composure, tension crackling through the luxurious but cold atmosphere. No logos, no brand names, no watermarks, no text overlays.
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated...
In a luxurious Manhattan penthouse living room on Christmas Eve evening, warm golden light from an enormous decorated tree mingles with city lights streaming through floor-to-ceiling windows. Victoria (early 30s, blonde hair, designer dress, diamond jewelry) stands towering over Patricia (appearing 70s, gray wig, simple cleaning uniform, humble posture), pointing aggressively toward the door. Wide shot captures the opulent space—marble floors, expensive furniture, while Emma (8, dark hair, pajamas) and Jake (6, blonde, pajamas) cower behind the Christmas tree, tears streaming down their faces. Medium shot: Victoria's face contorted with rage, finger jabbing, mouth open mid-scream. Close-up: Patricia's weathered hands remain steady at her sides, her expression calm but her eyes holding a mysterious glint. Victoria shouts: "You're fired! Get out of my house!" Patricia responds quietly: "I won't need a reference." Cut to reaction shot of the children's horrified faces, Emma reaching toward Patricia desperately. The camera captures the stark contrast between Victoria's cruel aggression and Patricia's dignified composure, tension crackling through the luxurious but cold atmosphere. No logos, no brand names, no watermarks, no text overlays.
A pristine high school library in the afternoon with natural sunlight streaming through tall windows, casting long sh...
A pristine high school library in the afternoon with natural sunlight streaming through tall windows, casting long shadows across polished wooden tables. Miguel (17, Latino, worn jeans and faded t-shirt) sits alone at a corner table surrounded by textbooks, looking exhausted and defeated. Wide shot: Blake (18, white, expensive polo shirt, perfectly styled hair) approaches with Connor (18, white, designer sneakers, cocky posture) and Ashley (17, white, designer handbag, manicured nails). Medium shot: Blake towers over Miguel, dropping thick calculus worksheets on the table with a loud thud. Close-up: Miguel's face shows fear and resignation as Blake leans down menacingly. Blake says coldly: "Have it done by tomorrow, or Principal Davis gets our little video about you stealing." Miguel's voice cracks: "I never stole anything!" Cut to: Connor smirking, pulling out his phone threateningly: "Deep fake technology is amazing these days." The camera captures the power dynamic through angles - looking up at the bullies, down at Miguel. Soft dramatic music builds tension. No logos, no brand names, no watermarks, no text overlays.
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