Showcase di Seedance 2.0
Sfoglia le generazioni pubbliche di successo dalla comunità e apri qualsiasi elemento per esaminare il prompt, le impostazioni e il risultato.
What if Gavin and Stacey was a musical trailer full version with female actor as Sonia
What if Gavin and Stacey was a musical trailer full version with female actor as Sonia
What if Gavin and Stacey was a musical Sonia sleeping wake up get up of bed feet on
What if Gavin and Stacey was a musical Sonia sleeping wake up get up of bed feet on
A high-rise building from the 10th floor of a high-rise building, loud music is playing from a window. A beautiful yo...
A high-rise building from the 10th floor of a high-rise building, loud music is playing from a window. A beautiful young blonde opens the window, holding a cigarette in her hand, wearing a top, nice shorts, glasses, and a parachute backpack. She opens the window and dances beautifully to loud music, moving her arms, body, and head. She dances so beautifully that people passing in the city under the high-rise building began to stop and watch her dance beautifully, moving her arms, body, and head. She dances so beautifully that people standing below the building began to clap for her and smile. Opening the windows in the high-rise building, people began to look at her. Suddenly, she came closer to the window, put one leg out of the window, and began to dance, moving her arms, body, and head. Suddenly, her leg went forward, and she jumped from the window of a high-rise building on the 10th floor. In the jump, she abruptly opened her parachute, which was in her backpack. She began to scream while falling down with a parachute from joy and adrenaline. The people standing below They watched in surprise as she flew down with a parachute, cleared the way for her, she landed next to them, and they began to hug her.
What if Gavin and Stacey was a musical Sonia brushing teeth gurgling water spits water
What if Gavin and Stacey was a musical Sonia brushing teeth gurgling water spits water
Completely unhinged juggalo animation for Saturday morning cartoons
Completely unhinged juggalo animation for Saturday morning cartoons
What if Gavin and Stacey Sonia wakes up yawns gets up off bed
What if Gavin and Stacey Sonia wakes up yawns gets up off bed
On a brown wooden background, there is a white piece of paper and a yellow crayon drawing on it, before zooming out t...
On a brown wooden background, there is a white piece of paper and a yellow crayon drawing on it, before zooming out to reveal the eclipse logo, drawn with a blue crayon appearing and “Elmore Public Television” underneath drawn in blue crayon and “WTVS Detroit” written in the bottom right corner of the screen. Audio: A lively instrumental theme with dialogue between a father and a son: "Hey, what are you doing?", "Watching Elmore Public Television.", "That's W-A-R-M Elmore!", "I knew that."
Cinematic historical scene — 1954, Casbah of Algiers, early morning. Narrow stone streets and whitewashed walls, old ...
Cinematic historical scene — 1954, Casbah of Algiers, early morning. Narrow stone streets and whitewashed walls, old houses with wooden shutters. A light golden sunlight illuminates the foggy atmosphere. Three young Algerian freedom fighters wearing civilian clothing typical of the 1950s — simple pants, worn shirts, light djellabas, discreet keffiyehs — are hidden behind a porch and barrels. They hold old bolt-action rifles and pistols with leather ammo belts across their chests. Their faces are tense, determined. A French military jeep from the 1940s–1950s slowly drives up the street. French soldiers in khaki uniforms and metal helmets are seated inside, unaware of the ambush. The camera focuses in close-up on the fighters’ hands tightening on their weapons, their eyes locked on the vehicle. A brief silence. Then, one of the fighters raises his hand slightly. Suddenly, they shout powerfully in Arabic: ‘ALLAH AKBAR!’ and the others respond with ‘TAHIA EL DJAZAIR!’ — the words echo through the narrow streets. Immediately, gunfire erupts. Dust clouds rise, sparks flash from the walls, echoing shots fill the Casbah. The jeep stops abruptly as the fighters fire from different angles. The camera uses smooth cinematic movement: close-up on faces, then a wide shot of the alley and the jeep under fire. Visual style: photorealistic, dramatic, historical film aesthetic, soft morning light, slight fog and dust. Sound: clear male voices shouting, echo effect, realistic gunfire sounds, tires screeching on cobblestones. Duration: 30 seconds.”
The camera backs away from a drawing of the Duckburg skyline at sunset from below. Then, pale purple-blue streaks sho...
The camera backs away from a drawing of the Duckburg skyline at sunset from below. Then, pale purple-blue streaks shoot towards the sky parallel to the buildings, and the drawing fades to a black background. The streaks are revealed to belong to the top half of the blue text "WCHA-CHA" in an outlined Helvetica font, which moves to the top of the screen to make room for the bottom half zooming into view. This is followed by the text "Duckburg" zooming out underneath in the same manner, and the word "presents" in a smaller Helvetica font fading in under the logo.
«Casbah d’Alger, automne 1954 — l’aube éclaire à peine les ruelles étroites et sinueuses de la vieille ville. Le sile...
«Casbah d’Alger, automne 1954 — l’aube éclaire à peine les ruelles étroites et sinueuses de la vieille ville. Le silence est lourd, brisé seulement par les cris lointains des mouettes et quelques pas dans les escaliers pavés. L’atmosphère est tendue. Trois combattants algériens, jeunes hommes du peuple, sont embusqués dans l’ombre d’un porche et derrière des tonneaux. Ils portent des vêtements civils traditionnels de l’époque : pantalon sombre, chemise usée, burnous ou djellaba légère, keffieh discret. Leurs visages sont graves, concentrés, marqués par la détermination. Ils tiennent des fusils anciens à verrou et des pistolets récupérés — des armes typiques des débuts de la lutte. Des bandoulières de munitions croisent leur poitrine. Dans la ruelle, une voiture militaire française (style jeep des années 1940–50) approche lentement, moteur ronronnant. À l’intérieur, des soldats français en uniforme kaki d’époque, casques métalliques brillants sous la lumière naissante, surveillent les alentours sans se douter de l’embuscade. La caméra suit en plan serré les doigts qui serrent les crosses des fusils, les regards échangés entre les trois combattants. Le souffle est court. Puis soudain, l’un d’eux lève légèrement la main. Une seconde de silence absolu. Puis une explosion de voix : « ALLAH AKBAR ! » hurle le premier combattant. « TAHIA EL DJAZAIR ! » répondent les deux autres dans un écho vibrant qui se répercute sur les murs de la Casbah. Immédiatement, les tirs éclatent. Rafales sèches, étincelles, nuages de poussière. La jeep s’immobilise brutalement, des éclats de pierre volent sur les façades blanchies. La caméra effectue un plan large en contre-plongée, montrant la tension et la puissance de la scène, puis revient en plan serré sur les visages déterminés des combattants algériens. 🌅 Lumière : douce et dorée du matin, légèrement voilée par la brume et la poussière. 🎥 Style : film historique réaliste, cinématique, grain fin années 50. 🔊 Son : cris masculins puissants avec écho naturel dans la ruelle, bruit métallique sec des tirs, pneus crissant sur les pavés. ⏳ Durée : 25–30 secondes. 📝 Ton : dramatique, immersif, respectueux de l’histoire — pas de gore. Focus sur la détermination, l’ambiance et le moment historique.»
maling gendut, jatuh dari genteng bahasa indonesia.
maling gendut, jatuh dari genteng bahasa indonesia.
On a black background, several multi-colored pieces revolve and float around the screen, with a few that momentarily ...
On a black background, several multi-colored pieces revolve and float around the screen, with a few that momentarily disappear and reappear. Eventually, they all come together to form the connected letters "CRM", made as a cote-out between the pieces act as an extruded shadow effect (similar to the WGBH and MGM/UA Communications Co. logos). While it forms, the word "PRODUCTIONS" in white sweeps in underneath it, and then the logo stays still for a few seconds. Then, the word "PRESENTS" zooms in from below the logo and continues off-screen, causing the logo to break apart and float off-screen. Audio: An acoustic guitar and harmonica piece with some Moog twinkling-like sounds thrown in.
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