Vitrine Seedance 2.0
Parcourez les générations publiques réussies de la communauté et ouvrez n'importe quel élément pour inspecter l'invite, les paramètres et le résultat.
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—ba...
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—barely clinging to the back pocket of my mother. She is white, fit, mid-forties, moving with an eerie, unnatural confidence inside painfully tight skinny jeans and a pristine shirt that never wrinkles. The denim looms like a prison wall, its fibers oversized and suffocating, every stitch stretched and groaning with tension. As she walks, the city crawls by in broken fragments—storefronts bending inward, streetlights flickering like failing heartbeats, reflections lagging behind reality. Her stride repeats on a loop, too rhythmic, too perfect, the sway of her hips hypnotic and predatory. The soundscape hums with distorted traffic, low industrial drones, and a faint scraping noise that may be my own threads unraveling. My tall, lanky Filipino and Black male friends appear from nowhere, smiling too long, eyes unfocused. They wear skinny Levi’s 510s and high-top sneakers, but their proportions subtly stretch with each step, limbs elongating unnaturally. They start checking her out—slow, exaggerated glances—laughing in muffled echoes, completely unaware that I am watching from her body, trapped, helpless. The camera lingers in extreme close-ups: torn red stitching pulsing like exposed nerves, sweat-darkened denim breathing, fingernails brushing dangerously close. Faces slide in and out of focus, mouths moving out of sync with their voices. Time stutters. Gravity feels optional. The tab begins to peel, millimeter by millimeter, as if something unseen is tugging from below. The city’s hum swells into a nightmare chorus. The joke curdles into dread. There is no cutaway—only the certainty that this tiny, absurd vantage point is a place you don’t wake up from. Mood: surreal, oppressive, dreamlike horror Lighting: low-key, sickly sodium streetlight glow, deep shadows Camera: jittery handheld mixed with slow, predatory push-ins Inspiration: Nightmare on Elm Street, David Lynch, Ari Aster
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—ba...
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—barely clinging to the back pocket of my mother. She is white, fit, mid-forties, moving with an eerie, unnatural confidence inside painfully tight skinny jeans and a pristine shirt that never wrinkles. The denim looms like a prison wall, its fibers oversized and suffocating, every stitch stretched and groaning with tension. As she walks, the city crawls by in broken fragments—storefronts bending inward, streetlights flickering like failing heartbeats, reflections lagging behind reality. Her stride repeats on a loop, too rhythmic, too perfect, the sway of her hips hypnotic and predatory. The soundscape hums with distorted traffic, low industrial drones, and a faint scraping noise that may be my own threads unraveling. My tall, lanky Filipino and Black male friends appear from nowhere, smiling too long, eyes unfocused. They wear skinny Levi’s 510s and high-top sneakers, but their proportions subtly stretch with each step, limbs elongating unnaturally. They start checking her out—slow, exaggerated glances—laughing in muffled echoes, completely unaware that I am watching from her body, trapped, helpless. The camera lingers in extreme close-ups: torn red stitching pulsing like exposed nerves, sweat-darkened denim breathing, fingernails brushing dangerously close. Faces slide in and out of focus, mouths moving out of sync with their voices. Time stutters. Gravity feels optional. The tab begins to peel, millimeter by millimeter, as if something unseen is tugging from below. The city’s hum swells into a nightmare chorus. The joke curdles into dread. There is no cutaway—only the certainty that this tiny, absurd vantage point is a place you don’t wake up from. Mood: surreal, oppressive, dreamlike horror Lighting: low-key, sickly sodium streetlight glow, deep shadows Camera: jittery handheld mixed with slow, predatory push-ins Inspiration: Nightmare on Elm Street, David Lynch, Ari Aster
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—ba...
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—barely clinging to the back pocket of my mother. She is white, fit, mid-forties, moving with an eerie, unnatural confidence inside painfully tight skinny jeans and a pristine shirt that never wrinkles. The denim looms like a prison wall, its fibers oversized and suffocating, every stitch stretched and groaning with tension. As she walks, the city crawls by in broken fragments—storefronts bending inward, streetlights flickering like failing heartbeats, reflections lagging behind reality. Her stride repeats on a loop, too rhythmic, too perfect, the sway of her hips hypnotic and predatory. The soundscape hums with distorted traffic, low industrial drones, and a faint scraping noise that may be my own threads unraveling. My tall, lanky Filipino and Black male friends appear from nowhere, smiling too long, eyes unfocused. They wear skinny Levi’s 510s and high-top sneakers, but their proportions subtly stretch with each step, limbs elongating unnaturally. They start checking her out—slow, exaggerated glances—laughing in muffled echoes, completely unaware that I am watching from her body, trapped, helpless. The camera lingers in extreme close-ups: torn red stitching pulsing like exposed nerves, sweat-darkened denim breathing, fingernails brushing dangerously close. Faces slide in and out of focus, mouths moving out of sync with their voices. Time stutters. Gravity feels optional. The tab begins to peel, millimeter by millimeter, as if something unseen is tugging from below. The city’s hum swells into a nightmare chorus. The joke curdles into dread. There is no cutaway—only the certainty that this tiny, absurd vantage point is a place you don’t wake up from. Mood: surreal, oppressive, dreamlike horror Lighting: low-key, sickly sodium streetlight glow, deep shadows Camera: jittery handheld mixed with slow, predatory push-ins Inspiration: Nightmare on Elm Street, David Lynch, Ari Aster
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—ba...
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—barely clinging to the back pocket of my mother. She is white, fit, mid-forties, moving with an eerie, unnatural confidence inside painfully tight skinny jeans and a pristine shirt that never wrinkles. The denim looms like a prison wall, its fibers oversized and suffocating, every stitch stretched and groaning with tension. As she walks, the city crawls by in broken fragments—storefronts bending inward, streetlights flickering like failing heartbeats, reflections lagging behind reality. Her stride repeats on a loop, too rhythmic, too perfect, the sway of her hips hypnotic and predatory. The soundscape hums with distorted traffic, low industrial drones, and a faint scraping noise that may be my own threads unraveling. My tall, lanky Filipino and Black male friends appear from nowhere, smiling too long, eyes unfocused. They wear skinny Levi’s 510s and high-top sneakers, but their proportions subtly stretch with each step, limbs elongating unnaturally. They start checking her out—slow, exaggerated glances—laughing in muffled echoes, completely unaware that I am watching from her body, trapped, helpless. The camera lingers in extreme close-ups: torn red stitching pulsing like exposed nerves, sweat-darkened denim breathing, fingernails brushing dangerously close. Faces slide in and out of focus, mouths moving out of sync with their voices. Time stutters. Gravity feels optional. The tab begins to peel, millimeter by millimeter, as if something unseen is tugging from below. The city’s hum swells into a nightmare chorus. The joke curdles into dread. There is no cutaway—only the certainty that this tiny, absurd vantage point is a place you don’t wake up from. Mood: surreal, oppressive, dreamlike horror Lighting: low-key, sickly sodium streetlight glow, deep shadows Camera: jittery handheld mixed with slow, predatory push-ins Inspiration: Nightmare on Elm Street, David Lynch, Ari Aster
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—ba...
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—barely clinging to the back pocket of my mother. She is white, fit, mid-forties, moving with an eerie, unnatural confidence inside painfully tight skinny jeans and a pristine shirt that never wrinkles. The denim looms like a prison wall, its fibers oversized and suffocating, every stitch stretched and groaning with tension. As she walks, the city crawls by in broken fragments—storefronts bending inward, streetlights flickering like failing heartbeats, reflections lagging behind reality. Her stride repeats on a loop, too rhythmic, too perfect, the sway of her hips hypnotic and predatory. The soundscape hums with distorted traffic, low industrial drones, and a faint scraping noise that may be my own threads unraveling. My tall, lanky Filipino and Black male friends appear from nowhere, smiling too long, eyes unfocused. They wear skinny Levi’s 510s and high-top sneakers, but their proportions subtly stretch with each step, limbs elongating unnaturally. They start checking her out—slow, exaggerated glances—laughing in muffled echoes, completely unaware that I am watching from her body, trapped, helpless. The camera lingers in extreme close-ups: torn red stitching pulsing like exposed nerves, sweat-darkened denim breathing, fingernails brushing dangerously close. Faces slide in and out of focus, mouths moving out of sync with their voices. Time stutters. Gravity feels optional. The tab begins to peel, millimeter by millimeter, as if something unseen is tugging from below. The city’s hum swells into a nightmare chorus. The joke curdles into dread. There is no cutaway—only the certainty that this tiny, absurd vantage point is a place you don’t wake up from. Mood: surreal, oppressive, dreamlike horror Lighting: low-key, sickly sodium streetlight glow, deep shadows Camera: jittery handheld mixed with slow, predatory push-ins Inspiration: Nightmare on Elm Street, David Lynch, Ari Aster
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—ba...
From a warped, claustrophobic upshot view, life unfolds as a nightmare through the eyes of a fraying Levi’s tab—me—barely clinging to the back pocket of my mother. She is white, fit, mid-forties, moving with an eerie, unnatural confidence inside painfully tight skinny jeans and a pristine shirt that never wrinkles. The denim looms like a prison wall, its fibers oversized and suffocating, every stitch stretched and groaning with tension. As she walks, the city crawls by in broken fragments—storefronts bending inward, streetlights flickering like failing heartbeats, reflections lagging behind reality. Her stride repeats on a loop, too rhythmic, too perfect, the sway of her hips hypnotic and predatory. The soundscape hums with distorted traffic, low industrial drones, and a faint scraping noise that may be my own threads unraveling. My tall, lanky Filipino and Black male friends appear from nowhere, smiling too long, eyes unfocused. They wear skinny Levi’s 510s and high-top sneakers, but their proportions subtly stretch with each step, limbs elongating unnaturally. They start checking her out—slow, exaggerated glances—laughing in muffled echoes, completely unaware that I am watching from her body, trapped, helpless. The camera lingers in extreme close-ups: torn red stitching pulsing like exposed nerves, sweat-darkened denim breathing, fingernails brushing dangerously close. Faces slide in and out of focus, mouths moving out of sync with their voices. Time stutters. Gravity feels optional. The tab begins to peel, millimeter by millimeter, as if something unseen is tugging from below. The city’s hum swells into a nightmare chorus. The joke curdles into dread. There is no cutaway—only the certainty that this tiny, absurd vantage point is a place you don’t wake up from. Mood: surreal, oppressive, dreamlike horror Lighting: low-key, sickly sodium streetlight glow, deep shadows Camera: jittery handheld mixed with slow, predatory push-ins Inspiration: Nightmare on Elm Street, David Lynch, Ari Aster
Make a really realistic video of a 21 year old attractive Girl at a galla event. She is wearing glasses and has brune...
Make a really realistic video of a 21 year old attractive Girl at a galla event. She is wearing glasses and has brunette hair.
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert lan...
[Title: Colossal Laser Cannon Firing in Desert] [Scene Description] Setting & Location: A vast, flat, arid desert landscape under a clear sky. The main subject is an enormous, futuristic mobile military platform resembling a colossal laser cannon or railgun, mounted on massive tank treads. The structure is painted in olive drab military green. A group of uniformed soldiers in tan fatigues stand near the base, observing. Time & Atmosphere: High noon or mid-day, characterized by intense, direct sunlight. The atmosphere is tense, powerful, and conveys a sense of overwhelming technological might during a military test or demonstration. Sensory Details: The texture of the scene is dominated by fine, dry desert sand and heavy, weathered military metal. Implied sensory details include the deafening sound of the weapon charging and discharging, followed by a massive, concussive explosion. The weapon's muzzle glows intensely with highly saturated purple/magenta energy. [Action & Narrative] Primary Action: The enormous mobile laser cannon charges up, its muzzle glowing, before firing a gigantic, bright purple energy beam diagonally across the desert expanse towards a distant target. Subject Movement: The military personnel are mostly static, observing the firing sequence. The barrel of the immense weapon moves slightly to adjust alignment, and the firing process itself is rapid and violent, resulting in a large explosion downrange. Implied Story: This sequence portrays the deployment and testing of a next-generation, super-weapon, demonstrating its devastating capacity in a remote military training or combat zone, potentially representing a final warning or tactical advantage. [Cinematography & Style] Shot Composition: Initially a dramatic low-angle shot, emphasizing the colossal scale and verticality of the weapon against the sky. The soldiers are tiny in the foreground, providing scale. The shot then cuts to a wide, diagonal composition focusing purely on the trajectory of the massive laser beam striking the horizon. Camera Movement: The camera starts relatively static during the setup, then tracks the rapidly moving energy beam or cuts sharply to a viewpoint that emphasizes the laser's impact path and the subsequent fiery explosion. Lighting: Extremely harsh, high-key natural sunlight creating deep shadows on the weapon's metal framework. The primary light source becomes the brilliant, self-illuminating purple plasma of the beam, dominating the surrounding atmosphere. Color Palette & Grade: A dominant palette of military olive green and desert tan/beige, contrasted sharply by the deep azure blue sky. The visual grade is highly contrasted and saturated, emphasizing the luminous purple/magenta glow of the futuristic weapon. [Core Elements & Keywords] Futuristic Weapon, Giant Laser Cannon, Mobile Platform, Military Sci-Fi, Desert Test, Purple Energy Beam, Explosion, Colossal Machine, Tank, High Contrast
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