Vitrine Seedance 2.0
Parcourez les générations publiques réussies de la communauté et ouvrez n'importe quel élément pour inspecter l'invite, les paramètres et le résultat.
In the glass-fronted lobby of a Denver financial building at mid-morning, natural light streams through floor-to-ceil...
In the glass-fronted lobby of a Denver financial building at mid-morning, natural light streams through floor-to-ceiling windows revealing an open-plan office beyond. Claire (late 30s, plain dark blazer, laptop bag, sitting calmly with coffee) looks up as Douglas (mid-40s, expensive suit, aggressive posture) blocks her path to the elevators. Medium shot: Douglas steps closer, voice rising: "You don't work here." Close-up: Claire remains seated, voice steady: "That's not your concern." Wide shot: The lobby falls silent, twenty white American employees in business attire freeze at their desks, visible through the glass partition. Douglas grabs Claire's arm, his grip tightening. Close-up: Claire's hand reaches into her blazer, pulls out a black credential wallet, opens it deliberately. Cut to: Douglas's face as recognition hits, his hand falling away. Medium shot: Three investigators emerge from the elevator behind them, credentials displayed. The tension peaks as Claire stands, voice calm but authoritative: "State Department of Labor. You've just added interference to your file." No logos, no brand names, no watermarks, no text overlays.
In the glass-fronted lobby of a Denver financial building at mid-morning, natural light streams through floor-to-ceil...
In the glass-fronted lobby of a Denver financial building at mid-morning, natural light streams through floor-to-ceiling windows revealing an open-plan office beyond. Claire (late 30s, plain dark blazer, laptop bag, sitting calmly with coffee) looks up as Douglas (mid-40s, expensive suit, aggressive posture) blocks her path to the elevators. Medium shot: Douglas steps closer, voice rising: "You don't work here." Close-up: Claire remains seated, voice steady: "That's not your concern." Wide shot: The lobby falls silent, twenty white American employees in business attire freeze at their desks, visible through the glass partition. Douglas grabs Claire's arm, his grip tightening. Close-up: Claire's hand reaches into her blazer, pulls out a black credential wallet, opens it deliberately. Cut to: Douglas's face as recognition hits, his hand falling away. Medium shot: Three investigators emerge from the elevator behind them, credentials displayed. The tension peaks as Claire stands, voice calm but authoritative: "State Department of Labor. You've just added interference to your file." No logos, no brand names, no watermarks, no text overlays.
In the glass-fronted lobby of a Denver financial building at mid-morning, natural light streams through floor-to-ceil...
In the glass-fronted lobby of a Denver financial building at mid-morning, natural light streams through floor-to-ceiling windows revealing an open-plan office beyond. Claire (late 30s, plain dark blazer, laptop bag, sitting calmly with coffee) looks up as Douglas (mid-40s, expensive suit, aggressive posture) blocks her path to the elevators. Medium shot: Douglas steps closer, voice rising: "You don't work here." Close-up: Claire remains seated, voice steady: "That's not your concern." Wide shot: The lobby falls silent, twenty white American employees in business attire freeze at their desks, visible through the glass partition. Douglas grabs Claire's arm, his grip tightening. Close-up: Claire's hand reaches into her blazer, pulls out a black credential wallet, opens it deliberately. Cut to: Douglas's face as recognition hits, his hand falling away. Medium shot: Three investigators emerge from the elevator behind them, credentials displayed. The tension peaks as Claire stands, voice calm but authoritative: "State Department of Labor. You've just added interference to your file." No logos, no brand names, no watermarks, no text overlays.
A hyper realistic scene deep in the jungle, a tiger is sleeping peacefully on the ground under the trees. Suddenly, a...
A hyper realistic scene deep in the jungle, a tiger is sleeping peacefully on the ground under the trees. Suddenly, a mischievous monkey appears holding a lit firecracker. The monkey quietly places the firecracker next to the sleeping tiger, then hides behind a tree, peeking nervously. Moments later, the firecracker explodes loudly — the tiger jumps in shock and runs away in panic. The monkey bursts into real, loud laughter — authentic monkey laugh sound. The atmosphere feels natural, with realistic lighting, movement, and camera shake. No slow motion, just real-time chaos and funny reaction.
Un vídeo de un personaje imitador de Michael Jackson en un juego 3D tipo Tekken haciéndole un combo 0 a muerto a un p...
Un vídeo de un personaje imitador de Michael Jackson en un juego 3D tipo Tekken haciéndole un combo 0 a muerto a un personaje gordo genérico con una camisa veraniega, un helado en la mano y cabeza de rata.
Use the provided image as the base. Preserve the person’s exact facial features, identity, and proportions with high ...
Use the provided image as the base. Preserve the person’s exact facial features, identity, and proportions with high fidelity — no distortion, no beautification, no face alteration. Scene: A formal, official announcement setting. Neutral background (government office or simple clean backdrop), soft natural lighting, cinematic but realistic. The person looks directly into the camera with a calm, confident expression. Subtle natural movements: blinking, slight head movement, realistic lip sync. Camera: Slow, smooth zoom-in from medium shot to close-up. Audio: Clear Armenian speech, natural human voice, serious and confident tone. Lip-sync must perfectly match the Armenian speech. Dialogue (Armenian): «Ես՝ Աշոտ Բադալյանս, դնում եմ իմ թեկնածությունը վարչապետի ընտրություններին։ Խնդրում եմ ձեր ձայնը տալ ինձ։ Խոստանում եմ երկիրը տանել դեպի պայծառ ապագա։ Սիրով՝ պարոն Բադալյան»։ Style: Ultra-realistic, documentary style, no exaggeration, no cartoon effects, no facial warping.
Use the provided image as the base. Preserve the person’s exact facial features, identity, and proportions with high ...
Use the provided image as the base. Preserve the person’s exact facial features, identity, and proportions with high fidelity — no distortion, no beautification, no face alteration. Scene: A formal, official announcement setting. Neutral background (government office or simple clean backdrop), soft natural lighting, cinematic but realistic. The person looks directly into the camera with a calm, confident expression. Subtle natural movements: blinking, slight head movement, realistic lip sync. Camera: Slow, smooth zoom-in from medium shot to close-up. Audio: Clear Armenian speech, natural human voice, serious and confident tone. Lip-sync must perfectly match the Armenian speech. Dialogue (Armenian): «Ես՝ Աշոտ Բադալյանս, դնում եմ իմ թեկնածությունը վարչապետի ընտրություններին։ Խնդրում եմ ձեր ձայնը տալ ինձ։ Խոստանում եմ երկիրը տանել դեպի պայծառ ապագա։ Սիրով՝ պարոն Բադալյան»։ Style: Ultra-realistic, documentary style, no exaggeration, no cartoon effects, no facial warping.
CAST & SET (1 line): An older heavyset Italian man with a gray beard, wearing a shabby worn-out coat, a knitted cap, ...
CAST & SET (1 line): An older heavyset Italian man with a gray beard, wearing a shabby worn-out coat, a knitted cap, and having the appearance of a homeless man, stands in a modern boardroom; beside him sit a well-dressed middle-aged man and a woman with glasses; key detail: a company ownership document. AUDIO: VOICEOVER: Three clearly differentiated first-person voices (in the same professional style, but with different intonations), all in Italian language: Voice 1 — female, sharp and contemptuous; Voice 2 — middle-aged male, mocking; Voice 3 — older male, calm, confident, and authoritative. MUSIC: cinematic minimalist piano / suspense ambient, no vocals, very low under the voiceover. AMBIENT: office atmosphere, chair creaks, faint city noise from the window, very low, never overpowering the voiceover. TIMELINE (strictly 4 beats, voiceover ↔️ visuals synchronized): 0.0–2.5s VISUAL: The woman with glasses examines the older man with open disgust while he stands beside the table. VOICEOVER (Voice 1, female, Italian): "Chi l'ha fatto entrare? Sembra appena uscito da un cassonetto." 2.5–6.0s VISUAL: The middle-aged man smirks mockingly, leaning slightly toward her while looking at the woman. VOICEOVER (Voice 2, male, Italian): "Scommetto che è venuto a chiedere un lavoro... o qualche soldo." 6.0–11.5s VISUAL: The older man calmly steps forward and places the folded document on the table; the smiles disappear. VOICEOVER (Voice 3, older male, Italian): "Ho acquistato questa azienda stamattina." 11.5–15.0s VISUAL: Close-up of the older man’s cold, firm, confident stare; the room falls silent. VOICEOVER (Voice 3, older male, Italian): "E da questo momento in poi, chiunque mi abbia umiliato qui verrà licenziato."
CAST & SET (1 line): An older heavyset Italian man with a gray beard, wearing a shabby worn-out coat, a knitted cap, ...
CAST & SET (1 line): An older heavyset Italian man with a gray beard, wearing a shabby worn-out coat, a knitted cap, and having the appearance of a homeless man, stands in a modern boardroom; beside him sit a well-dressed middle-aged man and a woman with glasses; key detail: a company ownership document. AUDIO: VOICEOVER: Three clearly differentiated first-person voices (in the same professional style, but with different intonations), all in Italian language: Voice 1 — female, sharp and contemptuous; Voice 2 — middle-aged male, mocking; Voice 3 — older male, calm, confident, and authoritative. MUSIC: cinematic minimalist piano / suspense ambient, no vocals, very low under the voiceover. AMBIENT: office atmosphere, chair creaks, faint city noise from the window, very low, never overpowering the voiceover. TIMELINE (strictly 4 beats, voiceover ↔️ visuals synchronized): 0.0–2.5s VISUAL: The woman with glasses examines the older man with open disgust while he stands beside the table. VOICEOVER (Voice 1, female, Italian): "Chi l'ha fatto entrare? Sembra appena uscito da un cassonetto." 2.5–6.0s VISUAL: The middle-aged man smirks mockingly, leaning slightly toward her while looking at the woman. VOICEOVER (Voice 2, male, Italian): "Scommetto che è venuto a chiedere un lavoro... o qualche soldo." 6.0–11.5s VISUAL: The older man calmly steps forward and places the folded document on the table; the smiles disappear. VOICEOVER (Voice 3, older male, Italian): "Ho acquistato questa azienda stamattina." 11.5–15.0s VISUAL: Close-up of the older man’s cold, firm, confident stare; the room falls silent. VOICEOVER (Voice 3, older male, Italian): "E da questo momento in poi, chiunque mi abbia umiliato qui verrà licenziato."
CAST & SET (1 line): An older heavyset Italian man with a gray beard, wearing a shabby worn-out coat, a knitted cap, ...
CAST & SET (1 line): An older heavyset Italian man with a gray beard, wearing a shabby worn-out coat, a knitted cap, and having the appearance of a homeless man, stands in a modern boardroom; beside him sit a well-dressed middle-aged man and a woman with glasses; key detail: a company ownership document. AUDIO: VOICEOVER: Three clearly differentiated first-person voices (in the same professional style, but with different intonations), all in Italian language: Voice 1 — female, sharp and contemptuous; Voice 2 — middle-aged male, mocking; Voice 3 — older male, calm, confident, and authoritative. MUSIC: cinematic minimalist piano / suspense ambient, no vocals, very low under the voiceover. AMBIENT: office atmosphere, chair creaks, faint city noise from the window, very low, never overpowering the voiceover. TIMELINE (strictly 4 beats, voiceover ↔️ visuals synchronized): 0.0–2.5s VISUAL: The woman with glasses examines the older man with open disgust while he stands beside the table. VOICEOVER (Voice 1, female, Italian): "Chi l'ha fatto entrare? Sembra appena uscito da un cassonetto." 2.5–6.0s VISUAL: The middle-aged man smirks mockingly, leaning slightly toward her while looking at the woman. VOICEOVER (Voice 2, male, Italian): "Scommetto che è venuto a chiedere un lavoro... o qualche soldo." 6.0–11.5s VISUAL: The older man calmly steps forward and places the folded document on the table; the smiles disappear. VOICEOVER (Voice 3, older male, Italian): "Ho acquistato questa azienda stamattina." 11.5–15.0s VISUAL: Close-up of the older man’s cold, firm, confident stare; the room falls silent. VOICEOVER (Voice 3, older male, Italian): "E da questo momento in poi, chiunque mi abbia umiliato qui verrà licenziato."
10-SECOND CINEMATIC BREAKDOWN - "Ten Minutes Offline" SECONDS 0-2 (THE HOOK): EXTREME CLOSE-UP on smartphone screen s...
10-SECOND CINEMATIC BREAKDOWN - "Ten Minutes Offline" SECONDS 0-2 (THE HOOK): EXTREME CLOSE-UP on smartphone screen showing "Security System Manually Disabled - 1:20:33 AM" notification. Camera PUSH-IN on the word "MANUALLY" as it glows ominously. Background: Dark bedroom, Paul (mid-40s, disheveled, concerned expression) holding phone, blue screen light illuminating his confused face. SECONDS 2-4 (REACTION/ESCALATION): QUICK CUT to Paul's face, eyebrows furrowed, mouth slightly open in realization. Camera HANDHELD, slight shake to show unease. He scrolls frantically through security logs on phone. OVER-THE-SHOULDER shot showing months of identical "Manual Disable" entries at exact same time. SECONDS 4-6 (CONTEXT REVEAL): WIDE SHOT of darkened living room. Paul crouched behind couch, watching front door security panel in distance. Clock on wall shows 1:19 AM. Shallow depth of field, panel in sharp focus. Paul's silhouette barely visible in shadows, tense body language. SECONDS 6-8 (TRUTH MOMENT): MEDIUM SHOT of Catherine (early 40s, fully dressed in dark clothes) appearing at top of stairs, moving stealthily. Camera SLOW PUSH-IN as she approaches security panel. Her face shows calculated determination, not confusion. She enters code with practiced efficiency. SECONDS 8-10 (EMOTIONAL PAYOFF): EXTREME CLOSE-UP on Paul's face as realization hits. Eyes wide, mouth agape, devastation washing over features. Camera HOLDS STEADY on his expression of betrayal and disbelief. Background blurred, focus entirely on his emotional destruction. CASTING & CHARACTERS: PAUL (Mid-40s): - Appearance: Average build, dark hair with slight gray, stubble, wearing t-shirt and pajama pants - Emotional state: Confused turning to devastated - Body language: Initially slouched and tired, becomes rigid with shock - Clothing: Rumpled sleep clothes, bare feet CATHERINE (Early 40s): - Appearance: Medium height, brown hair in ponytail, athletic build - Emotional state: Calculated, secretive, determined - Body language: Deliberate, quiet movements, practiced stealth - Clothing: Dark jeans, dark hoodie, sneakers (prepared for outdoor meeting) CAMERA & CINEMATIC DIRECTION: - Lighting: Blue smartphone glow, dim household lighting, shadows - Camera movements: Push-ins for emphasis, handheld for tension, steady for reveals - Focus: Shallow depth of field, selective focus on key elements - Style: Netflix/Hulu drama aesthetic, rich shadows, realistic lighting DIALOGUE VARIATIONS: PAUL (confused, then horrified): "The system shows manual disable... but who would..." "Someone's been turning it off... from inside the house..." "These logs show deliberate shutdown... every single night..." "Manual disable means someone entered the code... but who..." "The system isn't broken... someone's been lying to me..." "Manually disabled... that means... oh God..." "These aren't malfunctions... someone's been planning this..." "Six months of lies... right under my nose..." "The code... she knows the code... she's been..." "Everything I trusted... all of it... lies..." LOCATION & ENVIRONMENT: - Setting: Contemporary American suburban home interior - Time: 1:20 AM, nighttime - Lighting: Minimal household lighting, smartphone screen glow, security panel LED - Props: Smartphone, security control panel, staircase, living room furniture - Atmosphere: Domestic space turned sinister through betrayal SORA 2 TECHNICAL REQUIREMENTS: - Natural human movement and realistic facial expressions - Consistent lighting throughout scene - Smooth camera movements without jarring cuts - Realistic smartphone screen display and interaction - Accurate spatial relationships between rooms and characters
10-SECOND CINEMATIC BREAKDOWN - "Ten Minutes Offline" SECONDS 0-2 (THE HOOK): EXTREME CLOSE-UP on smartphone screen s...
10-SECOND CINEMATIC BREAKDOWN - "Ten Minutes Offline" SECONDS 0-2 (THE HOOK): EXTREME CLOSE-UP on smartphone screen showing "Security System Manually Disabled - 1:20:33 AM" notification. Camera PUSH-IN on the word "MANUALLY" as it glows ominously. Background: Dark bedroom, Paul (mid-40s, disheveled, concerned expression) holding phone, blue screen light illuminating his confused face. SECONDS 2-4 (REACTION/ESCALATION): QUICK CUT to Paul's face, eyebrows furrowed, mouth slightly open in realization. Camera HANDHELD, slight shake to show unease. He scrolls frantically through security logs on phone. OVER-THE-SHOULDER shot showing months of identical "Manual Disable" entries at exact same time. SECONDS 4-6 (CONTEXT REVEAL): WIDE SHOT of darkened living room. Paul crouched behind couch, watching front door security panel in distance. Clock on wall shows 1:19 AM. Shallow depth of field, panel in sharp focus. Paul's silhouette barely visible in shadows, tense body language. SECONDS 6-8 (TRUTH MOMENT): MEDIUM SHOT of Catherine (early 40s, fully dressed in dark clothes) appearing at top of stairs, moving stealthily. Camera SLOW PUSH-IN as she approaches security panel. Her face shows calculated determination, not confusion. She enters code with practiced efficiency. SECONDS 8-10 (EMOTIONAL PAYOFF): EXTREME CLOSE-UP on Paul's face as realization hits. Eyes wide, mouth agape, devastation washing over features. Camera HOLDS STEADY on his expression of betrayal and disbelief. Background blurred, focus entirely on his emotional destruction. CASTING & CHARACTERS: PAUL (Mid-40s): - Appearance: Average build, dark hair with slight gray, stubble, wearing t-shirt and pajama pants - Emotional state: Confused turning to devastated - Body language: Initially slouched and tired, becomes rigid with shock - Clothing: Rumpled sleep clothes, bare feet CATHERINE (Early 40s): - Appearance: Medium height, brown hair in ponytail, athletic build - Emotional state: Calculated, secretive, determined - Body language: Deliberate, quiet movements, practiced stealth - Clothing: Dark jeans, dark hoodie, sneakers (prepared for outdoor meeting) CAMERA & CINEMATIC DIRECTION: - Lighting: Blue smartphone glow, dim household lighting, shadows - Camera movements: Push-ins for emphasis, handheld for tension, steady for reveals - Focus: Shallow depth of field, selective focus on key elements - Style: Netflix/Hulu drama aesthetic, rich shadows, realistic lighting DIALOGUE VARIATIONS: PAUL (confused, then horrified): "The system shows manual disable... but who would..." "Someone's been turning it off... from inside the house..." "These logs show deliberate shutdown... every single night..." "Manual disable means someone entered the code... but who..." "The system isn't broken... someone's been lying to me..." "Manually disabled... that means... oh God..." "These aren't malfunctions... someone's been planning this..." "Six months of lies... right under my nose..." "The code... she knows the code... she's been..." "Everything I trusted... all of it... lies..." LOCATION & ENVIRONMENT: - Setting: Contemporary American suburban home interior - Time: 1:20 AM, nighttime - Lighting: Minimal household lighting, smartphone screen glow, security panel LED - Props: Smartphone, security control panel, staircase, living room furniture - Atmosphere: Domestic space turned sinister through betrayal SORA 2 TECHNICAL REQUIREMENTS: - Natural human movement and realistic facial expressions - Consistent lighting throughout scene - Smooth camera movements without jarring cuts - Realistic smartphone screen display and interaction - Accurate spatial relationships between rooms and characters
Page 256 sur 3044