Showcase di Seedance 2.0
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Hand-drawn 2D anime animation. NOT 3D. NOT CGI. NO realistic rendering. NO volumetric lighting. NO Unreal Engine look...
Hand-drawn 2D anime animation. NOT 3D. NOT CGI. NO realistic rendering. NO volumetric lighting. NO Unreal Engine look. NO 3D shading. Traditional 2D anime style, flat cel shading, visible lineart, clean outlines. Frame-by-frame animation. Sakuga style movement. Dynamic camera movement like anime fight scenes. Scene: Ancient coliseum under heavy rain at night. The white-haired character: His face has solid black square blocks arranged like a chessboard pattern. Geometric, sharp edges. Not organic. Not smeared. Clearly defined square shapes. The black-haired swordswoman: Fights using a katana. Fluid, fast, exaggerated anime motion. Camera: Starts with extreme close-up. Fast whip pan. Dynamic orbit movement. Low angle shot. Dutch angle during impact. Rapid cuts. Cinematic anime storyboard feeling. Animation style: Like a high-budget 2D anime fight scene. Smear frames. Speed lines. Impact frames. Motion blur drawn in 2D style. Strong keyframes. Exaggerated poses. Rain animated in 2D. Clothes and hair reacting dynamically. Energy effects: Black aura forming geometric chess-like patterns. Squares assembling in the air. Hard edges. Graphic design feel. Stylized 2D effects. No CGI look. No 3D models. Pure 2D animation.
he waves his hand and say . . "Hi Youtubees!, it's me , SOLL . . i will be with you once every week"
he waves his hand and say . . "Hi Youtubees!, it's me , SOLL . . i will be with you once every week"
A dimly lit American basement with concrete floors and bare walls. A young white American woman in her thirties lies ...
A dimly lit American basement with concrete floors and bare walls. A young white American woman in her thirties lies on the cold floor, clutching her ribs, breathing shallow and pained. Her face is pale, tear-streaked, determined. One hand stretches toward a shattered smartphone glowing faintly in the shadows. Close-up on her trembling fingers as she pulls the phone closer. The screen cracks are visible, but the call screen shows "Dad" and a timer counting. Her lips barely move as she whispers, "He locked me in." Above her, heavy footsteps cross the ceiling. The camera tilts up toward the locked basement door as the deadbolt scrapes. Her eyes widen. She presses the phone tighter to her ear. A voice from the phone, faint but steady: "Stay awake. I'm coming." Suddenly, a massive BANG from upstairs—wood splintering. Shouts. "Police! Open up!" Her face shifts from fear to shock to fragile hope. Close-up on her eyes as the basement door shakes under impact. Cinematic, grounded realism, harsh shadows, high tension. No logos, no brand names, no watermarks, no text overlays, no subtitles.
Настоящий советский мультфильм с анимацией в стиле Льва Мильчина, в стиле мультфильма «Царевна лягушка» девушка сидит...
Настоящий советский мультфильм с анимацией в стиле Льва Мильчина, в стиле мультфильма «Царевна лягушка» девушка сидит у старухи гадалки, она говорит «карты говорят что у тебя все получится… Но через жопу»
A fluorescent-lit gas station at dusk, somewhere in suburban America. Cracked asphalt, flickering neon signs, the hum...
A fluorescent-lit gas station at dusk, somewhere in suburban America. Cracked asphalt, flickering neon signs, the hum of distant traffic. All characters are clearly American—natural, grounded, modern. Close-up: A woman in a worn custodian uniform kneels in front of three children beside a dumpster enclosure. Her hands tremble slightly as she carefully breaks apart a single fast-food burger. The oldest girl watches silently. The toddler reaches out with both hands. Cut to: A luxury car door opening. Polished leather shoes step onto oil-stained pavement. The camera pans up to reveal an older man in an expensive suit, silver hair, calm expression. He approaches slowly. Wide shot: The woman stands, instinctively stepping between him and the children. Tension in her shoulders. Fear in her eyes. Close-up on his hand as he pulls out a checkbook. Her face shifts—confusion, disbelief. He speaks quietly: "You gave them everything. Let me give you a chance." Her eyes fill with tears as she stares at the check in her shaking hand. Silence. Wind rustles a plastic bag across the empty lot. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic realism, muted tones, grounded American drama.
A fluorescent-lit gas station at dusk, somewhere in suburban America. Cracked asphalt, flickering neon signs, the hum...
A fluorescent-lit gas station at dusk, somewhere in suburban America. Cracked asphalt, flickering neon signs, the hum of distant traffic. All characters are clearly American—natural, grounded, modern. Close-up: A woman in a worn custodian uniform kneels in front of three children beside a dumpster enclosure. Her hands tremble slightly as she carefully breaks apart a single fast-food burger. The oldest girl watches silently. The toddler reaches out with both hands. Cut to: A luxury car door opening. Polished leather shoes step onto oil-stained pavement. The camera pans up to reveal an older man in an expensive suit, silver hair, calm expression. He approaches slowly. Wide shot: The woman stands, instinctively stepping between him and the children. Tension in her shoulders. Fear in her eyes. Close-up on his hand as he pulls out a checkbook. Her face shifts—confusion, disbelief. He speaks quietly: "You gave them everything. Let me give you a chance." Her eyes fill with tears as she stares at the check in her shaking hand. Silence. Wind rustles a plastic bag across the empty lot. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic realism, muted tones, grounded American drama.
Perfeito 🔥 vou criar um prompt cinematográfico, bem detalhado, com coreografia fluida e atmosfera pesada estilo anim...
Perfeito 🔥 vou criar um prompt cinematográfico, bem detalhado, com coreografia fluida e atmosfera pesada estilo anime dark, mantendo o traço 2D da imagem original. --- ### 🎬 Prompt de Cena de Luta Cena de batalha em um coliseu antigo sob chuva intensa à noite, estilo anime 2D com traço limpo e sombreado dramático. O chão de pedra molhado reflete as chamas das tochas nas paredes e os relâmpagos no céu. A personagem de preto, com cabelo cacheado preto e vestido escuro colado ao corpo, segura uma katana com firmeza. Seus movimentos são precisos e elegantes, postura baixa, respiração controlada. Ela avança primeiro — um corte horizontal rápido mirando o torso. A outra personagem, de cabelos longos brancos e marcas negras no rosto, ergue a mão lentamente. Uma aura sombria começa a se formar ao seu redor, negra como tinta espalhando na água, com padrões que lembram muito um tabuleiro de xadrez distorcido — quadrados se formando e se desfazendo no ar, como se a realidade estivesse sendo reorganizada. A espadachim gira o corpo, desviando de uma explosão de energia negra que rasga o chão em linhas retas geométricas. Ela usa a chuva a seu favor, deslizando pelo piso molhado e aplicando um combo: — Corte diagonal ascendente — Giro completo com corte circular — Avanço rápido com estocada direta A feiticeira recua apenas meio passo. A aura cresce e se fragmenta em blocos escuros flutuantes, como peças de xadrez se movendo sozinhas. Um padrão quadriculado surge no chão abaixo da espadachim, prendendo seus pés momentaneamente. A espadachim finca a katana no chão e usa impulso para saltar, girando no ar e desferindo um corte vertical descendente envolto em respingos de chuva. A feiticeira cruza os braços e o campo sombrio se expande violentamente — sombras se movem como torres avançando, diagonais como bispos cortando o ar. A energia negra pulsa em ondas rítmicas. Relâmpago ilumina o momento exato do impacto: A lâmina corta a aura sombria, criando uma rachadura no padrão xadrez que se quebra como vidro. Close nos olhos das duas — intensidade máxima. A chuva aumenta. A arena silencia. Energia negra contra aço brilhante. --- :
Ultra-premium cinematic commercial, 6 seconds total, luxury minimalist aesthetic, masculine elegance, soft natural li...
Ultra-premium cinematic commercial, 6 seconds total, luxury minimalist aesthetic, masculine elegance, soft natural lighting, neutral beige and marble interior, modern millionaire lifestyle. Scene 1 (0.0–1.5s): Close-up of pristine white men's essentials — boxer briefs, t-shirt, and knee-high socks — floating weightlessly in a calm, minimalist luxury bedroom. Fabric texture highly detailed, premium cotton, soft shadows, refined, quiet atmosphere. Scene 2 (1.5–3.5s): Suddenly, the underwear, shirt, and socks accelerate smoothly and fly out of the luxury home window in sequence, one after another, fast but graceful, cinematic motion blur, seamless transition through air, symbolizing precision and purpose. Scene 3 (3.5–6.0s): Match cuts reveal a confident, attractive millionaire man in three rapid luxury contexts: – walking in a tailored charcoal suit in a modern penthouse hallway (shirt underneath visible) – standing in a private luxury locker room wearing only premium boxer briefs and socks, athletic physique – close-up of polished dress shoes with premium white socks visible Each transition instant and smooth, showing the essentials already perfectly worn. Final frame (last 0.3s): Clean white background, subtle logo reveal, minimal typography, luxury branding. Style: cinematic, ultra-realistic, high-end fashion commercial, Apple-level minimalism, masculine, confident, refined, simple, elegant, premium lighting, shallow depth of field, smooth camera movement, no clutter, no distractions. Color palette: white, beige, marble, charcoal, warm neutrals. Mood: exclusive, powerful, effortless luxury.
A fluorescent-lit gas station at dusk, somewhere in suburban America. Cracked asphalt, flickering neon signs, the hum...
A fluorescent-lit gas station at dusk, somewhere in suburban America. Cracked asphalt, flickering neon signs, the hum of distant traffic. All characters are clearly American—natural, grounded, modern. Close-up: A woman in a worn custodian uniform kneels in front of three children beside a dumpster enclosure. Her hands tremble slightly as she carefully breaks apart a single fast-food burger. The oldest girl watches silently. The toddler reaches out with both hands. Cut to: A luxury car door opening. Polished leather shoes step onto oil-stained pavement. The camera pans up to reveal an older man in an expensive suit, silver hair, calm expression. He approaches slowly. Wide shot: The woman stands, instinctively stepping between him and the children. Tension in her shoulders. Fear in her eyes. Close-up on his hand as he pulls out a checkbook. Her face shifts—confusion, disbelief. He speaks quietly: "You gave them everything. Let me give you a chance." Her eyes fill with tears as she stares at the check in her shaking hand. Silence. Wind rustles a plastic bag across the empty lot. No logos, no brand names, no watermarks, no text overlays, no subtitles. Cinematic realism, muted tones, grounded American drama.
A sunny afternoon at an upscale gated community entrance with manicured lawns and luxury homes. Karen (mid-40s, blond...
A sunny afternoon at an upscale gated community entrance with manicured lawns and luxury homes. Karen (mid-40s, blonde bob, yoga attire, aggressive posture) pounds aggressively on the driver's window of a black Mercedes, her face red with anger. Wide shot shows Marcus (17, Black teenager, polo shirt, calm demeanor) inside the car with hands visible on the steering wheel, looking straight ahead with dignity. Medium shot: Karen holds her phone to her ear, gesturing wildly, saying loudly: "Yes, there's a suspicious Black male in our community!" Close-up: Marcus responds quietly through the cracked window: "Ma'am, I'm just waiting for my security detail." Cut to: Three black SUVs suddenly appearing behind Karen, doors slamming simultaneously. Karen spins around, face shifting from anger to confusion as six men in dark suits and earpieces emerge. The camera captures her phone slipping from her hand as the lead agent approaches. No logos, no brand names, no watermarks, no text overlays.
A dimly lit American basement with concrete floors and bare walls. A young white American woman in her thirties lies ...
A dimly lit American basement with concrete floors and bare walls. A young white American woman in her thirties lies on the cold floor, clutching her ribs, breathing shallow and pained. Her face is pale, tear-streaked, determined. One hand stretches toward a shattered smartphone glowing faintly in the shadows. Close-up on her trembling fingers as she pulls the phone closer. The screen cracks are visible, but the call screen shows "Dad" and a timer counting. Her lips barely move as she whispers, "He locked me in." Above her, heavy footsteps cross the ceiling. The camera tilts up toward the locked basement door as the deadbolt scrapes. Her eyes widen. She presses the phone tighter to her ear. A voice from the phone, faint but steady: "Stay awake. I'm coming." Suddenly, a massive BANG from upstairs—wood splintering. Shouts. "Police! Open up!" Her face shifts from fear to shock to fragile hope. Close-up on her eyes as the basement door shakes under impact. Cinematic, grounded realism, harsh shadows, high tension. No logos, no brand names, no watermarks, no text overlays, no subtitles.
In a modern Silicon Valley conference room at night, harsh ring lights illuminate glass walls and city skyline views....
In a modern Silicon Valley conference room at night, harsh ring lights illuminate glass walls and city skyline views. Marcus (early 40s, expensive suit, slicked hair) stands confidently before multiple cameras, addressing his livestream with a practiced smile. Behind him, Diana (late 30s, janitor uniform, hair in ponytail) quietly stocks supplies from a metal cart, moving deliberately. The camera captures a wide shot of the stark contrast: his polished presentation setup versus her humble work. Medium shot: Marcus notices her reflection in his monitor, spins around dramatically, pointing directly at her. His voice booms with condescension: "And this, investors, is what failure looks like." Close-up: Diana stops working, slowly straightens, meets his gaze with calm intelligence. She speaks clearly: "Actually, your blockchain integration is fundamentally flawed." Cut to Marcus's face, smile vanishing, confusion replacing arrogance. The room falls silent except for the hum of equipment. No logos, no brand names, no watermarks, no text overlays.
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