Showcase di Seedance 2.0
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Cinematic ten second live action scene, 1862 Tennessee campaign. Confederate artillery sergeant Elias Whitford, human...
Cinematic ten second live action scene, 1862 Tennessee campaign. Confederate artillery sergeant Elias Whitford, human, early 50s, weathered face, calm eyes. He stands beside a six pound field gun and limber on a muddy red clay road at dawn. Period correct gray wool shell jacket with brass buttons, kepi cap, leather cartridge box and cross straps, scuffed brogans, faint soot and powder smudges, damp cuffs. Cold fog hangs low, pine line and canvas tents behind, embers of a small fire with thin smoke drifting through sunbeams. Sound is subtle, distant murmurs, leather creak, a soft clink of iron. Camera starts extreme close on his hand snapping the limber chest latch shut, then a slow pull back to reveal Elias, the cannon, and two tired gunners in soft focus. Elias lifts his head, breath visible in the cold, holds the camera with a steady half smile, then turns toward the gun as if ready to move. Natural performance, grounded emotion, no posing. Visual style: realistic historical war drama, 35mm film look, shallow depth of field, soft grain, high detail cloth and leather textures, muted color palette, authentic lighting, no modern items, no stylized animation, no text. Negative prompt No cartoon look, no bright modern colors, no modern weapons, no clean pristine uniform, no futuristic city, no logos, no text overlays, no exaggerated heroic slow motion, no anachronistic gear
La Cebolla's low tone laugh of malice after she planned something evil (2d toon clip to clip)
La Cebolla's low tone laugh of malice after she planned something evil (2d toon clip to clip)
One adult woman is holding a wet TV remote covered in white soap foam. She looks angry and shouts loudly: “REMOTE PAN...
One adult woman is holding a wet TV remote covered in white soap foam. She looks angry and shouts loudly: “REMOTE PANI MEIN KYUN HAI?!” Another adult person stands near the bathroom door and looks confused. That person replies calmly: “Maine yeh yahan nahi rakha.” A third adult person enters the scene slowly, takes the remote, smiles and says clearly: “Yeh remote nahi hai. Yeh sabun hai.” The first woman looks shocked 😲 and stares at the remote. Realistic acting, simple dialogue, clear mouth movement, Indian home setting, strong facial expressions, cinematic realism. Duration 8–10 seconds, fast pacing, perfect for YouTube Shorts.
Les deux personnages quelques dents manquantes comme dans l'image fournie...deux femmes descendent des escaliers de l...
Les deux personnages quelques dents manquantes comme dans l'image fournie...deux femmes descendent des escaliers de l'image fournie en arrière plan une a la 1 ere position ( avant) belle et magnifique, et la deuxième en position reculée ( deriere la première) grosse et décoiffée, Pendant ce temps l'homme a la veste verte chuchote de mot a l'autre ami tout en regardant deriere lui les deux femmes, puis le mec vêtu du t-shirt shirt souris légèrement et répond par quelques mots en accompagnant d'un secoument avec la tête
Collision spoof
Collision spoof
Les deux personnages quelques dents manquantes comme dans l'image fournie. Style 3dCartoon, des étudiantes descendre ...
Les deux personnages quelques dents manquantes comme dans l'image fournie. Style 3dCartoon, des étudiantes descendre par les escaliers de l'image en arrièreplan, les deux personnages se chuchote des mots.
Satria sedang masuk ke pipa kilang karena dikejar oleh para penghianat di mana kilang minyak sedang di sabotase untuk...
Satria sedang masuk ke pipa kilang karena dikejar oleh para penghianat di mana kilang minyak sedang di sabotase untuk dijual hasil minyaknya ke luar negeri oleh para tentara-tentara penghianat jadi satria dikejar-kejar oleh dua orang kolonel dan dia harus menutup katup Gilang dengan tempat waktu setting waktu adalah 1960 dia tidak sendirian dia bersama seorang gadis bernama Laras dia harus berjuang agar minyak tidak mengalir kepada kanker yang diduga tempat untuk penyimpanan minyak ilegal dan agar tidak terjadi ledakan di Balikpapan
La Cebolla's low tone laugh of malice after she pulls a lever to an onion gassy plan (2d toon clip to clip)
La Cebolla's low tone laugh of malice after she pulls a lever to an onion gassy plan (2d toon clip to clip)
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.
A cinematic shot of a futuristic city at sunset with flying cars gliding between glass towers.
Les deux personnages quelques dents manquantes comme dans l'image fournie. Style 3dCartoon, des étudiantes descendre ...
Les deux personnages quelques dents manquantes comme dans l'image fournie. Style 3dCartoon, des étudiantes descendre par les escaliers de l'image en arrièreplan, les deux personnages se chuchote des mots.
An obese southern gentleman takes a swig from a bottle of whiskey, then tumbles down a long flight of stairs screamin...
An obese southern gentleman takes a swig from a bottle of whiskey, then tumbles down a long flight of stairs screaming nonsensical southern-sounding expletives.
An obese southern gentleman takes a swig from a bottle of whiskey, then tumbles down a long flight of stairs screamin...
An obese southern gentleman takes a swig from a bottle of whiskey, then tumbles down a long flight of stairs screaming nonsensical southern-sounding expletives.
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