Vitrine Seedance 2.0
Parcourez les générations publiques réussies de la communauté et ouvrez n'importe quel élément pour inspecter l'invite, les paramètres et le résultat.
Outside Lincoln High School in the late afternoon, with golden sunlight casting long shadows across the concrete cour...
Outside Lincoln High School in the late afternoon, with golden sunlight casting long shadows across the concrete courtyard. Sofia Torres (14, petite, dark hair in a ponytail, wearing jeans and a pink hoodie) stands cornered by the flagpole, clutching her backpack straps defensively. Jake Morrison (18, tall, broad-shouldered, wearing a red letterman jacket) looms over her, blocking her path with aggressive body language. Medium shot captures Sofia stepping back as Jake leans forward menacingly. Close-up on Jake's face as he says harshly: "Come on, just give me your number." Sofia shakes her head, voice trembling: "I said no. Leave me alone." Wide shot shows fifty students in the background, frozen with phones raised, as Jake's hand swings in a sharp arc across Sofia's cheek. The slap echoes across the courtyard. Sofia stumbles backward, books spilling from her backpack across the concrete. Cut to a sleek black luxury sedan pulling up to the curb, its polished chrome gleaming in the afternoon sun. The rear door opens with a smooth, heavy click. Marcus Torres (17, muscular build, wearing a simple gray t-shirt and jeans, serious expression) steps out, his presence immediately commanding attention. His eyes lock onto Sofia on the ground, rage building behind controlled features. No logos, no brand names, no watermarks, no text overlays.
The image is animated. The penguin blinks, it looks worried and curious. The bird's mouth sways slightly in the wind....
The image is animated. The penguin blinks, it looks worried and curious. The bird's mouth sways slightly in the wind. The river water flows on. does not change anything about the character
Crée une vidéo ou une Scène commence par un décor nocturne dans un jardin éclairé par une lumière douce de lune. dit ...
Crée une vidéo ou une Scène commence par un décor nocturne dans un jardin éclairé par une lumière douce de lune. dit avec enthousiasme Et la fille sur l'image dis : « Oh papa, tu nous fais le camion ? » Le père sourit et répond : « Tant que vous rentrez à la maison. » Le garçon et la fille montent sur les pieds de du monsieur sur l'image qui est leur père, il les serre dans ses bras pour un câlin affectueux. Ils restent debout sur ses pieds pendant qu’il commence à marcher, les emmenant doucement vers la maison. Ils entres dans le couloir et le père dis "Demain, on fera un jeu plus tôt. Là c'est leurs des parents. On a besoin de se parler" la fille réponds "Moi aussi j'ai envie de vous parler" le père de l'image les conduis jusqu'au salon il les font descendre de ses pieds et la fille dis "Mais on n'a pas vu le feuilleton à la télé" le père réponds "Ah non plus de télé a cette heure" les enfants soupir et sortent du cadre avec un aire en colère. Ambiance chaleureuse, familiale, calme et tendre. Style cinématographique, mouvements naturels, expressions réalistes. Et l'animation est 2d et fait changer de cadre souvent pour donner vie à la scène s'il te plait.
A bright American hospital prep room, midday. A white male surgeon in his forties stands over a young Asian American ...
A bright American hospital prep room, midday. A white male surgeon in his forties stands over a young Asian American woman in scrubs at the sink. He points at her dismissively and says loudly: "Go get me the REAL doctor." Close-up on her face—she pauses, jaw tight, then turns to face him directly. She says calmly but firmly: "I AM the doctor." He scoffs, rolls his eyes, and turns away with a condescending wave. "Yeah, right. Diversity hire." The insult hangs in the air. She pulls out her phone without breaking eye contact. Dials. The surgeon crosses his arms, smirking. She speaks into the phone: "Dad, can you come to OR-3?" His smirk falters. "There's a surgeon who won't work with me." The door slams open behind him. An older Asian American man in a white coat enters—name tag reads "CHIEF OF SURGERY." The surgeon's face drains of color. The Chief looks at his daughter, then at the surgeon, then says ice-cold: "My office. Now." The surgeon's mouth opens but no words come out. Close-up on the daughter's face: calm, victorious. No logos, no brand names, no watermarks, no text overlays. Cinematic, realistic tone.
A bright American hospital prep room, midday. A white male surgeon in his forties stands over a young Asian American ...
A bright American hospital prep room, midday. A white male surgeon in his forties stands over a young Asian American woman in scrubs at the sink. He points at her dismissively and says loudly: "Go get me the REAL doctor." Close-up on her face—she pauses, jaw tight, then turns to face him directly. She says calmly but firmly: "I AM the doctor." He scoffs, rolls his eyes, and turns away with a condescending wave. "Yeah, right. Diversity hire." The insult hangs in the air. She pulls out her phone without breaking eye contact. Dials. The surgeon crosses his arms, smirking. She speaks into the phone: "Dad, can you come to OR-3?" His smirk falters. "There's a surgeon who won't work with me." The door slams open behind him. An older Asian American man in a white coat enters—name tag reads "CHIEF OF SURGERY." The surgeon's face drains of color. The Chief looks at his daughter, then at the surgeon, then says ice-cold: "My office. Now." The surgeon's mouth opens but no words come out. Close-up on the daughter's face: calm, victorious. No logos, no brand names, no watermarks, no text overlays. Cinematic, realistic tone.
Style: First-person documentary realism, waterproof camera aesthetic, sensor grain, cold ocean colour grading with mu...
Style: First-person documentary realism, waterproof camera aesthetic, sensor grain, cold ocean colour grading with murky green-blue tones and natural overcast exposure shifts **Prompt 1 (Scene 1: Discovery)** POV from waterproof phone camera held at water level, treading water in coastal ocean 30 feet from rocky shore. First-person perspective bobbing with small waves. White baby harp seal pup floating 20 feet ahead, wrapped in tight grey fishing net around mid-section and rear flippers, struggling weakly. Seal's mouth open, crying with high-pitched bleating, head above water surface, dark panicked eyes visible, small black nose, flippers tangled and restricted. Kelp strands floating nearby in murky green-blue water. Overcast grey sky, rocky cliff barely visible and out of focus in distant background. Orange waterproof glove occasionally visible at frame edge from treading motion. Cinematography: Camera: First-person POV, heavy micro-shake from treading water, water occasionally splashing on lens, autofocus breathing (slight blur shifts), ONE movement: slow pan right following seal's drift Lens: Waterproof phone camera aesthetic, wide angle, natural autofocus Lighting: Overcast grey sky, natural exposure, cool murky water tones, no shadows, cold colour cast Actions: - Camera bobbing with small waves, looking forward across choppy surface - White seal pup visible struggling in grey net, mouth open crying - Seal thrashing weakly, flippers tangled, unable to swim properly - Slow pan right as seal drifts slightly with current Audio: - Water lapping, small waves splashing - Seal crying: high-pitched bleating (continuous, desperate) - Heavy breathing from treading water - Fishing net rustling in water, kelp moving - Wind on microphone No text overlays, no subtitles, sensor grain visible, realistic ocean texture throughout. --- **Prompt 2 (Scene 2: Threat & Urgency)** Same POV from waterproof phone at water level, locked on struggling seal pup in foreground (wrapped in grey net, still crying). Murky green-blue water, overcast sky, rocky shore background. LARGE GREY DORSAL FIN surfaces 25 feet behind seal, cutting slowly through choppy water toward seal. Fin is 2 feet tall, triangular, grey with lighter edge. Seal unaware, still struggling with net. Then: orange waterproof glove enters frame from bottom, pointing urgently at shark fin. Operator voice YELLS sharply: "NO! NO!" Camera begins moving forward through water with swimming strokes (arms splashing). Shark fin submerges beneath surface. Seal's bleating intensifies. Kelp floating between camera and seal. Cinematography: Camera: First-person POV at water level, heavy micro-shake increasing with swimming motion, water splashing on lens repeatedly, autofocus shifting between seal and disturbance, ONE movement: forward motion (swimming toward seal urgently) Lens: Waterproof phone camera, wide angle, natural autofocus breathing accelerating with urgency Lighting: Overcast grey, natural exposure darkening water where shark approaches, cool colour cast, no shadows Actions: - Camera locked on seal (foreground) with fin approaching (background) for 2 seconds - Orange gloved hand points urgently at shark fin location - Operator yells "NO! NO!" (sharp, loud, urgent) - Camera begins swimming forward with visible arm splashes and wetsuit sleeve motion - Shark fin submerges as camera approaches - Seal's cries reaching peak intensity - Hold final frame on seal struggling, orange glove pointing, disturbed water visible Audio: - Water lapping, waves splashing harder - Seal crying: high-pitched bleating (continuous, intensifying) - Heavy urgent breathing (swimming effort) - Shark fin cutting water (distinct parting sound) - Operator voice URGENT: "NO! NO!" (sharp, loud, commanding) - Arms splashing water (swimming strokes) - Wetsuit fabric rustling - Wind on microphone increasing No text overlays, no subtitles, realistic ocean texture, sensor grain throughout, end frame holds 1 second for continuity.
Smartphone POV video. Handheld footage, panning slightly. The entire pack of real Timber Wolves, led by the massive b...
Smartphone POV video. Handheld footage, panning slightly. The entire pack of real Timber Wolves, led by the massive black wolf and the female grey wolf, turn in unison. As a group, they bound away from the camera, directly into the violent, swirling snow of the night blizzard. Their dark forms become faint silhouettes for a split second before completely vanishing into the impenetrable whiteout. The camera, held by a Caucasian male, 30s, stays pointed at the empty, roaring storm. The footage is dark, grainy, and shaky, with snowflakes hitting the lens.
A handheld smartphone POV video of a real Rottweiler sleeping on a slightly messy living room floor, dim warm indoor ...
A handheld smartphone POV video of a real Rottweiler sleeping on a slightly messy living room floor, dim warm indoor lighting, natural shadows, slight motion blur, fingers partially visible on edges, 0–2 seconds: Rottweiler sleeping, 3–4 seconds: a small real Chihuahua sits with a chicken leg piece in front of it, about to take a bite, 5 seconds: Rottweiler sniffs the chicken leg and wakes up suddenly, 6–7 seconds: Rottweiler quickly grabs and eats the whole chicken leg in one bite, Chihuahua freezes for 2 seconds, 8–9 seconds: Chihuahua stares at the Rottweiler in shock, then starts barking aggressively, natural fur textures, realistic breathing, imperfect framing, real reflections, subtle low-light grain, total duration 10 seconds, funny and chaotic atmosphere.
Instant cut to a medium close-up of the camel’s face. The camel looks directly at the viewer with a calm, sarcastic e...
Instant cut to a medium close-up of the camel’s face. The camel looks directly at the viewer with a calm, sarcastic expression. Its leathery lips and jaw move with buttery-smooth anatomical precision to say exactly: “SellFast.ae — where real buyers are. Now, can I get a lift back to the city?”. The camel’s mouth articulation is 100% synchronized to its own voice only. The lighting is harsh Dubai midday sun with realistic skin texture and desert flies. The footage has the raw, organic quality of a professional commercial. Negative Prompt: Man speaking camel's lines, man talking after the first two seconds, camel speaking with man's voice, robotic mouth movements, stuttering lip-sync, human teeth on camel, blurry facial features, shaky camera, low resolution, 3D animation look, logo appearing during dialogue. Man character prompt: A 35-year-old Arab man with a sharp, defined jawline, short-trimmed dark stubble, and intense, bloodshot watery eyes reflecting deep exhaustion. He has a distinct mole near his left cheekbone. He is wearing a sweat-drenched, coarse off-white linen shirt with a rumpled collar and visible fabric fibers. His skin is tan with extreme texture, showing visible pores and glistening beads of salty sweat mixed with fine orange desert dust. His facial expressions are grounded in cinematic naturalism, showing realistic micro-muscle movements around the eyes and mouth. The motor consistency prompt: A charcoal-grey (Matte Metallic) Mercedes-Benz G-Wagon with blacked-out rims and a high-clearance off-road suspension. The paint is covered in a fine layer of desert sand. It features the modern LED circular headlight signature and a prominent front grill. The tires are thick, heavy-duty all-terrain rubber with deep treads, partially submerged in orange sand. Camel character prompt: A charcoal-grey (Matte Metallic) Mercedes-Benz G-Wagon with blacked-out rims and a high-clearance off-road suspension. The paint is covered in a fine layer of desert sand. It features the modern LED circular headlight signature and a prominent front grill. The tires are thick, heavy-duty all-terrain rubber with deep treads, partially submerged in orange sand.
Olympic 100m final race inside a packed stadium. The athlete is my character with the exact cameo face of @abukah78, ...
Olympic 100m final race inside a packed stadium. The athlete is my character with the exact cameo face of @abukah78, ultra-realistic facial likeness, natural skin texture, realistic proportions. Camera starts low at the starting blocks, sweat visible on the face. Gun fires — explosive start in slow motion, then a side tracking shot matching sprint speed. Muscles flexing, spikes hitting the track, intense focus in the eyes. Final meters shown in dramatic slow motion, chest lean at the finish line. Crowd roaring, flags waving. Ultra-realistic, cinematic lighting, shallow depth of field, no text, no logos, no watermark, Ultra HD.
Crée une vidéo ou une Scène commence par un décor nocturne dans un jardin éclairé par une lumière douce de lune. dit ...
Crée une vidéo ou une Scène commence par un décor nocturne dans un jardin éclairé par une lumière douce de lune. dit avec enthousiasme Et la fille sur l'image dis : « Oh papa, tu nous fais le camion ? » Le père sourit et répond : « Tant que vous rentrez à la maison. » Le garçon et la fille montent sur les pieds de du monsieur sur l'image qui est leur père, il les serre dans ses bras pour un câlin affectueux. Ils restent debout sur ses pieds pendant qu’il commence à marcher, les emmenant doucement vers la maison. Ils entres dans le couloir et le père dis "Demain, on fera un jeu plus tôt. Là c'est leurs des parents. On a besoin de se parler" la fille réponds "Moi aussi j'ai envie de vous parler" le père de l'image les conduis jusqu'au salon il les font descendre de ses pieds et la fille dis "Mais on n'a pas vu le feuilleton à la télé" le père réponds "Ah non plus de télé a cette heure" les enfants soupir et sortent du cadre avec un aire en colère. Ambiance chaleureuse, familiale, calme et tendre. Style cinématographique, mouvements naturels, expressions réalistes. Et l'animation est 2d et fait changer de cadre souvent pour donner vie à la scène s'il te plait.
A handheld smartphone POV video of a real Rottweiler sleeping on a slightly messy living room floor, dim warm indoor ...
A handheld smartphone POV video of a real Rottweiler sleeping on a slightly messy living room floor, dim warm indoor lighting, natural shadows, slight motion blur, fingers partially visible on edges, 0–2 seconds: Rottweiler sleeping, 3 seconds: a small real Chihuahua enters carrying a chicken leg piece in its mouth, 5 seconds: Chihuahua sits right in front of Rottweiler’s nose with the chicken leg piece, 7 seconds: Rottweiler sniffs the chicken leg, 8 seconds: Rottweiler wakes up, 9 seconds: Rottweiler grabs and eats the chicken leg, Chihuahua reacts with a funny shocked expression, natural fur textures, realistic breathing, imperfect framing, real reflections, subtle low-light grain, total duration 10 seconds, playful and humorous atmosphere.
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