Showcase di Seedance 2.0
Sfoglia le generazioni pubbliche di successo dalla comunità e apri qualsiasi elemento per esaminare il prompt, le impostazioni e il risultato.
create an animation of a woman arriving in the room, sitting on the bed, and opening a book to read, a highly cinemat...
create an animation of a woman arriving in the room, sitting on the bed, and opening a book to read, a highly cinematic setting filmed with a Canon EOS R6 Mark II
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of de...
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of deep blue, grey, and black, punctuated by sickly, ethereal yellows (like the "blue bedroom" and the strange light around figures). The "Graveyard silence" is a color: a heavy, oppressive grey. Camera Work: Smooth, gliding cinematography that feels both intimate and omniscient, like a silent observer. Slow-motion used for moments of surreal impact (e.g., the pendulum, falling dust). Vibe: A waking nightmare. A blend of David Lynch's unsettling domesticity, the visual poetry of Tarkovsky, and the raw, apocalyptic weight of a film like The Road. Shot: Extreme close-up on the protagonist's hands as he grips the blue curtain/energy. The fabric of reality is fraying. Effect: The "thread of time" is visualized as a single, glowing silver thread that runs from the protagonist's chest, through the curtain, to the Christ-figure's shears. As the guitar wails, the thread frays and snaps. The protagonist recoils as if physically struck.
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] Seorang anak laki-laki usia 7–9 tahun berwajah ceria dan tampan sedang berlari kecil dengan penuh semangat dan bahagia di taman hijau yang luas saat sore hari. Ia mengenakan setelan baju koko modern warna abu-abu dengan kerah navy dan celana panjang senada. Ekspresi wajahnya tersenyum lebar, terlihat percaya diri dan nyaman. Angin lembut membuat bajunya sedikit bergerak natural saat berlari. Kamera mengikuti dari depan dengan slow motion ringan, pencahayaan golden hour hangat, suasana ceria, natural, cinematic, kualitas high resolution, detail kain terlihat jelas, warna tajam, depth of field lembut dengan background sedikit blur. Mood: happy, energetic, clean, premium product showcase [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since the
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of de...
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of deep blue, grey, and black, punctuated by sickly, ethereal yellows (like the "blue bedroom" and the strange light around figures). The "Graveyard silence" is a color: a heavy, oppressive grey. Camera Work: Smooth, gliding cinematography that feels both intimate and omniscient, like a silent observer. Slow-motion used for moments of surreal impact (e.g., the pendulum, falling dust). Vibe: A waking nightmare. A blend of David Lynch's unsettling domesticity, the visual poetry of Tarkovsky, and the raw, apocalyptic weight of a film like The Road. Shot: The protagonist is now closer to the window. He reaches out a trembling hand to touch the blue curtain, which is no longer cloth, but a shimmering, semi-transparent wall of blue energy. Through it, in the apocalyptic landscape, we see a figure. The Figure: A figure that looks like traditional depictions of Christ, but wrong. His robes are tattered and grey, his face is gaunt and sorrowful. He stands perfectly still, holding not a shepherd's staff, but a giant pair of iron shears. He stares directly at the protagonist.
Robocop police vs. Iron Man, brutal battle
Robocop police vs. Iron Man, brutal battle
barefoot boy underwater in a full wetsuit swimming along a coral reef
barefoot boy underwater in a full wetsuit swimming along a coral reef
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of de...
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of deep blue, grey, and black, punctuated by sickly, ethereal yellows (like the "blue bedroom" and the strange light around figures). The "Graveyard silence" is a color: a heavy, oppressive grey. Camera Work: Smooth, gliding cinematography that feels both intimate and omniscient, like a silent observer. Slow-motion used for moments of surreal impact (e.g., the pendulum, falling dust). Vibe: A waking nightmare. A blend of David Lynch's unsettling domesticity, the visual poetry of Tarkovsky, and the raw, apocalyptic weight of a film like The Road. Shot: A wide shot of the view from the window. It's not the street from before. It's a desolate, apocalyptic landscape under a pitch-black sky with a single, faint star. A long, straight road made of cracked, dry earth stretches towards a horizon of jagged, impossibly tall mountains. Everything is frozen, including a plume of dust in the distance, stopped mid-explosion.
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN G...
[KRITIS - GAMBAR PRODUK WAJIB SAMA PERSIS: Gambar yang diunggah adalah FOTO ASLI produk "produk ini". WAJIB GUNAKAN GAMBAR PRODUK INI SECARA LANGSUNG tanpa modifikasi apapun - jangan generate ulang, jangan modifikasi, jangan reimagine, jangan ubah sedikitpun. Produk di video HARUS merupakan GAMBAR YANG SAMA PERSIS dengan yang diunggah - bentuk 100% IDENTIK, warna 100% IDENTIK, desain 100% IDENTIK, packaging 100% IDENTIK, label 100% IDENTIK, logo 100% IDENTIK, tulisan 100% IDENTIK. DILARANG KERAS mengubah tampilan produk sedikitpun. Produk harus terlihat PERSIS seperti foto aslinya.] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] Buat video iklan TV profesional 15 detik untuk produk Hisyifa [SINGLE PRODUCT IMAGE: Only one product image is provided. Focus ONLY on the main product shown in this image. Do NOT show or include any product packaging, box, or wrapper in the video since there is no reference image for packaging.] [Reference product: HISYIFA - Garam Rukyah & Rendam Spritual (Super Premium ] [PORTRAIT 9:16 vertical format - like smartphone video] [WAJIB BAHASA INDONESIA: Seluruh video ini HARUS dibuat dalam konteks Indonesia. Model/aktor HARUS orang Indonesia asli dengan wajah khas Indonesia/Asia Tenggara (BUKAN bule/caucasian, BUKAN Korea/Jepang/China). Voice over dan narasi HARUS dalam Bahasa Indonesia yang natural seperti native speaker Indonesia.] [Complete all narration before video ends] [CRITICAL TIMING: All voiceover/narration MUST complete by second 13. The final 2 seconds (second 14 an
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of de...
Aesthetic: Super Realistic, Hyper-detailed, with a Gloss of the Surreal. Color Palette: Desaturated, cold tones of deep blue, grey, and black, punctuated by sickly, ethereal yellows (like the "blue bedroom" and the strange light around figures). The "Graveyard silence" is a color: a heavy, oppressive grey. Camera Work: Smooth, gliding cinematography that feels both intimate and omniscient, like a silent observer. Slow-motion used for moments of surreal impact (e.g., the pendulum, falling dust). Vibe: A waking nightmare. A blend of David Lynch's unsettling domesticity, the visual poetry of Tarkovsky, and the raw, apocalyptic weight of a film like The Road. Shot: A low-angle shot from inside the room, looking towards the window. The protagonist (the "I" in the song) is on his knees in the center of the room, his back to us. He's staring at the window. The perspective makes him look small. Surreal/Horror Element: The "street" isn't just looking; it is a giant eye. The window frame is the iris, and the buildings outside, warped and distorted, form the patterns in the iris. It stares unblinking into the room.
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd ...
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd of white American office workers packed shoulder-to-shoulder, phones raised. Jonathan Whitmore, a white American CEO in his mid-40s wearing a sharp navy suit, stands beside a matte-black portable vault with a glowing keypad, his posture smug and dismissive. Daniel Rivera, a white American boy about 11 in worn jeans and a plain hoodie, barefoot and clutching a frayed cleaning rag, steps forward with controlled nerves while his mother in a janitor uniform tenses behind him. The camera starts on a wide shot of the crowd closing in, then cuts to a tight close-up of Jonathan’s smirk as he points at the boy and says, “If you open it, you get the whole hundred million.” Cut to a close-up of Daniel’s steady eyes and trembling fingers hovering over the keypad as he replies, “Say that again on camera.” The room goes silent, tension spiking under a low, pulsing score; no logos, no brand names, no signage, no watermarks, no text overlays.
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd ...
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd of white American office workers packed shoulder-to-shoulder, phones raised. Jonathan Whitmore, a white American CEO in his mid-40s wearing a sharp navy suit, stands beside a matte-black portable vault with a glowing keypad, his posture smug and dismissive. Daniel Rivera, a white American boy about 11 in worn jeans and a plain hoodie, barefoot and clutching a frayed cleaning rag, steps forward with controlled nerves while his mother in a janitor uniform tenses behind him. The camera starts on a wide shot of the crowd closing in, then cuts to a tight close-up of Jonathan’s smirk as he points at the boy and says, “If you open it, you get the whole hundred million.” Cut to a close-up of Daniel’s steady eyes and trembling fingers hovering over the keypad as he replies, “Say that again on camera.” The room goes silent, tension spiking under a low, pulsing score; no logos, no brand names, no signage, no watermarks, no text overlays.
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd ...
In a sleek Manhattan high-rise conference room at midday, cool natural light pours through tall windows onto a crowd of white American office workers packed shoulder-to-shoulder, phones raised. Jonathan Whitmore, a white American CEO in his mid-40s wearing a sharp navy suit, stands beside a matte-black portable vault with a glowing keypad, his posture smug and dismissive. Daniel Rivera, a white American boy about 11 in worn jeans and a plain hoodie, barefoot and clutching a frayed cleaning rag, steps forward with controlled nerves while his mother in a janitor uniform tenses behind him. The camera starts on a wide shot of the crowd closing in, then cuts to a tight close-up of Jonathan’s smirk as he points at the boy and says, “If you open it, you get the whole hundred million.” Cut to a close-up of Daniel’s steady eyes and trembling fingers hovering over the keypad as he replies, “Say that again on camera.” The room goes silent, tension spiking under a low, pulsing score; no logos, no brand names, no signage, no watermarks, no text overlays.
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