Seedance 2.0 Fremvisning
Gennemse succesfulde offentlige generationer fra fællesskabet og åbn et hvilket som helst element for at inspicere prompten, indstillingerne og outputtet.
15–20 SECOND TEXT-TO-VIDEO OPENING (ONE SHOT) STYLE / LOOK: Ultra-realistic documentary footage, 4K, 16:9, natural co...
15–20 SECOND TEXT-TO-VIDEO OPENING (ONE SHOT) STYLE / LOOK: Ultra-realistic documentary footage, 4K, 16:9, natural color, gritty but clean, shallow depth-of-field, subtle film grain. CAMERA: Single continuous shot, no cuts. Fixed tripod at table height with a slow, gentle push-in (micro-motor) over 18 seconds. No fast moves. SETTING: Museum back-room storage table under fluorescent lights; metal shelves and labeled archival boxes in soft blur behind. OBJECT CLOSE-UPS: Rust islands on the spear-point blade; the maker’s stamp area near the guard; the shallow crescent dent on the guard; cracked stacked-leather grip grooves; scabbard throat stamp if present. HOST: Only gloved hands visible (nitrile gloves), careful and deliberate; controlled breathing. ACTION: Host lifts the knife on a soft cloth, rotates it slowly, does a brief flashlight sweep across the stamp and the guard dent, then sets it down with a soft clink. AUDIO: Fluorescent hum, distant cart wheels rolling, faint HVAC hiss, cloth rubbing softly, one quiet exhale close to the mic. ON-SCREEN TEXT: Minimal, subtle: “U.S. M3?” then “1943?” then fades. No logos. DIALOGUE (35–60 words, includes anchor phrase): “Look at this—rust right through the finish… and this crescent dent on the guard. This should not exist anymore… but it does. If it’s a U.S. M3 trench knife, it crossed a war, an ocean, and somebody’s silence. Let’s see what it’s trying to tell us.”
Trecho curto de vídeo, duração aproximada de 8 a 12 segundos, mostrando Chiara Monteverdi cavalgando lentamente o cav...
Trecho curto de vídeo, duração aproximada de 8 a 12 segundos, mostrando Chiara Monteverdi cavalgando lentamente o cavalo preto Tempesta por um caminho rural da Toscana. A imagem tem aparência vintage da década de 1980, com leve granulação analógica, contraste moderado, cores ligeiramente desbotadas e balanço de branco típico de câmeras de estúdio externas da Rai 1 naquele período. Chiara veste figurino clássico da novela: camisa de linho clara com mangas dobradas, calça de montaria marrom, botas de cano alto de couro e chapéu de feltro marrom. Seu cabelo castanho está solto, ondulando suavemente com o movimento do cavalo. Tempesta aparece como cavalo preto majestoso, pelagem negra profunda com reflexos sutis, pequena estrela branca irregular na testa, arreios de couro marrom envelhecido e manta branca simples. O passo é calmo e ritmado, sem aceleração. Câmera fixa ou levemente instável, como registro televisivo ao vivo, enquadramento médio-lateral acompanhando a cavalgada por poucos metros. Não há cortes, não há câmera lenta, não há efeitos dramáticos. Iluminação natural diurna, céu parcialmente claro, paisagem rural toscana simples ao fundo (vinhedos baixos ou estrada de terra). Estética de transmissão da programação da Rai 1 nos anos 1980: aparência documental, narrativa silenciosa, sensação de trecho capturado diretamente da novela La Coraggiosa, sem trilha destacada, sem linguagem cinematográfica moderna.
Animate the fractal slowly expanding and rotating, giving a sense of endless depth. Apply subtle glowing blue lines a...
Animate the fractal slowly expanding and rotating, giving a sense of endless depth. Apply subtle glowing blue lines along the edges. Add a smooth camera zoom inward that lasts the entire 10 seconds. Keep the motion hypnotic but calm, representing the infinite vs finite concept.
A sterile American hospital OR prep room, mid-morning, harsh fluorescent lighting casting sharp shadows. A young Asia...
A sterile American hospital OR prep room, mid-morning, harsh fluorescent lighting casting sharp shadows. A young Asian American woman in surgical scrubs stands at the sink, hands under running water, back straight. Across from her, a white American male surgeon in his forties crosses his arms, jaw tight, eyes dismissive. Close-up on her face: calm, controlled, no fear. She pulls out her phone with wet hands, water dripping. She speaks quietly into it: "Can you come to OR-3?" The surgeon's expression shifts—confusion, then creeping dread. The door behind him swings open. An older Asian American man in scrubs fills the doorframe, his face stone-cold. Close-up: the surgeon's eyes widen as realization hits. The woman meets her father's eyes. Silent. Vindicated. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism, no subtitles.
A sterile American hospital OR prep room, mid-morning, harsh fluorescent lighting casting sharp shadows. A young Asia...
A sterile American hospital OR prep room, mid-morning, harsh fluorescent lighting casting sharp shadows. A young Asian American woman in surgical scrubs stands at the sink, hands under running water, back straight. Across from her, a white American male surgeon in his forties crosses his arms, jaw tight, eyes dismissive. Close-up on her face: calm, controlled, no fear. She pulls out her phone with wet hands, water dripping. She speaks quietly into it: "Can you come to OR-3?" The surgeon's expression shifts—confusion, then creeping dread. The door behind him swings open. An older Asian American man in scrubs fills the doorframe, his face stone-cold. Close-up: the surgeon's eyes widen as realization hits. The woman meets her father's eyes. Silent. Vindicated. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism, no subtitles.
A sterile American hospital OR prep room, mid-morning, harsh fluorescent lighting casting sharp shadows. A young Asia...
A sterile American hospital OR prep room, mid-morning, harsh fluorescent lighting casting sharp shadows. A young Asian American woman in surgical scrubs stands at the sink, hands under running water, back straight. Across from her, a white American male surgeon in his forties crosses his arms, jaw tight, eyes dismissive. Close-up on her face: calm, controlled, no fear. She pulls out her phone with wet hands, water dripping. She speaks quietly into it: "Can you come to OR-3?" The surgeon's expression shifts—confusion, then creeping dread. The door behind him swings open. An older Asian American man in scrubs fills the doorframe, his face stone-cold. Close-up: the surgeon's eyes widen as realization hits. The woman meets her father's eyes. Silent. Vindicated. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism, no subtitles.
A sterile American hospital OR prep room, mid-morning, harsh fluorescent lighting casting sharp shadows. A young Asia...
A sterile American hospital OR prep room, mid-morning, harsh fluorescent lighting casting sharp shadows. A young Asian American woman in surgical scrubs stands at the sink, hands under running water, back straight. Across from her, a white American male surgeon in his forties crosses his arms, jaw tight, eyes dismissive. Close-up on her face: calm, controlled, no fear. She pulls out her phone with wet hands, water dripping. She speaks quietly into it: "Can you come to OR-3?" The surgeon's expression shifts—confusion, then creeping dread. The door behind him swings open. An older Asian American man in scrubs fills the doorframe, his face stone-cold. Close-up: the surgeon's eyes widen as realization hits. The woman meets her father's eyes. Silent. Vindicated. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism, no subtitles.
A sterile American hospital OR prep room, mid-morning, harsh fluorescent lighting casting sharp shadows. A young Asia...
A sterile American hospital OR prep room, mid-morning, harsh fluorescent lighting casting sharp shadows. A young Asian American woman in surgical scrubs stands at the sink, hands under running water, back straight. Across from her, a white American male surgeon in his forties crosses his arms, jaw tight, eyes dismissive. Close-up on her face: calm, controlled, no fear. She pulls out her phone with wet hands, water dripping. She speaks quietly into it: "Can you come to OR-3?" The surgeon's expression shifts—confusion, then creeping dread. The door behind him swings open. An older Asian American man in scrubs fills the doorframe, his face stone-cold. Close-up: the surgeon's eyes widen as realization hits. The woman meets her father's eyes. Silent. Vindicated. No logos, no brand names, no watermarks, no text overlays. Cinematic, grounded realism, no subtitles.
HOOK: These 3 skills can make you more money than most university degrees. SCRIPT: These 3 skills can make you more m...
HOOK: These 3 skills can make you more money than most university degrees. SCRIPT: These 3 skills can make you more money than most university degrees. And the best part? You can learn them online for free. Skill number 1: Sales. If you know how to sell, you will never be broke. Whether you sell products, services, or even your own ideas in a job interview, sales is the skill that multiplies your income. Learn how to talk to people, handle objections, and close deals.
“Animate a glowing blue hyperbola line that quickly draws itself from the center outward. The two characters fade in ...
“Animate a glowing blue hyperbola line that quickly draws itself from the center outward. The two characters fade in smoothly. Add a subtle pulse to the hyperbola, camera slowly zooms out.”
产品名称：南非碧根果 关键词：29.9元1斤，买一发二，顺分包邮 视频要求如下： 1、解说人物：站起来解说的女神，漂亮有气质，甜美性感，苗条且胸部饱满，穿着干净鲜亮迷人； 2、解说声线：贴合生活化口语表达，视频中全部用真人原声质感，甜...
产品名称：南非碧根果 关键词：29.9元1斤，买一发二，顺分包邮 视频要求如下： 1、解说人物：站起来解说的女神，漂亮有气质，甜美性感，苗条且胸部饱满，穿着干净鲜亮迷人； 2、解说声线：贴合生活化口语表达，视频中全部用真人原声质感，甜美温柔，轻微口播气息感，语调甜美温柔且亲切自然，无AI合成的机械感、电音感； 3、音画同步：人物唇形与解说内容精准对应；制作的视频中不要出现原模原样的参考图；视频封面根据短视频带货逻辑，你自动选择最佳封面； 4、背景音乐：搭配贴合带货场景的适配性背景音乐，音量不盖过人声； 5、画面质感：人物、环境、产品需呈现真实手机实拍质感，模拟生活化场景（如客厅、书桌、餐桌、沙发旁），加入轻微的镜头晃动、真实光影阴影、产品/人物/环境的原生纹理细节，无 AI 合成的光滑感、违和感，打造高度逼真的真人、真环境、真产品的实拍氛围； 6、字幕：视频中所有字体均为中文简体，解说人说的话不要显示在视频中，可以添加醒目简约的提示字幕（如价格、福利、产品卖点等），字体清晰不花哨，不要一闪而过，停留2秒；解说词生活化、有感染力； 7、镜头：涵盖产品展示、拆封或开箱、试吃、促销、结尾呼吁。以产品特写和展示为主，突出产品细节与卖点，重点突出试吃镜头，还原真实享受美味的试吃动作、还原对应食材的试吃原声，食材质感均贴合真实食用状态； 视频脚本如下： 作为一名短视频带货达人，请发挥你精湛的专业特长，开始编写符合本产品制作带货短视频的脚本，脚本一定要吸引用户，火爆，让用户看了特别忍不住想下单购买。
the wheels on the bus go round and round. we are going to disneyland
the wheels on the bus go round and round. we are going to disneyland
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