Vitrine Seedance 2.0
Parcourez les générations publiques réussies de la communauté et ouvrez n'importe quel élément pour inspecter l'invite, les paramètres et le résultat.
A female reporter wearing a short skirt and short stilettos is interviewing an old woman with an electric motor on he...
A female reporter wearing a short skirt and short stilettos is interviewing an old woman with an electric motor on her hand in the alley of Iran's bazaar, and the reporter is asking her where are you going? And the old woman says to you, "What are you doing?" This interview should not last more than 10 seconds.
Iran vs USA war
Iran vs USA war
A cinematic 8‑second video in two parts: first 0–4 s, a stabilized wide shot of a generic sporty coupe (no identifiab...
A cinematic 8‑second video in two parts: first 0–4 s, a stabilized wide shot of a generic sporty coupe (no identifiable branding) driving briskly along rolling tree‑lined roads in autumn at golden hour; smooth lateral tracking, medium depth of field, slightly damp road with warm highlights, occasional leaves kicked up by the wake, 35 mm look with balanced contrast. Then 4–8 s, a dynamic close view on the front and side panels, emphasizing smooth surfaces, crisp edges, generic rims and calipers; hard cut at 4.0 s into a brief dolly‑in with a gentle rack focus across metallic paint texture, subtle motion blur, slight low angle, consistent color and materials. Include an original instrumental music bed around 82 BPM with light percussive pulse and subtle pads, no vocals; start at 0.0 s, gentle swell near 0.03, rhythmic accent at the 4.0 s cut, steady build to 8.0 s; restrained generic foley (engine low‑mid, wind, tire roll) tucked under the music. Add a text overlay from 3.0 s to 7.0 s, bottom‑center: “Experience the drive, shape your own horizon”, sans‑serif around 24 px, #FFFFFF with a soft glow, appearing via a progressive left‑to‑right reveal over 1.5 s.
Scene shows two stereotypical American housewifes wearing house robes, hair curlers and mudmasks dancing, smiling and...
Scene shows two stereotypical American housewifes wearing house robes, hair curlers and mudmasks dancing, smiling and very joyful in a living room near a vintage television set. The scene is set in a typical 1979 American home. On the TV screen can be seen the Bob Ross painting show as seen on PBS.
гиперреализм, размытость, эффект боке и кинематографическое качество: крупный план темноволосой женщины с горящими кр...
гиперреализм, размытость, эффект боке и кинематографическое качество: крупный план темноволосой женщины с горящими красными глазами, черными ногтями и свечой в руках на фоне обветшалой старой комнаты в черных тонах, две полупрозрачные дымчатые руки покоятся на ее плечах, атмосфера полумрака и отражение осенних листьев в старом, мокром окне.
Pixar 3D Script (10 sec) Scene description (in English) Scene opens at dawn in Makkah. A Black grandmother in her sev...
Pixar 3D Script (10 sec) Scene description (in English) Scene opens at dawn in Makkah. A Black grandmother in her seventies, wearing a light beige hijab and abaya, stands quietly near the Kaaba. The morning light glows softly on her face, her eyes full of love and longing. She holds her tasbih gently, her lips trembling with emotion. The camera moves slowly from behind her shoulder — revealing the Kaaba in front — then circles to a close-up as she speaks. Subtle background sound: calm wind and distant adhan echoing. 🗣️ French spoken text (lip-synced) > « Un des signes d’amour pour le Prophète, c’est la mention fréquente de son nom… et le profond désir de le rencontrer. »
Pixar 3D Script (10 sec) Scene description (in English) Scene opens at dawn in Makkah. A Black grandmother in her sev...
Pixar 3D Script (10 sec) Scene description (in English) Scene opens at dawn in Makkah. A Black grandmother in her seventies, wearing a light beige hijab and abaya, stands quietly near the Kaaba. The morning light glows softly on her face, her eyes full of love and longing. She holds her tasbih gently, her lips trembling with emotion. The camera moves slowly from behind her shoulder — revealing the Kaaba in front — then circles to a close-up as she speaks. Subtle background sound: calm wind and distant adhan echoing.
Dancers
Dancers
[intro police scanner radio chatter, word spoken] (Dispatch woman] All units, be advised, we have a 10-99, A-pock is ...
[intro police scanner radio chatter, word spoken] (Dispatch woman] All units, be advised, we have a 10-99, A-pock is back at it again. I Repeat, the rapper A-pock is back at it again [Officer 1:] Dispatch, this is Unit 4. What do we do? Over. [Dispatch woman] Unit 4, A-pock is considered extremely dangerous. Do not confront alone. Repeat, do not confront alone. [Officer 2:] Copy that, Dispatch. We need to watch out. This is no joke. [Officer 3:]Dispatch, this is Unit 7. I’ve got eyes on A-pock near platte and murry. It’s... Oh God, he's looking right at me. [Dispatch woman] Unit 7, fall back immediately. Do not engage. Repeat, do not engage. Backup is on the way. [Terrified Officer 3:] It’s too late! I need backup now! Oh My God he is moving fast... I... I don't think I can— [Officer 4:] Officer down! Officer down! Unit 7 is down! A-pock is heading north. We need all available back up
Dynamic lip sync animation of rapper aggressively rapping music video different scenes
Dynamic lip sync animation of rapper aggressively rapping music video different scenes
Female actress twisted ankle crutches walks on stage heels on Grammy's present award for best young actor full versio...
Female actress twisted ankle crutches walks on stage heels on Grammy's present award for best young actor full version nominees are full version
Female actress twisted ankle crutches walks on stage heels on Grammy's present award for best young actor
Female actress twisted ankle crutches walks on stage heels on Grammy's present award for best young actor
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