Vitrine Seedance 2.0
Parcourez les générations publiques réussies de la communauté et ouvrez n'importe quel élément pour inspecter l'invite, les paramètres et le résultat.
Animate the provided image only. Do not generate or redesign the scene, background, lighting, or camera view. The inp...
Animate the provided image only. Do not generate or redesign the scene, background, lighting, or camera view. The input image shows a complete 4x4 grid (16 panels) of ice letter sculptures spelling “LOKO.” All sixteen panels must remain fully visible on screen at all times. Do not crop, zoom, or reframe the image to fit the aspect ratio. If necessary, add black borders or neutral padding to preserve the entire grid. Cropping or removing panels is not allowed. The camera is completely static. The framing must remain identical to the input image from the first frame to the last frame. This is a compressed timelapse animation of the existing image. Melting is already in progress in every panel at the first frame. Each panel represents a different time offset and melting rate, like parallel scientific experiments. Melting progresses slowly and continuously, but not at the same pace across panels: – some panels melt very slowly – some show steady dripping and pooling – some are already in late-stage melting There are no synchronized changes between panels. No sudden jumps or phase changes. By the end of the animation, most panels show the ice largely melted or completely melted, while a few retain small icy remnants, reinforcing different timelines. The letters never change spelling, style, size, or layout. The animation should feel like a scientific timelapse applied to an existing image, not a newly generated scene.
trailer cinematico, Personaggi animati stilizzati e carini, forme arrotondate, animazione facciale espressiva, occhi ...
trailer cinematico, Personaggi animati stilizzati e carini, forme arrotondate, animazione facciale espressiva, occhi grandi, colori morbidi e vivaci, animazione 3D stilizzata di alta qualità, illuminazione cinematografica, espressione amichevole ed emozionale, movimento fluido. Un personaggio con ciuffo nero tirato al lato e con baffi centrati è ad un ufficio. La signora alla cassa da una lettera e la signora dice: “mi dispiace caro, ma non sei stato ammesso”. Poi la visuale riprende il viso del personaggio triste. Poi la visuale riprende il personaggio su un palco politico che urla: “Hai!” e tutto il pubblico applaude e urla. Poi c’è il personaggio che sta su una barca e sorride. Nel mentre parte un voice-over del personaggio che dice: “Loro mi hanno rifiutato, e adesso creerò qualcosa di più potente”. Poi esce una schermata con su scritto “Il Pittore Austriaco” e sotto “dal 26 febbraio al cinema”, con una voce narrativa che dice: “Il pittore austriaco, dal 26 febbraio al cinema”. dialoghi in italiano.
A breathtaking first-person view from inside an empty, olive-drab army Humvee as it's pushed from the open bay of a C...
A breathtaking first-person view from inside an empty, olive-drab army Humvee as it's pushed from the open bay of a Chinook helicopter. The morning sun bathes the army base in a golden light, highlighting the texture of the vehicle's exterior. As the Humvee tumbles into the open air, a meticulously detailed, army-patterned parachute rapidly deploys above, filling the frame with its billowing canopy. The camera remains fixed, providing a stable, immersive perspective as the parachute catches and the Humvee descends. The scene is rendered with ultra-realistic detail, focusing on the sensation of freefall and the dramatic deployment of the parachute, accompanied by the loud, realistic sound of fabric tearing and air rushing. The overall tone is awe-inspiring and silent, emphasizing the mechanical beauty and scale of the operation.
A fixed-camera timelapse shot of a 4x4 grid of large ice letter sculptures spelling “LOKO.” The camera is completely ...
A fixed-camera timelapse shot of a 4x4 grid of large ice letter sculptures spelling “LOKO.” The camera is completely static for the entire shot. No zoom, no pan, no tilt, no camera movement of any kind. Each grid cell contains the same ice sculpture in the same studio environment The floor is smooth and slightly reflective. At the beginning of the shot, the ice letters are already partially melting. This is a compressed timelapse, showing many hours of melting condensed into a few seconds. Each grid cell represents a separate experiment, so the ice melts at different speeds and stages across the grid. Throughout the shot: water beads form on the ice surfaces, droplets slide downward, thin streams drip to the floor, puddles spread beneath the letters, and edges slowly soften. The melting progresses continuously and gradually, without sudden jumps or synchronized changes. By the end of the shot, most of the ice letters are largely melted or completely melted, leaving puddles of water, slushy remnants, and faint impressions where the letters once stood. The letters never change spelling, style, or layout. Lighting remains constant and neutral. The shot feels like a scientific or studio timelapse documenting parallel melting experiments, not a cinematic camera move.
pov Jovem morena, sorriso agradável de vestido azul claro, com um corpo bem bonito, e botas caminha por uma fazenda v...
pov Jovem morena, sorriso agradável de vestido azul claro, com um corpo bem bonito, e botas caminha por uma fazenda verde, Ela sorri e conversa com a câmera. Várias galinhas marrons circulam ao redor de seus pés. O fundo apresenta uma cerca de madeira, pasto verde, uma bananeira e uma casa de fazenda branca sob um céu azul nublado. Iluminação natural, câmera na mão acompanhando a personagem. Alta resolução, fotorrealista.no começo do vídeo fala me segue e me dar um oi
I want happy meal Guano you
I want happy meal Guano you
create a conversation in arabic between 4 people asking basic question in arabic in a clear and slow way
create a conversation in arabic between 4 people asking basic question in arabic in a clear and slow way
A vertical 9:16 aspect ratio, hyper-realistic, continuous 15-second handheld smartphone video recording, capturing a ...
A vertical 9:16 aspect ratio, hyper-realistic, continuous 15-second handheld smartphone video recording, capturing a raw and unscripted moment at a gritty construction site in the American Midwest during a late winter thaw. The visual fidelity is indistinguishable from reality, featuring natural sunlight, auto-exposure adjustments, and slight lens shake typical of an amateur cameraman. The setting is detailed: a chaotic ground of melting dirty snow, brown slush, exposed rebar, and wet concrete, illuminated by sharp, cold bright daylight that casts high-contrast shadows. Two realistic animals are the focus: an Orange Scottish Fold cat wearing a miniature, weathered neon-orange reflective safety vest, and a Grey Scottish Fold cat wearing a blue engineer's vest and a bright yellow plastic hard hat. The video begins with the Orange cat standing on hind legs, using a metal trowel held in its front paw to expertly smooth a layer of wet, dark grey cement on a low wall structure. The texture of the cement is glossy and wet. The Grey cat stands adjacent, observing the work. Suddenly, with calculated malice, the Grey cat steps onto the fresh concrete. It deliberately presses its front paw down—stomp, stomp, stomp, stomp, stomp—creating five deep, distinct, ruined paw prints in the perfect surface, maintaining deadpan eye contact with the Orange cat. The atmosphere snaps instantly. The Orange cat looks at the ruined work, throws the trowel down with force, and launches a full-body, high-velocity tackle at the Grey cat. The scene explodes into a violent, kinetic brawl. The two cats collide and lock bodies, tumbling off the concrete and rolling into the muddy slush. The Grey cat's yellow hard hat is knocked off by the impact and skitters across the pavement. The fight is visceral and intense: a blur of orange and grey fur wrestling, grappling, and kicking. They roll over each other rapidly, splashing mud and melting snow. The camera shakes violently as the operator reacts to the chaos. The Orange cat pins the Grey cat momentarily before they roll again. Paws swipe with blurring speed; bunny-kicks are unleashed. The vests crinkle and get smeared with dirt. The lighting catches the flying droplets of slush and the frantic movement of the fur. It is a serious, fast-paced animal altercation with heavy physics and realistic weight. Audio captures the ambient wind, the wet squelch of mud, the clatter of the falling trowel, and the intense, aggressive hissing, growling, and yowling of the fighting cats.
Индейцы танцуют и радуются огню и кричат Ярик Гейловкин Мы рады видеть вас Давайте с нами радоваться жизне
Индейцы танцуют и радуются огню и кричат Ярик Гейловкин Мы рады видеть вас Давайте с нами радоваться жизне
An adult woman sitting facing the camera on a rustic wooden stool, cooking outdoors on a wood-fired stove. She holds ...
An adult woman sitting facing the camera on a rustic wooden stool, cooking outdoors on a wood-fired stove. She holds a wooden spoon and stirs a large black cast-iron pot positioned in front of her. The woman has tan skin and long, dark hair, slightly damp, loose over her shoulders. She wears a short, simple outfit made of lightweight fabric in a light color (beige or off-white), with thin straps, rustic and comfortable in style, suitable for the heat of the countryside. Intense emotional expression: a crying face, teary eyes, visible tears running down her face, a vulnerable and sad look, as if she is opening up or going through a difficult moment, looking directly at the camera. The environment is rural and tropical, with green hills, trees, and abundant vegetation in the background. The scene takes place under a rustic thatched roof, with a reddish dirt floor. Soft natural daylight, warm earthy tones, an intimate and emotional atmosphere. Medium depth of field, main focus on the woman’s face and the pot, with a slightly blurred background. Ultra-realistic photographic style, documentary and cinematic aesthetic, vertical photography, centered framing, camera at chest height, high definition, natural skin texture, no visible makeup, a sense of simple countryside life, 4K. The woman is saying: click on the Red Cross under my photo to follow me don't be like these people who keeps laughing at me in the comments no. In Brazilian Portuguese
A static security camera angle overlooking a porch at night. A cat clumsily presses the valves of a trumpet left on a...
A static security camera angle overlooking a porch at night. A cat clumsily presses the valves of a trumpet left on a chair, producing sharp, echoing blasts. The door flies open. A sleep-deprived woman steps out, grabs the trumpet while shouting. The cat hisses briefly, then bolts off the porch. Realistic movement, no stylization, looks like genuine security camera footage.
A cinematic wildlife scene in vertical 9:16 format. The camera is completely steady and does not move. A medium-heigh...
A cinematic wildlife scene in vertical 9:16 format. The camera is completely steady and does not move. A medium-height tree fills the vertical frame. A monkey is perched on a branch above, gripping a metal frying pan. Below the tree, a female lion repeatedly jumps and stretches upward, attempting to reach and eat the monkey. Each time the lion gets close, the monkey leans down and bonks the lion on the head with the frying pan, forcing the lion to recoil and try again. Realistic animal motion, clear cause-and-effect. Warm golden-hour lighting, natural savanna environment, sharp focus, detailed fur and tree textures, no motion blur, no zoom, no cuts, no panning, full frame, cinematic wildlife realism with light humor.
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