Creazioni Pubbliche

Showcase di Seedance 2.0

Sfoglia le generazioni pubbliche di successo dalla comunità e apri qualsiasi elemento per esaminare il prompt, le impostazioni e il risultato.

videoSora 2

Kinowe ujęcie z gry Apex Legends, perspektywa pierwszej osoby. Postać biegnie sprintem przez futurystyczny kanion. Na...

Kinowe ujęcie z gry Apex Legends, perspektywa pierwszej osoby. Postać biegnie sprintem przez futurystyczny kanion. Nagle z boku wyskakuje przeciwnik, ". Marek oddaje serię strzałów z broni energetycznej, powalając postać. Na koniec ekran błyska na złoto i pojawia się wielki napis "JESTEŚ CZEMPIONEM". Styl graficzny wysokiej jakości, 4K, realistyczne oświetlenie i efekty cząsteczkowe

25 gen 2026, 17:03Visualizza dettagli
videoSora 2

Hanna-Barbera Logo (1980-1990)

Hanna-Barbera Logo (1980-1990)

25 gen 2026, 16:57Visualizza dettagli
videoSora 2

WOMAN 1.8 METERS TALL BLACK HAIR BANGS BRAID PONYTAIL pale DARKER SKIN BROWN EYES serious white qipao pants high thig...

WOMAN 1.8 METERS TALL BLACK HAIR BANGS BRAID PONYTAIL pale DARKER SKIN BROWN EYES serious white qipao pants high thigh flat boots iron bracelets can summon without scrolls or hand signs ,SH WOMAN secretly experimented on herself she scarified herself from face to feet under the skin the lines horisontal vertical than can absorb energy , she has an inner summoning dimension , she can seal anything , , she has various weapons both melee and ranged , modern and old , both large and small including artillery torture devices , she can regenerate from any injury , she has devastating critical punch and kick, she has various allies one group are the living puppets captured adversaries , the others beings she created , egon schiele alfred kubin soul eater artstyle

25 gen 2026, 16:55Visualizza dettagli
videoSora 2

A hyper-realistic carrot standing upright in a transparent glass container filled with water inside a refrigerator. T...

A hyper-realistic carrot standing upright in a transparent glass container filled with water inside a refrigerator. The carrot has subtle human-like facial features formed naturally on its surface (eyes and mouth made from texture, not cartoonish). The carrot moves slightly, nods, and opens and closes its mouth as if speaking. Expressive but realistic body language. Soft fridge lighting, shallow depth of field, cinematic realism. No audio. Vertical 9:16, short-form social media video.

25 gen 2026, 16:53Visualizza dettagli
videoSora 2

Ultra-realistic POV handheld video, first-person camera perspective from the man holding the camera at chest height i...

Ultra-realistic POV handheld video, first-person camera perspective from the man holding the camera at chest height in a small cozy kitchen/dining area. The man’s hands enter frame and open a standard metal fish tin with a pull-tab. As the lid peels back, the fish inside looks unexpectedly alive—wet, glossy scales, subtle gill movement, tiny water droplets. The fish suddenly twitches and gently springs out of the tin, landing softly on the wooden dining table with a quiet wet slap, then flops once. The camera jolts backward in shock; the man audibly gasps and stumbles a step, causing natural handheld shake and slight motion blur. Realistic lighting from a window (soft daylight), natural shadows, shallow depth of field, accurate skin texture, pores, fine hair, realistic metal reflections on the tin, micro-scratches, condensation. Filmic realism, high dynamic range, true-to-life colors, 35mm lens look, f/2.0, slight rolling shutter, subtle focus hunting as the fish jumps, crisp detail on the tin and fish, background softly blurred. 4K, 24fps, 6–8 seconds, single continuous take, no cuts.

25 gen 2026, 16:51Visualizza dettagli
videoSora 2

⏱️ Scene 1 (0–2 sec): Traditional Education Visual: Old madrasa on one side, gurukul/pathshala on the other Ulema tea...

⏱️ Scene 1 (0–2 sec): Traditional Education Visual: Old madrasa on one side, gurukul/pathshala on the other Ulema teaching Quran, Pandit teaching Sanskrit Students sitting on floor with books Camera Angle: Slow pan left to right Eye-level medium shot of religious teachers Lighting: Warm natural sunlight Peaceful, traditional tone Text on screen: “Education Before British Rule” ⏱️ Scene 2 (2–5 sec): Arrival of British System Visual: British officer enters with English books & exam papers Blackboard with English alphabet & numbers Religious leaders watching with concern Camera Angle: Low-angle shot of British officer (power symbol) Cut to close-up of worried faces of religious leaders Lighting: Cold, slightly harsh lighting Shadow falling on religious leaders’ faces Text on screen: “Fear of Cultural & Religious Loss” ⏱️ Scene 3 (5–7 sec): Reaction & Divide Visual (split scene): Left side: Religious leaders rejecting the system Closed books, turning backs Right side: Reformist leaders discussing English education Camera Angle: Split-screen composition Over-the-shoulder shots during discussions Lighting: Left: darker, tense Right: brighter, hopeful Text on screen: “Resistance vs Reform” ⏱️ Scene 4 (7–10 sec): Adaptation & Outcome Visual: Sir Syed Ahmad Khan-type figure guiding students Modern classroom + religious symbols in background Students writing exams confidently Camera Angle: Wide establishing shot Final slow zoom-out Lighting: Balanced warm & cool light (tradition + modernity) Final Text: “Education Became the Path to Power” 🎵 Audio: Soft traditional instruments at start Tense low background tone in middle Calm hopeful music at end

25 gen 2026, 16:49Visualizza dettagli
videoSora 2

Ultra detailed cinematic POV close‑up thirst trap video in 9:16 vertical aspect ratio of a modern minimalist kitchen....

Ultra detailed cinematic POV close‑up thirst trap video in 9:16 vertical aspect ratio of a modern minimalist kitchen. The camera is in first‑person view, as if seen through the eyes of the cook, positioned at normal standing height and angled downward about 35 degrees, roughly one meter away from the stove. A clean white quartz countertop fills the lower third of the frame in the foreground, and a sleek black induction stove with a single clean empty non‑stick frying pan centered on the front burner is in the middle of the frame. Soft natural daylight enters from the left, casting gentle shadows to the right, with shallow depth of field so the main action is in sharp focus and the backsplash, light gray wall, and light wood upper cabinets are slightly blurred. A realistic human hand appears from the bottom of the frame, holding a single futuristic compressed sushi tablet between the fingers: a glossy translucent cube with tiny pieces of salmon, white rice grains, and dark green seaweed suspended inside. In smooth POV motion, the camera and hand move forward together toward the stove. The hand carries the tablet over the pan and gently places it in the center of the empty frying pan. Once it touches the pan, the tablet begins to expand and transform in a satisfying, slightly slow‑motion way into a full plate of sushi: the cube blooms and unfolds into realistic sushi pieces with rice, salmon, and seaweed, filling the pan. The POV camera slowly dolly‑in and slightly tilts to keep the expanding sushi centered in the frame. High‑end product shot style, realistic hand, no extra people, no on‑screen text, no logos, no plate in the pan, just the dish should fill the pan. Its a thirst trap. generate an image to feed the video generator ai

25 gen 2026, 16:48Visualizza dettagli
videoSora 2

A hyper-realistic 8K elementary school cafeteria, filmed on a shallow-depth 50mm cinematic lens, natural midday sunli...

A hyper-realistic 8K elementary school cafeteria, filmed on a shallow-depth 50mm cinematic lens, natural midday sunlight pouring through tall windows, highlighting fine details—dust motes in the air, reflections on metal lunch trays, fabric textures on backpacks. The camera performs a slow, smooth dolly move past laughing children, ambient cafeteria sounds surrounding the scene, before settling on a new child sitting alone at the end of a table, shoulders slightly hunched, quietly unwrapping lunch, eyes flicking up with uncertainty. As the camera gently pushes in, two nearby children notice; their expressions soften, captured in crisp facial detail. One child smiles and gestures toward an empty seat while the other pulls the chair back. The lonely child pauses, then brightens and joins them, posture relaxing as laughter blends naturally into the background. The shot ends on a warm, sunlit close-up of the three children together, visually reinforcing kindness, inclusion, and belonging within a natural ten-second moment.

25 gen 2026, 16:27Visualizza dettagli
videoSora 2

Des gens qui assiste à une scène fou, un enfant qui tombe dans l'eau au bord du goudron mais personne n'ose aller le ...

Des gens qui assiste à une scène fou, un enfant qui tombe dans l'eau au bord du goudron mais personne n'ose aller le sauver mais soudain un voleur poursuit par la police Plagne dans l'eau et sauve l'enfant

25 gen 2026, 16:25Visualizza dettagli
videoSora 2

gere um vídeo ela falndo e andando na loja no portugues do brasil: "Tá indo treinar se arrastando? Chega de treino me...

gere um vídeo ela falndo e andando na loja no portugues do brasil: "Tá indo treinar se arrastando? Chega de treino meia-boca. Você precisa conhecer o Evolution da Soldiers Nutrition."

25 gen 2026, 15:55Visualizza dettagli
videoSora 2

Dois meninos de aproximadamente 10 e 11 anos estão sentados no sofá de uma sala de estar moderna, com todas as luzes ...

Dois meninos de aproximadamente 10 e 11 anos estão sentados no sofá de uma sala de estar moderna, com todas as luzes apagadas. A única iluminação vem da televisão. São exatamente 3h00 da manhã. Na TV, estão passando os créditos finais de uma série adulta, com letras brancas subindo lentamente sobre um fundo escuro, trilha sonora estranha, lenta e melancólica. O som ecoa pela sala silenciosa, criando um clima desconfortável. Quando os créditos chegam ao fim, a música para de repente. A tela escurece por um segundo e então surge uma vinheta antiga e assustadora da TV Santana, com aparência de fita VHS, granulação, chiados, distorção visual e efeitos cósmicos verdes e azuis ao fundo. O logotipo aparece lentamente, acompanhado de um som grave e perturbador. A imagem pisca, o áudio distorce e a atmosfera fica extremamente tensa. Os dois meninos se entreolham apavorados, começam a tremer e então gritam de medo, levantam do sofá e correm desesperados pelo corredor escuro em direção ao quarto dos pais. A câmera permanece na sala vazia. A TV continua ligada, mostrando a vinheta parada por alguns segundos, até a tela ficar completamente preta.

25 gen 2026, 15:54Visualizza dettagli
videoSora 2

Using the provided image, animate the fish so it slowly swims from left to right with natural, gentle fin movement. M...

Using the provided image, animate the fish so it slowly swims from left to right with natural, gentle fin movement. Motion is smooth and realistic, calm and unhurried. The camera remains completely still. Preserve the original colors, grain, blur, and underwater texture. After a few seconds, the entire scene gradually fades to pure white, smoothly and evenly. The white screen remains for 5 seconds. No new objects, no text, no logos, no watermarks. High consistency, minimal creative deviation. Timing guide: Swim: ~5–6 sec Fade to white: ~2 sec White hold: 5 sec

25 gen 2026, 15:49Visualizza dettagli

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